Book contents
- Frontmatter
- GENERAL PREFACE TO THIS EDITION
- EARLY PROSE WRITINGS
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- 1 “THE POETRY OF ARCHITECTURE; OR THE ARCHITECTURE OF THE NATIONS OF EUROPE CONSIDERED IN ITS ASSOCIATION WITH NATURAL SCENERY AND NATIONAL CHARACTER” BY KATA PHUSIN (1837, 1838)
- 2 CONTRIBUTIONS TO LOUDON'S “MAGAZINE OF NATURAL HISTORY” (1834, 1836), AND OTHER NOTES ON NATURAL SCIENCE
- 3 FURTHER CONTRIBUTIONS TO LOUDON'S “ARCHITECTURAL MAGAZINE” (1838, 1839), WITH A PAPER FROM LOUDON'S EDITION OF REPTON'S “LANDSCAPE GARDENING” (1840)
- 4 ESSAY ON THE RELATIVE DIGNITY OF THE STUDIES OF PAINTING AND MUSIC, AND THE ADVANTAGES TO BE DERIVED FROM THEIR PURSUIT (1838)
- 5 LEONI; A LEGEND OF ITALY (1836)
- 6 THE KING OF THE GOLDEN RIVER (1841)
- 7 THREE LETTERS AND AN ESSAY. BY JOHN RUSKIN, 1836—1841 FOUND IN HIS TUTOR'S DESK
- 8 LETTERS TO A COLLEGE FRIEND (1840—45)
- APPENDIX
- Plate Section
8 - LETTERS TO A COLLEGE FRIEND (1840—45)
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- GENERAL PREFACE TO THIS EDITION
- EARLY PROSE WRITINGS
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- 1 “THE POETRY OF ARCHITECTURE; OR THE ARCHITECTURE OF THE NATIONS OF EUROPE CONSIDERED IN ITS ASSOCIATION WITH NATURAL SCENERY AND NATIONAL CHARACTER” BY KATA PHUSIN (1837, 1838)
- 2 CONTRIBUTIONS TO LOUDON'S “MAGAZINE OF NATURAL HISTORY” (1834, 1836), AND OTHER NOTES ON NATURAL SCIENCE
- 3 FURTHER CONTRIBUTIONS TO LOUDON'S “ARCHITECTURAL MAGAZINE” (1838, 1839), WITH A PAPER FROM LOUDON'S EDITION OF REPTON'S “LANDSCAPE GARDENING” (1840)
- 4 ESSAY ON THE RELATIVE DIGNITY OF THE STUDIES OF PAINTING AND MUSIC, AND THE ADVANTAGES TO BE DERIVED FROM THEIR PURSUIT (1838)
- 5 LEONI; A LEGEND OF ITALY (1836)
- 6 THE KING OF THE GOLDEN RIVER (1841)
- 7 THREE LETTERS AND AN ESSAY. BY JOHN RUSKIN, 1836—1841 FOUND IN HIS TUTOR'S DESK
- 8 LETTERS TO A COLLEGE FRIEND (1840—45)
- APPENDIX
- Plate Section
Summary
[Postmark, Camberwell Green, July 4, 1840.]
1. SirIt is altogether impossible that you can have any moral perception of the value of coins in general, and pence in particular—that you can have formed any distinct ideas of the functions of pence—of their design—and influence on society. You never can have weighed one in your hand—suspended it between your forefinger and thumb—felt that it was an ounce of copper—remembered that it was four farthings—or computed that eleven encores would make it a shilling! a Scotch pound! a piece of silver! a bob!
Have you ever reflected that, in order to your possession of it, currents of silent lightning have been rushing through the inmost mass of the globe since the foundation of its hills was laid—that chasms have been cloven upwards through its adamant, with the restless electric fire gleaming along their crystalline sides, folded in purple clouds of metallic vapour—that to obtain it for you the sepulchral labour of a thousand arms has penetrated the recesses of the earth, dashed the river from its path, hurled the rock from its seat, sought a way beneath the waves of the deep heavy sea! For you, night and day, have heaved the dark limbs of the colossal engine—its deep, fierce breath has risen in hot pants to heaven—the crimson furnace has illumined midnight, shaken its fiery hair like meteors among the stars—for you—for you, to abuse and waste the result of their ceaseless labour!
- Type
- Chapter
- Information
- The Works of John Ruskin , pp. 399 - 502Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903