Feminisms and Contemporary Art in Indonesia: Defining Experiences

Wulan Dirgantoro

doi:10.1017/9789048526994

Feminisms and Contemporary Art in Indonesia

Defining Experiences

While Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world. This book fills that gap, presenting the first comprehensive study of feminisms and contemporary art in Indonesia; using feminist readings to analyse the works of Indonesian women artists historically and today; illuminating the sociocultural contexts in which they have worked; and offering a nuanced understanding of local feminisms in the nation.

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Feminisms and Contemporary Art in Indonesia

Defining Experiences

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Contents

Frontmatter
pp 1-4

Contents
pp 5-8

Acknowledgements
pp 9-10

List of Figures
pp 11-12

Glossary and Abbreviations
pp 13-14

1 - Introduction: Defining Experiences
pp 15-36

2 - Firing the Canon: Indonesian Art Canons as Myth and Masculine Ideal
pp 37-76

3 - Haunting in the Archipelago: Emiria Sunassa and Mia Bustam
pp 77-118

4 - Female Desire and the Monstrous-Feminine in the Works of IGAK Murniasih
pp 119-142

5 - Searching for the Feminine: Motherhood and Maternal Subjectivity
pp 143-168

6 - Performing Feminism/s: Performance Art and Politics in the Works of Kelompok PEREK and Arahmaiani
pp 169-198

7 - Conclusion
pp 199-208

Bibliography
pp 209-222

Index
pp 223-227

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Feminisms and Contemporary Art in Indonesia

Defining Experiences

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