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9 - Basic principles for molding land mosaics

Published online by Cambridge University Press:  04 August 2010

Richard T. T. Forman
Affiliation:
Harvard University, Massachusetts
Steward T. A. Pickett
Affiliation:
Distinguished Senior Scientist, Institute of Ecosystem Studies, Millbrook, New York. Director, Baltimore Ecosystem Study, Long Term Ecological Research
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Summary

An artist can translate a compelling inspiration into a painting or object that inspires the public, and even pleases the artist. In addition to inspiration and materials, skill is a key to success. Skill might be thought of as a set of principles, knowing what works and what doesn't – color mixtures, composition, types of lines, and much more. The artist has a palette of principles. When mixed with imagination and experimentation, they greatly increase the chance of a successful or inspiring result.

If one were designing wheels, using the known principles of wheel design greatly decreases the chance of producing square, oval, or one-spoked wheels. No matter how beautiful or well-made they are, such wheels do not work. If the land or an urban region is being planned or changed, we do not start from scratch. We use principles, subconsciously or specified. Water flows downward so streams are not designed flowing to hilltops. Trees require oxygen for their roots so we do not plant trees in water. People need security when asleep at night, so they are surrounded by shelter. Using known principles helps protect society from poor quality, and unethical, work.

Rather than simply ideas or hypotheses or even concepts, principles can be thought of as solid rigorous guidelines, a basis or foundation for planning and action.

Type
Chapter
Information
Urban Regions
Ecology and Planning Beyond the City
, pp. 223 - 242
Publisher: Cambridge University Press
Print publication year: 2008

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