Introduction

The Mahabharata and the Ramayana have significantly shaped South Asian norms of gender roles. The ideals transmitted through them are still often considered the proper mode of conduct by many actors and social groups, especially those influenced by Sanskritic varna–jati (the Indian caste system) norms. While the most popular female prototype among many actors is Sita from the Ramayana, the Mahabharata offers a number of exemplary characters as well. Not only Draupadi but also characters such as Damayanti and Savitri play an important role in shaping the myth of the ideal woman. The French philosopher Roland Barthes explains in his book Mythologies (1957) that myth is born out of history but disconnects from it and evolves into nature. As the content of the myth seems like an eternal truth, its motive appears invisible. The Mahabharata shaped an understanding of women and their role in society, which was accepted for centuries as the natural rule. The gendered basis of this discourse was rarely explicitly questioned until recent times.

This chapter begins by first tracing the origin of how mythological women became the ideal prototype in the nationalist discourse, which will be followed by a focus on M. K. Gandhi's politics regarding women. Traits which most of the epic female characters share are that they suffer silently and resist through loyalty and devotion – characteristics that modern reformers like Gandhi foregrounded in an attempt to mobilize women for the Indian nationalist cause. While his discourse elevated the status of women to a higher position, it came at a cost, and by fortifying the image of the ideal Indian woman, he put them in a gilded cage. The rest of the chapter will focus on feminist revision of myths, necessary to deconstruct the female prototype born out of the epics, based on the theoretical framework offered by Adrienne Rich's ‘When We Dead Awaken: Writing as Re-Vision’ (1972) and Alicia Ostriker's ‘The Thieves of Language: Women Poets and Revisionist Mythmaking’ (1982). For this, I will take into account several literary texts. Pratibha Ray's (b. 1943) Odia novel Yajnaseni (1984) and Chitra Banerjee Divakaruni's (b. 1956) novel The Palace of Illusions (2008) are two important landmarks in this paradigm shift.