Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-68ccn Total loading time: 0 Render date: 2024-07-09T04:51:30.739Z Has data issue: false hasContentIssue false

8 - What's wrong with these reviews, August 1990

from Part One - Reference Frame Columns, Physics Today 1988–2009

Published online by Cambridge University Press:  05 January 2016

N. David Mermin
Affiliation:
Cornell University, New York
Get access

Summary

Se vuol ballare, signor Contino, il chitarino, le suoneró.

– Figaro

The story you are about to read is true. The names, to be sure, have been changed, but not to protect the innocent. Professor Mozart would have been only too pleased for me to use his real name, but we agreed that you, dear reader, might think you were reading a piece of special pleading on behalf of a particular person. Far from it. The point of my tale is not that one physicist has been badly dealt with by the National Science Foundation; indeed Mozart has been very well treated over the years and considers himself lucky to have escaped this time with the wherewithal to keep supporting a solitary graduate student. No, the point of this tale is to illustrate more vividly than reams of surveys or statistics could possibly convey what has happened to NSF support for research in condensed-matter theory.

Condensed-matter theorists have been maintaining for some time, in these pages and even on the op-ed page of The New York Times, that their discipline is being starved by NSF. In reply, NSF has insisted that things are hard all over, and scientists from all over have tended to agree. So I offer the tale of Professor Mozart as a benchmark against which to test the plight of your own field. Have things like this been happening to people in your corner of science?

My tale begins several months ago, when NSF phoned Professor Mozart to tell him that a small condensed-matter theory grant he shared with Professor Beethoven would be renewed, but with a 20% cut—Mozart was to lose 30% and Beethoven 10%.

Mozart was told that four of the five reviewers had given the proposal E's (the highest possible rating) and one a G (two notches down from the top or two notches up from the bottom, depending on the case you're trying to make). Mozart was informed that he, not Beethoven, was responsible for this blemish, and was urged to get his act together if he expected to get any support at all in the next round.

Mozart, who knows perfectly well how things stand in condensed-matter theory and had been expecting far worse, was actually relieved by this turn of events.

Type
Chapter
Information
Why Quark Rhymes with Pork
And Other Scientific Diversions
, pp. 50 - 56
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×