Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Prologue: Introducing Shakespeare the Bodger
- 1 Shakespeare’s Ingenuity: Humanism, Materialism, and One Early Modern Self
- 2 “Your sorrow was too sore laid on”: Portraying the Subject of Ekphrasis
- 3 Julio at the Crossroads: Sex and Transfiguration in the Court of Sicilia
- 4 What Did Hermione’s Statue Look Like? The Four Ladies of Mantua and the Science of True Opinion
- 5 “A sad tale’s best for winter,” but for spring a comedy is better: Time, Turn, and Genre(s) in The Winter’s Tale
- Epilogue: Bodging Theatrical Faith
- Bibliography
- Index
List of Figures
Published online by Cambridge University Press: 19 October 2023
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Prologue: Introducing Shakespeare the Bodger
- 1 Shakespeare’s Ingenuity: Humanism, Materialism, and One Early Modern Self
- 2 “Your sorrow was too sore laid on”: Portraying the Subject of Ekphrasis
- 3 Julio at the Crossroads: Sex and Transfiguration in the Court of Sicilia
- 4 What Did Hermione’s Statue Look Like? The Four Ladies of Mantua and the Science of True Opinion
- 5 “A sad tale’s best for winter,” but for spring a comedy is better: Time, Turn, and Genre(s) in The Winter’s Tale
- Epilogue: Bodging Theatrical Faith
- Bibliography
- Index
Summary
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- Chapter
- Information
- Shakespeare the BodgerIngenuity, Imitation and the Arts of The Winter's Tale, pp. vi - viiPublisher: Edinburgh University PressPrint publication year: 2023