Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-swr86 Total loading time: 0 Render date: 2024-07-24T02:27:17.085Z Has data issue: false hasContentIssue false

20 - A Chapter of Schiller in America: The First World War and Volume 3 of Kuno Francke's Edition of The German Classics

from Part IV - Schiller Reception — Reception and Schiller

Published online by Cambridge University Press:  05 February 2013

Jeffrey L. Sammons
Affiliation:
Yale University
Jeffrey L. High
Affiliation:
California State University Long Beach
Nicholas Martin
Affiliation:
University of Birmingham
Norbert Oellers
Affiliation:
University of Bonn
Get access

Summary

The German Classics, twenty volumes of German literature in English translation, edited by the Harvard Professor Kuno Francke, publicized with a great fanfare, was at first well received. But, although the edition is dated 1913 and 1914, it was not completed until mid-1915, just in time for the U-boat sinking of the Lusitania. Reviewers turned hostile, the publishing house went bankrupt, the edition was nearly pulped, and Francke felt obliged to resign his position at Harvard. The first two volumes were devoted to Goethe, the third to Schiller. Reviews complained of the translations, doubtless owing to the employment of the most venerable versions, which were not necessarily the most readable. The oldest translation is Coleridge's of Wallenstein's Death (1800), prestigious but perhaps not the best choice for introducing Schiller to a twentieth-century readership. The editor for Schiller as for Goethe was Calvin Thomas of Columbia University. Oddly, he was not that much of an admirer of Schiller, with the result that his commentary shows signs of strain.

THE GERMAN CLASSICS: Masterpieces of German Literature Translated into English, in twenty volumes with the Imperial eagle embossed in gold on each cover and nearly five hundred illustrations, mostly of German art of the nineteenth century, and some fifty scholarly contributors, including but not restricted to most of the prestigious American Germanists of the time, was publicized with a good deal of fanfare.

Type
Chapter
Information
Who Is This Schiller Now?
Essays on his Reception and Significance
, pp. 340 - 350
Publisher: Boydell & Brewer
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×