Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-vpsfw Total loading time: 0 Render date: 2024-07-21T22:11:55.318Z Has data issue: false hasContentIssue false

1 - Introduction

Published online by Cambridge University Press:  06 January 2010

Hugh Craig
Affiliation:
University of Newcastle, New South Wales
Arthur F. Kinney
Affiliation:
University of Massachusetts, Amherst
Get access

Summary

One of the earliest champions of language in Shakespeare's time was Thomas Wilson. In The Arte of Rhetorique (1553) he declares that

Suche force hath the tongue, and such is the power of eloquence and reason, that most men are forced euen to yelde in that, whiche most standeth againste their will. And therfore the Poetes do feyne that Hercules being a man of greate wisdome, had all men lincked together by the eares in a chaine, to draw them and leade them euen as he lusted. For his witte was so greate, his tongue so eloquente, & his experience suche, that no one man was able to withstand his reason, but euerye one was rather driuen to do that whiche he woulde, and to wil that whiche he did, agreeing to his aduise both in word & worke, in all that euer they were able.

Neither can I see that menne coulde haue bene broughte by anye other meanes to lyue together in felowshyppe of life, to mayntayne Cities, to deale trulye, and willyngelye to obeye one another, if menne at the firste hadde not by Art and eloquence perswaded that, which they ful oft found out by reason.

(sigs. A3v–A4r)

At the time such ideas were not especially original – the works of Aristotle and Cicero in the Tudor grammar schools had made them commonplace – but Wilson's ambition and vision are nevertheless unusual.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sidney, Philip, A Defence of Poetry, in Miscellaneous Prose of Sir Philip Sidney, ed. Duncan-Jones, K. and Dorsten, J. (Oxford: Clarendon Press, 1973), p. 77.CrossRefGoogle Scholar
Love, H., Attributing Authorship: An Introduction (Cambridge: Cambridge University Press, 2002), p. 222.CrossRefGoogle Scholar
Carey, J., What Good Are the Arts? (London: Faber and Faber, 2005), p. 65.Google Scholar
Pinker, S., The Language Instinct (London: Penguin, 1994), p. 18.CrossRefGoogle Scholar
Lancashire, I., ‘Cognitive Stylistics and the Literary Imagination’, in A Companion to Digital Humanities, ed. Schreibman, S., Siemens, R., and Unsworth, J. (Oxford: Blackwell, 2004), pp. 397–414 (p. 408).Google Scholar
Craig, H., ‘“An Image of the Times”: Ben Jonson's Revision of Every Man in His Humour’, English Studies, 82 (2001), 14–33.CrossRefGoogle Scholar
Spence, Joseph, Observations, Anecdotes, and Characters of Books and Men, ed. Osborn, J. M. (Oxford: Clarendon Press, 1966), 2 vols., Vol. I, pp. 171–2.Google Scholar
Hoover, D. L., ‘Corpus Stylistics, Stylometry, and the Styles of Henry James’, Style, 41 (2007), 160–89.Google Scholar
Garner, H., ‘I’, in The Best Australian Essays 2002, ed. Craven, P. (Melbourne: Black Inc., 2002), p. 152.Google Scholar
Bennett, A., The Author (London: Routledge, 2005), p. 113.Google Scholar
Craig, D. H., ‘Plural Pronouns in Roman Plays by Shakespeare and Jonson’, Literary and Linguistic Computing, 6 (1991), 180–6.CrossRefGoogle Scholar
Lancashire, I., ‘Empirically Determining Shakespeare's Idiolect’, Shakespeare Studies, 25 (1997), 171–85 (pp. 178–80).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×