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Publisher:
Cambridge University Press
Online publication date:
August 2011
Print publication year:
2011
Online ISBN:
9780511984723

Book description

David Edgar's writings address the most basic questions of how humans organize and govern themselves in modern societies. This study brings together the disciplines of political philosophy and theatre studies to approach the leading British playwright as a political writer and a public social critic. Edgar uses theatre as a powerful tool of public discourse, an aesthetic modality for engaging with and thinking/feeling through the most pressing social issues of the day. In this he is a supreme rationalist: he deploys character, plot and language to explore ideas, to make certain kinds of discursive cases and model hypothetical alternatives. Reinelt and Hewitt analyze twelve of Edgar's most important plays, including Maydays and Pentecost, and also provide detailed discussions of key performances and critical reception to illustrate the playwright's artistic achievement in relation to his contributions as a public figure in British cultural life.

Reviews

"Janelle Reinelt and Gerald Hewitt's meticulously researched and clearly argued book offers a timely and refreshing way of looking at a dramatist whose socially committed work over four decades has established him as one of the most accomplished and influential political playwrights in Britain."
--Comparative Drama

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Contents

  • 2 - Intervening in public discourse
    pp 35-62
  • Edgar as commentator and activist
Selected bibliography
Albert Speer (London: Nick Hern, 2000).
Arthur & George (London: Nick Hern, 2010).
Baby Love in Edgar: Shorts (London: Nick Hern, 1989).
Ball Boys (London: Pluto Press, 1978); in Edgar: Shorts (London: Nick Hern, 1989).
Black Tulips in The Great Game (London: Oberon, 2009).
Blood Sports in Edgar: Shorts (London: Nick Hern, 1989).
Continental Divide (London: Nick Hern, 2004).
Destiny (London: Methuen, 1976; 2005); in Plays: One (London: Methuen, 1987).
Dick Deterred (New York: Monthly Review Press, 1974).
Ecclesiastes in Plays: Two (London: Methuen, 1990).
Entertaining Strangers (London: Methuen, 1985); in Plays: Two (London: Methuen, 1990).
Heartlanders (with Stephen Bill and Anne Devlin) (London: Nick Hern, 1989).
Mary Barnes (London: Methuen, 1979); in Plays: One (London: Methuen, 1987).
Maydays (London: Methuen, 1983); in Plays: Three (London: Methuen, 1991).
Nicholas Nickleby Parts One and Two (New York: Dramatists’ Play Service, 1982); in Plays: Two (London: Methuen, 1990).
O Fair Jerusalem in Plays: One (London: Methuen, 1987).
Our Own People (London: Methuen, 1988); in Plays: Three (London: Methuen, 1991).
Pentecost (London: Nick Hern, 1995).
Playing with Fire (London: Nick Hern, 2005).
Saigon Rose in Plays: One (London: Methuen, 1987).
Teendreams (London: Methuen, 1979); in Plays: Three (London: Methuen, 1991).
Testing the Echo (London: Nick Hern, 2008).
That Summer (London: Methuen, 1987); in Plays: Three (London: Methuen, 1991).
The Jail Diary of Albie Sachs (London: Rex Collings, 1978); in Plays: One (London: Methuen, 1987).
The Midas Connection in Edgar: Shorts (London: Nick Hern, 1989).
The National Theatre in Edgar: Shorts (London: Nick Hern, 1989).
The Prisoner’s Dilemma (London: Nick Hern, 2001).
The Shape of the Table (London: Nick Hern, 1990).
The Strange Case of Dr Jekyll and Mr Hyde (London: Nick Hern, 1992).
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‘Adapting Nickleby’, The Dickensian, spring 1983, reprinted in Giddings, Robert (ed.), The Changing World of Charles Dickens (London and New York: Vision, 1983).
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