Skip to main content Accessibility help
×
Publisher:
Cambridge University Press
Online publication date:
February 2014
Print publication year:
2012
Online ISBN:
9781139033824

Book description

How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second Reform Acts from the perspectives offered by Ruskin's political theories of art and Bagehot's visual theory of politics. Combining subjects and approaches characteristic of art history, political history, literary criticism and cultural critique, Picturing Reform in Victorian Britain treats both paintings and wood engravings, particularly those published in Punch and the Illustrated London News. Carlisle analyzes unlikely pairings - a novel by Trollope and a painting by Hayter, an engraving after Leech and a high-society portrait by Landseer - to argue that such conjunctions marked both everyday life in Victorian Britain and the nature of its visual politics as it was manifested in the myriad heterogeneous and often incongruous images of illustrated journalism.

Reviews

'A long overdue translation of visual culture from the margins to the centre of discussion of reform.'

Source: The Times Higher Education Supplement

'Skilfully juxtaposing a wide range of sources, from frescoes to wood engravings, Janice Carlisle in her latest book demonstrates why and how Victorian visual culture could do 'political work'. [Her] close scrutiny of both images and texts allows her to trace surprising links between media … Carlisle has spent many hours poring over the sources she discusses; her readings of them are rich and unexpected.'

Jo Briggs Source: Victorian Studies

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography

Parliamentary Debates, Papers, and Statutes

Abstract Returns of the Number of Houses of the Value of £.10 and Upwards, in England and Wales, Returning a Member or Members to Serve in Parliament; and of the Number of Persons Omitted from the Lists of Voters in 1846 for Nonpayment of Assessed Taxes. PP, 1847.
Census of Great Britain. 1851. Population Tables II. Ages, Civil Conditions, Occupations, and Birth-place of the People. PP, 1854.
Electoral Returns, Boroughs and Counties, 1865–66. PP, 1866.
Estimates, &c. Civil Services; for the Year Ending 31 March 1860. PP, 1859.
General Abstract of the Grants to be Proposed for Civil Services for 1859, Compared with Similar Changes for 1858. PP, 1859.
Hansard Parliamentary Debates. 3rd series, vols. 3–188 (1831–67).
Public General Acts of the United Kingdom of Great Britain and Ireland (1832), 2 Wm. IV, c.45.
Public General Acts of the United Kingdom of Great Britain and Ireland Anno Regni Victoriae, Britanniarum Reginae, Tricesimo (1867), 30 & 31 Vict., c. 102.
Report from Select Committee on Arts and Manufactures. PP, 1835.
Report from the Select Committee on Arts and their Connexion with Manufactures, PP, 1836.
Report from the Select Committee on Fine Arts. London: W. PP, 1841.
Report from the Select Committee on Public Institutions. PP, 1860.
Report from the Select Committee on Registration of Voters. PP, 1869.
Report of the Boundary Commissioners for England and Wales. PP, 1868.
Report of the Commissioners Appointed to Consider the Agreements made by the Fine Arts Commission with Artists in Respect to Wall-Paintings for the Palace of Westminster. PP, 1864.
Report of the Commissioners Appointed to Inquire into the Existence of Corrupt Practices at the Last Election for Members to Serve in Parliament for the Borough of Lancaster. PP, 1867.
Report of the Commissioners on the Fine Arts. PP, 1842.
Return of the Number of Houses Compounded for by Landlords, of the Annual Value of £.6, £.7,£. 8, £.9, and £.10, and Upwards, in each Parish in the Metropolitan Boroughs; and the Number of Persons upon the Parliamentary Register 1859 and 1860, in Respect of the Occupation of such Houses. PP, 1860.
Return Showing, with Respect to each of the Parliamentary Cities and Boroughs in England and Wales, the Population in 1861; the Total Number of Electors on the Register Now in Force, Distinguishing those Entitled to Vote as Householders under the Representation of the People Act, 1867 from those Entitled to Vote as £10 Occupiers; and the Number of Electors Who Voted at the Last General Election. PP, 1869.
Second Report of the Commissioners on the Fine Arts, PP, 1843.
Second Report of the Trustees of the National Portrait Gallery to the Lords of Her Majesty’s Treasury. PP, 1859.
Seventh Report of the Fine Arts Commission. PP, 1848.
Third Report of the Commissioners on the Fine Arts. PP, 1844.
Twelfth Report of the Commissioners on the Fine Arts. PP, 1861.

Newspapers

  • Daily Telegraph

  • Graphic

  • Illustrated London News

  • Illustrated Times

  • London Journal

  • Punch

  • Poor Man’s Guardian

  • The Times (London)

Books and Articles

Allen, Robert. “The Battle for the Commons: Politics and Populism in the Mid-Victorian Kentish London.” Social History 22 (1997): 61–77.
Altick, Richard D.The English Common Reader: A Social History of the Mass Reading Public, 1800–1900. Chicago: University of Chicago Press, 1957.
Altick, Richard D.Paintings from Books: Art and Literature in Britain, 1760–1900. Columbus: Ohio State University Press, 1985.
Altick, Richard D.Punch: The Lively Youth of a British Institution, 1841–1851. Columbus: Ohio State University Press, 1997.
Altick, Richard D.The Shows of London. Cambridge: Harvard University Press, 1978.
Anderson, Patricia. The Printed Image and the Transformation of Popular Culture, 1790–1860. Oxford: Clarendon Press, 1991.
Andres, Sophia. The Pre-Raphaelite Art of the Victorian Novel: Narrative Challenges to Visual Gendered Boundaries. Columbus: Ohio State University Press, 2005.
Andrews, Malcolm. “The Metropolitan Picturesque.” In The Politics of the Picturesque, ed. Copley and Garside, 282–98.
Arnold, Matthew. “Anarchy and Authority.” Cornhill Magazine 17 (1868): 30–47.
Arnold, Matthew. Culture and Anarchy, ed. Samuel Lipman. New Haven: Yale University Press, 1994.
Arnold, R. Arthur. The History of the Cotton Famine: From the Fall of Sumter to the Passing of the Public Works Act. London: Saunders, Otley, 1864.
Arscott, Caroline. “Convict Labour: Masking and Interchangeability in Victorian Prison Scenes.” Oxford Art Journal 23 (2000): 119–42.
“Art and Politics.” Blackwood’s Edinburgh Magazine 100 (1866): 188–205.
Bagehot, Walter. The Collected Works of Walter Bagehot, ed. Norman St. John-Stevas. 15 vols. London: Economist, 1965–86.
Bagehot, Walter. The English Constitution, ed. Miles Taylor. Oxford University Press, 2001.
Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge University Press, 1998.
Bann, Stephen. Paul Delaroche: History Painted. London: Reaktion Books, 1997.
Barber, Sarah. “Fine Art: The Creative Image.” In History beyond the Text, ed. Barber and Peniston-Bird, 15–31.
Barber, Sarah, and Corinna M. Peniston-Bird, eds. History beyond the Text: A Student’s Guide to Approaching Alternative Sources. London: Routledge, 2009.
Barlow, Paul. “‘Fire, Flatulence and Fog’: The Decoration of Westminster Palace and the Aesthetics of Prudence.” In Governing Cultures, ed. Barlow and Trodd, 69–82.
Barlow, Paul. “Local Disturbances: Ford Madox Brown and the Problem of the Manchester Murals.” In Re-framing the Pre-Raphaelites, ed. Harding, 81–97.
Barlow, Paul, and Colin Trodd, ed. Governing Cultures: Art Institutions in Victorian London. Aldershot: Ashgate, 2000.
Barrell, John. “Benjamin Robert Haydon: The Curtius of Khyber Pass.” In Painting and the Politics of Culture: New Essays on British Art, 1700–1850, ed. John Barrell, 254–89. Oxford University Press, 1992.
Barrell, John. The Political Theory of Painting from Reynolds to Hazlitt: “The Body of the Public.”New Haven: Yale University Press, 1986.
Barringer, Tim. “The Effects of Industry: Ford Madox Brown and Artistic Identities in Victorian Britain.” In Ford Madox Brown: The Unofficial Pre-Raphaelite, ed. Tim Barringer, Angela Thirlwell, and Laura McColloch, 16–31. London: D. Giles, 2008.
Barringer, Tim. “Images of Otherness and the Visual Production of Difference: Race and Labour in Illustrated Texts, 1850–1865.” In The Victorians and Race, ed. Shearer West, 34–52. Aldershot: Ashgate, 1996.
Barringer, Tim. Men at Work: Art and Labour in Victorian Britain. New Haven: Yale University Press, 2005.
Barringer, Tim. Reading the Pre-Raphaelites. New Haven: Yale University Press, 1999.
Beckett, Ian F. W.The Amateur Military Tradition, 1558–1945. Manchester University Press, 1991.
Beetham, Margaret. “Towards a Theory of the Periodical as a Publishing Genre.” In Investigating Victorian Journalism, ed. Brake, Jones, and Madden, 19–32.
Bendiner, Kenneth. The Art of Ford Madox Brown. University Park: Pennsylvania State University Press, 1998.
Bermingham, Ann. Landscape and Ideology: The English Rustic Tradition, 1740–1860. London: Thames and Hudson, 1987.
Berry, Robert Potter. A History of the Formation and Development of the Volunteer Infantry, from the Earliest Times, Illustrated by the Local Records of Huddersfield and its Vicinity from 1794 to 1874. London: Simpkin, Marshall, Hamilton, Kent, 1903.
Biagini, Eugenio F.Liberty, Retrenchment and Reform: Popular Liberalism in the Age of Gladstone, 1860–1880. Cambridge University Press, 1992.
Binski, Paul. The Painted Chamber at Westminster. London: Society of Antiquaries, 1986.
Boase, T. S. R.The Decoration of the New Palace of Westminster, 1841–1863.” Journal of the Warburg and Courtauld Institute 17 (1954): 319–54.
Bourne, H. R. Fox.English Newspapers: Chapters in the History of Journalism. 2 vols. London: Chatto and Windus, 1887.
Braddon, Mary Elizabeth. Lady Audley’s Secret. London Journal, May to August 1863.
Brake, Laurel, and Marysa Demoor, eds. The Lure of Illustration in the Nineteenth Century: Picture and Press. London: Palgrave, 2009.
Brake, Laurel, Bill Bell, and David Finkelstein, eds. Nineteenth-Century Media and the Construction of Identities. Houndmills: Palgrave, 2000.
Brake, Laurel, Aled Jones, and Lionel Madden, eds. Investigating Victorian Journalism. London: Macmillan, 1990.
Brantlinger, Patrick. The Spirit of Reform: British Literature and Politics, 1832–1867. Cambridge: Harvard University Press, 1977.
Brewster, Sir David. “The Sight and How to See.” North British Review 26 (1856–57): 145–84.
Briggs, Asa. The Making of Modern England, 1783–1867: The Age of Improvement. New York: Harper and Row, 1965.
Briggs, Asa. Victorian People: A Reassessment of Persons and Themes 1851–67. New York: Harper and Row, 1963.
Broadhurst, Henry. Henry Broadhurst, M. P.: The Story of His Life from a Stonemason’s Bench to the Treasury Bench Told by Himself. London: Hutchinson, 1901.
Brock, M. G.The Great Reform Act. London: Hutchinson University Library, 1973.
Brown, Ford Madox. The Diary of Ford Madox Brown, ed. Virginia Surtees. New Haven: Yale University Press, 1981.
Brown, Lucy. Victorian News and Newspapers. Oxford: Clarendon Press, 1985.
Bryant, Barbara Coffey. “Hayter, Sir George (1792–1871).” Oxford Dictionary of National Biography. Oxford University Press, 2004. Online edn. (www.oxforddnb.com/view/article/12785).
Buchan, Alastair. The Spare Chancellor: The Life of Walter Bagehot. London: Chatto and Windus, 1959.
Buchanan-Brown, John. Early Victorian Illustrated Books: Britain, France, and Germany, 1820–1860. London: British Library, 2005.
Bunyan, John. The Pilgrim’s Progress, ed. Roger Sharrock. Harmondsworth: Penguin, 1965.
Burke, Peter. Eyewitnessing: The Uses of Images as Historical Evidence. Ithaca: Cornell University Press, 2001.
Burn, W. L.The Age of Equipoise: A Study of the Mid-Victorian Generation. New York: Norton, 1965.
Burns, Arthur, and Joanna Innes, eds. Rethinking the Age of Reform: Britain 1780–1850. Cambridge University Press, 2003.
Cannadine, David. “The Palace of Westminster as Palace of Varieties.” In The Houses of Parliament, ed. Riding and Riding, 11–29.
Cannon, John. Parliamentary Reform 1640–1832. Cambridge University Press, 1972.
Carlisle, Janice. Common Scents: Comparative Encounters in High-Victorian Fiction. New York: Oxford University Press, 2004.
Carlisle, Janice. “Shooting Niagara? Carlyle and Punch in the Late 1860s.” Carlyle Studies Annual 18 (1998): 19–42.
Carlyle, Thomas. Past and Present, ed. Richard D. Altick. Boston: Houghton Mifflin, 1965.
Carlyle, Thomas. Shooting Niagara: And After?London: Chapman and Hall, 1867.
Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum, ed. Frederick George Stephens and M. Dorothy George. 11 vols. London: British Museum, 1978.
Chafetz, Josh. Democracy’s Privileged Few: Legislative Privilege and Democratic Norms in the British and American Constitutions. New Haven: Yale University Press, 2007.
Christ, Carol T., and John O. Jordan, eds. Victorian Literature and the Victorian Visual Imagination. Berkeley: University of California Press, 1995.
Clark, Anna. “Gender, Class, and the Nation: Franchise Reform in England, 1832–1928.” In Re-Reading the Constitution, ed. Vernon, 230–53.
Clark, Anna, and Sarah Richardson, eds. History of the Suffrage 1760–1867. 5 vols. London: Pickering and Chatto, 2000.
Clark, T. J.Image of the People: Gustave Courbet and the Second French Republic 1848–1851. Greenwich, CT: New York Graphic Society, 1973.
Clarke, Henry G.Critical Examination of the Cartoons Designed in Pursuance of Notices Issued by Her Majesty’s Commissioners of the Fine Arts. London: H. G. Clarke, 1843.
Clarke, Henry G.A Critical Examination of the Cartoons, Frescos, and Sculpture Exhibited in Westminster Hall, to which is Added the History and Practice of Fresco Painting. London: H. G. Clarke, 1844.
Clarke, Henry G.A Hand-Book Guide to the Cartoons Now Exhibiting in Westminster Hall. London: H. G. Clarke, 1843.
Clokie, Hugh McDowall, and J. William Robinson. Royal Commissions of Inquiry: The Significance of Investigations in British Politics. Palo Alto: Stanford University Press, 1937.
Cobbe, Frances Power. “What Shall We Do with Our Old Maids?” In “Criminals, Idiots, Women, and Minors”: Victorian Writing by Women on Women, ed. Susan Hamilton. 2nd edn, 59–79. Peterborough: Broadview, 2004.
Codell, Julie. “Ford Madox Brown, Carlyle, Macaulay, Bakhtin: The Pratfalls and Penultimates of History.” Art History 21 (1998): 324–66.
Coffey, Barbara. An Exhibition of Drawings by Sir George Hayter 1792–1871 and John Hayter 1800–1895. London: Morton Morris, 1982.
Cohen, Jane R.Charles Dickens and His Original Illustrators. Columbus: Ohio State University Press, 1980.
Colley, Linda. Britons: Forging the Nation 1707–1837. New Haven: Yale University Press, 1992.
Colley, Linda. “Whose Nation? Class and National Consciousness in Britain, 1750–1830.” Past and Present 113 (1986): 97–117.
Collini, Stefan. Public Moralists: Political Thought and Intellectual Life in Britain, 1850–1930. Oxford: Clarendon Press, 1991.
Colls, Robert. “After Bagehot: Rethinking the Constitution.” Political Quarterly 78 (2007): 518–26.
Connor, Patrick. “‘Wedding Archaeology to Art’: Poynter’s Israel in Egypt.” In Influences in Victorian Art and Architecture, ed. Sarah Macready and F. H. Thompson, 111–20. London: Society of Antiquaries of London, 1985.
Coohill, Joseph. “Sir George Hayter and The 1833 House of Commons: Politics and Portraiture in the Reform Period.” British Art Journal 7.3 (Winter 2006/2007): 58–61.
Coombs, Katherine. The Portrait Miniature in England. London: V&A Publications, 1998.
Copley, Stephen, and Peter Garside, eds. The Politics of the Picturesque: Literature, Landscape, and Aesthetics since 1770. Cambridge University Press, 1994.
Cowling, Mary. The Artist as Anthropologist: The Representation of Type and Character in Victorian Art. Cambridge University Press, 1989.
Cowling, Mary. Victorian Figurative Painting: Domestic Life and the Contemporary Social Scene. London: Andreas Papadakis, 2000.
Cowling, Maurice. 1867: Disraeli, Gladstone and Revolution: The Passing of the Second Reform Bill. Cambridge University Press, 1967.
Cox, Edward W.The Law and Practice of Registration and Elections. London: J. Crockford, 1851.
Cox, Homersham. A History of the Reform Bills of 1866 and 1867. London: Longmans, Green, 1868.
Cranborne, Robert Cecil. “The Conservative Surrender.” Quarterly Review (1867): 533–66.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge: MIT Press, 1990.
Critchley, T. A.A History of Police in England and Wales, 900–1966. London: Constable, 1967.
Cullen, Fintan. Visual Politics: The Representation of Ireland 1750–1930. Cork University Press, 1997.
Cunningham, Hugh. The Volunteer Force: A Social and Political History 1859–1908. London: Croom Helm, 1975.
Curtis, Gerard. Visual Words: Art and the Material Book in Victorian England. Aldershot: Ashgate, 2002.
Curtis, L. Perry, Jr. Apes and Angels: The Irishman in Victorian Caricature. Rev. edn. Washington: Smithsonian Institution Press, 1997.
Danahay, Martin A.Gender at Work in Victorian Culture: Literature, Art and Masculinity. Aldershot: Ashgate, 2005.
Dart, Gregory. “The Reworking of Work.” Victorian Literature and Culture 27 (1999): 69–96.
Davies, J. Llewelyn, ed. The Working Men’s College, 1854–1904: Records of its History and its Work after Fifty Years. London: Macmillan, 1904.
Davis, John, and Duncan Tanner. “The Borough Franchise after 1867.” Historical Research 69 (1996): 306–27.
“De Mauley of Canford.” Burke’s Peerage and Gentry. www.burkes-peerage.com.
Derby, Edward Henry Stanley. The Diaries of Edward Henry Stanley, 15th Earl of Derby (1826–93) between 1878 and 1893: A Selection. Ed. John Vincent. Oxford: Leopard’s Head Press, 2003.
Dickens, Charles. A Christmas Carol. London: Chapman and Hall, 1843.
Dickinson, H. T.Caricatures and the Constitution, 1760–1832. Cambridge: Chadwyck-Healey, 1986.
Douglas, Roy, Liam Harte, and JimO’Hara. Drawing Conclusions: A Cartoon History of Anglo-Irish Relations, 1798–1998. Belfast: Blackstaff, 1998.
Dresser, Madge. “Britannia.” In Patriotism: The Making and Unmaking of British National Identity, ed. Raphael Samuel. 3 vols., 3: 26–49. London: Routledge, 1989.
[Duke of Cumberland.] Times, July 3, 1843: 4.
Dyson, Anthony. Pictures to Print: The Nineteenth-Century Engraving Trade. London: Farrand Press, 1984.
Eliot, George. Daniel Deronda, ed. Terence Cave. London: Penguin, 1996.
Eliot, George. Felix Holt, the Radical, ed. Fred C. Thomson. Oxford: Clarendon Press, 1980.
Eliot, George. Middlemarch, ed. David Carroll. Oxford: Clarendon Press, 1986.
Ellegård, Alvar. “The Readership of the Periodical Press in Mid-Victorian Britain II. Directory.” Victorian Periodicals Newsletter 13 (1971): 3–22.
Engen, Rodney K.Dictionary of Victorian Wood Engravers. Cambridge: Chadwyck-Healey, 1985.
Engen, Rodney K.Sir John Tenniel: Alice’s White Knight. Aldershot: Scolar Press, 1991.
Engen, Rodney K.Victorian Engravings, ed. Hilary Beck. London: Academy Editions, 1975.
Ertman, Thomas. “The Great Reform Act of 1832 and British Democritization,” Comparative Political Studies 43 (2010): 1000–1022.
Evans, Eric J.The Forging of the Modern State: Early Industrial Britain, 1783–1870. 3rd edn. Harlow: Longman, 2001.
Evans, Eric J.Parliamentary Reform in Britain, c. 1770–1918. Harlow: Longman, 2000.
The Exhibition of the Royal Academy. London: W. Clowes, 1843.
Finn, Margot C.After Chartism: Class and Nation in English Radical Politics, 1848–1874. Cambridge University Press, 1993.
Flint, Kate. The Victorians and the Visual Imagination. Cambridge University Press, 2000.
Foot, Paul. The Vote: How It Was Won and How It Was Undermined. London: Viking, 2005.
Forrester, Gillian. Turner’s “Drawing Book”: The Liber Studiorum. London: Tate Publishing, 1996.
Foster, R. F.Paddy and Mr Punch: Connections in Irish and English History. London: Allen Lane, 1993.
Fox, Celina. “The Engravers’ Battle for Professional Recognition in Early Nineteenth Century London.” London Journal 2 (1976): 3–31.
Fox, Celina. Graphic Journalism in England during the 1830s and 1840s. New York: Garland, 1988.
Frankel, Oz. States of Inquiry: Social Investigations and Print Culture in Nineteenth-Century Britain and the United States. Baltimore: Johns Hopkins University Press, 2006.
Fredericksen, Andrea. “Parliament’s Genius Loci: The Politics of Place after the 1834 Fire.” In The Houses of Parliament, ed. Riding and Riding, 99–111.
Fulcher, Jonathan. “The English People and their Constitution after Waterloo: Parliamentary Reform, 1815–1817.” In Re-Reading the Constitution, ed. Vernon, 52–82.
Furnivall, F. J. “The Social Life of the College.” In The Working Men’s College, ed. Davies, 54–60.
Fyfe, Gordon. Art, Power and Modernity: English Art Institutions, 1750–1950. London: Leicester University Press, 2000.
Gallagher, Catherine. The Industrial Reformation of English Fiction: Social Discourse and Narrative Form, 1832–1867. Chicago: University of Chicago Press, 1985.
Gascoigne, Bamber. How to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet. 2nd edn. New York: Thames and Hudson, 2004.
Gash, Norman. Politics in the Age of Peel: A Study in the Technique of Parliamentary Representation, 1830–1850. London: Longmans, Green, 1953.
George, Eric. The Life and Death of Benjamin Robert Haydon, 1786–1846. London, New York: Oxford University Press, 1948.
George, M. Dorothy. English Political Caricature, 1793–1832: A Study of Opinion and Propaganda. Oxford: Clarendon Press, 1959.
Gilbert, Pamela K.The Citizen’s Body: Desire, Health, and the Social in Victorian England. Columbus: Ohio State University Press, 2007.
Gillespie, Frances Elma. Labor and Politics in England, 1850–1867. Durham: Duke University Press, 1927.
Gilley, Sheridan. “The Garibaldi Riots of 1862.” Historical Journal 16 (1973): 697–732.
Gilmour, Robin. The Idea of the Gentleman in the Victorian Novel. London: Allen and Unwin, 1981.
Goodlad, Lauren M. E.Victorian Literature and the Victorian State: Character and Governance in a Liberal Society. Baltimore: Johns Hopkins University Press, 2003.
Gray, Robert Q.The Labour Aristocracy in Victorian Edinburgh. Oxford: Clarendon Press, 1976.
Grego, Joseph. A History of Parliamentary Elections and Electioneering in the Old Days. London: Chatto and Windus, 1886.
Hadley, Elaine. Living Liberalism: Practical Citizenship in Mid-Victorian Britain. Chicago: University of Chicago Press, 2010.
Hadley, Elaine. Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800–1885. Stanford University Press, 1995.
Hadley, Elaine. “Re-Living Liberalism,” Victorian Studies 53 (2011): 311–17.
Hall, Catherine. “The Nation Within and Without.” In Defining the Victorian Nation, Hall, McClelland, and Rendall, 179–233.
Hall, Catherine. “Rethinking Imperial Histories: The Reform Act of 1867.” New Left Review 208 (1994): 3–29.
Hall, Catherine, Keith McClelland, and Jane Rendall. Defining the Victorian Nation: Class, Race, Gender and the British Reform Act of 1867. Cambridge University Press, 2000.
Hall, N. John. Trollope: A Biography. Oxford: Clarendon Press, 1991.
Hall, Mrs. S. C.Two Visits to Westminster Hall,” Art Union 5 (1843): 219–20.
Hallett, Mark. The Spectacle of Difference: Graphic Satire in the Age of Hogarth. New Haven: Yale University Press, 1999.
Halperin, John. Trollope and Politics: A Study of the Pallisers and Others. London: Macmillan, 1977.
Hampton, Mark. Visions of the Press in Britain, 1850–1950. Urbana: University of Illinois Press, 2004.
Hancher, Michael. “Tenniel’s Allegorical Cartoons.” In The Telling Image: Explorations in the Emblem, ed. Ayers L. Bagley, Edward M. Griffin, and Austin J. McLean, 139–70. New York: AMS Press, 1992.
Handbook to London as It Is. New edn. London: John Murray, [1868].
Hanham, H. J., ed. The Nineteenth-Century Constitution 1815–1914: Documents and Commentary. Cambridge University Press, 1969.
Hanham, H. J., Elections and Party Management: Politics in the Time of Disraeli and Gladstone. London: Longmans, 1959.
Harcourt, Freda. “Disraeli’s Imperialism, 1866–68: A Question of Timing.” Historical Journal 23 (1980): 87–109.
Harding, Ellen, ed. Re-Framing the Pre-Raphaelites: Historical and Theoretical Essays. Aldershot: Scolar Press, 1995.
Harries-Jenkins, Gwyn. The Army in Victorian Society. London: Routledge and Kegan Paul, 1977.
Harrison, Brian Howard. The Transformation of the British Political System, 1860–1995. Oxford University Press, 1996.
Harrison, J. F. C.A History of the Working Men’s College, 1854–1954. London: Routledge and Paul, 1954.
Harrison, Royden. Before the Socialists: Studies in Labour and Politics, 1861–1881. London: Routledge and Kegan Paul, 1965.
Haskell, Francis. History and its Images: Art and the Interpretation of the Past. New Haven: Yale University Press, 1993.
Hawkins, Angus. “‘Parliamentary Government’ and Victorian Political Parties, c.1830-c.1880.” English Historical Review 104 (1989): 638–69.
Haydon, Benjamin Robert. The Autobiography and Memoirs of Benjamin Robert Haydon, ed. Tom Taylor. New edn. Ed. Aldous Huxley. 2 vols. London: Peter Davies, 1926.
Haydon, Benjamin Robert. Description of Haydon’s Picture of the Reform Banquet. London: 1834.
Haydon, Benjamin Robert. Description of Two Pictures, i. The Banishment of Aristeides, and ii. The Burning of Rome by Nero, Parts of a Series of Six Designs, Originally made for the Old House of Lords, 1812. London: Wilson and Ogilvy, 1846.
Haydon, Benjamin Robert. The Diary of Benjamin Robert Haydon, ed. Willard Bissell Pope. 5 vols. Cambridge: Harvard University Press, 1960–63.
Haydon, Benjamin Robert. Thoughts on the Relative Value of Fresco and Oil Painting, as Applied to the Architectural Decorations of the Houses of Parliament. London: Henry Hooper, 1842.
Hayter, George. A Descriptive Catalogue of the Great Historical Picture of the Interior of the British House of Commons, in St. Stephen’s Chapel, at Westminster, in 1833. London: 1843.
Hecht, Heiko, Robert Schwartz, and Margaret Atherton, eds. Looking into Pictures: An Interdisciplinary Approach to Pictorial Space. Cambridge: MIT Press, 2003.
Helsinger, Elizabeth K.Ruskin and the Art of the Beholder. Cambridge: Harvard University Press, 1982.
Hewitt, Martin, ed. An Age of Equipoise? Reassessing Mid-Victorian Britain. Aldershot: Ashgate, 2000.
Hichberger, J. W. M.Images of the Army: The Military in British Art, 1815–1914. Manchester University Press, 1988.
Hilton, Boyd. A Mad, Bad, and Dangerous People? England, 1783–1846. New York: Oxford University Press, 2006.
Himmelfarb, Gertrude. Victorian Minds. New York: Knopf, 1968.
Homans, Margaret. Royal Representations: Queen Victoria and British Culture, 1837–1876. Chicago University Press, 1998.
Hoock, Holger. The King’s Artists: The Royal Academy of Arts and the Politics of British Culture, 1760–1840. Oxford: Clarendon Press, 2003.
Hoock, Holger. “Reforming Culture: National Art Institutions in the Age of Reform,” in Rethinking the Age of Reform, ed. Burns and Innes, 254–70.
Hoppen, K. Theodore. The Mid-Victorian Generation 1846–1886. Oxford: Clarendon Press, 1998.
Horton, Susan R. “Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves.” In Victorian Literature and the Victorian Visual Imagination, ed. Christ and Jordon, 1–26.
Hostettler, John, and Brian P. Block. Voting in Britain: A History of the Parliamentary Franchise. Chichester: Barry Rose, 2001.
Houfe, Simon. The Dictionary of 19th Century British Book Illustrators and Caricaturists. Rev. edn. Woodbridge: Antique Collectors’ Club, 1996.
Houfe, Simon. John Leech and the Victorian Scene. Woodbridge: Antique Collectors’ Club, 1984.
“The House of Commons in the Royal Academy.” London Review, May 30, 1863: 575–77.
Hueffer, Ford M.Ford Madox Brown: A Record of His Life and Work. London: Longmans, Green, 1896.
Huneault, Kristina. Difficult Subjects: Working Women and Visual Culture, Britain 1880–1914. Aldershot: Ashgate, 2002.
Hunt, F. Knight. The Book of Art: Cartoons, Frescoes, Sculpture, and Decorative Art, as Applied to the New Houses of Parliament. London: Jeremiah How, 1846.
Hutchison, Sidney C.The History of the Royal Academy 1768–1986. 2nd edn. London: Robert Royce, 1986.
Hutton, R. H. “The Political Character of the Working Class.” In Essays on Reform, 27–44. London: Macmillan, 1867.
Hutton, R. H.Studies in Parliament: A Series of Sketches of Leading Politicians. London: Longmans, Green, Reader, and Dyer, 1866.
Hyde, Sarah. “Printmakers and the Royal Academy Exhibitions, 1780–1836.” In Art on the Line: The Royal Academy Exhibitions at Somerset House, 1780–1836, ed. David H. Solkin, 217–28. New Haven: Yale University Press, 2001.
Inglis, Alison. “Poynter, Sir Edward John, First Baronet (1836–1919).” Oxford Dictionary of National Biography. Oxford University Press, September 2004. Online edn., May 2010. www.oxforddnb.com/view/article/35600.
Inglis, Alison. “Sir Edward Poynter and the Earl of Wharncliffe’s Billiard Room.” Apollo 126 (1987): 249–55.
Inkster, Ian. “Introduction: A Lustrous Age?” In The Golden Age, ed. Inkster et al., 1–8.
Inkster, Ian, Colin Griffin, Jeff Hill, and Judith Rowbotham, ed. The Golden Age: Essays in British Social and Economic History 1850–1870. Aldershot: Ashgate, 2000.
Ivins, William M., Jr. How Prints Look: Photographs with Commentary, ed. Marjorie B. Cohn. Rev. edn. Boston: Beacon Press, 1987.
Jackson, John, and W. A. Chatto. A Treatise on Wood Engraving, Historical and Practical. 2nd edn. London: Henry G. Bohn, 1861.
Jackson, Mason. The Pictorial Press: Its Origin and Progress. London: Hurst and Blackett, 1885.
James, Louis. Print and the People 1819–1851. London: Allen Lane, 1976.
Jones, Vivien. “‘The Coquetry of Nature’: Politics and the Picturesque in Women’s Fiction.” In The Politics of the Picturesque, ed. Copley and Garside, 120–44.
Joyce, Patrick. “The Constitution and the Narrative Structure of Victorian Politics.” In Re-Reading the Constitution, ed. Vernon, 179–203.
Joyce, Patrick. Democratic Subjects: The Self and the Social in Nineteenth-Century England. Cambridge University Press, 1994.
Kemp, Wolfgang. The Desire of My Eyes: The Life and Work of John Ruskin. Translated by Jan van Heurck. New York: Farrar, Straus and Giroux, 1990.
Kennedy, John M., Igor Juricevic, and Juan Bai. “Line and Borders of Surfaces: Grouping and Foreshortening.” In Looking into Pictures, ed. Hecht, Schwartz, and Atherton, 321–54.
King, Andrew. “A Paradigm of Reading in the Victorian Penny Weekly: Education of the Gaze and the London Journal.” In Nineteenth-Century Media and the Construction of Identities, ed. Brake, Bell, and Finkelstein, 77–92.
King, Andrew, and John Plunkett, eds. Victorian Print Media: A Reader. Oxford University Press, 2005.
Klingender, Francis D.Art and the Industrial Revolution. London: Noel Carrington, 1947.
Knight, Charles. Passages of a Working Life during Half a Century: With a Prelude of Early Reminiscences, ed. James Thorne. 3 vols. London: Knight, 1873.
Lambourne, Lionel. Ernest Griset: Fantasies of a Victorian Illustrator. London: Thames and Hudson, 1979.
Le May, G. H. L.The Victorian Constitution: Conventions, Usages, and Contingencies. London: Duckworth, 1979.
Leary, Patrick. The Punch Brotherhood: Table Talk and Print Culture in Mid-Victorian London. London: British Library, 2010.
Leech, John, and Percival Leigh. Portraits of Children of the Mobility. Drawn from Nature. London: Richard Bentley, 1841.
Lever, Charles James. Barrington. London: Chapman and Hall, 1863.
Lewes, George Henry. “Seeing is Believing.” Blackwood’s Edinburgh Magazine 88 (1860): 381–95.
Linnell, John, James Linnell, and William Linnell. The Prize Cartoons; Being the Eleven Designs, to which the Premiums were Awarded by the Royal Commissioners on the Fine Arts in the Year 1843. London: Longman, Brown, Green and Longmans, [1846?].
Lister, Raymond. Prints and Printmaking: A Dictionary and Handbook of the Art in Nineteenth-Century Britain. London: Metheun, 1984.
Livingstone, Margaret. Vision and Art: The Biology of Seeing. New York: Harry N. Abrams, 2002.
LoPatin-Lummis, Nancy. “The 1832 Reform Act Debate: Should the Suffrage Be Based on Property or Taxpaying?Journal of British Studies 46 (2007): 320–45.
Lucas, C. P. “George Tansley.” In The Working Men’s College, ed. Davies, 129–80.
Machin, Ian.The Rise of Democracy in Britain, 1830–1918. Houndmills: Macmillan, 2001.
MacRaild, Donald M.The Irish Diaspora in Britain, 1750–1939. 2nd edn. London: Palgrave, 2011.
Maidment, Brian. Dusty Bob: A Cultural History of Dustmen, 1780–1870. Manchester University Press, 2007.
Maidment, Brian. “The Illuminated Magazine and the Triumph of Wood Engraving.” In The Lure of Illustration in the Nineteenth Century, ed. Brake and Demoor, 17–39.
Maidment, Brian. Reading Popular Prints 1790–1870. Manchester University Press, 1996.
Mandler, Peter. Aristocratic Government in the Age of Reform: Whigs and Liberals, 1830–1852. Oxford: Clarendon Press, 1990.
Marx, Karl. Capital: A Critique of Political Economy. Vol. 1. Intro. Ernest Mandel. Trans. Ben Fowkes. London: Penguin, 1976.
Maxwell, Richard, ed. The Victorian Illustrated Book. Charlottesville: University of Virginia Press, 2002.
Maxwell, Richard. “Walter Scott, Historical Fiction, and the Genesis of the Victorian Illustrated Book.” In Maxwell, The Victorian Illustrated Book, 1–51.
May, Thomas Erskine. A Treatise on the Law, Privileges, Proceedings, and Usages of Parliament. 5th edn. London: Butterworths, 1863.
McClelland, Keith. “‘England’s Greatness, the Working Man.’” In Defining the Victorian Nation, Hall, McClelland, and Rendall, 71–118.
McCormack, Matthew. “‘Married Men and the Fathers of Families’: Fatherhood and Franchise Reform.” In Gender and Fatherhood in the Nineteenth Century, ed. Trev Lynn Broughton and Helen Rogers, 43–54. Houndmills: Palgrave Macmillan, 2007.
McCormack, Matthew, ed. Public Men: Masculinity and Politics in Modern Britain. Basingstoke: Palgrave Macmillan, 2007.
McLean, Janet. “Prince Albert and the Fine Arts Commission.” In The Houses of Parliament, ed. Riding and Riding, 213–23.
Meisel, Martin. Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England. Princeton University Press, 1983.
Michie, Elsie B.Outside the Pale: Cultural Exclusion, Gender Difference, and the Victorian Woman Writer. Ithaca: Cornell University Press, 1993.
Mill, John Stuart. Collected Works of John Stuart Mill. 33 vols. Toronto: University of Toronto Press, 1963–91.
Millar, Delia. “Royal Patronage and Influence.” In The Victorian Vision: Inventing New Britain, ed. John M. Mackenzie, 26–49. London: V&A Publications, 2001.
Mitchell, Rosemary. Picturing the Past: English History in Text and Image, 1830–1870. Oxford: Clarendon Press, 2000.
Mitchell, W. J. T.Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994.
Moore, David Cresap. The Politics of Deference: A Study of the Mid-Nineteenth Century English Political System. Hassocks: Harvester, 1976.
Morris, Frankie. Artist of Wonderland: The Life, Political Cartoons, and Illustrations of Tenniel. Charlottesville: University of Virginia Press, 2005.
Morton, Patricia. “Another Victorian Paradox: Anti-Militarism in a Jingoistic Society.” Historical Reflections 5 (1981): 169–89.
Nead, Lynda. Victorian Babylon: People, Streets and Images in Nineteenth-Century London. New Haven: Yale University Press, 2000.
Newman, Teresa, and Ray Watkinson. Ford Madox Brown and the Pre-Raphaelite Circle. London: Chatto and Windus, 1991.
Newsinger, John. Fenianism in Mid-Victorian Britain. London: Pluto Press, 1994.
Niederée, Reinhard, and Dieter Heyer. “The Dual Nature of Picture Perception: A Challenge to Current General Accounts of Visual Perception.” In Looking into Pictures, ed. Hecht, Schwartz, and Atherton, 77–98.
[Norwich Operative]. A Voice from the Millions! (1847), reprinted in History of the Suffrage 1760–1867, ed. Clark and Richardson (Pickering and Chatto, 2000), 4: 379–96.
O’Gorman, Frank. Voters, Patrons, and Parties: The Unreformed Electoral System of Hanoverian England, 1734–1832. Oxford: Clarendon Press, 1989.
Oliphant, Margaret. Miss Marjoribanks, ed. Elisabeth Jay. London: Penguin, 1998.
Olney, Clarke. Benjamin Robert Haydon, Historical Painter. Athens: University of Georgia Press, 1952.
Oppé, A. P. “Art.” In Early Victorian England, 1830–1865, ed. G. M. Young, 2: 99–176. London: Oxford University Press, 1934.
Ormond, Richard. Early Victorian Portraits. 2 vols. London: National Portrait Gallery, 1973.
Palmer, Alan Warwick. Crowned Cousins: The Anglo-German Royal Connection. London: Weidenfeld and Nicolson, 1985.
Palmeri, Frank. “The Cartoon: The Image as Critique.” In History beyond the Text, ed. Barber and Peniston-Bird, 32–48.
Palmeri, Frank. “Cruikshank, Thackeray, and the Victorian Eclipse of Satire.” SEL: Studies in English Literature 1500–1900 44 (2004): 753–77.
Parry, Jonathan.The Rise and Fall of Liberal Government in Victorian Britain. New Haven: Yale University Press, 1993.
Patten, Robert L.George Cruikshank’s Life, Times, and Art. 2 vols. New Brunswick: Rutgers University Press, 1992.
Patten, Robert L. “Serial Illustration and Storytelling in David Copperfield.” In The Victorian Illustrated Book, ed. Maxwell, 91–128.
Pearson, Nicholas M.The State and the Visual Arts: A Discussion of State Intervention in the Visual Arts in Britain, 1760–1981. Milton Keynes: Open University Press, 1982.
Perkin, Harold. “‘Nor all that Glitters …’: The Not so Golden Age.” In The Golden Age, ed. Inkster et al., 9–26.
Perry, Lara. “The National Portrait Gallery and Its Constituencies, 1858–96.” In Governing Cultures, ed. Barlow and Trodd, 145–55.
Phillips, John A.The Great Reform Bill in the Boroughs: English Electoral Behaviour, 1818–1841. Oxford: Clarendon Press, 1992.
Pointon, Marcia.William Dyce 1806–1864: A Critical Biography. Oxford: Clarendon Press, 1979.
Port, M. H. “The Houses of Parliament Competition.” In The Houses of Parliament, ed. M. H. Port, 20–52. New Haven: Yale University Press, 1976.
Power, David. The Law of Qualification and Registration of Parliamentary Electors in England and Wales. London: S. Sweet, 1847.
Poynter, J. R.Society and Pauperism: English Ideas on Poor Relief, 1795–1834. London: Routledge and Kegan Paul, 1969.
Pressly, William L.The Life and Art of James Barry. New Haven: Yale University Press, 1981.
Pugh, Evelyn L.J. S. Mill’s Autobiography and the Hyde Park Riots.” Research Studies 50 (1982): 1–20.
Pykett, Lyn. “Reading the Periodical Press: Text and Context.” In Investigating Victorian Journalism, ed. Brake, Jones, and Madden, 3–18.
Quinault, Roland. “Democracy and the Mid-Victorians.” In An Age of Equipoise? Ed. Hewitt, 109–21.
Quinault, Roland. “Westminster and the Victorian Constitution.” Transactions of the Royal Historical Society 6th series, 2 (1992): 79–104.
Quinlivan, Patrick, and Paul Rose. The Fenians in England, 1865–1872: A Sense of Insecurity. London: John Calder, 1982.
Redgrave, Richard, and Samuel Redgrave. A Century of British Painters. Ithaca: Cornell University Press, 1981.
Rendall, Jane. “The Citizenship of Women and the Reform Act of 1867.” In Defining the Victorian Nation, Hall, McClelland, and Rendall, 119–78.
[Review of Hayter’s House of Commons, 1833.] Art Journal, September 1, 1859: 289.
[Review of Sir George Hayter’s Reformed House of Commons.] Athenaeum, April 8, 1843: 340–41.
[Review of What the People Ought to Do.] Monthly Review, July 1832: 424–39.
Reynolds, Graham. English Portrait Miniatures. Rev. edn. Cambridge University Press, 1988.
Richter, Donald C.Riotous Victorians. Athens: Ohio University Press, 1981.
Riding, Christine, and Jacqueline Riding, eds. The Houses of Parliament: History, Art and Architecture. London: Merrell, 2000.
Roach, Catherine. “The Artist in the House of His Patron: Images-within-Images in John Everett Millais’s Portraits of the Wyatt Family.” Visual Culture in Britain 9 (2008): 1–20.
Roach, Catherine. “The Foundling Restored: Emma Brownlow King, William Hogarth, and the Public Image of the Foundling Hospital in the 19th Century.” British Art Journal 9 (2008): 40–49.
Robbins, Bruce. The Servant’s Hand: English Fiction from Below. New York: Columbia University Press, 1986.
Roberts, Matthew. Political Movements in Urban England, 1832–1914. London: Palgrave, 2009.
Robertson, David. Sir Charles Eastlake and the Victorian Art World. Princeton University Press, 1978.
Roebuck, John. “Reminiscences of an Old Student.” In The Working Men’s College, 1854–1904, ed. Davies, 61–99.
Royal Academy of the Arts. The Exhibition of the Royal Academy. London: W. Clowes, 1843.
“The Royal Academy and Other Exhibitions.” Blackwood’s Magazine 102 (1867): 79–98.
“The Royal Academy’s Seventy-Fifth Exhibition.” Art-Union, June 1, 1843.
Ruskin, John. The Works of John Ruskin, ed. E. T. Cook and Alexander Wedderburn. Library edn., 39 vols. London: George Allen, 1903–12.
Sala, George Augustus. Twice Round the Clock; Or, the Hours of the Day and Night in London. London: Richard Marsh, 1862.
Salmon, Philip. Electoral Reform at Work: Local Politics and National Parties, 1832–1841. Woodbridge: Royal Historical Society, 2002.
Saunders, Robert. Democracy and the Vote in British Politics, 1848–1867: The Making of the Second Reform Act. Farnham, Surrey: Ashgate, 2011.
Saunders, Robert. “Lord John Russell and Parliamentary Reform, 1848–67.” English Historical Review 120 (2005): 1289–1315.
Scott, David. British, French, and German Painting; Being a Reference to the Grounds which Render the Proposed Painting of the New House of Parliament Important as a Public Measure. Edinburgh Printing and Publishing, 1841.
Seymour, Charles. Electoral Reform in England and Wales: The Development and Operation of the Parliamentary Franchise, 1832–1885. New Haven: Yale University Press, 1915.
Siegel, Jonah. Desire and Excess: The Nineteenth-Century Culture of Art. Princeton University Press, 2000.
Simpson, Roger. Sir John Tenniel: Aspects of His Work. Cranbury, NJ: Associated University Presses, 1994.
Sinnema, Peter W.Dynamics of the Pictured Page: Representing the Nation in the Illustrated London News. Aldershot: Ashgate, 1998.
“Sir George Hayter’s Historical Pictures,” Times, April 4, 1843: 3.
Smith, F. B.The Making of the Second Reform Bill. Cambridge University Press, 1966.
Snow, John. On the Mode of Communication of Cholera. 2nd edn. London: John Churchill, 1855.
Solkin, David H., ed. Art on the Line: The Royal Academy Exhibitions at Somerset House, 1780–1836. New Haven: Yale University Press, 2001.
Solkin, David H., Painting Out of the Ordinary: Modernity and the Art of Everyday Life in Early Nineteenth-Century Britain. New Haven: Yale University Press, 2008.
Spielmann, M. H.The History of “Punch.” New York: Cassell, 1895.
Spiers, Edward M.The Army and Society, 1815–1914. London: Longman, 1980.
Stephen, James Fitzjames. Liberty, Equality, Fraternity, ed. R. J. White. Cambridge University Press, 1967.
Strachan, Hew. The Politics of the British Army. Oxford: Clarendon Press, 1997.
Strong, Roy.And When Did You Last See Your Father? The Victorian Painter and British History. London: Thames and Hudson, 1978.
Sutherland, John. “The Background to Phineas Finn.” In Phineas Finn,The Irish Member, ed. John Sutherland, 35–37. Harmondsworth: Penguin, 1972.
Taylor, Brandon. Art for the Nation: Exhibitions and the London Public 1747–2001. Manchester University Press, 1999.
Tennyson, Alfred, Lord. The Poems of Tennyson, ed. Christopher Ricks, 2nd edn. 3 vols. London: Longman, 1987.
Terry, R. C.A Trollope Chronology. Houndmills: Macmillan, 1983.
Thackeray, William Makepeace. The Oxford Thackeray, ed. George Saintsbury. 17 vols. London: Oxford University Press, 1908.
Thomas, Julia. Pictorial Victorians: The Inscription of Values in Word and Image. Athens: Ohio University Press, 2004.
Thompson, E. P.The Making of the English Working Class. New York: Vintage Books, 1966.
Thompson, F. M. L.The Rise of Respectable Society: A Social History of Victorian Britain, 1830–1900. Cambridge: Harvard University Press, 1988.
Thompson, S. J. “‘Population Combined with Wealth and Taxation’: Statistics, Representation, and the Making of the 1832 Reform Act.” In Statistics and the Public Sphere: Numbers and the People in Modern Britain, c. 1800–2000, ed. Tom Crook and Glen O’Hara, 205–23. New York: Routledge, 2011.
Tidy, Gordon. A Little about Leech. London: Constable, 1931.
Timbs, John. Curiosities of London: Exhibiting the most Rare and Remarkable Objects of Interest in the Metropolis. London: David Bogue, 1855.
Treuherz, Julian. “Ford Madox Brown and the Manchester Murals.” In Art and Architecture in Victorian Manchester: Ten Illustrations of Patronage and Practice, ed. John H. G. Archer, 162–207. Manchester University Press, 1985.
Treuherz, Julian. Hard Times: Social Realism in Victorian Art. London: Lund Humphries, 1987.
Trevelyan, George Macaulay. The Life of John Bright. London: Constable, 1913.
Trodd, Colin. “Representing the Victorian Royal Academy: The Properties of Culture and the Promotion of Art.” In Governing Cultures, ed. Barlow and Trodd, 56–68.
Trollope, Anthony. An Autobiography, ed. Michael Sadleir and Frederick Page. Oxford University Press, 1980.
Trollope, Anthony. Can You Forgive Her? ed. Stephen Wall. London: Penguin, 1972.
Trollope, Anthony. The Letters of Anthony Trollope. ed. N. John Hall. 2 vols. Stanford University Press, 1983.
Trollope, Anthony. “Phineas Finn” [Manuscript].” 468, Chauncey Brewster Tinker Manuscript Collection, 468. Beinecke Rare Books and Manuscript Collection, Yale University.
Trollope, Anthony. Phineas Finn, The Irish Member, ed. Jacques Berthoud. Oxford University Press, 1991.
Trollope, Anthony. Rachel Ray. New edn. London: Chapman and Hall, 1880.
Trollope, Anthony. Ralph the Heir. New York: Dover, 1978.
Tucker, Herbert F. “Literal Illustration in Victorian Print.” In The Victorian Illustrated Book, ed. Maxwell. 163–208.
Turner, Frank M.The Greek Heritage in Victorian Britain. New Haven: Yale University Press, 1981.
Vaughan, William. German Romanticism and English Art. New Haven: Yale University Press, 1979.
Vaughan, William. “‘God Help the Minister Who Meddles in Art’: History Painting in the New Palace of Westminster.” In The Houses of Parliament, ed. Riding and Riding, 225–39.
Vernon, James. Politics and the People: A Study in English Political Culture, c. 1815–1867. Cambridge University Press, 1993.
Vernon, James, ed. Re-Reading the Constitution: New Narratives in the Political History of England’s Long Nineteenth Century. Cambridge University Press, 1996.
Vincent, J. R.Pollbooks: How Victorians Voted. London: Cambridge University Press, 1967.
Vizetelly, Henry. Glances back through Seventy Years: Autobiographical and Other Reminiscences. 2 vols. London: Kegan Paul, Trench, Trűbner, 1893.
Wahrman, Dror. Imagining the Middle Class: The Political Representation of Class in Britain, c. 1780–1840. Cambridge University Press, 1995.
Wakeman, Geoffrey. Victorian Book Illustration: The Technical Revolution. Newton Abbot: David and Charles, 1973.
Walker, Richard. Regency Portraits. 2 vols. London: National Portrait Gallery, 1985.
Walpole, Spencer. The History of Twenty-Five Years. 4 vols. London: Longmans, Green, 1904.
Wardroper, John. Wicked Ernest: The Truth about the Man Who Was Almost Britain’s King. London: Shelfmark Books, 2002.
Warner, Michael. Publics and Counterpublics. New York: Zone Books, 2005.
Weston, Nancy. Daniel Maclise: Irish Artist in Victorian London. Dublin: Four Courts, 2001.
Williams, Raymond. The Country and the City. New York: Oxford University Press, 1973.
Williams, Raymond. The Long Revolution. Westport: Greenwood, 1975.
Willsdon, Clare A. P.Mural Painting in Britain 1840–1940: Image and Meaning. Oxford University Press, 2000.
Winter, Emma L.German Fresco Painting and the New Houses of Parliament at Westminster, 1834–1851.” Historical Journal 47 (2004): 291–329.
Winter, James. Robert Lowe. Toronto: University of Toronto Press, 1976.
Wolferstan, F. S. P.Rogers on Elections, Election Committees, and Registration. 10th edn. London: Stevens and Sons, 1865.
Wolff, Michael, and Celina Fox. “Pictures from the Magazines.” In The Victorian City: Images and Realities, ed. H. J. Dyos and Michael Wolff. 2: 559–82. London: Routledge and Kegan Paul, 1973.
Wood, Christopher. Victorian Painters. 2nd edn. 2 vols. Woodbridge: Antique Collectors’ Club, 1978.
Wood, Christopher. Victorian Painting. Boston: Little, Brown, 1999.
Wood, Christopher. Victorian Panorama: Paintings of Victorian Life. London: Faber and Faber, 1976.
Wright, D. G.Democracy and Reform, 1815–1885. Harlow: Longmans, 1970.
Wright, Thomas. Our New Masters. London: Strahan, 1873.
Yeazell, Ruth Bernard. Art of the Everyday: Dutch Painting and the Realist Novel. Princeton University Press, 2008.
Yonge, Charlotte Mary. The Trial. Phoenix Mills: Alan Sutton, 1996.
Young, G. M.Portrait of an Age: Victorian England. 2nd edn. London: Oxford University Press, 1960.
Zimmerman, Kristin. “Liberal Speech, Palmerstonian Delay, and the Passage of the Second Reform Act.” English Historical Review 118 (2003): 1176–1207.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.