Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-5c6d5d7d68-pkt8n Total loading time: 0 Render date: 2024-08-15T03:39:27.129Z Has data issue: false hasContentIssue false

References

Published online by Cambridge University Press:  16 August 2019

William Shakespeare
Edited by
Elizabeth Schafer
Elizabeth Schafer
Affiliation:
Royal Holloway, University of London
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Twelfth Night , pp. 230 - 241
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Promptbooks

1811

Kemble, published pbk, Brown, John Russell (ed.), ‘Twelfth Night’: J. P. Kemble, 1811, A Facsimile Published by Cornmarket Press, London: 1971.

Wister collection pbk, Folger Library (see Shattuck 1974); S6 FL; Garrick Club; FL 38 (not in Shattuck).

1820

Reynolds S7 FL.

1833

Shirreff S9 FL.

1840

Vestris S10 HTC.

1848

Phelps S11 FL.

1850s

Anon. S12 NYPL.

Burton S18 FL.

c. 1850

Hamblin S13 HTC.

1850

Kean S14 FL.

1851

Wright S16 NYPL.

1852

Burton S17 FL.

c. 1854

Barry S19 HTC.

1856

J. B. Buckstone S20, S21 FL.

1864

Conway S23 NYPL.

1867

Buckstone S24 FL.

1869

Daly S25 FL.

1873

Calvert, published pbk, Manchester: Alex Ireland and Co.

1878

Neilson S26 FL.

1883

Modjeska, published pbk, Indianapolis: Hasselman-Journal Co. Stereotypes.

1884

Irving, published pbk, London: Chiswick Press, 1884.

S28, S29 FL. S28 is marked up with Irving’s stresses in the role of Malvolio.

1887

Marlowe S30 MCNY.

1890s

pbks created by George Becks S31, S32 NYPL.

1892

Benson S44 SC; FL TN39 (not listed in Shattuck).

1893

Daly published pbk Twelfth Night, ed. Augustin Daly, as produced at Daly’s Theatre 21 February 1893, privately printed from the promptbook. S34, S35, S36, S40 FL; S37, S38, S39, S41 NYPL.

c. 1900

Grove S53 FL.

1901

Lahore S45 NYPL.

Tree (1901) S46, S47, S48, S49, S51, S52 BTC; S50 FL.

1903

Allen S55 HTC; S54, S56 FL; S57 NYPL.

Poel S43 (listed as 1897) V&A.

1905

Marlowe and Sothern, published pbk, The William Warren Edition of Standard Plays, Boston: Walter H. Baker & Co. (1907?); S58, S59, S60, S68 FL; S64 MCNY; S62, S63 NYPL.

1907

Ames S71, S72, S73 (partbooks), S78 NYPL.

1908

Anglin S75, S76, S77 NYPL.

1910

Calvert S72 NYPL.

1911

Casson S79 V&A.

1912

Barker University of Michigan Library. Published as Shakespeare’s Comedy of ‘Twelfth Night’: An Acting Edition with a Producer’s Preface, London: William Heinemann, 1912.

1915

Jewett S81 FL.

1920–34

W. Bridges-Adams S87, S88 SC.

1921

Lena Ashwell S83 BCL.

1922

Jeans S84 NYPL.

1926

Le Gallienne S85 MCNY.

1930

Leigh S86 NYPL.

1934

Adams S89.

Atkins BCL.

1936

Cresswell BCL.

1937

Morgan BCL and FL.

1939

Hentschel S92 SC.

1943

Rosmer S93 SC.

1944

John Moody BTC.

1945

Atkins S94 SC.

1947

Cresswell BCL.

Hudd S95 SC.

Rose BCL.

1948

Guinness BTC (2 pbks).

1950

Clayton BCL.

Hunt BTC.

1952

Watts BCL.

1954

Carey BTC.

1955

Gielgud S96 SC.

1956

Gibson BCL.

1957

Guthrie SO (2 pbks).

Moody BTC.

Wrede and Elliott BCL.

1958

Benthall BTC (17 part books).

1961

Graham BTC.

Helpmann BTC.

1966

William SO (3 pbks).

1968

Tuckey BTC.

Robertson, Performing Arts Museum, Melbourne.

1969

Barton SC (2 pbks: 1970, 1971).

1973

James National Theatre archive, London.

1974

Gill SC (2 pbks: 1974, and 1975 London production, restaged by Colin Cook).

1975

David Jones SO (2 pbks).

1977

Bell, Mitchell Library, NSW (3 pbks). Most references are to the stage manager’s pbk. Pbk 2 is marked up for Malvolio; pbk 3 is marked up for Olivia.

1978

Amiel SC.

Elliott, Manchester Royal Exchange Theatre.

Robertson V&A.

1979

Hands SC.

1980

Phillips SO (2 pbks).

1983

Caird SC.

1985

Giles SO; CBC TV recording 1986.

1986–7

Donnellan V&A.

1987

Alexander SC.

1988

Phillips SO (3 pbks).

1989

Rayne SC.

1991

Hopkins SO (3 pbks).

Jones SC.

Ross, Battye Library, Perth WA.

1994

Hay BTC.

Judge SC.

Monette SO (2 pbks).

1995

Fenton, Performing Arts Museum, Melbourne.

1998

Hodgman, Melbourne Theatre Company archive.

2001

Cimolino SO.

Posner SC.

2002

Carroll, Shakespeare’s Globe archive.

Mendes, Donmar Warehouse archive.

2003

Bailey, Manchester Royal Exchange Theatre.

2004

Unwin (published cut text: London: Oberon Books, Absolute Shakespeare).

2005

Boyd SC.

2006

Rubin SO (3 pbks).

Kemble, published pbk, Brown, John Russell (ed.), ‘Twelfth Night’: J. P. Kemble, 1811, A Facsimile Published by Cornmarket Press, London: 1971.

Wister collection pbk, Folger Library (see Shattuck 1974); S6 FL; Garrick Club; FL 38 (not in Shattuck).

Reynolds S7 FL.

Shirreff S9 FL.

Vestris S10 HTC.

Phelps S11 FL.

Anon. S12 NYPL.

Burton S18 FL.

Hamblin S13 HTC.

Kean S14 FL.

Wright S16 NYPL.

Burton S17 FL.

Barry S19 HTC.

J. B. Buckstone S20, S21 FL.

Conway S23 NYPL.

Buckstone S24 FL.

Daly S25 FL.

Calvert, published pbk, Manchester: Alex Ireland and Co.

Neilson S26 FL.

Modjeska, published pbk, Indianapolis: Hasselman-Journal Co. Stereotypes.

Irving, published pbk, London: Chiswick Press, 1884.

S28, S29 FL. S28 is marked up with Irving’s stresses in the role of Malvolio.

Marlowe S30 MCNY.

pbks created by George Becks S31, S32 NYPL.

Benson S44 SC; FL TN39 (not listed in Shattuck).

Daly published pbk Twelfth Night, ed. Augustin Daly, as produced at Daly’s Theatre 21 February 1893, privately printed from the promptbook. S34, S35, S36, S40 FL; S37, S38, S39, S41 NYPL.

Grove S53 FL.

Lahore S45 NYPL.

Tree (1901) S46, S47, S48, S49, S51, S52 BTC; S50 FL.

Allen S55 HTC; S54, S56 FL; S57 NYPL.

Poel S43 (listed as 1897) V&A.

Marlowe and Sothern, published pbk, The William Warren Edition of Standard Plays, Boston: Walter H. Baker & Co. (1907?); S58, S59, S60, S68 FL; S64 MCNY; S62, S63 NYPL.

Ames S71, S72, S73 (partbooks), S78 NYPL.

Anglin S75, S76, S77 NYPL.

Calvert S72 NYPL.

Casson S79 V&A.

Barker University of Michigan Library. Published as Shakespeare’s Comedy of ‘Twelfth Night’: An Acting Edition with a Producer’s Preface, London: William Heinemann, 1912.

Jewett S81 FL.

W. Bridges-Adams S87, S88 SC.

Lena Ashwell S83 BCL.

Jeans S84 NYPL.

Le Gallienne S85 MCNY.

Leigh S86 NYPL.

Adams S89.

Atkins BCL.

Cresswell BCL.

Morgan BCL and FL.

Hentschel S92 SC.

Rosmer S93 SC.

John Moody BTC.

Atkins S94 SC.

Cresswell BCL.

Hudd S95 SC.

Rose BCL.

Guinness BTC (2 pbks).

Clayton BCL.

Hunt BTC.

Watts BCL.

Carey BTC.

Gielgud S96 SC.

Gibson BCL.

Guthrie SO (2 pbks).

Moody BTC.

Wrede and Elliott BCL.

Benthall BTC (17 part books).

Graham BTC.

Helpmann BTC.

William SO (3 pbks).

Tuckey BTC.

Robertson, Performing Arts Museum, Melbourne.

Barton SC (2 pbks: 1970, 1971).

James National Theatre archive, London.

Gill SC (2 pbks: 1974, and 1975 London production, restaged by Colin Cook).

David Jones SO (2 pbks).

Bell, Mitchell Library, NSW (3 pbks). Most references are to the stage manager’s pbk. Pbk 2 is marked up for Malvolio; pbk 3 is marked up for Olivia.

Amiel SC.

Elliott, Manchester Royal Exchange Theatre.

Robertson V&A.

Hands SC.

Phillips SO (2 pbks).

Caird SC.

Giles SO; CBC TV recording 1986.

Donnellan V&A.

Alexander SC.

Phillips SO (3 pbks).

Rayne SC.

Hopkins SO (3 pbks).

Jones SC.

Ross, Battye Library, Perth WA.

Hay BTC.

Judge SC.

Monette SO (2 pbks).

Fenton, Performing Arts Museum, Melbourne.

Hodgman, Melbourne Theatre Company archive.

Cimolino SO.

Posner SC.

Carroll, Shakespeare’s Globe archive.

Mendes, Donmar Warehouse archive.

Bailey, Manchester Royal Exchange Theatre.

Unwin (published cut text: London: Oberon Books, Absolute Shakespeare).

Boyd SC.

Rubin SO (3 pbks).

See also S102 FL Twelfth Night 2, 7, 8, 22, 26, 27, 35; Nugent Monck pbk V&A; Martita Hunt pbk V&A (no production details).

Video records of performance

1975

David Jones SO.

1979

Hands SC.

1980

Phillips SO.

1982

Mnouchkine, Drama department, University of Kent.

1983

Caird SC.

1985

Giles SO.

1987

Alexander SC.

1988

Phillips SO.

1991

Hopkins SO.

Jones SC.

1994

Monette SO (2 pbks).

Judge, RSC, Theatre Museum, 26 August 1995, Barbican Theatre.

2000

Roxburgh, Company B, Belvoir Street archive.

2001

Cimolino SO.

Posner SC.

2002

Carroll, Shakespeare’s Globe archive, Middle Temple and Globe production.

2004

Freeman, DVD Bell Shakespeare Company archive (30 October 2004).

2005

Boyd SC.

2006

Rubin SO.

David Jones SO.

Hands SC.

Phillips SO.

Mnouchkine, Drama department, University of Kent.

Caird SC.

Giles SO.

Alexander SC.

Phillips SO.

Hopkins SO.

Jones SC.

Monette SO (2 pbks).

Judge, RSC, Theatre Museum, 26 August 1995, Barbican Theatre.

Roxburgh, Company B, Belvoir Street archive.

Cimolino SO.

Posner SC.

Carroll, Shakespeare’s Globe archive, Middle Temple and Globe production.

Freeman, DVD Bell Shakespeare Company archive (30 October 2004).

Boyd SC.

Rubin SO.

Production details based on personal observations

2002

Carroll – viewed 4 September

Mendes – viewed 25 November

2003

Donnellan – viewed 15 June 2006 Barbican Theatre, London

2004

Beresford – viewed 18 September

Unwin – viewed 23 October

Farr – viewed 6 November

2005

Mason – viewed 13 October

Boyd – viewed 20 December

2007

Hall – viewed 6 January

Franks – viewed 8 August

Bartlett – viewed 1 September

Carroll – viewed 4 September

Mendes – viewed 25 November

Donnellan – viewed 15 June 2006 Barbican Theatre, London

Beresford – viewed 18 September

Unwin – viewed 23 October

Farr – viewed 6 November

Mason – viewed 13 October

Boyd – viewed 20 December

Hall – viewed 6 January

Franks – viewed 8 August

Bartlett – viewed 1 September

Books and articles

Appler, Keith, ‘Deconstructing the Regional Theater with “Performance Art” Shakespeare’, Theater Topics 5.1 (March 1995): 35–51.CrossRefGoogle Scholar
Astington, John, ‘Malvolio and the Dark House’, Shakespeare Survey 41: 55–62.Google Scholar
Atkins, Robert, An Unfinished Autobiography, ed. Rowell, George, with contributions from Trewin, J. C., Sprague, A. C., London: Society for Theatre Research, 1994.Google Scholar
Babula, William, Shakespeare in Production, 1935–1978, New York: Garland, 1981.Google Scholar
Barnet, Sylvan, ‘Charles Lamb and the Tragic Malvolio’, Philological Quarterly 33 (1954): 178–88.Google Scholar
Bawcutt, N. W., The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels 1623–73, Oxford: Clarendon Press, 1996.Google Scholar
Billington, Michael, Directors’ Shakespeare: Approaches to ‘Twelfth Night’, London: Nick Hern, 1990.Google Scholar
Bingham, Madeline, Henry Irving and The Victorian Theatre, London: George Allen and Unwin, 1978.Google Scholar
Blakemore, Michael, Arguments with England, London: Faber and Faber, 2005.Google Scholar
Boaden, James, The Life of Mrs. Jordan, 2nd edn., Vol. 1, London: Edward Bull, 1831.Google Scholar
Brady, Frank, Citizen Welles: A Biography of Orson Welles, New York: Charles Scribner, 1989.Google Scholar
Branagh, Kenneth, Beginning, London: Chatto and Windus, 1989; Pan Books 1990.Google Scholar
Brissenden, Alan, ‘Shakespeare in Adelaide: Professionals and Progressive Amateurs’ in Brave New World, ed. Golder, John and Madelaine, Richard, pp. 143–62.Google Scholar
Brockbank, Philip, ‘Recent Years’ in Twelfth Night, ed. Donno, Elizabeth Story.Google Scholar
Brown, John Russell (ed.), Twelfth Night, The Applause Shakespeare Library, New York: Applause Theatre Books, 2001.Google Scholar
Burnaby, William, Love Betrayed, 1703, London: Cornmarket Press Facsimile, 1969.Google Scholar
Burt, Richard, ‘The Love that Dare Not Speak Shakespeare’s Name: New Shakesqueer Cinema’ in Shakespeare, the Movie: Popularising the Plays on Film, TV, and Video, ed. Boose, Lynda E. and Burt, Richard, London: Routledge, 1997: 240–68.Google Scholar
Carnegie, David, ‘“Maluolio within”: Performance Perspectives on the Dark House’, Shakespeare Quarterly 52.3, 2001: 393–414.CrossRefGoogle Scholar
Cary, Elisabeth Luther, ‘Shakespeare’s Viola’, The Lamp 28.4 (May 1904): 275–85.Google Scholar
Chen, Yilin, ‘The Portrayals of “the Woman’s Part” in Twelfth Night: Social Influences on the Transformation of Viola and Olivia in Performance’, unpublished Ph.D. thesis, University of London, 2008.Google Scholar
Clayton, Thomas, ‘Shakespeare at the Guthrie: Twelfth Night’, Shakespeare Quarterly 36 (1985): 353–9.CrossRefGoogle Scholar
Cole, John William, The Life and Theatrical Times of Charles Kean including a Summary of the English Stage for the Last Fifty Years and a Detailed Account of the Management of the Princess’s Theatre from 1850 to 1859, 2 vols., 2nd edn., London: Richard Bentley, 1860.Google Scholar
Coleman, Peter, The Real Barry Humphries, London: Robson Books, 1990.Google Scholar
Coursen, H. R., ‘Disguise in Trevor Nunn’s Twelfth Night’ in Shakespeare in Performance: A Collection of Essays, ed. Occhiogrosso, Frank, London: Associated University Presses, 2003: 84–92.Google Scholar
Crosse, Gordon, Shakespearean Playgoing 1890–1952, London: A. R. Mowbray, 1953.Google Scholar
Dash, Irene, Women’s Worlds in Shakespeare’s Plays, London: Associated University Presses, 1997.Google Scholar
David, Richard, ‘Shakespeare in the Waterloo Road’ Shakespeare Survey 5 (1952): 121–8.Google Scholar
Davies, Oliver Ford, Performing Shakespeare, London: Nick Hern Books, 2007.Google Scholar
Dean, Winton, ‘Shakespeare in the Opera House,’ Shakespeare Survey 18 (1965): 75–93.Google Scholar
Digges, Leonard, ‘Upon Master William Shakespeare, the Deceased Authour, and his Poems’, prefatory matter to Poems: written by Wil. Shakespeare Gent., London, 1640.Google Scholar
Dobson, Michael, ‘Shakespeare Performances in England, 2001’, Shakespeare Survey 55 (2002): 309–10.CrossRefGoogle Scholar
Downes, John, Roscuis Anglicanus, ed. Summers, Montague, London: The Fortune Press, n.d.Google Scholar
Dunbar, Mary Judith, ‘Review: Richard II and Twelfth Night at Santa Cruz’, Shakespeare Quarterly 38 (1987): 220–5.CrossRefGoogle Scholar
Dymkowski, Christine, Harley Granville Barker: A Preface to Modern Shakespeare, London and Toronto: Associated University Presses, 1986.Google Scholar
Edmondson, Paul, The Shakespeare Handbooks: ‘Twelfth Night’, Basingstoke: Palgrave Macmillan, 2005.Google Scholar
Elam, Keir (ed.), Twelfth Night, Shakespeare, William, Arden Shakespeare, Third Series, London: Arden Shakespeare, 2008.Google Scholar
Evans, Maurice, All This and Evans Too!: A Memoir, University of Carolina Press: 1987.Google Scholar
Ewbank, Inga-Stina, ‘As They Liked It: Shakespearean Comedy goes Continental’ in Victorian Shakespeare, Volume 1: Theatre, Drama and Performance, ed. Marshall, Gail and Poole, Adrian, Houndmills: Palgrave Macmillan, 2003: 128–45.Google Scholar
Favorini, Attilio, untitled review of Twelfth Night, Educational Theatre Journal 28 (May 1976): 268–70.CrossRefGoogle Scholar
Felheim, Marvin, The Theater of Augustin Daly: An Account of the Late Nineteenth Century American Stage, Cambridge, Mass.: Harvard University Press, 1956.CrossRefGoogle Scholar
Fielding, Emma, Actors on Shakespeare: ‘Twelfth Night’, London: Faber, 2002.Google Scholar
Foulkes, Richard, Performing Shakespeare in the Age of Empire, Cambridge: Cambridge University Press, 2002.Google Scholar
Foulkes, Richard ‘Touchstone for the Times: Victorians in the Forest of Arden’ in Victorian Shakespeare, Volume 1: Theatre, Drama and Performance, ed. Marshall, Gail and Poole, Adrian, Basingstoke: Palgrave Macmillan, 2003: 146–60.Google Scholar
France, Richard, The Theatre of Orson Welles, Lewisburg: Bucknell University Press, 1977.Google Scholar
Freeman, A., ‘Malvolio’s Revenge’, unpublished playscript 1939 (BCL).Google Scholar
Furness, Horace Howard (ed.), Twelfth Night, Shakespeare, William, New Variorum Edition, Philadelphia: J. B. Lippincott, 1901.Google Scholar
Gay, Penny, As She Likes It, London: Routledge, 1994.Google Scholar
Gay, Penny ‘Introduction’ to Twelfth Night, Cambridge: Cambridge University Press, 1985, 2003.Google Scholar
Genest, John, Some Account of the English Stage from the Restoration in 1660 to 1830, 10 vols., Bath: Carrington, 1832.Google Scholar
Gielgud, John, An Actor in His Time, London: Sidgwick and Jackson, 1979.Google Scholar
Gielgud, John Gielgud’s Letters, ed. Mangan, Richard, London: Weidenfeld and Nicolson, 2005.Google Scholar
Godshalk, W. L., ‘The Shakespeare Festival of Cincinnati’, Shakespeare Quarterly 30 (1979): 210–12.CrossRefGoogle Scholar
Granville-Barker, Harley, Prefaces to Shakespeare, Volume I, London: B. T. Batsford, 1963.Google Scholar
Greif, Karen, ‘A Star Is Born: Feste on the Modern Stage’, Shakespeare Quarterly 39 (1988): 61–78.CrossRefGoogle Scholar
Guinness, Alec, Blessings in Disguise, London: Hamish Hamilton, 1985, reissued Harmondsworth: Penguin Books, 1997.Google Scholar
Guthrie, Tyrone, Introduction to and commentary on Twelfth Night, based on a text by G. B. Harrison, The New Stratford Shakespeare, Toronto: Clarke Irwin and Co., n.d.Google Scholar
Hall, Peter, Making an Exhibition of Myself, London: Sinclair-Stevenson, 1993.Google Scholar
Hopkins, Lisa, Review of Twelfth Night, Cahier Elisabethains 56 (1999): 93–4.Google Scholar
Hotson, Leslie, The First Night of Twelfth Night, London: Rupert Hart-Davis, 1954.Google Scholar
Hughes, Alan, Henry Irving, Shakespearean, Cambridge: Cambridge University Press, 1981.Google Scholar
Humphries, Barry, More Please: An Autobiography, Harmondsworth: Viking, 1992.Google Scholar
Hunt, Hugh, Old Vic Prefaces: Shakespeare and the Producer, Westport, Conn.: Greenwood Press, 1973, first published by Routledge and Kegan Paul, 1954.Google Scholar
Hunt, Leigh, Review of Twelfth Night, in Leigh Hunt’s Dramatic Criticism, 1808–1831, ed. Houtchens, Lawrence Huston and Houtchens, Carolyn Washburn, London: Oxford University Press, 1950.Google Scholar
Jackson, Russell, ‘“Perfect Types of Womanhood”: Rosalind, Beatrice and Viola in Victorian Criticism and Performance’, Shakespeare Survey 32 (1979): 15–26.Google Scholar
Kelly, Helen M., ‘The Granville-Barker Productions: A Study Based on the Promptbooks’, unpublished Ph.D. thesis, University of Michigan, 1965.Google Scholar
Kennedy, Dennis, Granville Barker and the Dream of Theatre, Cambridge: Cambridge University Press, 1985.Google Scholar
Kennedy, Dennis Looking at Shakespeare: A Visual History of Twentieth-century Performance, Cambridge: Cambridge University Press, 1993, 2001.Google Scholar
Kiernander, Adrian, Ariane Mnouchkine and the Theatre du Soleil, Directors in Perspective, Cambridge: Cambridge University Press, 1993.Google Scholar
Lamb, Charles, ‘On Some of the Old Actors’ in Essays of Elia: Last Essays of Elia, ed. Tillotson, Geoffrey, London: J. M. Dent, 1962, pp. 154–65.Google Scholar
Leech, Clifford, ‘Twelfth Night’ and Shakespearian Comedy, Halifax: Dalhousie University Press, 1965.Google Scholar
McKernan, Luke, and Terris, Olwen, Walking Shadows: Shakespeare in the National Film and Television Archive, London: British Film Institute, 1994.Google Scholar
Manningham, John, The Diary of John Manningham of the Middle Temple 1602–1603, ed. Sorlien, Robert Parker, Hanover, NH, University Press of New England, 1976.Google Scholar
Marsh, Ngaio, ‘A Note on a Production of Twelfth Night’, Shakespeare Survey 8 (1955): 69–73.Google Scholar
Mazer, Cary M., Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages, Ann Arbor, Mich.: UMI Research Press, 1981.Google Scholar
McCarthy, Lillah, Myself and My Friends, New York: E. P. Dutton and Co., 1933.Google Scholar
Milne, Geoffrey, ‘Geoffrey Rush: Manic Genius or Team Player?’ Contemporary Theatre Review 14. 3 (2004): 21–9.CrossRefGoogle Scholar
Mnouchkine, Ariane, Théâtre du Soleil: Les Shakespeare: La Nuit des Rois, Paris: Théâtre du Soleil et les Editions Solin, 1982.Google Scholar
Odell, George C. D., Annals of the New York Stage, 15 vols., New York: Columbia University Press, 1927–49.Google Scholar
Osborne, John, The Meiningen Court Theatre 1866–1890, Cambridge: Cambridge University Press, 1988.Google Scholar
Osborne, Laurie E., The Trick of Singularity: Twelfth Night and the Performance Editions, Iowa City: University of Iowa Press, 1996a.Google Scholar
Osborne, Laurie E., ‘The Rhetoric of Evidence: The Narration and Display of Viola and Olivia in the Nineteenth Century’ in Textual and Theatrical Shakespeare: Questions of Evidence, ed. Pechter, Edward, Iowa City: University of Iowa Press, 1996b.Google Scholar
Osborne, Laurie E., ‘Cutting up Characters: The Erotic Politics of Trevor Nunn’s Twelfth Night’ in Spectacular Shakespeare: Critical Theory and Popular Cinema, ed. Lehmann, Courtney and Starks, Lisa S., London: Associated University Presses, 2002: 89–109.Google Scholar
Pearson, Hesketh, Beerbohm Tree: His Life and Laughter, London: Methuen, 1956.Google Scholar
Pennington, Michael, ‘Twelfth Night’: A User’s Guide, London: Nick Hern Books, 2000.Google Scholar
Pepys, Samuel, The Diary of Samuel Pepys: A New and Complete Transcription, ed. Latham, Robert and Matthews, William, London: G. Bell and Sons Ltd, 1971.Google Scholar
Phelps, W. May, and Forbes-Robertson, John, The Life and Life-Work of Samuel Phelps, London: Sampson Low, Marston, Searle and Rivington, 1866.Google Scholar
Pogson, Rex, Miss Horniman and the Gaiety Theatre Manchester, London: Rockliff, 1952.Google Scholar
Potter, Lois, ‘Twelfth Night’: Text and Performance, Basingstoke: Macmillan 1985.CrossRefGoogle Scholar
Purdom, C. B., Harley Granville Barker: Man of the Theatre, Dramatist and Scholar, Westport, Conn.: Greenwood Press, 1956.Google Scholar
Robins, Elizabeth, Theatre and Friendship, London: Jonathan Cape, 1932, reissued 1934 in the Life and Letters Series.Google Scholar
Russell, Charles Edward, Julia Marlowe: Her Life and Art, New York: Appleton and Co., 1926.Google Scholar
Salmon, Eric, Granville Barker: A Secret Life, London: Heinemann, 1983.Google Scholar
Schafer, Elizabeth, ‘Performance Editions, Editing and Editors’, Shakespeare Survey 59 (2006): 198–212.Google Scholar
Schafer, Elizabeth, ‘Unsettling AustrIllyria: Twelfth Night, Exotic Englishness and Empire’, Contemporary Theatre Review 19.3 (2009), forthcoming.Google Scholar
Schafer, Elizabeth, ‘“Not Our Olivia”: Lydia Lopokova and Twelfth Night’ in Shakespeare in Stages: New Directions in Theatre History, ed. Carson, Christie and Dymkowski, Christine, Cambridge: Cambridge University Press, 2010, forthcoming.Google Scholar
Shakespeare, William, Twelfth Night, ed. Furness, Horace Howard, New Variorum Edition, Philadelphia: J. B. Lippincott, 1901.Google Scholar
Shakespeare, William, Twelfth Night, ed. Mahood, M. M., Harmondsworth: Penguin, 1968.Google Scholar
Shakespeare, William, Twelfth Night in Bell’s Edition of Shakespeare’s Plays, As they are Now Performed at the Theatres Royal in London; Regulated from the Prompt Books of Each House, 1774, Vol. V, facsimile, London: Cornmarket Press, 1969.Google Scholar
Shakespeare, William, Twelfth Night, ed. Lothian, J. M. and Craik, T. W., Arden Shakespeare, Second Series, London: Methuen, 1975.Google Scholar
Shakespeare, William, Twelfth Night, ed. Wilders, John, London: BBC, 1979.Google Scholar
Shakespeare, William, Twelfth Night, ed. Elam, Keir, Arden Shakespeare, Third Series, London: Arden Shakespeare, 2008.Google Scholar
Shattuck, Charles H., The Shakespeare Promptbooks: A Descriptive Catalogue, Illinois University Press, 1965.Google Scholar
Shattuck, Charles H. (ed.), The John Philip Kemble Promptbooks, Vol. IX, Charlottesville: The Folger Shakespeare Library with the University Press of Virginia, 1974.Google Scholar
Sheehy, Helen, Eva Le Gallienne: A Biography, New York: Alfred A. Knopf, 1996.Google Scholar
Sinden, Donald, ‘Malvolio in Twelfth Night’ in Players of Shakespeare: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company, ed. Brockbank, Philip, Vol. I, Cambridge: Cambridge University Press, 1985, reprinted 1989.Google Scholar
Singleton, Brian, ‘Mnouchkine’s Shakespeare: A Textual Record of a Theatre’s Practice’, in Traduire le Theatre aujourd’hui, ed. Vigouroux-Frey, Nicole, Rennes: Le Spectaculaire/Presses Universitaires de Rennes, 1993: 111–18.Google Scholar
Singleton, Brian, ‘Mnouchkine and Shakespeare: Intercultural Theatre Practice’ in Shakespeare and France (Shakespeare Yearbook 5) ed. Klein, Holger and Maguin, Jean-Marie, Lewiston, NY: Edwin Mellen Press, 1995: 307–26.Google Scholar
Singleton, Brian, ‘The Representation of Shakespeare Through the Discourse of Interculturalism by Ariane Mnouchkine and the Théâtre du Soleil’, Actes de Langue Française et Linguistique 10/11 (1997/8): 139–44.Google Scholar
Singleton, Brian, Oscar Asche, Orientalism and British Musical Comedy, London: Praeger, 2004.Google Scholar
Sokolova, Boika, ‘Relocating and dislocating Shakespeare in Robert Sturua’s Twelfth Night and Alexander Morfov’s The Tempest’ in World-wide Shakespeares: Local Appropriations in Film and Performance, ed. Massai, Sonia, London: Routledge, 2005: 57–64.Google Scholar
Speaight, Robert, William Poel and the Elizabethan Revival, London: William Heinemann, for the Society for Theatre Research, 1954.Google Scholar
Speaight, Robert, Shakespeare on the Stage: An Illustrated History of Shakespearian Performance, London: Collins, 1973.Google Scholar
Sprague, Arthur Colby, Shakespeare and the Actors: The Stage Business in His Plays (1660–1905), New York: Russell and Russell, 1963.Google Scholar
Stodder, Joseph H., ‘Shakespeare and His Contemporaries in Los Angeles’, Shakespeare Quarterly 36 (1985): 474–7.CrossRefGoogle Scholar
Strachan, Allan, Secret Dreams: A Biography of Michael Redgrave, London: Weidenfeld and Nicholson, 2004.Google Scholar
Sumner, John, Recollections at Play: A Life in Australian Theatre, Melbourne: Melbourne University Press, 1993.Google Scholar
Taylor, Nancy, Women Direct Shakespeare in America: Productions from the 1990s, Madison, NJ: Farleigh Dickinson University Press, 2005.Google Scholar
Thomson, Peter, Shakespeare’s Theatre, London: Routledge and Kegan Paul, 1983.Google Scholar
Tomalin, Claire, Mrs Jordan’s Profession: The Story of a Great Actress and a Future King, Viking: London, 1994, republished with a new Afterword in Penguin Books 1995.Google Scholar
Trewin, J. C., Going to Shakespeare, London: George Allen and Unwin, 1978.Google Scholar
Vahimagi, Tise, British Television: An Illustrated Guide, Oxford: Oxford University Press, 1994.Google Scholar
Van Lennep, W., et al., The London Stage 1660–1800, 11 vols., Carbondale: Southern Illinois University Press, 1960–8.Google Scholar
Voorhees, Lillian W., and Foster, Jacob F., ‘Recordings for Use in Teaching Theatre’, Educational Theatre Journal 1 (1949): 48–81.Google Scholar
Wanamaker, Zoe, ‘Viola in Twelfth Night’ in Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company, ed. Jackson, Russell and Smallwood, Robert, Cambridge: Cambridge University Press: 1988: 81–91.Google Scholar
Warrington, Lisa J. V. ‘Allan Wilkie in Australia: the world of a Shakespearean Actor-Manager’, MA thesis, University of Tasmania, 1981.Google Scholar
Wearing, J. P., The London Stage: A Calendar of Plays and Players, 14 vols. in total: 1890–1899, 2 vols.; 1900–1909, 2 vols.; 1910–1919, 2 vols.; 1920–1929, 3 vols.; 1930–1939, 3 vols.; 1940–1949, 2 vols.; 1950–1959, 2 vols.; Metuchen, New Jersey and London, Scarecrow Press: 1976–93.Google Scholar
Webster, Margaret, Don’t Put Your Daughter on the Stage, New York: Alfred A. Knopf: 1972.Google Scholar
Welles, Orson, ‘On Staging Shakespeare and on Shakespeare’s Stage’, in Welles, Orson, and Hill, Roger (eds.), The Mercury Shakespeare.Google Scholar
Welles, Orson, and Hill, Roger (eds.), The Mercury Shakespeare: ‘Twelfth Night’, edited for Reading and Arranged for Staging, New York and London: Harper and Brothers, 1934, 1939.Google Scholar
Wells, Stanley, Royal Shakespeare: Four Major Productions at Stratford-upon-Avon, Manchester: Manchester University Press, 1977.Google Scholar
Williams, Harcourt, Four Years at the Old Vic: 1929–1933, London: Putnam, 1935.Google Scholar
Williamson, Audrey, Old Vic Drama: A Twelve Years’ Study of Plays and Players, London: Rockliff, 1948.Google Scholar
Winter, William, Shakespeare on the Stage, second series, New York: Moffat, Yard and Company, 1915.Google Scholar

Websites

Le bac au soleil (visited 11 June 2007) www.lebacausoleil.com/SPIP/article.php3?id_article=95&menu=image&debut_img=0&format=Google Scholar
Ingmar Bergman’s Twelfth Night www.ingmarbergman.se/media.asp?guid=1FD2AA23-F3F4–4CFF-A5C2–9C38A867E1AA&PageNo=3Google Scholar
New Zealand theatre database http://tadb.otago.ac.nzGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×