35 results in Kunqu Masters on Chinese Theatrical Performance
Appendix J - Other Genres and Troupes
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Frontmatter
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Foreword
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Lecture 6 - Cai Zhengren, “Instating the Statue, Lamenting the Statue” (“Yingxiang, Kuxiang” 迎像哭像) from The Palace of Lasting Life (Changsheng dian 長生殿)
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Lecture 10 - Fan Jixin, “Writing the Accusation” (“Xie zhuang” 寫狀) from Tale of the Mermaid Silk Handkerchief (Jiaoxiao ji 鮫綃記)
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Appendix C - Musical and Vocal Terms
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Introduction
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List of Contributors
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Appendix H - Modern Chinese Theatre Figures
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Appendix I - Kunqu Troupes and Other Ensembles
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Lecture 4 - Liu Yilong, “Descending the Mountain” (“Xiashan” 下山) from Ocean of Sin (Niehai ji 孽海記)
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Bibliography
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Preface and Acknowledgments
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Appendix A - Correspondence between Lectures in This Book and Masters’ Lectures
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Postface
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Appendix F - Plays, Scenes, and Drama Collections
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Lecture 8 - Hua Wenyi, “The Stroll in the Garden” (“Youyuan” 遊園) and “The Dream Interrupted” (“Jingmeng” 驚夢) from The Peony Pavilion (Mudan ting 牡丹亭)
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Appendix E - Costume Terms
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Lecture 12 - Yue Meiti, “The Inn on the Lake” (“Hu lou” 湖樓) from To Win a Peerless Beauty (Zhan huakui 占花魁)
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Lecture 3 - Zhang Jiqing, “The Mad Dream” (“Chimeng” 癡夢) from Lanke Mountain (Lanke shan 爛柯山)
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