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11 - Spatial arrangement and systematic order

from II - Enlightened orders

Published online by Cambridge University Press:  13 December 2018

By
Robert Felfe
Edited by
Helen Anne Curry ,
Nicholas Jardine ,
James Andrew Secord  and
Emma C. Spary
Helen Anne Curry
Affiliation:
University of Cambridge
Nicholas Jardine
Affiliation:
University of Cambridge
James Andrew Secord
Affiliation:
University of Cambridge
Emma C. Spary
Affiliation:
University of Cambridge
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Worlds of Natural History , pp. 185 - 204
Publisher: Cambridge University Press
Print publication year: 2018

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References

Further reading

Bredekamp, H., The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art and Technology (Princeton, 1993).Google Scholar
Daston, L. and Park, K., Wonders and the Order of Nature, 1150–1750 (New York, 1998).Google Scholar
Findlen, P. and Smith, P. H. (eds.), Merchants and Marvels: Commerce, Science and Art in Early Modern Europe (New York, 2002).Google Scholar
Freedberg, D., The Eye of the Lynx: Galileo, his Friends, and the Beginnings of Modern Natural History (Chicago, 2002).CrossRefGoogle Scholar
Herzog, Anton-Ulrich-Museum Braunschweig and Kunstmuseum, des Landes Niedersachsen, Weltenharmonie. Die Kunstkammer und die Ordnung des Wissens (Braunschweig, 2000).Google Scholar
Kistemaker, R. E., Kopaneva, N. P, Meijers, D. J. and Vilmbakhov, G. V. (eds.), The Paper Museum of the the Academy of Sciences in St Petersburg c. 1725–1760 (St Petersburg, 2005).Google Scholar
Marx, B. and Rehberg, K.-S. (eds.),Sammeln als Institution. Von der fürstlichen Wunderkammer zum Mäzenatentum des Staates (München and Berlin, 2007).Google Scholar
Ogilvie, B. W., The Science of Describing: Natural History in Renaissance Europe (Chicago, 2006).CrossRefGoogle Scholar
te Heesen, A. and Spary, E. C. (eds.), Sammeln als Wissen. Das Sammeln und seine wissenschaftsgeschichtliche Bedeutung (Göttingen, 2001) Spatial arrangement and systematic order.Google Scholar

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