Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gvh9x Total loading time: 0 Render date: 2024-07-22T17:19:35.238Z Has data issue: false hasContentIssue false

14 - Somatic Style

Published online by Cambridge University Press:  05 November 2012

Richard Shusterman
Affiliation:
Florida Atlantic University
Get access

Summary

I

Style is a crucial feature in the arts; not only the fine arts but also in the practical arts of fashion, jewelry, fragrance, cuisine, and product and graphic design. To appreciate how the body is likewise central to the arts, we need only to recognize its crucial role in style. Yet one of America's greatest minds and finest stylists, Ralph Waldo Emerson, has affirmed, “A man's style is his mind's voice. Wooden minds have wooden voices.” If Emerson here defines style through the notion of mind, it is not to deny the somatic dimension of style. Style is essentially embodied, as Emerson's reference to voice clearly implies. Vocalization is clearly a bodily act, involving one's breath, vocal chords, and mouth. Moreover, the materiality of the mind's expression in style is further suggested in Emerson's reference to wooden minds and wooden voices. If we look at the concept of style through etymology, however, we find its somatic roots not in the orality of voice but rather in the bodily gesture of inscription. The word derives from the Latin word stylus, one of whose primary meanings was a sharp instrument used by the Romans for writing and engraving on wax tablets. It thus came, by implication, to convey more generally the method of writing or engraving with any sharp or pointed instrument, such action involving some somatic skill.

From a particular physical tool or method of writing (one notably different from the traditional Chinese use of a soft brush), style's primary meaning has evolved into a more abstract, literary, and lofty sense. Not merely a means of writing or making other kinds of signs, style has become an aesthetic quality whose creation and appreciation forms part of the end of writing and is indeed sought and cherished for its own intrinsic value. Some theorists, however, appeal to style's homely instrumental origin in order to insist that we should confine its role to a practical means for conveying thoughts, so as to ensure that style will not distract from clarity and honesty of communication.

Type
Chapter
Information
Thinking through the Body
Essays in Somaesthetics
, pp. 315 - 338
Publisher: Cambridge University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Emerson, Ralph WaldoJournals of Ralph Waldo EmersonBostonHoughton Mifflin 1910Google Scholar
Thoreau, Henry DavidThomas Carlyle and His WorksMiscellanies by Henry David ThoreauBostonHoughton, Mifflin and Co. 1894 99Google Scholar
Shusterman, RichardSomaesthetics: A Disciplinary ProposalJournal of Aesthetics and Art Criticism 57 1999 302CrossRefGoogle Scholar
Perry, Ralph BartonThe Thought and Character of William JamesBostonLittle, Brown 1935Google Scholar
Holroyd, MichaelLytton Strachey: A BiographyLondonPenguin 1971 199, 201Google Scholar
Spater, G.Parsons, I.A Marriage of True Minds: An Intimate Portrait of Leonard and Virginia WoolfLondonHogarth 1972 32Google Scholar
Russell, BertrandThe Autobiography of Bertrand Russell, 1872–1914LondonAllen & Unwin 1967 90Google Scholar
Woolf, LeonardSowing, An Autobiography of the Years 1880 to 1904New YorkHarcourt, Brace 1960 144, 151Google Scholar
Keynes, J.M.My Early BeliefsEssays and Sketches in BiographyNew YorkMeridian 1956 243Google Scholar
Malcolm, NormanWittgenstein: A MemoirOxfordOxford University Press 1985 23Google Scholar
Wittgenstein, LudwigPhilosophical InvestigationsOxfordBlackwell 1968Google Scholar
Culture and ValueWinch, PeterOxfordBlackwell 1980Google Scholar
Gibbon, EdwardMemoirs of My Life and Writings, in Miscellaneous works of Edward Gibbon, Esquire. With memoirs of his life and writings, composed by himself: illustrated from his letters, with occasional notes and narrative by John Lord SheffieldBaselJ.J. Tourneisen 1796Google Scholar
Ames, RogerRosemont, HenryThe Analects of Confucius: A Philosophical TranslationNew YorkBallantine 1998 78, 121Google Scholar
Dobson, W.A.C.H.Mencius: A New TranslationTorontoUniversity of Toronto Press 1963CrossRefGoogle Scholar
Lau, D.C.MenciusLondonPenguin 1970 124Google Scholar
Chesterfield, Letters to His Son: On the Fine Art of Becoming a Man of the World and a GentlemanNew YorkTudor 1937Google Scholar
Pascal, BlaisePenséesLondonPenguin 1966Google Scholar
Shikibu, MurasakiThe Tale of GenjiNew YorkKnopf 2001 739Google Scholar
Meltzoff, A.N.Moore, M.K. 1977
Imitation, Memory, and the Representation of PersonsInfant Behavior and Development 17 1994 83CrossRef
Montero, BarbaraJournal of Aesthetics and Art Criticism 64 2006CrossRef
Wittgenstein, LudwigCulture and ValueOxfordBlackwell 1980Google Scholar
Mencken, H.L.Literature and the Schoolm'amPrejudices: Fifth SeriesNew YorkOctagon Books 1977 197Google Scholar
Porter, Katherine AnneWomen Writers at Work: The Paris Review InterviewsNew YorkModern Library 1998 53Google Scholar
Shusterman, RichardPragmatist Aesthetics: Living Beauty, Rethinking ArtOxfordBlackwell 1992 93New YorkRoutledge 1997Google Scholar
Thoreau, Henry DavidWalden and Other WritingsNew YorkModern Library 2000Google Scholar
, PlotinusThe EnneadsCambridge, MAHarvard University Press 1966Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Somatic Style
  • Richard Shusterman, Florida Atlantic University
  • Book: Thinking through the Body
  • Online publication: 05 November 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139094030.019
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Somatic Style
  • Richard Shusterman, Florida Atlantic University
  • Book: Thinking through the Body
  • Online publication: 05 November 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139094030.019
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Somatic Style
  • Richard Shusterman, Florida Atlantic University
  • Book: Thinking through the Body
  • Online publication: 05 November 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139094030.019
Available formats
×