Book contents
- Frontmatter
- ADVERTISEMENT
- Contents
- I AGORÈ OR THE POLITIES OF THE HOMERIC AGE
- II ILIOS
- III THALASSA
- EXCURSUS I
- EXCURSUS II
- IV AOIDOS
- SECT. I On the Plot of the Iliad
- SECT. II The Sense of Beauty in Homer: human, animal, and inanimate
- SECT. III Homer's perception and use of Number
- SECT. IV Homer's Perceptions and Use of Colour
- SECT. V Homer and some of his Successors in Epic Poetry: in particular, Virgil and Tasso
- SECT. VI Some principal Homeric Characters in Troy. Rector: Helen: Paris
- SECT. VII The declension of the great Homeric Characters in the later Tradition
- Plate section
SECT. II - The Sense of Beauty in Homer: human, animal, and inanimate
Published online by Cambridge University Press: 05 October 2010
- Frontmatter
- ADVERTISEMENT
- Contents
- I AGORÈ OR THE POLITIES OF THE HOMERIC AGE
- II ILIOS
- III THALASSA
- EXCURSUS I
- EXCURSUS II
- IV AOIDOS
- SECT. I On the Plot of the Iliad
- SECT. II The Sense of Beauty in Homer: human, animal, and inanimate
- SECT. III Homer's perception and use of Number
- SECT. IV Homer's Perceptions and Use of Colour
- SECT. V Homer and some of his Successors in Epic Poetry: in particular, Virgil and Tasso
- SECT. VI Some principal Homeric Characters in Troy. Rector: Helen: Paris
- SECT. VII The declension of the great Homeric Characters in the later Tradition
- Plate section
Summary
The idea of Beauty, especially as it is connected with its most signal known manifestation in the human form, and again the Φθορà, or corruption of that idea, have each their separate course and history in the religion and manners, as well as in the arts, of Greece. By the idea of Beauty, I mean here the conception of it in the human mind as a pure and wonderful essence, nearly akin to the Divine; derived from heaven, and both continually and spontaneously tending to revert to its source. By the corruption of that idea, I mean the conception of it either mainly or wholly with reference to animal enjoyment; sometimes within, and sometimes beyond, the laws of Nature.
In the works of Homer, we find the first of these conceptions exceedingly prominent and powerful. It approaches almost to a worship: and yet is scarcely at all tainted with the second, scarcely presents the smallest deflection from the very loftiest type Homer, that is to say, in the Homeric descriptions of human characters and life, we never find Beauty and Vice pleasurably associated: he seems to have felt in the sanctuary of his mind as much at least as this, if not more; that a derogation from purity involved of itself a descent from the highest to a lower form of beauty : and therefore he never associates his highest descriptions of beauty with vice: differing in this not only from so many heathen, but even from many Christian authors.
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- Information
- Studies on Homer and the Homeric Age , pp. 397 - 424Publisher: Cambridge University PressPrint publication year: 2010First published in: 1858