24 results in Bergson and the Art of Immanence
12 - ‘For We Will Have Shown it Nothing’: Bergson as Non-Philosopher (of) Art
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Part I - Bergson, Art, History
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3 - Art History, Less Its Conditions of Possibility: Following Bergson's ‘Le Possible et le réel’
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Afterword: An Art Historical Return to Bergson
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- 04 October 2013, pp 260-271
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14 - Hyperaesthesia and the Virtual
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- 04 October 2013, pp 247-259
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4 - Matisse, Bergson, Oiticica, etc.
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- 04 October 2013, pp 63-79
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10 - A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity
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- 04 October 2013, pp 165-186
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List of Illustrations
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- 04 October 2013, pp vii-viii
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9 - Duration and Rhetorical Movement
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- 04 October 2013, pp 148-164
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11 - Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry
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- 04 October 2013, pp 189-205
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Introduction: Art's Philosophy – Bergson and Immanence
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8 - Pasearse: Duration and the Act of Photographing
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- 04 October 2013, pp 131-147
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Part III - Immanence of the Visible
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- 04 October 2013, pp 187-188
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5 - Bergson Before Deleuze: How to Read Informel Painting
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- 04 October 2013, pp 80-93
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7 - The Matter of the Image: Notes on Practice-Philosophy
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- 04 October 2013, pp 115-130
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2 - Art History, Immanently
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13 - The Untimeliness of Bergson's Metaphysics: Reading Diffractively
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- 04 October 2013, pp 232-246
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Frontmatter
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Notes on Contributors
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- 04 October 2013, pp ix-xii
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Contents
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