Skip to main content Accessibility help
×
  • Cited by 25
Publisher:
Cambridge University Press
Online publication date:
October 2011
Print publication year:
2011
Online ISBN:
9780511976711

Book description

This book examines the application of drawing in the design process of classical architecture, exploring how the tools and techniques of drawing developed for architecture subsequently shaped theories of vision and representations of the universe in science and philosophy. Building on recent scholarship that examines and reconstructs the design process of classical architecture, John R. Senseney focuses on technical drawing in the building trade as a model for the expression of visual order, showing that the techniques of ancient Greek drawing actively determined concepts about the world. He argues that the uniquely Greek innovations of graphic construction determined principles that shaped the massing, special qualities and refinements of buildings and the manner in which order itself was envisioned.

Reviews

‘This is an ambitious book, carefully edited and profusely illustrated. It is hard not to be stirred by the questions [Senseney] raises: what were the origins of Greek and Roman architectural drawings? How did drawings determine the actual outcome of a building and a city? And, did architectural drawings affect aspects of intellectual life beyond architecture?'

Source: Bryn Mawr Classical Review

‘This book is a valuable contribution to a recent tradition of writings that have sought to get inside the working processes of Greek and Roman architects.'

Source: American Journal of Archaeology

'The volume is an interesting addition to the recent literature on the art building in the Greek and Roman world.'

Source: Arctos

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

References
Ackerman, J. 2002. “The Origins of Architectural Drawing in the Middle Ages and Renaissance.” In Origins, Imitation, Convention: Representation in the Visual Arts, pp. 27–66. Cambridge, Mass.
Adams, M.R. 1997. “Environmental Ethics and Plato's Timaeus.” In The Greeks and the Environment. Edited by Westra, L. and Robinson, T.M., pp. 55–72. Lanham, Maryland.
Africa, T.W. 1968. Science and the State in Greece and Rome. New York.
Akurgal, E. 1973. Ancient Civilizations and Ruins of Turkey. 3rd ed. Istanbul.
Alexandrakis, A. and Knoblock, J.. 1978. “The Aesthetic Appeal of Art in Plato and Aristotle.” Diotima 6: 178–185.
Almagro-Gorbea, M. 1982. “Levantamiento fotogramétrico del templo.” In Almagro-Gorbea, M., ed. 1982. El Santuario del Juno en Gabii. Biblioteca Italica 17. Rome., pp. 33–38.
Almagro-Gorbea, M. and Jiménez, J.L.. 1982. “Metrologia, modulacion, trazado, y recon struccion del templo.” In Almagro-Gorbea, M., ed. 1982. El Santuario del Juno en Gabii. Biblioteca Italica 17. Rome., pp. 87–124.
Amici, C. 1991. Il Foro di Cesare. Florence.
Anderson, J. 1998. Roman Architecture and Society. Baltimore.
Anti, C. 1947. Teatri greci arcaici. Padua.
Anti, C. and Polacco, L.. 1969. Nuovo ricerchi sui teatri greci arcaici. Padua.
Arendt, H. 1958. “What Was Authority?” In Authority (Nomos 1). Edited by Friedrich, C.J., pp. 81–112. Cambridge, Mass.
Ball, L.F. 2003. The Domus Aurea and the Roman Republican Revolution. Cambridge.
Bankel, H. 1993. Der spätarchaische Tempel der Aphaia auf Aegina. Berlin.
Barletta, B.A. 2001. The Origins of the Greek Architectural Orders. Cambridge.
Barletta, B.A. 2005. “The Architecture and Architects of the Classical Parthenon.” In Parthenon, pp. 67–100.
Bartman, E. 1993. “Carving the Badminton Sarcophagus.” MMAJ 28: 57–71.
Beard, M. 2002. The Parthenon. London.
Beare, J.I. 1906. Greek Theories of Elementary Cognition from Alcmaeon to Aristotle. Oxford.
Beazley, J.D. 1927. “Icarus.” JHS 47: 222–233.
Benjamin, W. 1968. “The Task of the Translator.” Translated by H. Zohn. In Illuminations. Edited by Arendt, H., pp. 69–82. New York.
Berggren, J.L. and Thomas, R.S.D.. 1996. Euclid's Phaenomena: A Translation and Study of a Hellenistic Treatise in Spherical Astronomy. London.
Bernal, M. 1987. Black Athena: The Afroasiatic Roots of Classical Civilzation I. The Fabrication of Ancient Greece1785–1985. London.
Berryman, S. 2009. The Mechanical Hypothesis in Ancient Greek Natural Philosophy. Cambridge.
Beyen, H.G. 1939. “Die antike Zentralperspektive.” AA 54: 47–71.
Bianchi, R.S. 1997. “An Elite Image.” In Chief of Seers: Egyptian Studies in Memory of Cyril Aldred. Edited by Goring, E. et al., pp. 34–48. London.
Bianchi Bandinelli, R. 1956. “Osservazioni storico-artistiche a un passo del > platonico.” In Studi in Onore di U.E. Paoli, pp. 81–95. Florence.
Bieber, M. 1961. The History of the Greek and Roman Theater, 2nd ed. Princeton.
Birnbaum, A. 1914. Vitruvius und die griechische Architektur. Vienna.
Blondell, R. 2002. The Play of Character in Plato's Dialogues. Cambridge.
Bluemel, C. 1969. Greek Sculptors at Work. New York.
Boëthius, A. 1978. Etruscan and Early Roman Architecture. Harmondsworth.
Bousquet, J. 1941. “La colonne dorique de la Tholos de Marmaria.” BCH 64–65: 121–127.
Bousquet, J. 1961. “La destination de la Tholos de Delphes.” RHist: 287–298.
Brague, R. 1982. Du temps chez Platon et Aristote. Paris.
Broneer, O. 1949. “Measurements and Refinements at the South Stoa at Corinth.” AJA 53: 146–147.
Broneer, O. 1954. Corinth I 4. The South Stoa and its Roman Successors. Princeton.
Brothers, C. 2008. Michelangelo, Drawing, and the Invention of Architecture. New Haven. Conn.
Brownson, C.D. 1981. “Euclid's Optics and its Compatibility with Linear Perspective.” Archive for History of Exact Sciences 24: 165–194.
Brumbaugh, R.S. 1976. “Plato's Relation to the Arts and Crafts.” Facets of Plato's Philosophy. Edited by Werkmeister, W.H., pp. 40–52. Assen.
Bryson, N. 1988. “The Gaze in the Expanded Field.” In Vision and Visuality: Discussions in Contemporary Culture 2. Edited by Foster, H., pp. 87–114. Seattle.
Bundgaard, J.A. 1957. Mnesicles, a Greek Architect at Work. Copenhagen.
Bundgaard, J.A. 1974. The Excavation of the Athenian Akropolis1882–1890. Copenhagen.
Bundgaard, J.A. 1976. The Parthenon and the Mycenaean City on the Heights. Copenhagen.
Burford, A. 1969. The Greek Temple Builders at Epidauros. Toronto.
Büsing, H. 1984. “Optische Korrekturen und Propyläen-Fronten.” JdI 99 (1984): 27–73.
Cain, R.B. 2007. The Socratic Method: Plato's Use of Philosophical Drama. New York.
Calligas, P.G. 1996. “Archaeological Research on the Athenian Pnyx.” In The Pnyx in the History of Athens. Proceedings of an International Colloquium Organised by the Finish Institute at Athens, 7–9 October, 1994. Edited by Forsén, B. and Stanton, G., pp. 1–5. Helsinki.
Camp, J.M. 2001. The Archaeology of Athens. New Haven, Conn.
Carpinter, 1970. The Architects of the Parthenon. Harmondsworth.
Castagnoli, F. 1971. Orthogonal Town Planning in Antiquity. Cambridge, Mass.
Cavarnos, C. 1971. “Plato's Critique of the Fine Arts.” Philosophia 1: 296–314.
Cavvadias, P. 1891. Fouilles d'Épidaure. Vol. 1. Athens.
Charbonneaux, J. 1925. Le sanctuaire d'Athéna Pronaia: La Tholos. FdD II.4. Paris.
Choisy, A. 1865. “Note sur la courbure dissymétrique des degrees qui limitent au couchant la plate-forme du Parthénon.” Annuaire de l'Accadémie des Beaux Arts: 57–60.
Christensen, J. 1999. “Vindicating Vitruvius on the Subject of Perspective.” JHS 119: 161–166.
Cifarelli, M. 1998. “Gesture and Alterity in the Art of Ashurnasirpal II of Assyria.” ArtB 80: 210–228.
Coarelli, F. 1982. “L'altare del tempio e la sua iscrizione.” In Almagro-Gorbea, M., ed. 1982. El Santuario del Juno en Gabii. Biblioteca Italica 17. Rome., pp. 125–130.
Coarelli, F. 1987. I santuari del Lazio in età repubblicana. Rome.
Coarelli, F. 1988. Il Foro Boario. Rome.
Coarelli, F. 1995. Da Pergamo a Roma: I Galati nella città degli Attalidi. Rome.
Coarelli, F. 1997. Il Campo Marzio. Dalle origini alla fine della Repubblica. Rome.
Cook, J.M. and Plommer, W.H.. 1966. The Sanctuary of Hemithea at Kastabos. Cambridge.
Congès, A.R. 1996. “Modalités pratiques de'impantation des cadastres romains: quelques aspects.” MEFRA 108: 370–2.
Cornford, F.M. 1937. Plato's Cosmology. London.
Coulton, J.J. 1974. “Towards Understanding Greek Temple Design: The Stylobate and Intercolumniations.” Annual of the British School of Athens 69: 61–86.
Coulton, J.J. 1975. “Towards Understanding Greek Temple Design: General Considerations.” BSA 70: 59–99.
Coulton, J.J. 1976a. “The Meaning of Ἀναγραφεύς.” AJA 80: 302–4.
Coulton, J.J. 1976b. The Architectural Development of the Greek Stoa. Oxford.
Coulton, J.J. 1977. Ancient Greek Architects at Work: Problems of Structure and Design. Ithaca, New York.
Coulton, J.J. 1980. “Greek Architects and the Transmission of Design.” In Architecture et société de l'archaïsme grec à la fin de la République romaine, pp. 453–468. Rome.
Coulton, J.J. 1985. “Incomplete Preliminary Planning in Greek Architecture: Some New Evidence.” In Le dessin d'architecture dans les sociétés antiques, pp. 103–121. Leiden.
Csapo, E. and Miller, M.C.. 2007. “Introduction.” In The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama. Edited by Csapo, E. and Miller, M.C., pp. 1–40. Cambridge.
Davis, W.M. 1979. “Plato on Egyptian Art.” JEA 65: 121–127.
Davis, W.M. 1989. The Canonical Tradition in Ancient Egyptian Art. Cambridge.
Davis, P.H. 1930. “Foundations of the Philonian Portico at Eleusis.” AJA 34: 1–19.
Dearden, C.W. 1976. The Stage of Aristophanes. London.
Jong, J.J. 1988. “The Temple of Athena Polias at Priene and the Temple of Hemithea at Kastabos.” BABesch 63: 129–137.
Jong, J.J. 1989. “Greek Mathematics, Hellenistic Architecture and Vitruvius' De Architectura.” In Geertman, H. and J.J. de Jong, eds. 1989. Munus non ingratum: Proceedings of the International Symposium on Vitruvius' De architectura and Hellenistic and Republican Architecture = BABesch, supp. 2. Leiden., pp. 100–113.
Demand, N. 1975. “Plato and the Painters.” Phoenix 29: 1–20.
Derrida, J. 1985. “Des Tours de Babel.” Translated by J.F. Graham. In Difference in Translation. Edited by Graham, J.F.. Ithaca: 165–207.
Zwarte, R. 1996. “Der ursprüngliche Entwurf für das Hephaisteion in Athen: Eine modulare architektonische Komposition des 5. Jhs. V. Chr.” BABesch 71: 95–102.
Waele, J.A. 1998. “Der klassische Tempel in Athen: Hephaisteion und Poseidontempel.” BABesch 73: 83–94.
Dicks, D.R. 1970. Early Greek Astronomy to Aristotle. Ithaca.
Diels, H. and Schramm, E.. 1919. Philons Belopoiika. Berlin.
Dinsmoor, W.B. 1941. Observations on the Hephaisteion (Hesperia Suppl. 5). Baltimore.
Dinsmoor, W.B. 1950. Architecture of Ancient Greece: An Account of Its Historic Development, 3rd Edition. London.
Dinsmoor, W.B. 1961. “The Basis of Greek Temple Design.” In Atti del Settimo Congresso Internazionale di Archeologia Classica, vol. 1, p. 364. Rome.
Dinsmoor, Jr., W.B. 1985. “Preliminary Planning of the Propylaia by Mnesikles.” In Le dessin d'architecture dans les sociétés antiques, pp. 135–147. Leiden.
Dinsmoor, Jr., W.B. 2004. The Propylaia to the Athenian Akropolis. Volume II: The Classical Building. Princeton.
Di Teodoro, F.P. 1994. Raffaello, Baldassar Castiglione e la Lettera a Leone X. Bologna.
Dover, K.J. 1989. Greek Homosexuality. Cambridge, Mass.
Dunbar, N. 1995. Aristophanes Birds. Oxford.
Dürrbach, F. 1926-. Inscriptions de Délos. Paris.
Elsner, J. 2000. “Between Mimesis and Divine Power: Visuality in the Greco-Roman World.” In Visuality Before and Beyond the Renaissance. Edited by Nelson, R., pp. 45–69. Cambridge.
Elsner, J. 2007. Roman Eyes: Visuality and Subjectivity in Art and Text. Princeton.
Favro, D. “Reading the Augustan City.” In Narrative and Event in Ancient Art. Edited by Holliday, P.. Cambridge: 230–257.
Favro, D. 1996. The Urban Image of Augustan Rome. Cambridge.
Favro, D. 2006. “Virtual Reality Re-Creations and Academia.” In Imaging Ancient Rome: Documentation – Visualization – Imagination. JRA Supplementary Series No. 61. Edited by Haselberger, Lothar and Humphrey, John, pp. 321–334. Portsmouth, Rhode Island.
Feng, G. and English, J.. 1989. Tao Te Ching. New York.
Fensterbusch, C. 1964. Vitruv. Zehn Bücher über Architektur. Darmstadt.
Ferri, S. 1960. Vitruvio (dai libri I-VII). Rome.
Fine, G. 2003. Plato on Knowledge and Forms: Selected Essays. Oxford.
Fletcher, B., and Fletcher, F.B.. 1896. A History of Architecture on the Comparative Method. London.
Fleury, P., ed. 1986. Vitruve de l'Architecture. Livre X. Collection des Universités de France. Paris.
Fleury, P., ed. 1990. Vitruve de l'Architecture. Livre I. Collection des Universités de France. Paris.
Fleury, P. 1994. “Héron d'Alexandrie et Vitruve.” In Science et vie intellectuelle à Alexandrie. Edited by Argoud, G., pp. 67–68. Saint-Étienne.
Frey, L. 1989. “Données architecturales et Hyothèses sur la mathématique pré-euclidienne. Le Partage Harmonique.” In Vitruvius, pp. 90–99.
Frézouls, E. 1985. “Vitruve et le dessin d'architecture.” In Le dessin d'architecture dans les sociétés antiques: Actes du colloque de Strasbourg, 26–28 janvier 1984. Travaux du Centre de Recherche sur le Proche-Orient et la Grèce Antiques 8. Edited by Bommelaer, J.-F., pp. 213–229. Strasbourg.
Fromel, C.L. 1994. “Reflections on the Early Architectural Drawings.” In The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture. Edited by Millon, H.A. and Lampugnani, V. Magnago, pp. 101–120. New York.
Gadol, J. 1969. Leon Battista Alberti: Universal Man of the Early Renaissance. Chicago.
Galluzzi, P. 1996. “The Career of a Technologist.” Leonardo Da Vinci: Engineer and Architect. Edited by Galluzzi, P., pp. 41–110. Montreal.
Geertman, H. 1989. “La progettazione architettonica in templi tardo-repubblicana e nel De architectura.” In Geertman, H. and J.J. de Jong, eds. 1989. Munus non ingratum: Proceedings of the International Symposium on Vitruvius' De architectura and Hellenistic and Republican Architecture = BABesch, supp. 2. Leiden., pp. 154–177.
Gianfrotta, P.A., Polia, M., and Mazzacato, O.. 1968–9. “Scavo nell'area del Teatro Argentina (1968–1969).” BullCom 81: 25–118.
Gjerstad, E. 1944. “Die Ursprungsgeschichte der Römischen Kaiserfora.” OpArch 3: 40–72.
Gleason, K.L. 1990. “The Garden Portico of Pompey the Great.” Expedition 32: 4–13.
Gnirs, A. 1915. Pola. Ein Führer durch antiken Baudenkmäler und Sammlungen. Vienna.
Goette, H. 1995. “Griechische Theaterbauten der Klassik – Forschungsstand und Fragestellungen.” In Studien zur Bühnendichtung und zum Theaterbau der Antike. Studien zur Klassischen Philologie 93. Edited by Pöhlmann, E., pp. 9–48. Frankfurt am Main.
Goldhill, S. 1990. “The Great Dionysia and Civic Ideology. In Nothing to Do With Dionysos: Athenian Drama in its Social Context. Edited by Winkler, J.J. and Zeitlin, F., pp. 97–121. Princeton.
Goldhill, S. 1998. “The Seductions of the Gaze: Socrates and his Girlfriends.” In Kosmos: Essays in Order, Conflict, and Community in Classical Athens. Edited by Cartledge, P., Millett, P., and Reden, S., pp. 105–124. Cambridge.
Goldhill, S. 2000. “Placing the Theater in the History of Vision.” Word and Image in Ancient Greece. Edited by Keith Rutter, N. and Sparkes, Brian A., pp. 161–182. Edinburgh.
Golvin, J.-C. 1988. L'amphithéâtre romain. Paris.
Goodyear, W.H. 1912. Greek Refinements: Studies in Temperamental Architecture. London.
Gouvretich, D. 2008. “Il bambino malato tra padre e medico: tre casi emblematici secondo Galeno (II-III secolo d.C.).” In Medici e pazienti nell'antica Roma: La medicina romana a la domus ‘del Chirugo’ di Rimini. Atti del Convengo internazionale Rimini, 12 giugno 2008. Edited by Carolis, S. and Pesaresi, V., pp. 45–56. Rimini.
Granger, F. 1931. Vitruvius. On Architecture. Loeb edition. Cambridge, Mass.
Griffin, M. 1994. “The Intellectual Developments of the Ciceronian Age.” In Cambridge Ancient History IX: 689–728. Cambridge.
Gros, P. 1973. “Hermodoros et Vitruve.” MEFRA 85: 151–153.
Gros, P. 1976a. “Nombres irrationnels et nombres parfaits chez Vitruve.” Mélanges de l'École française de Rome. Antiquité 88: 669–104.
Gros, P. 1976b. “Les premières génerations d'architectes hellénistiques à Rome.” In L'Italie préromaine et la Rome républicaine. Mélanges offertes à Jacques Heurgon vol. 1. Edited by in Bloch, Raymond. Collection de l'École Française de Rome 27, pp. 387–409. Rome.
Gros, P. 1978. “Le dossier vitruvien d'Hermogénès.” MEFRA 90: 687–704.
Gros, P. 1988. “Vitruve et les ordres.” In Les Traités d'architecture à la renaissance. Colloque Tours. Edited by Guillaume, J., pp. 49–59. Paris.
Gros, P. 1990. Vitruve de l'Architecture. Livre III. Paris.
Gros, P. 1993. “Vitruviuo, la realtà architettonica e la progettazione de porte templari.” BABesch 68: 209–245.
Gros, P. 1994. “La schema vitruvienne du theater latin et sa signification dans le système normative du De architectura.” RA, 57–80.
Gros, P. 2006. Vitruve et la tradition des traits d'architecture: fabrica et ratiocinatio. Rome.
Gruben, G. 1963. “Das archaeische Didymaion.” JdI 78: 78–177.
Gruben, G. 1986. Die Tempel der Griechen, 4th ed. Munich.
Gruben, G. 2001. Griechische Tempel und Heiligtümer. Munich.
Guichard, C.L. 2005. “Travels and Traversals in the Hellenistic Oracular Temples at Klaros and Didyma.” Ph.D. diss., Columbia University.
Hahn, R. 2001. Anaximander and the Architects: The Contributions of Egyptian and Greek Architectural Technologies to the Origins of Greek Philosophy. Albany.
Halliwell, S. 2000. “Plato and Painting.” Word and Image in Ancient Greece. Edited by Keith Rutter, N. and Sparkes, B.A., pp. 99–118. Edinburgh.
Hansen, E. 1972. The Attalids of Pergamon. Cornell, New York.
Hanson, J.A. 1959. Roman Theater-Temples. Princeton.
Haselberger, L. 1980. “Werkzeichnungen am jüngeren Didymaion.” IstSMitt 30: 191–215.
Haselberger, L. 1983a. “Bericht über die Arbeit am Jüngeren Apollontempel von Didyma.” IstMitt 33 (1983): 90–123.
Haselberger, L. 1983b. “Die Bauzeichnungen des Apollontempels von Didyma.” Architectura 13: 13–26.
Haselberger, L. 1985. “The Construction Plans for the Temple of Apollo at Didyma.” Scientific American, December, 126–132.
Haselberger, L. 1989. “Die Zeichnungen in Vitruvs De Architectura.” In Geertman, H. and J.J. de Jong, eds. 1989. Munus non ingratum: Proceedings of the International Symposium on Vitruvius' De architectura and Hellenistic and Republican Architecture = BABesch, supp. 2. Leiden., pp. 173–184.
Haselberger, L. 1991. “Aspekter der Bauzeichnungen von Didyma.” RA, 99–113.
Haselberger, L. 1994. “Ein Giebelriss der Vorhalle des Pantheon: Die Werkrisse vor dem Augustusmausoleum.” RM 101: 279–293.
Haselberger, L. 1997. “Architectural Likenesses: Models and Plans of Architecture in Classical Antiquity.” JRA 10: 77–94.
Haselberger, L. 1999a. “Old Issues, New Research, Latest Discoveries: Curvature and Other Classical Refinements.” In Haselberger, L. 1999. Appearance and Essence. Refinements of Classical Architecture: Curvature. Proceedings of the Second Williams Symposium on Classical Architecture held at the University of Pennsylvania, Philadelphia, April 2–4, 1993. Philadelphia., pp. 1–68.
Haselberger, L. 1999b. “Curvature: The Evidence of Didyma.” In Haselberger, L. 1999. Appearance and Essence. Refinements of Classical Architecture: Curvature. Proceedings of the Second Williams Symposium on Classical Architecture held at the University of Pennsylvania, Philadelphia, April 2–4, 1993. Philadelphia., pp. 173–184.
Haselberger, L. 1999c. “Geometrie der Winde, Windige Geometrie: Städtebau nach Vitruv und Aristophanes.” In Stadt und Umland: Neue Ergebnisse der archäologischen Bau- und Siedlungsforschung. Bauforschungskolloquium in Berlin vom 7. Bis 10 Mai 1997 veranstaltet vom Architektur-Referat des DAI. Discussionen zur archäologischen Bauforschung Band 7, pp. 90–100. Mainz.
Haselberger, L. 2005. “Bending the Truth: Curvature and Other Refinements of the Parthenon.” In Neils, J., ed. 2005. The Parthenon: From Antiquity to the Present. Cambridge., pp. 101–158.
Haselberger, L. and Seybold, H.. 1991. “Seilkurve oder Ellipse? Zur Herstellung antiker Kurvaturen nach dem Zeugnis der didymeischen Kurvenkonstruktion.” AA, 165–188.
Hauck, G. 1897. Die Subjektive Perspektive und die Horizontalen Curvaturen des Dorischen Styls. Stuttgart.
Heidegger, M. 1967. What is a Thing? Translated by W.B. Barton and Vera Deutsch. Chicago.
Heidegger, M. 1971. Poetry. Language. Thought. New York.
Heisel, J 1993. Antike Bauzeichnungen. Darmstadt.
Hellman, M.-C. 1992. Recherches sur le vocabulaire de l'architecture grecque, d'après les inscriptions de Délos. Paris 1992.
Hellman, M.-C. 2002. L'Architecture grecque, 1: Les principes de la construction. Paris.
Helting, H. 2006. “A᾽λήθεια.” In Heidegger und die Antike. Edited by Günther, H.-C. and Rengakos, A., pp. 47–70. Munich.
Hemmingway, S. 2004. The Horse and Jockey from Artemision: A Bronze Equestrian Monument of the Hellenistic Period. Berkeley, California.
Herrmann, W. 1973. The Theory of Claude Perrault. London.
Hittorf, H. and Zanth, L.. 1870. Recueil des monuments de Ségeste et Sélinonte. Paris.
Höcker, C. 2000. “Optical Refinements.” In Der Neue Pauly 8: 1270.
Hoepfner, W. 1984. “Einführung: Masse – Proportionen – Zeichnungen.” In Deutsches Archäologisches Institut, ed. (no date). Bauplanung und Bautheorie der Antike. Bericht über ein Kolloquium veranstaltet vom Architekturreferat des Deutschen Archäologischen Instituts (DAI) mit Unterstützung der Stiftung Volkswagenwerk in Berlin vom 16.11 bis 18.11.1983. Berlin., pp. 13–23.
Hoepfner, W. 1990. “Bauten und Bedeutung des Hermogenes.” In Hoepfner, W., ed. 1990. Hermogenes und die hochhellenistiche Architektur. Internationales Kolloquium in Berlin vom 28. bis 29. Juli 1988 im Rahmen des XIII. Internationalen Kongresses für Klassische Archäologie veranstaltet vom Architekturreferat des DAI in Zusammenarbeit mit dem Seminar für Klassische Archäologie der Freien Universität Berlin. Mainz am Rhein., pp. 1–64.
Hoepfner, W. 1997. “Hermogenes und Epigonos: Pergamon zur Zeit Attalos I.” JdI 112: 109–143.
Hoepfner, W. and Schwandner, E.-L.. 1994. Haus und Stadt im klassischen Griechenland. Munich.
Holloway, R.R. 1966. “Architettura sacra e matematica pitagorica a Paestum.” Parola del Passato 106: 64–68.
Holloway, R.R. 1973. A View of Greek Art. Providence.
Horiuchi, K. 2004. In New Measurements and Observations of the Treasury of Massaliotes, the Doric Treasury and the Tholos in the Sanctuary of Athena Pronaia at Delphi. Edited by Ito, J., translated by J. Yoneoka, pp. 135–178. Hakozaki, Higashi-ku, Fukuoka, Japan.
Howe, T.N., and Rowland, I., trans. 1999. Vitruvius. The Ten Books on Architecture. Cambridge.
Humann, C., Kohte, J., and Watzinger, C.. 1904. Magnesia am Mäander: Bericht uber die Ergebnisse der Ausgrabungen der Jahre1891–1893. Berlin.
Huppert, A.C. 2009. “Envisioning New St. Peter's: Perspectival Drawings and the Process of Design.” JSAH 68: 158–177.
Hurwit, J.M. 1999. The Athenian Acropolis: History, Mythology, and Archaeology from the Neolithic Era to the Present. Cambridge.
Hurwit, J.M. 2004. The Acropolis in the Age of Pericles. Cambridge.
Hurwit, J.M. 2005. “Space and Theme: The Setting of the Parthenon.” In Neils, J., ed. 2005. The Parthenon: From Antiquity to the Present. Cambridge., pp. 9–34.
Invernizzi, E. 2000. “Princípi geometrici del ‘complesso sacro-istituzionale.’” In Romolo, Remo, e la fondazione della città. Edited by Caradini, A. and Capelli, R., p. 296. Rome.
Invernizzi, E. 2001. “Il ‘complesso monumentale’: osservazioni sulla natura geometrica dell'edificio.” In Tarquinia etrusca: una nuova storia. Edited by Moretti, A.M., pp. 35–44. Rome.
Irlenborn, B. and Seubold, G.. 2006. “Heidegger und die Antike Kunst.” In Heidegger und die Antike. Edited by Günther, H.-C. and Rengakos, A., pp. 285–303. Munich.
Isler, H.P. 1989. “Vitruvs Regeln und die erhaltenen Theaterbauten, Hellenistic Architecture and Vitruvius' De Architectura.” In Geertman, H. and J.J. de Jong, eds. 1989. Munus non ingratum: Proceedings of the International Symposium on Vitruvius' De architectura and Hellenistic and Republican Architecture = BABesch, supp. 2. Leiden., pp. 141–153.
Ito, J. 2004. New Measurements and Observations of the Treasury of Massaliotes, the Doric Treasury and the Tholos in the Sanctuary of Athena Pronaia at Delphi. Translated by Yoneoka, J.. Hakozaki, Higashi-ku, Fukuoka, Japan.
Janaway, C. 1995. Images of Excellence : Plato's Critique of the Arts. Oxford.
Jay, M. 1988. “Scopic Regimes of Modernity.” In Vision and Visuality: Discussions in Contemporary Culture 2. Edited by Foster, H., pp. 3–23. Seattle.
Jeppesen, K. 1958. Paradeigmata: Three Mid-Fourth Century Main Works of Hellenic Architecture Reconsidered. Aarhus.
Jiménez, J.L. 1982. “Arquitectura.” In Almagro-Gorbea, M., ed. 1982. El Santuario del Juno en Gabii. Biblioteca Italica 17. Rome., pp. 39–86.
Johansen, T.J. 2004. Plato's Natural Philosophy: A Study of the Timaeus-Critias. Cambridge.
Johnson, P.-A. 1994. The Theory of Architecture: Concepts, Themes, & Practices. New York.
Jones, H.L. 1960. The Geography of Strabo. Vol. VI. London.
Kallipolitis, V.G. 1972. “The Bronze Horse from Artemision.” AAA 5: 425–426.
Käppel, L. 1989. “Das Theater von Epidauros. Die mathematische Grundidee des Gesamtentwurfs und ihr möglicher Sinn.” JdI 104: 83–106.
Keuls, E. 1974. “Plato on Painting.” AJP 95: 100–127.
Keuls, E. 1978. Plato and Greek Painting. Leiden.
Kienast, H.J. 1977. “Der Tunnel des Eupalinos auf Samos.” Architectura: 97–116.
Kienast, H.J. 1984. “Planung und Ausführung des Tunnels des Eupalinos.” In Deutsches Archäologisches Institut, ed. (no date). Bauplanung und Bautheorie der Antike. Bericht über ein Kolloquium veranstaltet vom Architekturreferat des Deutschen Archäologischen Instituts (DAI) mit Unterstützung der Stiftung Volkswagenwerk in Berlin vom 16.11 bis 18.11.1983. Berlin., pp. 104–110. Berlin.
Kienast, H.J. 1985. “Der sog. Tempel D im Heraion von Samos.” AM 100: 105–127.
Kienast, H.J. 1986/7. “Der Tunnel des Eupalinos auf Samos.” Mannheimer Forum: 179–271.
Kienast, H.J. 1995. Die Wasserleitung des Eupalinos auf Samos. Mainz am Rhein.
Kienast, H.J. 2004. “PARADEGMA. Das Vermächtnis des Eupalinos.” AM 119: 67–90.
Kirk, G.S. and Raven, J.E.. 1962. The Presocratic Philosophers. Cambridge.
Kirk, G.S., Raven, J. E., and Schofield, M.. 1983. The Presocratic Philosophers. Cambridge.
Knell, H. 1973. “Vier attische Tempel klassischer Zeit.” AA: 94–114.
Koch, H. 1955. Studien zum Theseustempel in Athen. Abhandlungen der sächsischen Akademie der Wissenschaften zu Leipzig 47. Berlin.
Koenigs, W. 1983. “Der Athenatempel von Priene: Bericht über die 1977–82 durgeführten Untersuchungen.” IstMitt 33: 134–175.
Koenigs, W. 1984. In Deutsches Archäologisches Institut, ed. (no date). Bauplanung und Bautheorie der Antike. Bericht über ein Kolloquium veranstaltet vom Architekturreferat des Deutschen Archäologischen Instituts (DAI) mit Unterstützung der Stiftung Volkswagenwerk in Berlin vom 16.11 bis 18.11.1983. Berlin., pp. 89–94.
Koenigs, W. 1993. “Planung und Ausbau der Agora von Priene.” IstMitt 43 (1993): 381–396.
Koenigs, W. 1999. “The Temple of Athena Polias at Priene: Doric Architecture in the Guise of Ionic?” In Haselberger, L. 1999. Appearance and Essence. Refinements of Classical Architecture: Curvature. Proceedings of the Second Williams Symposium on Classical Architecture held at the University of Pennsylvania, Philadelphia, April 2–4, 1993. Philadelphia., pp. 139–154.
Kokalakis, M. 1983. “The Iconography of Icarus.” In Concilium Eirene 16. Edited by Olivia, P. and Frolíková, A., pp. 2:25–2:30. Prague.
Kondaratos, S. 1994. “The Parthenon as Cultural Ideal: The Chronicle of its Emergence as a Supreme Monument of Eternal Glory.” In The Parthenon and Its Impact in Modern Times. Edited by Tournikiotis, P., pp. 19–53. Athens.
Korres, M. 1994. “The Architecture of the Parthenon.” In The Parthenon and Its Impact in Modern Times. Edited by Tournikiotis, P., pp. 54–97. Athens.
Korres, M. 1996. “The Parthenon.” In The Parthenon: Architecture and Conservation. Edited by Korres, M., Panetsos, G.A., and Seki, T., pp. 12–81. Athens.
Korres, M. 1997. “Die Athena-Tempel auf der Akropolis.” Kult und Kultbauten auf der Akropolis. Edited by Hoepfner, W., pp. 218–243. Berlin.
Korres, M. 1999. “Refinements of Refinements.” In Refinements of Classical Architecture: Curvature, pp. 79–104.
Korres, M. 2001a. “Iktinos.” In Vollkommer, R., ed. 2001. Küstlerlexikon der Antike. Munich and Leipzig., pp. 338–345.
Korres, M. 2001b. “Kallikrates.” In Vollkommer, R., ed. 2001. Küstlerlexikon der Antike. Munich and Leipzig., pp. 387–393.
Korres, M. 2001c. “Karpion.” In Vollkommer, R., ed. 2001. Küstlerlexikon der Antike. Munich and Leipzig., pp. 404–405.
Kreeb, M. 1990. “Hermogenes – Quellen und Datierungsprobleme.” In Hoepfner, W., ed. 1990. Hermogenes und die hochhellenistiche Architektur. Internationales Kolloquium in Berlin vom 28. bis 29. Juli 1988 im Rahmen des XIII. Internationalen Kongresses für Klassische Archäologie veranstaltet vom Architekturreferat des DAI in Zusammenarbeit mit dem Seminar für Klassische Archäologie der Freien Universität Berlin. Mainz am Rhein., pp. 103–113.
Kyrieleis, H. 1976. “Bemerkungen zur Vorgeschichte der Kaiserfora.” In Hellenismus in Mittelitalien: Kolloquium in Gottingen vom 5. bis 9. Juni 1974. Edited by Zanker, P., pp. 431–438. Göttingen.
Labrouste, H. 1877. Temples de Paestum. Restaurations des monuments antiques par les architects pensionnaires de l'Académie de France a Rome. Paris.
Lancaster, L. 2005. Concrete Vaulted Construction in Imperial Rome: Innovations in Context. Cambridge.
Lauter, H. 1986. Die Architektur des Hellenismus. Darmstadt.
Lawrence, A.W. 1983. Greek Architecture. New Haven, Conn.
Lewis, M.J.T. 2001. Surveying Instruments of Greece and Rome. Cambridge.
Liddel, H.G., Scott, R., and Jones, H.S.. 1940. Greek-English Lexicon. 9th edition. Oxford.
Lindberg, D.C. 1976. Theories of Vision from Al-Kindi to Kepler. Chicago.
Lodge, R.C. 1953. Plato's Theory of Art. London.
Love, I.C. 1970. “A Preliminary Report of the Excavations at Knidos.” AJA 74: 149–155.
Ludlow, T.W. 1882. “The Athenian Naval Arsenal of Philon.” AJP 3: 317–328.
Lynch, K. 1960. The Image of the City. Cambridge, Mass.
MacDonald, W.L. 1982. The Architecture of the Roman Empire. Volume I: An Introductory Study. New Haven, Conn.
MacDonald, W.L. 1986. The Architecture of the Roman Empire. Volume II: An Urban Appraisal. New Haven, Conn.
Maguire, J.P. 1964. “The Differentiation of Art in Plato's Aesthetics.” HSCP 68: 400–402.
Maguire, J.P. 1965. “Beauty and the Fine Arts in Plato. Some Aporiae.” HSCP 70: 171–193.
Marchetti-Longhi, G. 1932. BullCom 60: 253–346.
Marchetti-Longhi, G. 1936. BullCom 64: 83–139.
Marchetti-Longhi, G. 1956–58. BullCom 76: 45–118.
Marioni, A. 1996. “Leonardo's Impossible Machines.” Leonardo Da Vinci: Engineer and Architect. Edited by Galluzzi, P., pp. 111–130. Montreal.
Marsden, E.W. 1971. Greek and Roman Artillery. Technical Treatises. Oxford.
Marstrand, V. 1922. Arsenalet i Piraeus. Copenhagen.
Martin, R. 1965. Manuel d'architecture grecque. Paris.
Martin, R.Architecture et Urbanisme. Paris.
McCredie, J.R. 1979. “Architects of the Parthenon.” In Studies in Classical Art and Archaeology: A Tribute to Peter Heinrich von Blanckenhagen. Edited by Kipcke, G. and Moore, M.B., pp. 69–73. Locust Valley, New Jersey.
McEwen, I.K 1993. Socrates' Ancestor: An Essay on Architectural Beginnings. Cambridge, Mass.
McEwen, I.K. 2003. Vitruvius: Writing the Body of Architecture. Cambridge, Mass.
Mertens, D. 1974. “Herstellung der Kurvatur am Tempel von Segesta.” RM 81: 107–114.
Mertens, D. 1984a. Der Tempel von Segesta und die Dorische Tempelbaukunst des Griecheschen Westens in klassischer Zeit. Mainz.
Mertens, D. 1984b. “Zum klassischen Tempelentwurf.” In Deutsches Archäologisches Institut, ed. (no date). Bauplanung und Bautheorie der Antike. Bericht über ein Kolloquium veranstaltet vom Architekturreferat des Deutschen Archäologischen Instituts (DAI) mit Unterstützung der Stiftung Volkswagenwerk in Berlin vom 16.11 bis 18.11.1983. Berlin., pp. 137–145.
Mertens, D. 1993. Der alte Heratempel in Paestum und die archaische Baukunst in Unteritalien. Mainz.
Mertens, D. 2006. Städte und Baute der Westgriechen: Von der Kolonisationszeit bis zur Krise um 400 vor Christus. Munich.
Millett, P. 1998. “Encounters in the Agora.” In Kosmos: Essays in Order, Conflict, and Community in Classical Athens. Edited by Cartledge, P., Millett, P., and Reden, S., pp. 203–228. Cambridge.
Millon, H.A. and Magnago Lampugnani, V., eds. 1994. The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture. New York.
Mogenet, J. 1950. Autolycus de Pitane: Histoire du texte, suivie de l'édition critique des traités. Louvain.
Mohr, R. 2005. God and Forms in Plato. New York.
Moore, K.B. 2010. “Ficino's Idea of Architecture: The ‘Mind's-Eye View’ in Quattrocento Architectural Drawings.” Renaissance Studies 24.3: 332–352.
Morricone, L. 1950. “Scavi e ricerche a Coo (1935–1943).” Bollettino d'arte 35: 54–73.
Morris, S. 1992. Daidalos and the Origins of Greek Art. Princeton.
Müller, W. 1989. Architekten in der Welt Antike. Zurich.
Müller, W. 1990. Grundlagen Gotischer Bautechnik. Munich.
Mustafa Uz, D. 1990. “The Temple of Dionysos at Teos.” In Hoepfner, W., ed. 1990. Hermogenes und die hochhellenistiche Architektur. Internationales Kolloquium in Berlin vom 28. bis 29. Juli 1988 im Rahmen des XIII. Internationalen Kongresses für Klassische Archäologie veranstaltet vom Architekturreferat des DAI in Zusammenarbeit mit dem Seminar für Klassische Archäologie der Freien Universität Berlin. Mainz am Rhein., pp. 35–80. Mainz.
Nabers, N. and Wiltshire, S.. 1980. “The Athena Temple at Paestum and Pythagorean Theory.” GRBS 21: 207–215.
Natorp, P.Platonic Ideenlehre: Eine Einführung in den Idealismus. Leipzig.
Nehamas, A. and Woodruff, P.. 1995. Plato: Phaedrus. Indianapolis, Ind.
Nightingale, A.W. 2005. Spectacles of Truth in Classical Greek Philosophy: Theoria in its Cultural Context. Cambridge.
Nünnerich-Asmus, A. 1994. Basilika und Portikus. Die Architektur der Säulenhallen als Ausdruck gewandelter Urbanität in später Republik und früher Kaiserzeit. Cologne.
Oates, W.J. 1972. Plato's View of Art. New York.
Onians, J. 1979. Art and Thought in the Hellenistic Age: The Greek World View. London.
Onians, J. 1999. Classical Art and the Cultures of Greece and Rome. New Haven, Conn. and London.
Orlandos, A.K. 1976/7. The Architecture of the Parthenon. Vols. 1–2. Athens.
Orlandos, A.K., and Travlos, I.N.. 1986. Αεξιχὸν ἀρχαίων ἀρχιτεχτονιχῶν ὅρων. Βιβλιοθήχη τῆς ἐν ἈẢθήναις ἈẢρχαιολογιχῆς Ėταιρείας 94. Athens.
Packer, J. 2006. “A New Look at Pompey's Theater: History, Documentation, and New Excavations.” AJA 110: 93–122.
Packer, J. 2007. “Looking Again at Pompey's Theater: The 2005 Excavation Season.” AJA 111: 505–522.
Palagia, O. 2006. “Marble Carving Techniques.” In Greek Sculpture: Function, Materials, and Techniques in the Archaic and Classical Periods. Edited by Palagia, O., pp. 243–279. Cambridge.
Panofsky, E. 1968. Idea: A Concept in Art Theory. New York.
Panofsky, E. 1975. La Perspective Comme Forme Symbolique et Autres Essais. Paris.
Parrot, A. 1948. Tello. Paris.
Penrose, F. 1851. The Principles of Athenian Architecture. London.
Penrose, F. 1888. The Principles of Athenian Architecture. Revised 2nd ed. London.
Petit, F. and Waele, J.A.K.E.. 1998. “Le Dessin du temple A d'Asklépios à Cos.” Pharos 6: 59–68.
Petronotis, A. 1972. Zum Problem der Bauzeichnungen bei den Griechen. Athens.
Philipp, H. 1990. “Zu Polyklets Schrift ‘Kanon.’” In Der Bildbauer der griechischen Klassik. Edited by Beck, H., Bol, P.C., and Bückling, M., pp. 135–155. Mainz.
Pickard-Cambridge, A.W. 1946. The Theatre of Dionysus in Athens. Oxford.
Pinto, J.A. 1976. “Origins and Development of the Ichnographic City Plan.” JSAH 35.1: 35–50.
Polacco, L. 1990. Il teatro di Dioniso Eleutereo ad Atene. Rome.
Pollitt, J.J. 1972. Art and Experience in Classical Greece. Cambridge.
Pollitt, J.J. 1974. The Ancient View of Greek Art. New Haven, Conn.
Pollitt, J.J. 1986. Art in the Hellenistic Age. Cambridge.
Pollitt, J.J. 1995. “The Canon of Polykleitos and Other Canons.” In Polykleitos, The Doryphoros, and Tradition. Edited by Moon, W., pp. 19–24. Madison, Wisconsin.
Puchner, M. 2010. The Drama of Ideas: Platonic Provocations in Theater and Philosophy. Oxford.
Radt, W. 1999. Pergamon: Geschichte und Bauten einer antiken Metropole. Darmstadt.
Rakob, F, and , W.D. 1973. Heilmeyer, Der Rundtempel am Tiber in Rom. Maiz am Rhein.
Raven, J.E. 1951. “Polyclitus and Pythagoreanism.” CQ 45: 147–152.
Richardson, Jr., L. 1992. A New Topographical Dictionary of Ancient Rome. Baltimore.
Richter, G. 1970. Perspective in Greek and Roman Art. London.
Richter, G. 1990. Hellenistic Sculpture I: The Styles of ca. 331–200 B.C. Madison, Wisconsin.
Riemann, H. 1959. Rev. of Bundgaard 1957. Gnomon 31: 309–319.
Riemann, H. 1960. “Die Planung des Hephaisteions zu Athen.” In Θεωρία. Festschrift für W.-H. Schuchhardt, 185–195. Baden-Baden.
Ringbom, S. 1965. “Plato on Images.” Theoria 31: 86–109.
Rizzo, S. 2000. “Il progetto Fori Imperiali.” In Crypta Balbi – Fori Imperiali: Archeologia urbana a Roma e interventi di restauro nell'anno del Grande Giubileo, edited by Baiani, S. and Ghiraldi, M., pp. 62–78. Rome.
Robertson, D.S.A Handbook of Greek and Roman Architecture. 2nd ed. Cambridge.
Rocco, G. 2003. Guida alla lettura degli ordini architettonici antichi. II, Lo ionico. Naples.
Rodriguez-Almeida, E. 1981. Forma urbis marmorea: aggiornamento generale 1980. Vols 1–2. Rome.
Rodriguez-Almeida, E. 1991–2. “Diversi problemi connessi con la lastra n. 37 della Forma Urbis Marmorea e con la topografia in circo e in campo. RendPontAcc 64: 3–26.
Ros, K.E. 1994. “Vitruvius and the Design of the Carthage Theater.” AfrRom 11: 907.
Rosand, D. 2002. Drawing Acts: Studies in Graphic Expression and Representation. Cambridge.
Rossi, C. 2004. Architecture and Mathematics in Ancient Egypt. Cambridge.
Rouveret, A. 1989. Histoire et imaginaire de la peinture ancienne. Paris.
Roux, G. 1961. L'Architecture de l'Arrgolide aux 4me. et 3me. siècles av. J.-C. Paris.
Roux, G. 1964. Ancient Iraq. London.
Rykwert, J., Leach, N., and Tavenor, R., trans. 1988. Leon Battista Alberti. On the Art of Building in Ten Books. Cambridge, Mass.
Saliou, C., ed. 1969. Vitruve. De l'architecture. Livre V. Collection des Universités de France. Paris.
Sapirstein, P. 2009. “How the Corinthians Manufactured Their First Roof Tiles.” Hesperia 78: 195–229.
Sauron, G. 1987. “Le complexe pompéien du Champ de Mars: nouveauté urbanistique à finalité idéologique.” In L'Urbs. Espace urbain et histoire. Ier s. av. J.-C. – III s. ap. J.-C., pp. 457–473. Rome.
Scaglia, G. 1996. “A Typology of Leonardo's Mechanisms.” In Leonardo Da Vinci: Engineer and Architect. Edited by Galluzzi, P., pp. 145–162. Montreal.
Schazmann, P. and Herzog, R.. 1932. Asklepieion: Baubeschreibung und Baugeschichte. Ergebnisse der Deutschen Ausgrabungen und Forschungen, I. Berlin.
Schlikker, F.W. 1940. Hellenistische Vorstellungen von der Schönheit des Bauwerks nach Vitruv. Würzberg.
Schneider, L. and Höcker, C.. 2001. Die Akropolis von Athen. Darmstadt.
Schneider, P. 1996. “Der Baubefund.” In Didyma III. Edited by Tuchelt, Klaus, pp. 1–116. Mainz am Rhein.
Schuhl, P.M. 1933. Plato et l'art de son temps. Paris.
Schulz, D. 1955. “Zum Kanon Polyklets.” Hermes 83: 200–220.
Schweitzer, B. 1953a. Plato und die bildende Künste der Griechen. Tübingen.
Schweitzer, B. 1953b. Plato und die Kunst seiner Zeit. Tübingen.
Scranton, R.L. 1974. “Vitruvius' Arts of Architecture.” Hesperia 43: 494–499.
Sear, F. 1990. “Vitruvius and Roman Theater Design.” AJA 94: 249–258.
Sear, F. 2006. Roman Theaters: An Architectural Study. Oxford.
Sennet, R. 1994. Flesh and Stone: The Body and the City in Western Civilization. London.
Senseney, J. 2007. “Idea and Visuality in Hellenistic Architecture: A Geometric Analysis of Temple A of the Asklepieion at Kos.” Hesperia 76 (2007): 554–595.
Senseney, J. 2009. “Vision and the Ordered Invisible: Geometry, Space, and Architecture in Hellenistic Sanctuaries of Asia Minor and Kos.” In Sacred Landscapes in Anatolia and Neighboring Regions. Edited by Gates, C., Morin, J., and Zimmerman, T., pp. 35–46. Oxford.
Senseney, J. forthcoming. “Measurement Systems, Surveying, and Models in Roman Architecture.” In The Blackwell Companion to Roman Architecture. Edited by Ulrich, R. and Quenemoen, C.. Hoboken, New Jersey.
Senseney, J. and Finn, M.. 2010. “The Book as Performance: Written Works, Theater, and Repositories in Classical Antiquity. The International Journal of the Book 7.3: 83–91.
Seybold, H. 1999. “Mathematical Basis for the Evaluation of Curvatures.” In Haselberger, L. 1999. Appearance and Essence. Refinements of Classical Architecture: Curvature. Proceedings of the Second Williams Symposium on Classical Architecture held at the University of Pennsylvania, Philadelphia, April 2–4, 1993. Philadelphia., pp. 105–112.
Sheppard, D.J. 2009. Plato's Republic. Bloomington, Ind.
Sherwin-White, S.M. 1978. Ancient Cos: An Historical Study from the Dorian Settlement to the Imperial Period. Göttingen.
Shoe, L.T. 1950. “Greek Moldings of Kos and Rhodes.” Hesperia 19: 338–369.
Sjöqvist, E. 1954. “Kaisareion. A Study in Architectural Iconography.” OpRom 13: 88–108.
Small, D.B. 1983. “Studies in Roman Theater Design.” AJA 87: 55–68.
Smith, T.G. 2003. Vitruvius on Architecture. New York.
Soubiran, J., ed. 1969. Vitruve. De l'architecture. Livre IX. Collection des Universités de France. Paris.
Spencer, J.R., trans. 1966. Leon Battista Alberti On Painting. Revised edition. New Haven, Conn. and London.
Stevens, G.P. 1940. The Setting of the Periclean Parthenon. Hesperia Suppl. 3. Princeton.
Stevens, G.P. 1943. “The Curve of the North Stylobate of the Parthenon.” Hesperia 12: 135–143.
Stevens, G.P. 1956. “The Volute of the Capital of the Temple of Athena at Priene Part II: A Machine for Drawing this Volute for Any Column between Twenty and Sixty Feet in Height.” MAAR 24: 33–46.
Stewart, A. 1978. “The Canon of Polykleitos: A Question of Evidence.” JHS 98: 122–131.
Stewart, A. 1990. Greek Sculpture: An Exploration. 2 vols. New Haven, Conn. and London.
Stewart, A. 1996. Art, Desire, and the Body in Ancient Greece. Cambridge.
Stewart, A. 2006. “Hellenistic Art: Two Dozen Innovations.” The Cambridge Companion to the Hellenistic World. Edited by Bugh, G.R., pp. 158–185, Cambridge.
Stewart, A. 2008. Classical Greece and the Birth of Western Art. Cambridge.
Stewart, J.A. 1909. Plato's Doctrine of Ideas. Oxford.
Stillwell, R. ed. 1976. The Princeton Encyclopedia of Classical Sites. Princeton.
Strong, D. 1968. “The Administration of Public Building in Rome during the Late Republic and Early Empire.” BICS 15 (1968): 97–109.
Stuart, J. and Revett, N.. 1762 Antiquities of Athens. Vol. 1. London.
Stuart, J. and Revett, N.. 1787. Antiquities of Athens. Vol. 2. London.
Stuart, J. and Revett, N.. 1794. Antiquities of Athens. Vol. 3. London.
Summers, D. 2007. Vision, Reflection, and Desire in Western Painting. Durham, North Carolina.
Svenson-Evers, H. 1996. Die griechischen Architekten archaischer und klassischer Zeit. Frankfurt.
Tanner, J. 2006. The Invention of Art History in Ancient Greece. Cambridge.
Taplin, O. 1999. “Spreading the Word through Performance.” In Performance Culture and Athenian Democracy. Edited by Goldhill, S. and Osborne, R., pp. 33–57. Cambridge.
Taylor, R. 2003. Roman Builders: A Study in Architectural Process. Cambridge.
Thoenes, C. 1993. “Vitruv, Alberti, Sangallo: Zur Theorie der Architekturzeitung in der Renaissance.” In Hülle und Fülle: Festschrift für Tilman Buddensieg. Edited by Beyer, A. et al., pp. 565–584. Alfter.
Thompson, H.A. and Wycherly, R.E.. 1972. The Athenian Agora XIV – The Agora of Athens: The History, Shape and Uses of an Ancient City Center. Princeton.
Tigler, P. 1963. Die Architektur Theorie des Filarete. Berlin.
Tomlinson, R.A. 1963. “The Doric Order: Hellenistic Critics and Criticism.” JHS 83: 133–145.
Tomlinson, R.A. 1989. “Vitruvius and Hermogenes.” In Geertman, H. and J.J. de Jong, eds. 1989. Munus non ingratum: Proceedings of the International Symposium on Vitruvius' De architectura and Hellenistic and Republican Architecture = BABesch, supp. 2. Leiden., pp. 71–75. Leiden.
Travlos, J. 1971. Pictorial Dictionary of Ancient Athens. London.
Trojani, M. 1974–1975. “Vitruvio e la genesi storica del teatro romano.” Atti ist. veneto di scienze, lettere e arti 133: 463–477.
Ulrich, R.B. 1993. “Julius Caesar and the Creation of the Forum Iulium.” AJA 97: 49–80.
Zanten, D. 1977. “Architectural Composition at the Ecole des Beaux-Arts from Charles Percier to Charles Garnier.” In The Architecture of the Ecole des Beaux-Arts, pp. 112–324. Cambridge.
Voegelen, E. 2000. Order and History Volume III: Plato and Aristotle. Columbus, Ohio.
Gaertringen, F.H. 1906. Inschriften von Priene. Berlin.
Gerkan, A. 1921. Das Theater von Priene: Als Einzelanlage und in seiner Bedeutung für das Hellenistisch Bühnenwesen. Munich.
Gerkan, A. 1923. Griechische Städteanlagen: Untersuchungen zur Entwicklung des Städtebaues im Altertum. Berlin/Leipzig.
Gerkan, A. 1929. Das Altar des Artemistempels in Magnesia am Mäander. Berlin.
Gerkan, A. and Müller-Wiener, W.. 1961. Das Theater von Epidauros. Stuttgart.
Steuben, H. 1973. Der Kanon des Polyklet. Mainz.
Waddell, G. 2002. “The Principle Design Methods for Greek Doric Temples and Their Modification for the Parthenon.” Architectural History 45: 1–31.
Wallace-Hadrill, A. 2008. Rome's Cultural Revolution. Cambridge.
Ward-Perkins, J.B. 1981. Roman Imperial Architecture. New Haven, Conn.
Webster, T.B.L. 1952. “Plato and Aristotle as Critics of Greek Art.” Symbolae Osloenses 29: 8–32.
Webster, T.B.L. 1956. Greek Theatre Production. London.
Wesenberg, B. 2001. “Vitruv und Leonardo in Salamis. “Vitruvs Poroportionsfigur' und die Metrologischen Reliefs.” JdI 116: 357–380.
White, J. 1987. The Birth and Rebirth of Pictorial Space, 3rd ed. Cambridge, Mass.
White, J.W. 1912. The Verse of Greek Comedy. London.
Wiegand, T. and Schrader, H.. 1904. Priene: Ergebnisse der Ausgrabungen und Untersuchungen in den Jahren1895–1898. Berlin.
Wigley, M. 1993. The Architecture of Deconstruction. Derrida's Haunt. Cambridge, Mass.
Wilkinson, C. 1977. “The New Professionalism in the Renaissance.” In The Architect. Edited by Kostoff, S., pp. 124–160. Oxford.
William Westfall, C. 1969. “Painting and the Liberal Arts: Alberti's View.” Journal of the History of Ideas 30: 487–506.
Wilson Jones, M. 1993. “Designing Amphitheaters.” RM 100: 391–442.
Wilson Jones, M. 1999. “The Practicalities of Roman Entasis.” In Haselberger, L. 1999. Appearance and Essence. Refinements of Classical Architecture: Curvature. Proceedings of the Second Williams Symposium on Classical Architecture held at the University of Pennsylvania, Philadelphia, April 2–4, 1993. Philadelphia., pp. 225–249. Philadelphia.
Wilson Jones, M. 2000a. Principles of Roman Architecture. New Haven, Conn.
Wilson Jones, M. 2000b. “Doric Measure and Architectural Design 1: The Evidence of the Relief from Salamis.” AJA 104: 73–93.
Wilson Jones, M. 2001. “Doric Measure and Architectural Design 2: A Modular Reading of the Classical Temple.” AJA 105: 675–713.
Winter, F.E. 1965. “Greek Theater Production: A Review Article.” Phoenix 19: 99–110.
Winter, F.E. 1980. “Tradition and Innovation in Doric Design III: The Work of Iktinos.” AJA 84: 399–416.
Winter, F.E. 1983. “The Stage of New Comedy.” Phoenix 37: 199–204.
Winter, F.E. 2006. Studies in Hellenistic Architecture. Toronto.
Wittkower, R. 1953. “Brunelleschi and ‘Proportion in Perspective.’JWarb 16: 275–291.
Wünsche, R. 1979. “Der ‘Gott aus dem Meer.’JdI 94: 77–111.
Wycherly, R.E. 1937. “Aristophanes, Birds, 995–1009.” CQ 31: 22–31.
Wycherly, R.E. 1942. “The Ionian Agora.” JHS 62: 21–32.
Wycherly, R.E. 1962. How the Greeks Built Cities. The Relationship of Architecture and Town Planning to Everyday Life in Ancient Greece. 2nd ed. New York and London.
Wycherly, R.E. 1978. The Stones of Athens. Princeton.
Yegül, F.K. 1991. Gentlemen of Instinct and Breeding: Architecture at the American Academy in Rome (1894–1940). New York.
Yegül, F.K. 1994. “Ephesus.” In Streets: Critical Perspectives on Public Space. Edited by Çelik, Z., Favro, D., and Ingersoll, R., pp. 95–110. Berkeley, California.
Zambas, K. 2002. Oi ekleptunseis ton kionon tou Parthenonos. Athens.
Zeitlin, F. 1994. “The Artful Eye: Vision, Ecphrasis and Spectacle in Euripidean Theatre.” In Art and Text in Ancient Greek Culture. Edited by Goldhill, S. and Osborne, R., pp. 138–196. Cambridge.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.