Book contents
- Frontmatter
- Contents
- Acknowledgments
- Abbreviations
- 1 Transatlantic Transcendentalism
- 2 Coleridge and Boston Transcendentalism
- 3 Nature: Philosophy and the “Riddle of the World”
- 4 The Landing Place: “Distinguishing without Dividing” and Coleridge's Method
- 5 Humanity: “Art is the Mediatress, The Reconciliator of Man and Nature”
- 6 Spirit: “An Influx of the Divine Mind”
- 7 Emerson's Nature: Coleridge's Method and the Romantic Triad
- 8 Coleridge and Vermont Transcendentalism
- Notes
- Bibliography
- Index
4 - The Landing Place: “Distinguishing without Dividing” and Coleridge's Method
Published online by Cambridge University Press: 05 October 2013
- Frontmatter
- Contents
- Acknowledgments
- Abbreviations
- 1 Transatlantic Transcendentalism
- 2 Coleridge and Boston Transcendentalism
- 3 Nature: Philosophy and the “Riddle of the World”
- 4 The Landing Place: “Distinguishing without Dividing” and Coleridge's Method
- 5 Humanity: “Art is the Mediatress, The Reconciliator of Man and Nature”
- 6 Spirit: “An Influx of the Divine Mind”
- 7 Emerson's Nature: Coleridge's Method and the Romantic Triad
- 8 Coleridge and Vermont Transcendentalism
- Notes
- Bibliography
- Index
Summary
Among my earliest impressions I still distinctly remember that of my first entrance into the mansion of a neighboring Baronet … Beyond all other objects, I was most struck with the magnificent stair-case, relieved at well proportioned intervals by spacious landing-places, this adorned with grand or shewy plants, the next looking out on an extensive prospect through the stately window with its side panes of rich blues and saturated amber or orange tints: while from the last and highest the eye commanded the whole spiral ascent with the marbled pavement of the great hall from which it seemed to spring up as if it merely used the ground on which it rested. My readers will find no difficulty in translating these forms of the outward senses into their intellectual analogies, so as to understand the purport of the Friend's LANDING-PLACES, and the objects, he proposed to himself, in the small groups of Essays interposed under this title between the main divisions of the work.
(S. T. Coleridge)The image of a grand spiral staircase, interspersed with “landing-places” between floors, fascinated Coleridge as a child. The landing place was a place to pause, reflect, and gaze around, simultaneously engaging different perspectives of high and low, near and far, subsequently exercising various powers of vision. Coleridge's The Friend included “essays interposed for amusement, retrospect and preparation” in between sections.
- Type
- Chapter
- Information
- Transatlantic TranscendentalismColeridge, Emerson and Nature, pp. 54 - 75Publisher: Edinburgh University PressPrint publication year: 2013