Observations on the colour of G. Poussin's La Riccia.

There is, in the first room of the National Gallery, a landscape attributed to Gaspar Poussin, called sometimes Aricia, sometimes Le or La Riccia, according to the fancy of catalogue printers. Whether it can be supposed to resemble the ancient Aricia, now La Riccia, close to Albano, I will not take upon me to determine, seeing that most of the towns of these old masters are quite as like one place as another; but, at any rate it is a town on a hill, wooded with two-and-thirty bushes, of very uniform size, and possessing about the same number of leaves each. These bushes are all painted in with one dull opaque brown, becoming very slightly greenish towards the lights, and discover in one place a bit of rock, which of course would in nature have been cool and grey beside the lustrous hues of foliage, and which, therefore, being moreover completely in shade, is consistently and scientifically painted of a very clear, pretty, and positive brick red, the only thing like colour in the picture.