Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction: Projecting Sinophone Cine-Feminisms Towards an Intimate-Public Commons
- 1 Migrating Hearts: Sinophone Geographies of Sylvia Chang's “Woman's Film”
- 2 Floating Light and Shadows: Huang Yu-shan's Chronicles of Modern Taiwan
- 3 From Sidewalk Realism to Spectral Romance: Yang Lina's Post-Socialist Beijing and Beyond
- 4 Eggs, Stones, and Stretch Marks: Haptic Visuality and Tactile Resistance in Huang Ji’s Personal Cinema
- 5 “Spicy-Painful” Theater of History: Wen Hui's Documentary Dance with Third Grandmother
- 6 In Praise of Trans-Asian Sisterhood: Labor, Love, and Homecoming in Jasmine Ching-hui Lee’s Money and Honey
- 7 “We Are Alive”: Minor Transnationalism and Yau Ching's Experimental Filmmaking
- 8 Outcries and Whispers: Digital Political Mimesis and Radical Feminist Documentary
- Epilogue
- Chinese Glossary
- Bibliography
- Filmography
- List of figures
- Index
Filmography
Published online by Cambridge University Press: 14 February 2024
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction: Projecting Sinophone Cine-Feminisms Towards an Intimate-Public Commons
- 1 Migrating Hearts: Sinophone Geographies of Sylvia Chang's “Woman's Film”
- 2 Floating Light and Shadows: Huang Yu-shan's Chronicles of Modern Taiwan
- 3 From Sidewalk Realism to Spectral Romance: Yang Lina's Post-Socialist Beijing and Beyond
- 4 Eggs, Stones, and Stretch Marks: Haptic Visuality and Tactile Resistance in Huang Ji’s Personal Cinema
- 5 “Spicy-Painful” Theater of History: Wen Hui's Documentary Dance with Third Grandmother
- 6 In Praise of Trans-Asian Sisterhood: Labor, Love, and Homecoming in Jasmine Ching-hui Lee’s Money and Honey
- 7 “We Are Alive”: Minor Transnationalism and Yau Ching's Experimental Filmmaking
- 8 Outcries and Whispers: Digital Political Mimesis and Radical Feminist Documentary
- Epilogue
- Chinese Glossary
- Bibliography
- Filmography
- List of figures
- Index
Summary
- Type
- Chapter
- Information
- Women Filmmakers in Sinophone World Cinema , pp. 325 - 330Publisher: Amsterdam University PressPrint publication year: 2023