Secondary
Aarseth, Espen (1997) Cybertexts: Perspectives on Ergodic Literature. Baltimore, MD: The Johns Hopkins Press.
Auslander, Philip (2008) Liveness: Performance in Mediatized Culture. New York: Routledge Books.
Balcerzan, Edward (1998) “W Stronę Genologii Multimedialnej,” Teksty Drugie 6(59): 7–24.
Barad, Karen (2003) “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter,” Signs: Journal of Women in Culture and Society 28(3): 801–831.
Barnett, Belinda (2014) “Machine-Enhanced (Re)Minding: The Development of Storyspace,” in Barnett, Belinda (ed.), Memory Machines: The Evolution of Hypertext. London: Anthem Press, 115–136.
Bernstein, Mark (2002) “Storyspace 1.” Proceedings of the Thirteenth ACM Conference on Hypertext and hypermedia, 172–181.
Bernstein, Mark (2016) “Storyspace 3.” Proceedings of the 27th ACM Conference on Hypertext and Social Media, 201–206. New York: ACM.
Biguenet, John and Schulte, Rainer (1989) The Craft of Translation. Chicago, IL: The University of Chicago Press.
Bogost, Ian (2012) Alien Phenomenology, or, What It’s Like to be a Thing. Minneapolis: The University of Minnesota Press.
Bolter, Jay David (1991) Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum Associates.
Bolter, Jay David and Grusin, Richard (1999) Remediation: Understanding New Media. Cambridge, MA: The MIT Press.
Bowers, Fredson (1994) Principles of Bibliographical Description. Princeton, NJ: Princeton University Press.
Bryant, John (2002) The Fluid Text: A Theory of Revision and Editing for Book and Screen. Ann Arbor, MI: Michigan University Press.
Butterfield, Andrew, Ekembe Ngondi, Gerard, and Kerr, Anne (2016) A Dictionary of Computer Science. Oxford: Oxford University Press.
Dahlstrom, Mats (2002) “When Is a Webtext?” Text Technology: The Journal of Computer Text Processing 11(1): 139–161.
Dolphijn, Rick and van der Tuin, Iris (2012) New Materialism: Interviews & Cartographies. London: Open Humanities Press.
Ensslin, Astrid (2007) Canonizing Hypertext: Explorations and Constructions. New York: Continuum.
Ensslin, Astrid (2019). “‘Who Shattered the Looking Glass?’ A Critical Essay about Kathryn Cramer’s ‘In Small & Large Pieces’,” in Dene Grigar, Nicholas Schiller, Holly Slocum et al. (eds.), Rebooting Electronic Literature: Documenting Pre-Web Born Digital Media, Volume 2. Vancouver: Nouspace Publications. https://scalar.usc.edu/works/rebooting-electronicliterature-volume-2/index. Ensslin, Astrid (2022) Pre-Web Digital Publishing and the Lore of Electronic Literature. Cambridge: Cambridge University Press.
Fludernik, Monika (2001) “New Wine in Old Bottles? Voice, Focalization, and New Writing,” New Literary History 32(3): 619–638.
Gadamer, Hans Georg (1975) “To What Extent Does Language Prescribe Thinking?” Truth and Method. Trans. Garrett Braden and John Cumming. London: Sheed and Ward.
Galloway, Alexander R. (2012) The Interface Effect. Cambridge: Polity Press.
Gärdenfors, Peter (2003) How Homo became Sapiens: On the Evolution of Thinking. Oxford: Oxford University Press.
Geyh, Paula, Leeborn, Fred G., and Levy, Andrew (1997) Postmodern American Fiction: A Norton Anthology. New York: W. W Norton.
Goldstein, Harry (1994) “Review of afternoon, a story.” Utne Reader. March–April, 131–132.
Grant, Richard (1993) “Never the Same Text Twice.” Washington Post Book World, July 11, 8–9.
Grigar, Dene. (2002) “Mutability, Medium, and Character.” Computers and the Humanities 36: 359–378.
Grigar, Dene (2018) “Saying Something about ‘I Have Said Nothing’,” in Grigar, Dene, Schiller, Nicholas, Rhodes, Vanessa et al. (eds.), Rebooting Electronic Literature Volume 1. Vancouver: Nouspace Publications. https://doi.org/10.7273/NKQK-H488. Grigar, Dene and Barber, John (2003) “Media Translation Theory and the Online Brautigan Bibliography.” Proceedings from the Digital Arts and Culture 2003. Ed. Miles, Adrian. Melbourne: Royal Melbourne Institute of Technology. CD-ROM Reprinted in Fineart Forum 16 (2003).
Grigar, Dene and Moulthrop, Stuart (2015) Pathfinders: Documenting the Experience of Early Digital Literature. Vancouver: Nouspace Publications. https://doi.org/10.7273/WFoB-TQ14. Halliday, Michael Alexander Kirkwood and Hasan, Ruqaiya (1985) Language, Context and Text: Aspects of Language in a Social-Semiotic Perspective. Geelong: Deakin University Press.
Harman, Graham (2005) Guerrilla Metaphysics: Phenomenology and the Carpentry of Things. Chicago, IL: Open Court Press.
Harpold, Terry (1998) “Conclusions,” in Geyh, Paula, Leebron, Fred G., and Levy, Andrew (eds.), Postmodern American Fiction. New York: W. W. Norton, 637–648.
Harpold, Terry (2009) Ex-foliations: Reading Machines and the Upgrade Path. Minnesota, MN: The University of Minnesota Press.
Hayles, N. Katherine (2002) Writing Machines. Cambridge, MA: The MIT Press.
Hayles, N. Katherine (2003) “Translating Media: Why We Should Rethink Textuality,” The Yale Journal of Criticism 16(2): 263–290.
Hayles, N. Katherine (2005) My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago, IL: The University of Chicago Press.
Hayles, N. Katherine (2012) How We Think: Digital Media and Contemporary Technogenesis. Chicago, IL: The University of Chicago Press.
Hayles, N. Katherine (2017) Unthought: The Power of the Cognitive Nonconscious. Chicago, IL: The University of Chicago Press.
Johnson, Mark (1987) The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason. Chicago, IL: The University of Chicago Press.
Jones, Caroline A. (2006) “Introduction,” in Jones, Carolyn A. (ed.), Sensorium: Embodied Experience, Technology, and Contemporary Art. Cambridge, MA: The MIT Press, 5–49.
Joyce, Michael (2016) Email to Dene Grigar. May 31.
Joyce, Michael (1992) Letter to Sandra Kroups. May 25.
Joyce, Michael (1995) Of Two Minds: Hypertext Pedagogy and Poetics. Ann Arbor, MI: The University of Michigan Press.
Joyce, Michael (2020a) Email to Dene Grigar. June 4.
Joyce, Michael (2020b) Email to Dene Grigar. June 5.
Joyce, Michael (2022c) Email to Dene Grigar. June 18.
Katan, David (2018) “‘Translatere’ or ‘Transcreare’: Theory and in Practice, and by Whom?,” in Spinzi, Cinzia, Rizzo, Alessandra, and Zummo, Marianna Lya (eds.), Translation or Transcreation: Discourses, Texts, and Visuals. Newcastle upon Tyne: Cambridge Scholars Press, 15–38.
Keeley, Edmund (1989) “Collaboration, Revision, and Other Less Forgiveable Sins,” in Biguenet, John and Schulte, Rainer (eds.), The Craft of Translation. Chicago, IL: The University of Chicago Press, 54–69.
Kirchenbaum, Matthew (2002) “Editing the Interface: Textual Studies and First Generation Electronic Objects,” Text: An Interdisciplinary Annual of Textual Studies 14: 15–51.
Kirchenbaum, Matthew (2008) Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: The MIT Press.
Kirchenbaum, Matthew (2012) Mechanisms: New Media and the Forensic Imagination. Paperback. Cambridge, MA: The MIT Press.
Krause, Rolf D. (2020a) Email to Dene Grigar. June 16.
Krause, Rolf D. (2020b) Email to Dene Grigar. June 18.
Krause, Rolf D. (2020c) Email to Dene Grigar. June 23.
Laurel, Brenda (1993) Computers as Theatre. Reading, MA: Addison-Wesley.
Levy, David M. (2000) “Where’s Waldo? Reflections on Copies and Authenticity in a Digital Environment, in Charles T. Cullen, Peter B. Hirtle, David Levy, Clifford A.
Lynch, , and Rothenberg, Jeff (eds.), Authenticity in a Digital Environment. Washington, DC: Council on Library and Information Resources, 24–31.
Manovich, Lev (2001) The Language of New Media. Cambridge, MA: The MIT Press.
Manovich, Lev (2005) “Generation Flash.” In Buurman, Gerhard M. (ed.) Total Interaction, New York: Springer, 66–77.
McCorduck, Patricia (1991) Whole Earth Review, No. 70, Spring, 101.
McDaid, John (2015) in Dene Grigar and Stuart Moulthrop (eds.), “John McDaid Interview, Part 2,” Pathfinders: Documenting the Experience of Early Digital Literature. https://vimeo.com/112474735. Merleau-Ponty, Maurice (2012) Phenomenology of Perception. Trans. Donald A. Landes. New York: Routledge.
Meza, Nohelia (2017) New Forms of Literariness in Electronic Literature: An Approach to Rhetorical Enunciation and Temporality. www.tdx.cat/handle/10803/442967. Moulthrop, Stuart and Grigar, Dene (2017) Traversals: The Use of Preservation for Early Electronic Writing. Cambridge, MA: The MIT Press.
Murray, Janet (1997) Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York: Free Press.
Nelson, Ted (1999) “Xanalogical Structure, Needed Now More Than Ever: Parallel Documents, Deep Links to Content, Deep Versioning, and Deep Re-use,” ACM Computing Surveys 31(4): 33, https://doi.org/10.1145/345966.346033. Ong, Walter (1982) Orality and Literacy: The Technologizing of the Word. New York: Routledge Press.
Paul, Christiane (2007) “The Myth of Immateriality: Presenting and Preserving New Media,” in Grau, Oliver (ed.), MediaArtHistories, pp. 251–274. Cambridge, MA: The MIT Press.
Regnauld, Arnaud (2014) “Translating ‘afternoon, a story’ by Michael Joyce, or How to Inhabit a Spectral Body,” ELO Conference: Chercher le Texte, Vancouver: Nouspace Publications.
Rembowska-Płuciennik, Magdalena (2012). Poetyka Intersubiektywności: Kognitywistyczna Teoria Narracji a Proza Xx Wieku. Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika.
Rettberg, Scott (2019) Electronic Literature. Cambridge: Polity Press.
Rosenberg, Jim (1996) “The Structure of Hypertext Activity.” Proceedings of the Seventh ACM Conference on Hypertext. New York: ACM, 22–30.
Rumsey, Abby Smith (2016) When We Are No More: How Memory Is Shaping Our Future. New York: Bloomsbury.
Salter, Anastasia and Murray, John (2014) Flash: Building the Interactive Web. Cambridge, MA: The MIT Press.
Shillingsburg, Peter L. (1991) “Text as Matter, Concept, and Action,” Studies in Bibliography 44: 31–82.
Skains, Lyle (2022) “(People Who Identify as) Women in ELit: Nevertheless, We Persist.” ELO Conference.
Spinzi, Cinzia (2021) “The Wheres, Whats, and Whys of Transcreation,” in Spinzi, Cinzia, Rizzo, Allessandra, and Zummo, Marianna Lya (eds.), Translation or Transcreation: Discourses, Texts and Visuals. Newcastle upon Tyne: Cambridge Scholars Press, 1–14.
Tabbi, Joseph (2003) “Stephanie Strickland’s True North: A Migration between Media,” in Looy, Jan Van and Baetens, Jan (eds.), Close Reading New Media: Analyzing Electronic Literature. Leuven, BE: Leuven University Press, 27–38.
Tosca, Susanna Pajares (1999) “The Lyrical Quality of Links.” Proceedings of the Seventh ACM Conference on Hypertext and Hypermedia, New York: ACM, 22–30.
Tremblay-Gaudette, Gabriel (2021) “You Can’t Go Home Again: Moving Afternoon Forward through Translation, R. Desjardins, Claire Larsonneur, Philippe Lacour (eds.), When Translation Goes Digital, Palgrave Studies in Translating and Interpreting, https://doi.org/10.1007/978-3-030-51761-8_4״. Vanderhaeghe, Stéphane (2013) “Translating the Virtual. ‘afternoon, a story’ by Michael Joyce,” ELO Conference. Paris: Chercher le Texte.
Vannini, Walter (2020) Email to Dene Grigar. July 13.
Varela, Francisco J., Thompson, Evan, and Rosch, Eleanor (1991) The Embodied Mind: Cognitive Science and Human Expression. Cambridge, MA: The MIT Press.
Zielinski, Sigfried, Peter, Weibel, Irrgang, Daniel (eds.) (2016) Flusseriana. An Intellectual Toolbox. Berlin: Univocal.