Book contents
- Frontmatter
- Contents
- Ackowledgments
- Introduction
- 1 Video Surveillance versus the Affected Personal Cam
- 2 Post-Panopticism and the Attention Economy
- 3 From Cinematographic to Cinematic Apparatus
- 4 Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams
- 5 Webcams and the Archive
- 6 Appropriating the Cinematic Apparatus
- Conclusion
- Bibliography
- List of Images
- Index of Authors
- Index of Makers
- Index of Subjects / Artworks
- Film Culture in Transition
- Frontmatter
- Contents
- Ackowledgments
- Introduction
- 1 Video Surveillance versus the Affected Personal Cam
- 2 Post-Panopticism and the Attention Economy
- 3 From Cinematographic to Cinematic Apparatus
- 4 Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams
- 5 Webcams and the Archive
- 6 Appropriating the Cinematic Apparatus
- Conclusion
- Bibliography
- List of Images
- Index of Authors
- Index of Makers
- Index of Subjects / Artworks
- Film Culture in Transition
Summary
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- Type
- Chapter
- Information
- The Webcam as an Emerging Cinematic Medium , pp. 231 - 232Publisher: Amsterdam University PressPrint publication year: 2018