Book contents
- Essays on Ancient Greek Literature and Culture
- Essays on Ancient Greek Literature and Culture
- Copyright page
- Contents
- Illustration and Tables
- Places of Original Publication
- Preface
- Editions and Abbreviations
- Introduction to Volume 1: Greek Poetry before 400 BC
- 1 Early Greek Elegy, Symposium and Public Festival (1986)
- 2 One That Got Away: Archilochus frr. 188–92 and Horace Odes 1.4 and 5 (1987)
- 3 Miles ludens? The Problem of Martial Exhortation in Early Greek Elegy ()
- 4 Lies, Fiction and Slander in Early Greek Poetry (1993)
- 5 Greek Table-Talk before Plato (1993)
- 6 The Theognidea: a Step towards a Collection of Fragments? (1997)
- 7 Early Greek Iambic Poetry: the Importance of Narrative (2001)
- 8 Ancestors of Historiography in Early Greek Elegiac and Iambic Poetry? ()
- 9 Sympotic Praise (2002)
- 10 Early Expatriates: Displacement and Exile in Archaic Poetry ()
- 11 From Archaic Elegy to Hellenistic Sympotic Epigram? (2007)
- 12 Sex and Politics in Archilochus’ Poetry (2008)
- 13 Wandering Poets, Archaic Style (2009)
- 14 Epigram as Narration (2010)
- 15 Historical Narrative in Archaic and Early Classical Greek Elegy (2010)
- 16 Stobaeus and Early Greek Melic, Elegiac and Iambic Poetry (2010)
- 17 Marathon in Fifth-Century Epigram (2010)
- 18 The Trojan War in Early Greek Melic, Iambic and Elegiac Poetry (2010)
- 19 Performing and Re-performing Helen:Stesichorus’ Palinode (2010)
- 20 Simonides of Eretria (redivivus?) (2010)
- 21 Alcman’s First Partheneion and the Song the Sirens sang (2011)
- 22 An Early Chapter in the History of the Theognidea (2012)
- 23 Stesichorus and Ibycus: Plain Tales from the Western Front (2012)
- 24 Epinicians and ‘Patrons’ (2012)
- 25 Unnatural Selection: Expurgation of Greek Melic, Elegiac and Iambic Poetry (2012)
- 26 Marathon, the 1500 Days after: Culture and Politics (2013)
- 27 The Sympotic Tease (2013)
- 28 Rediscovering Sacadas (2014)
- 29 Stesichorus’ Geryoneis and Greeks in the West (2014)
- 30 Stesichorus at Athens (2015)
- 31 Cultic Contexts for Elegiac Performance? (2016)
- 32 Quo usque tandem? How long were Sympotic Songs? (2016)
- 33 How did Sappho’s Songs get into the Male Sympotic Repertoire? (2016)
- 34 The Performance Contexts of Trochaic Tetrameters Catalectic (2018)
- 35 Alcaeus’ stasiotica: Catullan and Horatian Readings (2019)
- 36 Reconfiguring Archilochus: How have Papyri and Inscriptions changed Perceptions of Archilochus’ Iambic and Elegiac Poetry? (2020)
- Bibliography
- Index Locorum
- Index of Greek Terms
- General Index
25 - Unnatural Selection: Expurgation of Greek Melic, Elegiac and Iambic Poetry (2012)
Published online by Cambridge University Press: 11 December 2021
- Essays on Ancient Greek Literature and Culture
- Essays on Ancient Greek Literature and Culture
- Copyright page
- Contents
- Illustration and Tables
- Places of Original Publication
- Preface
- Editions and Abbreviations
- Introduction to Volume 1: Greek Poetry before 400 BC
- 1 Early Greek Elegy, Symposium and Public Festival (1986)
- 2 One That Got Away: Archilochus frr. 188–92 and Horace Odes 1.4 and 5 (1987)
- 3 Miles ludens? The Problem of Martial Exhortation in Early Greek Elegy ()
- 4 Lies, Fiction and Slander in Early Greek Poetry (1993)
- 5 Greek Table-Talk before Plato (1993)
- 6 The Theognidea: a Step towards a Collection of Fragments? (1997)
- 7 Early Greek Iambic Poetry: the Importance of Narrative (2001)
- 8 Ancestors of Historiography in Early Greek Elegiac and Iambic Poetry? ()
- 9 Sympotic Praise (2002)
- 10 Early Expatriates: Displacement and Exile in Archaic Poetry ()
- 11 From Archaic Elegy to Hellenistic Sympotic Epigram? (2007)
- 12 Sex and Politics in Archilochus’ Poetry (2008)
- 13 Wandering Poets, Archaic Style (2009)
- 14 Epigram as Narration (2010)
- 15 Historical Narrative in Archaic and Early Classical Greek Elegy (2010)
- 16 Stobaeus and Early Greek Melic, Elegiac and Iambic Poetry (2010)
- 17 Marathon in Fifth-Century Epigram (2010)
- 18 The Trojan War in Early Greek Melic, Iambic and Elegiac Poetry (2010)
- 19 Performing and Re-performing Helen:Stesichorus’ Palinode (2010)
- 20 Simonides of Eretria (redivivus?) (2010)
- 21 Alcman’s First Partheneion and the Song the Sirens sang (2011)
- 22 An Early Chapter in the History of the Theognidea (2012)
- 23 Stesichorus and Ibycus: Plain Tales from the Western Front (2012)
- 24 Epinicians and ‘Patrons’ (2012)
- 25 Unnatural Selection: Expurgation of Greek Melic, Elegiac and Iambic Poetry (2012)
- 26 Marathon, the 1500 Days after: Culture and Politics (2013)
- 27 The Sympotic Tease (2013)
- 28 Rediscovering Sacadas (2014)
- 29 Stesichorus’ Geryoneis and Greeks in the West (2014)
- 30 Stesichorus at Athens (2015)
- 31 Cultic Contexts for Elegiac Performance? (2016)
- 32 Quo usque tandem? How long were Sympotic Songs? (2016)
- 33 How did Sappho’s Songs get into the Male Sympotic Repertoire? (2016)
- 34 The Performance Contexts of Trochaic Tetrameters Catalectic (2018)
- 35 Alcaeus’ stasiotica: Catullan and Horatian Readings (2019)
- 36 Reconfiguring Archilochus: How have Papyri and Inscriptions changed Perceptions of Archilochus’ Iambic and Elegiac Poetry? (2020)
- Bibliography
- Index Locorum
- Index of Greek Terms
- General Index
Summary
Much archaic and classical Greek melic, elegiac and iambic poetry was initially composed for male audiences, and chiefly for male singers or reciters, to be performed in symposia. To judge from vase paintings and from the erotic ballet at the end of Xenophon’s dialogue Symposium, the sympotic atmosphere could be highly sexualised, no holds barred (as it were), and some surviving poetry shows that sexual relations could be the subjects of more or less explicit talk, song and propositions. The poetry that has come down to us has rather less of such material than one might expect from the vase painting, and I suspect that one reason is the filtering out of raunchier elements at various stages in transmission. This paper will indeed eventually reach twentieth-century expurgation or other modes of cleansing Greek melic, elegiac and iambic poetry, but it will begin with some sondages in earlier stages in transmission because they put the lyric corpus in a quite different category from, say, Attic Old Comedy.
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- Essays on Ancient Greek Literature and Culture , pp. 604 - 621Publisher: Cambridge University PressPrint publication year: 2021