This bibliography lists all of the critical and secondary sources that are cited in the text of the book and many that are not. Most of the additional references are to critical works on canons and canon formation that inform the book’s history of, arguments about, and proposals for anthologies. I have also included a selection of works that inform or are relevant to the book’s arguments about individual noncanonical plays, or its arguments about the relation between canon and form. Full bibliographical citations for all the anthologies discussed in this book are given in Chapter 4; I have not repeated them here.
A Iournall and Relation of the Action which by his Maiesties commandment, Edward Lord Cecil, Baron of Putney, and Vicount of Wimbledon, Admirall, and Lieutenant Generall of his Maiesties Forces, did vndertake vpon the Coast of SPAINE, 1625. London, 1627.
Abbott, Craig (1990) “Modern American Poetry: Anthologies, Classrooms, and Canons,” College Literature, 17 (2/3): 209–21.
Albright, Evelyn May (1923) “A Stage Cartoon of the Lord Mayor of London in 1613,” The Manley Anniversary Studies in Language and Literature, 113–26.
Altieri, Charles (1983) “An Idea and Ideal of a Literary Canon,” Critical Inquiry, 10 (1): 37–60.
“An Exchange on The Norton Anthology of English Literature and Sean Shesgreen” (2009). Critical Inquiry, 35 (4): 1054–88.
Astington, John H. (1999) “The Globe, the Court, and Measure for Measure,” Shakespeare Survey, 52: 133–42.
Astington, John H. (2003) “Dramatic Extracts in the Interregnum,” Review of English Studies, 54 (217): 601–14.
Attwell, David (1991) “Property, Status, and the Subject in a Middle-class Tragedy: Arden of Faversham,” English Literary Renaissance, 21 (2): 328–48.
Auchter, Dorothy (2001) A Dictionary of Literary and Dramatic Censorship in Tudor and Stuart England, Westport, Conn.: Greenwood.
Ball, Robert Hamilton (1939) The Amazing Career of Sir Giles Overreach, Princeton University Press.
Banta, Martha (1993) “Why Use Anthologies? or, One Small Candle Alight in a Naughty World,” American Literature, 65 (2): 330–34.
Barbarese, J. T. (1999) “The Sixth Palgrave’s: Who Needs It?” Victorian Poetry, 37 (2): 235–42.
Barish, Jonas (1953) “The Double Plot in Volpone,” Modern Philology, 51 (2): 83–92.
Barton, Anne (1977) “The Distinctive Voice of Massinger,” Times Literary Supplement, May 20, pp. 623–34.
Bateson, F. W. (1941) The Cambridge Bibliography of English Literature, 5 vols., London: Macmillan.
Beauties of Massinger, (1817), London: John Porter.
Bednarz, James (1991) “Representing Jonson: Histriomastix and the Origin of the Poets’ War,” Huntington Library Quarterly, 54 (1): 1–30.
Bednarz, James (1993) “Marston’s Subversion of Shakespeare and Jonson: Histriomastix and the War of the Theatres,” Medieval and Renaissance Drama in England, 6: 103–28.
Bednarz, James (2001) Shakespeare and the Poets’ War, New York: Columbia University Press.
Bednarz, James (2002) “Writing and Revenge: John Marston’s Histriomastix,” Comparative Drama, 36 (1): 21–50.
Bement, Peter (1989) “Review: The Plays of George Chapman – The Tragedies with Sir Giles Goosecap,” Review of English Studies, 40 (158): 254–55.
Benedict, Barbara (2001) “The Eighteenth-Century Anthology and the Construction of the Expert Reader,” Poetics, 28 (5/6): 377–97.
Benedict, Barbara (2003) “The Paradox of the Anthology: Collecting and Différence in Eighteenth-Century Britain,” New Literary History, 34 (2): 231–56.
Bentley, Eric (1949–56) From the Modern Repertoire, 3 vols., Bloomington, Ind.: Indiana University Press.
Bentley, G. E. (1941–68) The Jacobean and Caroline Stage, 7 vols., Oxford University Press.
Bentley, G. E. (1943) “John Cotgrave’s English Treasury of Wit and Language and the Elizabethan Drama,” Studies in Philology, 40 (2): 186–203.
Bentley, G. E. (ed.) (1950) The Development of English Drama, New York: Appleton-Century-Crofts.
Bergeron, David (2009) “Paratexts in Francis Beaumont’s The Knight of the Burning Pestle,” Studies in Philology, 106 (4): 456–67.
Bevington, David (1968) Tudor Drama and Politics, Cambridge, Mass.: Harvard University Press.
Bevington, David (2012) “Recent Trends in Editing of Renaissance Drama Anthologies,” Renaissance Drama, 40: 91–100.
Bevis, Richard (1997) “Canon, Pedagogy, Prospectus: Redesigning ‘Restoration and Eighteenth-Century English Drama,’” Comparative Drama, 31 (1): 178–91.
Bloom, Lynn Z. (2000) “Once More to the Essay: The Essay Canon and Textbook Anthologies,” Symploke, 8 (1/2): 20–35.
Bly, Mary (1995) “Bait for the Imagination: Danae and Consummation in Petrarch and Heywood,” Comparative Literature Studies, 32 (3): 343–59.
Bly, Mary (2000) Queer Virgins and Virgin Queans on the Early Modern Stage, Oxford University Press.
Bowie, John (1975) Charles I, London: Weidenfield & Nicolson.
Boynton, Percy H. (1912) “Suggestions for the English-Literature Section of a High School Library,” The School Review, 20 (2): 111–16.
Brissenden, A. T. (1964) “Dodsley’s Copy-Text for The Revenger’s Tragedy in his Select Collection,” The Library, 19 (1): 254–58.
Brooke, C. F. Tucker (1908) The Shakespeare Apocrypha, Oxford University Press.
Brown, Arthur (1954) “An Edition of the Plays of Thomas Heywood,” Renaissance Papers, 71–76.
Burelbach, Frederick M. (1968) “War and Peace in The Shoemakers’ Holiday,” Tennessee Studies in Literature, 13: 99–107.
Butler, Martin (1984) “Massinger’s The City Madam and the Caroline Audience,” Renaissance Drama, 13: 157–97.
Butler, Martin (1985) “The Roman Actor and the Early Stuart Classical Play,” in Douglas Howard (ed.), Philip Massinger: A Critical Reassessment, Cambridge University Press, pp. 139–70.
Butler, Martin (1994) “A New Way to Pay Old Debts: Massinger’s Grim Comedy,” in Michael Cordner, Peter Holland, and John Kerrigan (eds.), English Comedy, Cambridge University Press, pp. 119–36.
Capell, Edward (1779–80) The School of Shakespeare, London: Henry Hughes.
Carlton, Charles (1983) Charles I: The Personal Monarch, London: Routledge & Kegan Paul.
Carnegie, David and Jackson, MacDonald P. (2001) “The Crux in A Cure for a Cuckold: A Cryptic Message, a Doubtful Intention, and Two Dearest Friends,” Modern Language Review, 96 (1): 14–20.
Carter, Albert Howard (1942) “Review of The Annals of English Drama,” Modern Philology, 40 (2): 200–12.
Cathcart, Charles (2009) “Old Plays and the General Reader: An Essay in Praise of the Regents Renaissance Drama Series,” Early Modern Literary Studies, 14 (3): 5.1–5.36.
Cauthen, Irby B., Jr. (1987) “Thomas May,” in Fredson Bowers (ed.), Dictionary of Literary Biography, vol. LVIII: Jacobean and Caroline Dramatists, Detroit, Mich.: Gale, pp. 190–95.
Cerasano, S. P. and Wynne-Davies, Marian (eds.) (1996) Renaissance Drama by Women, London and New York: Routledge.
Cervantes, Miguel (1989) The Trials of Persiles and Sigismunda, trans. Celia Richmond Weller and Clark A. Colahan, Indianapolis, Ind.: Hackett. First published 1617.
Champion, Larry S. (1982) “Westward-Northward: Structural Development in Dekker’s Ho Plays,” Comparative Drama, 16 (3): 251–66.
Chandler, W. K. (1929) “The Sources of the Characters in The Shoemaker’s Holiday,” Modern Philology, 27 (2): 175–82.
Churchman, Philip H. (1922) “The Use of Anthologies in the Study of Literature,” Modern Language Journal, 7 (3): 149–54.
Clare, Janet (1999) “Art Made Tongue-Tied by Authority”: Elizabethan and Jacobean Dramatic Censorship, Manchester University Press.
Clark, A. M. (1931) Thomas Heywood: Playwright and Miscellanist, Oxford: Blackwell.
Clark, Ira (1993) The Moral Art of Philip Massinger, Cranbury, NJ: Associated University Presses.
Collier, John Payne (1833) Five Old Plays, Forming a Supplement to the Collections of Dodsley and Others, London: Pickering.
Collier, John Payne (1871–72) Old Man’s Diary, London: Thomas Richards.
Comensoli, Viviana (1996) Household Business: Domestic Plays of Early Modern England, University of Toronto Press.
Connolly, Annaliese F. (2011) “Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory,” in Bernadette Andrea and Linda McJannet (eds.), Early Modern England and Islamic Worlds, New York: Palgrave, pp. 139–58.
Cook, D. J. (1964) “A Woman Killed with Kindness: An Unshakespearian Tragedy,” English Studies, 45 (5): 353–72.
Cooper, Helen (2006) “Guy of Warwick, Upstart Crows and Mounting Sparrows,” in TakashiKozuka and J. R. Mulryne (eds.), Shakespeare, Marlowe, Jonson: New Directions in Biography, Aldershot: Ashgate, pp. 119–38.
Corbin, Peter and Sedge, Douglas (eds.) (1986) Three Jacobean Witchcraft Plays, Manchester University Press.
Cormack, Bradin (2007) A Power to Do Justice: Jurisdiction, English Literature, and the Rise of Common Law, 1509–1625, University of Chicago Press.
Corman, Brian (1993) “What Is the Canon of English Drama, 1660–1737?” Eighteenth-Century Studies, 26 (2): 307–21.
Cotgrave, John (1655) The English Treasury of Wit and Language, London.
Cromwell, Otelia (1928) Thomas Heywood: A Study in the Elizabethan Drama of Everyday Life, New Haven, Conn.: Yale University Press.
Damrosch, David (2000) “World Literature Today: From the Old World to the Whole World,” Symploke, 8 (1/2): 7–20.
Darby, T. L. (1995) “Resistance to Rape in Persiles y Sigismunda and The Custom of the Country,” Modern Language Review, 90 (2): 273–84.
Davies, Thomas (1779) “Some Account of the Life of Philip Massinger,” in John Monck Mason (ed.), The Dramatick Works of Philip Massinger, 4 vols., London, pp. lxvii–xcii.
Dickey, James (1958) “In the Presence of Anthologies,” The Sewanee Review, 66 (2): 294–314.
Diez, Jose A. Perez (2012) “Review of A Woman Killed with Kindness,” Shakespeare Bulletin, 30 (2): 212–17.
Dike, E. B. (1944) “Improve the Anthologies,” College English, 5 (8): 447–48.
Dodd, William (1752) The Beauties of Shakespeare, London.
Dodsley, Robert (1735) The Toy Shop, London.
Dodsley, Robert (1737) The King and the Miller of Mansfield, London.
Dodsley, Robert (1741) The Blind Beggar of Bethnal Green, London.
Dolle, Raymond F. (1990) “The New Canaan, the Old Canon, and the New World in American Literature Anthologies,” College Literature, 17 (2/3): 196–208.
Downing, David B. (2000) “The ‘Mop-Up’ Work of Theory Anthologies: Theorizing the Discipline and the Disciplining of Theory,” Symploke, 8 (1/2): 129–50.
Duncan-Jones, Katherine (1997) “Prentices and Prodigals: A New Allusion to The Hogge hath Lost His Pearl,” Notes and Queries, 44 (1): 88–90.
Dunn, T. A. (1957) Philip Massinger: The Man and the Playwright, Edinburgh: Nelson.
Dutton, Richard (2008) Ben Jonson, Volpone and the Gunpowder Plot, Cambridge University Press.
Eardley, Alice (2007) “Recreating the Canon: Women Writers and Anthologies of Early Modern Verse,” Women’s Writing, 14 (2): 270–89.
Edwards, Philip (1962) “Massinger the Censor,” in Richard Hosley (ed.), Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig, Columbia, Mo.: University of Missouri Press, pp. 341–50.
Edwards, Philip (1964) “The Sources of Massinger’s The Bondman,” Review of English Studies, 15 (57): 21–26.
Edwards, Philip (1979) Threshold of a Nation, Cambridge University Press.
Ekeblad, Inga-Stina (1957) “Webster’s Constructional Rhythm,” English Literary History, 24 (3): 165–76.
Eliot, T. S. (1934) Elizabethan Essays, London: Faber & Faber.
Ellis, Havelock (1939) My Life, Boston, Mass.:Haughton Mifflin.
Empson, William (1935) Some Versions of Pastoral, London: Chatto & Windus.
Erickson, Peter (1992) “The Two Renaissances and Shakespeare’s Canonical Position,” The Kenyon Review, 14 (2): 56–70.
Erne, Lukas (2005) “Biography, Mythography, and Criticism: The Life and Works of Christopher Marlowe,” Modern Philology, 103 (1): 28–50.
Evans, Maurice (1972) “Review: The Plays of George Chapman. The Comedies,” Review of English Studies, 23 (89): 73–75.
Eversole, Richard (1973) “A Source for the Plot of The Fair Maid of Bristow,” Review of English Studies, 24 (95): 305–10.
Ferry, Anne (1999) “Palgrave’s ‘Symphony,’” Victorian Poetry, 37 (2): 145–62.
Ferry, Anne (2001) Tradition and the Individual Poem: An Inquiry into Anthologies, Palo Alto, Calif.: Stanford University Press.
Finkelpearl, Philip J. (1966) “John Marston’s Histrio-Mastix as an Inns of Court Play: A Hypothesis,” Huntington Library Quarterly, 29 (3): 223–34.
Finkelpearl, Philip J. (1969) John Marston of the Middle Temple, Cambridge, Mass.: Harvard University Press.
Finkelpearl, Philip J. (1990) Court and Country Politics in the Plays of Beaumont and Fletcher, Princeton University Press.
Fisher, Will (2007) “The Sexual Politics of Victorian Historiographical Writing about the ‘Renaissance,’” Gay and Lesbian Quarterly, 14 (1): 41–67.
Fliegelman, Jay (1993) “Anthologizing the Situation of American Literature,” American Literature, 65 (2): 334–38.
Forker, Charles R. (1986) Skull beneath the Skin: The Achievement of John Webster, Carbondale, Ill.: Southern Illinois University Press.
Fowler, Alastair (1979) “Genre and the Literary Canon,” New Literary History, 11 (1): 97–119.
Fraistat, Neil (ed.) (1986) Poems in Their Place: The Intertextuality and Order of Poetic Collections, Chapel Hill, NC: University of North Carolina Press.
Freeman, Arthur and Freeman, Janet Ing (1993) “Scholarship, Forgery, and Fictive Invention: John Payne Collier before 1831,” The Library, 15 (1): 1–23.
Gailey, Amanda (2005) “How Anthologists Made Dickinson a Tolerable American Woman Writer,” The Emily Dickinson Journal, 14 (1): 62–83.
Gair, Reavley (1982) The Children of Paul’s: The Story of a Theatre Company, 1553–1608, Cambridge University Press.
Garnett, J. M. (1886) “The Course in English and Its Value as a Discipline,” TMLA, 2: 61–73.
Gasper, Julia (1990) The Dragon and the Dove, Oxford University Press.
Gavin, Michael (2010) “Serial Publication and the Vendible Canon,” Eighteenth-Century Life, 34 (3): 12–16.
Gayley, C. M. (1903–36) Representative English Comedies, 4 vols., New York: Macmillan.
Geckle, George (1972) “John Marston’s Histriomastix and the Golden Age,” Comparative Drama, 6 (3): 205–42.
Gerould, Daniel (2007) “In Praise of the Anthologist’s Craft,” PAJ: A Journal of Performance and Art, 29 (1): 113–25.
Gill, Roma (1967) “Collaboration and Revision in Massinger’s A Very Woman,” Review of English Studies, 18 (70): 136–48.
Graff, Gerald (1987) Professing Literature: An Institutional History, University of Chicago Press.
Graves, Robert and Riding, Laura (1928) A Pamphlet against Anthologies, New York: Doubleday.
Gray, H. D. (1927) “A Cure for a Cuckold by Heywood, Rowley and Webster,” Modern Language Review, 22 (4): 389–97.
Greenberg, Marissa (2007) “Signs of the Crimes: Topography, Murder, and Early Modern Domestic Tragedy,” Genre, 40 (1/2): 1–29.
Greg, W. W. (1904) Henslowe’s Diary, 2 vols., London: A. H. Bullen.
Greg, W. W. (1966) “The Escapes of Jupiter,” in J. C. Maxwell (ed.), Collected Papers, Oxford: Clarendon, pp. 156–83.
Gregg, Pauline (1981) King Charles I, Berkeley, Calif.: University of California Press.
Grivelet, Michel (1961) “The Simplicity of Thomas Heywood,” Shakespeare Survey, 14: 56–65.
Grosart, Alexander B. (ed.) (1883) The Voyage to Cadiz in 1625: Being a Journal Written by John Glanville, London: The Camden Society.
Guillory, John (1995) Cultural Capital, University of Chicago Press.
Harbage, Alfred (1952) Shakespeare and the Rival Traditions, New York: Macmillan.
Harbage, Alfred (1964) The Annals of English Drama, rev. S. Schoenbaum, London: Methuen.
Hart, Jonathan (2011) Shakespeare and His Contemporaries, New York: Palgrave.
Helms, Lorraine (1992) “‘The High Roman Fashion’: Sacrifice, Suicide, and the Shakespearean Stage,” PMLA, 107 (3): 554–65.
Herrnstein Smith, Barbara (1988) Contingencies of Value: Alternative Perspectives for Critical Theory, Cambridge, Mass.: Harvard University Press.
Hill, Eugene D. (1993) “Parody and History in Arden of Feversham (1592),” Huntington Library Quarterly, 56 (4): 359–82.
Hillebrand, Harold N. (1926) The Child Actors: A Chapter in Elizabethan Stage History, Urbana, Ill.: University of Illinois Press.
Hillebrand, Harold N. (1933) Edmund Kean, New York: Columbia University Press.
Hilton, Nelson (1988) “Blake and the Apocalypse of the Canon,” Modern Language Studies, 18 (1): 134–49.
Hogan, A. P. (1971) “Thematic Unity in Chapman’s Monsieur D’Olive,” Studies in English Literature, 11 (2): 295–306.
Holland, Peter (2003) “A History of Histories: From Flecknoe to Nicoll,” in W. B. Worthen with Peter Holland (eds.), Theorizing Practice: Redefining Theatre History, London: Palgrave, pp. 8–29.
Hone, William (ed.) (1827–28) Table Book, 2 vols., London: Hunt & Clarke.
Hopkins, David (2008) “On Anthologies,” Cambridge Quarterly, 37 (3): 285–304.
Hopkins, Lisa (2003) “A New Source for ’Tis Pity She’s a Whore,” Notes and Queries, 50 (4): 443–44.
Howard, Douglas (ed.) (1985) Philip Massinger: A Critical Reassessment, Cambridge University Press.
Howard, Jean E. (2007) Theater of a City: The Places of London Comedy, 1598–1642, Philadelphia, Pa.: University of Pennsylvania Press.
Howard Hill, T. H. (2006) “The Bibliographical Way: Bowers’s Dekker,” Text, 16: 143–56.
Hoy, Cyrus (1965) “The Regents Renaissance Drama Series,” Research Opportunities in Renaissance Drama, 8: 10–14.
Hulbert, James (1988) “The Problems of Canon Formation and the ‘Example’ of Sade: Orthodox Exclusion and Orthodox Inclusion,” Modern Language Studies, 18 (1): 120–33.
Hunt, Leigh (1855) Beaumont and Fletcher; or, The Finest Scenes, Lyrics, and Other Beauties of Those Two Poets, Now First Selected from the Whole of Their Works, to the Exclusion of Whatever Is Morally Objectionable, London: Henry G. Bohn.
Hunter, J. Paul (1988) “Canon of Generations, Generation of Canons,” Modern Language Studies, 18 (1): 38–46.
Jump, John D. (ed.) (1948) Rollo, Duke of Normandy; or, The Bloody Brother, Liverpool University Press.
Kastan, David Scott (1987) “Workshop and/as Playhouse: Comedy and Commerce in The Shoemaker’s Holiday,” Studies in Philology, 84 (3): 324–37.
Keltie, John Scott (1886) “Geographical Education: Report to the Royal Geographical Society,” Royal Geographical Society Supplementary Papers, 1: 439–594.
Keltie, John Scott (1917) “Thirty Years’ Work of the Royal Geo-Graphical Society,” The Geographical Journal, 49 (5): 350–72.
Kerman, Joseph (1983) “A Few Canonic Variations,” Critical Inquiry, 10 (1): 107–25.
Kernan, Alvin (1958) “John Marston’s Play Histriomastix,” Modern Language Quarterly, 19 (2): 134–40.
Kewes, Paulina (1995) “‘Give Me the Sociable Pocket-books … ’: Humphrey Moseley’s Serial Publication of Octavo Play Collections,” Publishing History, 38: 5–21.
Kewes, Paulina (1997) “Between the ‘Triumvirate of Wit’ and the Bard: The English Dramatic Canon, 1660–1720,” in Cedric C. Brown and Arthur F. Marotti (eds.), Texts and Cultural Change, New York: St. Martin’s, pp. 200–24.
Kewes, Paulina (2002) “Roman History and Stuart Drama: Thomas Heywood’s The Rape of Lucrece,” English Literary Renaissance, 32 (2): 239–67.
Kiefer, Frederick (1986) “Heywood as Moralist in A Woman Killed with Kindness,” Medieval and Renaissance Drama in England, 3: 83–98.
Kinnamon, Keneth (1997) “Anthologies of African-American Literature from 1845 to 1994,” Callaloo, 20 (2): 461–81.
Kirkman, Francis (1661) A True, Perfect, and Exact Catalogue of All the Comedies, Tragedies, Tragi-Comedies, Pastorals, Masques and Interludes, That Were Ever Yet Printed and Published, Till This Present Year 1661, London.
Kirschbaum, Leo (1945) “The Faire Maide of Bristow (1605), Another Bad Quarto,” Modern Language Notes, 60 (5): 302–8.
Knight, Jeffrey Todd (2009) “Making Shakespeare’s Books: Assembly and Intertextuality in the Archives,” Shakespeare Quarterly, 60 (3): 304–40.
Knight, Jeffrey Todd (2013) Bound to Read: Compilations, Collections, and the Making of Renaissance Literature, Philadelphia, Pa.: University of Pennsylvania Press.
Knutson, Roslyn (2001a) “Histrio-Mastix: Not by John Marston,” Studies in Philology, 98 (3): 358–77.
Knutson, Roslyn (2001b) Playing Companies and Commerce in Shakespeare’s Time, Cambridge University Press.
Kramnick, Jonathan (1997) “The Making of the English Canon,” PMLA, 112 (5): 1087–101.
Kramnick, Jonathan (1998) The Making of the English Canon: Print Capitalism and the Cultural Past, 1700–1770, Cambridge University Press.
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Lancashire, Anne (1969) “Look About You as a History Play,” Studies in English Literature, 9 (2): 321–34.
Lauter, Paul (1993) “On Revising the Heath Anthology of American Literature,” American Literature, 65 (2): 327–30.
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Lauter, Paul (2004) “Taking Anthologies Seriously,” MELUS, 29 (3/4): 19–39.
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Lawrence, W. J. (1919) “The Date of Four Plays in One,” Times Literary Supplement, December 11: 740.
Leggatt, Alexander (1997) “Volpone: The Double Plot Revisited,” in James Hirsch (ed.), New Perspectives on Ben Jonson, Cranbury, NJ: Associated University Presses, pp. 89–105.
Leitch, Vincent B. (2000) “On Anthology Headnotes,” Symploke, 8 (1/2): 177–79.
Lerer, Seth (2003) “Medieval English Literature and the Idea of the Anthology,” PMLA, 118 (5): 1251–67.
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McLaughlin, Robert L. (2000) “Anthologizing Contemporary Literature: Aesthetic, Cultural, Pedagogical, and Practical Considerations,” Symploke, 8 (1/2): 90–100.
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Munro, Lucy (2005) Children of the Queen’s Revels: A Jacobean Theatre Repertory, Cambridge University Press.
Neill, Michael (1979) “Massinger’s Patriarchy: The Social Vision of A New Way to Pay Old Debts,” Renaissance Drama, 10: 185–213.
Neill, Michael (1998) “‘This Gentle Gentleman’: Social Change and the Language of Status in Arden of Faversham,” Medieval and Renaissance Drama in England, 10: 73–97.
“Obituary: Sir John Scott Keltie, A Pioneer of Modern Geography,” The Times, January 13, 1927.
“Old English Plays: A Timely Edition for the Student Reader,” New York Times, August 11, 1912.
Oliphant, E. H. C. (1927) The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others, New Haven, Conn.: Yale University Press.
Orgel, Stephen (1979) “Shakespeare and the Kinds of Drama,” Critical Inquiry, 6 (1): 107–23.
Orlin, Lena (1994) Private Matters and Public Culture in Post-Reformation England, Ithaca, NY: Cornell University Press.
Ostovich, Helen and Sauer, Elizabeth (eds.) (2003) Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, London and New York: Routledge.
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Panek, Jennifer (1994) “Punishing Adultery in A Woman Killed with Kindness,” Studies in English Literature, 34 (2): 357–78.
Parrott, T. M. (1914) The Plays and Poems of George Chapman: The Comedies, London: George Routledge.
Parry, John J. (1944) “A Plea for Better Anthologies,” College English, 5 (6): 318–24.
Patey, Douglas Lane (1988) “The Eighteenth Century Invents the Canon,” Modern Language Studies, 18 (1): 17–37.
Peterson, Linda H. (1999) “Anthologizing Women: Women Poets in Early Victorian Collections of Lyric,” Victorian Poetry, 37 (2): 193–209.
Phillips, Edward (1675) Theatrum poetarum, London.
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