Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-9q27g Total loading time: 0 Render date: 2024-07-21T01:17:09.059Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

27 - A Fantasist Reads the Bible and Its Critics

from II - The Wild Joy of Strumming

Edited by
Get access

Summary

Let me begin with a string of disclaimers. I am a Christian, but I shall not write here to promote Christianity. I am a Catholic, but nothing I say here should be taken as Catholic doctrine or as the opinion of my church, for which I have no license to speak. I am neither a theologican nor a biblical scholar. I will boast, however, that I possess a couple of advantages most critics lack: I have actually read and reread the book in question. And I am a writer, the author of some twenty-odd books of my own.

There are insights that result from being of the trade, though separated by the ages. The humblest seaman, given an account of Drake or John Paul Jones, will understand things that have escaped scores of earnest historians. They may not be pivotal or even significant things (at least, not in the opinion of the historians), but they are actual things none the less; and the process of writing has changed far less in the past five thousand years than that of sailing in the past two hundred.

If you carry nothing else away from this humble essay, take this: it is not all that different in the doing. Divine inspiration makes an immense difference, to be sure. Nothing that any modern writer writes can claim the dignity of, say, Samuel. But the authors of the books that make up the Bible were not (as I believe and a multitude of details show) stenographers taking God's dictation, but human beings inspired by Him. And it was as human beings that they wrote, conveying the message of inspiration to their fellows.

This is much nearer the practice of the Greeks than is usually acknowledged, by the way. The Greeks believed that their gods spoke to them through the ‘makings’ of inspired poets, of whom Homer was the first and greatest. The ancient Jews believed that God had spoken through Moses, whom they credited with the authorship of the Pentateuch. The fashion today seems to be to discount both, to say that Moses wrote nothing, and to add that Homer never lived – to contend that the books anciently credited to each were actually written by no one.

Type
Chapter
Information
Shadows of the New Sun
Wolfe on Writing/Writers on Wolfe
, pp. 244 - 248
Publisher: Liverpool University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×