18 results in The Fu Genre of Imperial China
4 - The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty
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Part One - Recitation and Display
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1 - Introduction: The Rhapsodic Imagination
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5 - Xu Wei’s Early Modern Rhapsodies: Catalogue and Critique, Lyricism and Logic
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- 30 November 2019, pp 83-110
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8 - The Hidden Message of Zhang Heng’s “Contemplating the Mystery”
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- 30 November 2019, pp 171-186
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Part Four - Critique and Protest
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7 - Argumentation and Generic Change in the Mid-Tang Fu:Li Guan’s(766– 794) “Fu on Suffering the Pitiless Rains” and the Role of the Shelun Genre
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- 30 November 2019, pp 141-168
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Contents
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9 - A New Discourse on “Lament for the South” in the Fu of the Ming– Qing Transition
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Index
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- 30 November 2019, pp 243-248
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Frontmatter
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2 - The Origins of the Term “Fu” as a Literary Genre of Recitation
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Bibliography
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Part Two - Lyricism and Form
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Part Three - Philosophy and Dialogue
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Preface
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6 - The Metaphysical Rhapsody of the Six Dynasties
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3 - Into the New Realm of Belles Lettres: Intersections of Sevens and Song Verses in Jian’an Poetry
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- 30 November 2019, pp 39-60
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