Skip to main content Accessibility help
×
  • Cited by 22
Publisher:
Cambridge University Press
Online publication date:
September 2012
Print publication year:
2012
Online ISBN:
9781139023894

Book description

Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forcibly replaced by socialist realism under the Soviets. Sympathetic philosophers and critics have interpreted it as a vital intellectual defence against totalitarianism, yet some American critics consider it elitist, undemocratic and even unnatural. Drawing extensively on the philosophy of Heidegger and Badiou, The Quilting Points of Musical Modernism proposes a new dialectical theory of faithful, reactive and obscure subjective responses to musical modernism, which embraces all the music of Western modernity. This systematic definition of musical modernism introduces readers to theory by Badiou, Žižek and Agamben. Basing his analyses on the music of William Walton, Harper-Scott explores connections between the revolutionary politics of the nineteenth and twentieth centuries and responses to the event of modernism in order to challenge accepted narratives of music history in the twentieth century.

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography
Bibliography
Abbate, Carolyn. ‘Music – Drastic or Gnostic?Critical Inquiry 30, no. 3 (2004): 505–36. doi:10.1086/421160.
Adams, Byron, ed. ‘British Modernism’. Special issue, The Musical Quarterly 91, nos. 1–2 (2008).
Agamben, Giorgio. Homo Sacer. Sovereign Power and Bare Life. Translated by Daniel, Heller-Roazen. Stanford University Press, 1998.
Originally published as Homo sacer: il potere sovrano e la nuda vita (Turin: Einaudi, 1995).
Agamben, GiorgioIdea of Prose. Albany: State University of New York Press, 1995.
Originally published as Idea della prosa (Milano: Feltrinelli, 1985).
Agamben, GiorgioInfancy and History: The Destruction of Experience. Translated by Liz, Heron. London and New York: Verso, 1993.
Originally published as Infanzia e storia: distruzione dell'esperienza e origine della storia (Torino: G. Einaudi, 1978).
Agamben, GiorgioMeans Without End: Notes on Politics. Theory Out of Bounds. Minneapolis: University of Minnesota Press, 2000.
Originally published as Mezzi senza fine: note sulla politica (Torino: Bollati Borlinghieri, 1996).
Agamben, GiorgioProfanations. Translated by Jeff, Fort. New York: Zone Books, 2007.
Originally published as Profanazioni (Rome: Nottetempo, 2005).
Agamben, GiorgioThe Coming Community. Translated by Michael, Hardt. Theory Out of Bounds. Minneapolis: University of Minnesota Press, 1993.
Originally published as La comunitàM-che viene (Turin: G. Einaudi, 1990).
Agawu, Kofi. ‘Taruskin's Problem(s)’. Music Theory Spectrum 33, no. 2 (2011): 186–90. doi:10.1525/mts.2011.33.2.186.
Badiou, Alain. ‘À bas la société existante!Le Perroquet 69 (1987): 1–3.
Badiou, Alain. ‘Behind the Scarfed Law, There is Fear’. IslamOnline.net.2004.lacan.com/islbad.htm.
Badiou, Alain. Being and Event. Translated by Oliver, Feltham. London and New York: Continuum, 2005.
Originally published as L'être et l'événement, L'Ordre Philosophique (Paris: Éditions du Seuil, 1988).
Badiou, Alain. Logics of Worlds: Being and Event, 2. Translated by Alberto, Toscano. London and New York: Continuum, 2009.
Originally published as Logiques Des Mondes, L'Ordre Philosophique (Paris: Éditions du Seuil, 2006).
Badiou, Alain. Manifesto for Philosophy: Followed By Two Essays: ‘The (Re)turn of Philosophy Itself’ and ‘Definition of Philosophy’. Edited and translated by Norman, Madarasz. Albany, NY: State University of New York Press, 1999.
Badiou, Alain. Metapolitics. Translated by Jason, Barker. London and New York: Verso, 2005.
Originally published as Abrégé de métapolitique, L'Ordre Philosophique (Paris: Éditions du Seuil, 1998).
Badiou, Alain. The Communist Hypothesis. London and New York: Verso, 2010.
Badiou, Alain. The Meaning of Sarkozy. Translated by David, Fernbach. London and New York: Verso, 2008.
Originally published as De Quoi Sarkozy Est-il Le Nom? (Paris: Nouvelles Éditions Lignes, 2007).
Badiou, Alain. ‘The Scene of Two’. Translated by Barbara P., Fulks. Lacanian Ink 21 (2003): 42–55.
Badiou, Alain. ‘What is Love?’ Translated by Justin, Clemens. Umbr(a) 1 (1996): 37–53.
Badiou, Alain. What is Love? Sexuality and Desire, Lecture at the European Graduate School. 2008.
Badiou, Alain. Wittgenstein's Anti-Philosophy. Translated by Bruno, Bosteels. London: Verso, 2011.
Badiou, Alain, with Nicolas, Truong. In Praise of Love. Translated by Peter, Bush. London: Serpent's Tail, 2012.
Originally published as Éloge de l'amour (Paris: Flam-marion, 2009).
Benjamin, Walter. ‘The Work of Art in the Age of Mechanical Reproduction’. In Illuminations, edited by Hannah, Arendt, translated by Harry, Zohn, 219–53. London: Fontana, 1973.
Blamires, Alcuin. Chaucer, Ethics, and Gender. 2006. Oxford and New York: Oxford University Press, 2008.
Blond, Phillip. Red Tory: How the Left and Right Have Broken Britain and How We Can Fix it. London: Faber and Faber, 2010.
Bosteels, Bruno. The Actuality of Communism. Pocket Communism. London and New York: Verso, 2011.
Brockelman, Thomas P.Žižek and Heidegger: The Question Concerning Techno-Capitalism. London and New York: Continuum, 2008.
Brown, Julie. ‘Schoenberg's Early Wagnerisms: Atonality and the Redemption of Ahasuerus’. Cambridge Opera Journal 6, no. 1 (1994): 51–80. doi:10.1017/S09545867 00004134.
Bulgakov, Mikhail. The Master and Margarita. Translated by Richard, Pevear and Larissa, Volokhonsky. 1997. Reprint, London: Penguin, 2007.
Burnham, Scott G.Beethoven Hero. Princeton University Press, 1995.
Butler, Judith. Bodies That Matter: On the Discursive Limits of ‘Sex’. New York: Routledge, 1993.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
Butler, Judith, Ernesto, Laclau, and Slavoj, Žižek. Contingency, Hegemony, Universality. London and New York: Verso, 2000.
Byde, Michael. ‘The Later Orchestral Works of William Walton: A Critical and Analytical Re-evaluation’. PhD diss., University of Leeds, 2008.
Chaucer, Geoffrey. Troilus and Criseyde. Edited by B. A., Windeatt. Penguin Classics. London and New York: Penguin Books, 2003.
Clark, Suzannah. Analyzing Schubert. Cambridge and New York: Cambridge University Press, 2011.
Cohen, G. A. ‘Mind the Gap’. London Review of Books (14 May 1992): 15–17.
Cohen, Paul J.Set Theory and the Continuum Hypothesis. New York: W. A. Benjamin, 1966.
Cook, Nicholas, and Anthony, Pople, eds. The Cambridge History of Twentieth-Century Music. The Cambridge History of Music. Cambridge University Press, 2004.
Dahlhaus, Carl. Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century. Translated by Mary, Whittall. Berkeley and London: University of California Press, 1980.
Originally published as Zwischen Romantik und Moderne: Vier Studien zur Musikgeschichte des späteren 19. Jahrhunderts, ed. Carl, Dahlhaus and Rudolf, Stephan. Berliner musikwissenschaftliche Arbeiten (Munich: Musikverlag Katzbichler, 1974).
Dahlhaus, Carl. Nineteenth-Century Music. Translated by J. Bradford, Robinson. Berkeley and London: University of California Press, 1989.
Originally published as Die Musik des 19. Jahrhunderts. Neues Handbuch Der Musikwissenschaft (Wiesbaden Laaber: Akademische Verlagsgesellschaft Athenaion Laaber-Verlag, 1980).
Darcy, Warren. ‘Rotational Form, Teleological Genesis, and Fantasy-projection in the Slow Movement of Mahler's Sixth Symphony’. 19th-Century Music 25, no. 1 (2001): 49–74. doi:10.1525/ncm.2001.25.1.49.
Ekman, Karl. Jean Sibelius: His Life and Personality. London: Alan Wilmer, 1934.
Esty, Jed. A Shrinking Island: Modernism and National Culture in England. Princeton University Press, 2004.
Fanning, David. Nielsen: Symphony No. 5. Cambridge Music Handbooks. Cambridge University Press, 1997.
Feltham, Oliver. ‘Philosophy’. In Alain Badiou: Key Concepts, edited by Justin, Clemens and A. J., Bartlett, 13–24. Durham: Acumen, 2010.
Feltham, Oliver, and Justin, Clemens. ‘An Introduction to Badiou's Philosophy’. In Infinite Thought: Truth and the Return to Philosophy, by Alain, Badiou, 1–38. London: Continuum, 2003.
Fisher, Mark. Capitalist Realism: Is There No Alternative?Ropley: O Books, 2009.
Forkel, Johann Nikolaus. Johann Sebastian Bach, His Life, Art and Work. London: Constable, 1920.
Originally published as Ueber Johann Sebastian Bachs Leben, Kunst und Kunstwerke (Leipzig: Hoffmeister und Kühnel, 1802).
Fukuyama, Francis. The End of History and the Last Man. 1992. Reprint, New York: Free Press, 2006.
Golding, William. ‘Fable’. In The Hot Gates, and Other Occasional Pieces, 85–101. London: Faber and Faber, 1965.
Goss, Glenda Dawn. Jean Sibelius and Olin Downes: Music, Friendship, Criticism. Boston: Northeastern University Press, 1995.
Gray, Cecil. Sibelius. 1931. London: Oxford University Press, 1934.
Gray, Cecil. Sibelius: The Symphonies. London: Oxford University Press, 1935.
Grimley, Daniel M.Carl Nielsen and the Idea of Modernism. Woodbridge: Boydell, 2010.
Grimley, Daniel M. ‘Landscape and Distance: Vaughan Williams, Modernism, and the Symphonic Pastoral’. In Riley, , British Music and Modernism, 147–74.
Grimley, Daniel M.‘“Music in the Midst of Desolation”: Structures of Mourning in Elgar's The Spirit of England’. In Harper-Scott, and Rushton, , Elgar Studies, 220–37.
Grimley, Daniel M.Modernism and Closure: Nielsen's Symphony’. The Musical Quarterly 86, no. 1 (2002): 149–73. doi:10.1093/musqtl/gdg004.
Grimley, Daniel M.Music, Ice, and the “Geometry of Fear”: The Landscapes of Vaughan Williams's Sinfonia Antartica’. The Musical Quarterly 91, nos. 1–2 (2008): 116–50. doi:10.1093/musqtl/gdn027.
Grimley, Daniel M. ed. The Cambridge Companion to Sibelius. Cambridge Companions to Music. Cambridge University Press, 2004.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Berkeley: University of California Press, 1992.
Hardt, Michael, and Antonio, Negri. Empire. Cambridge, MA: Harvard University Press, 2000.
Harper-Scott, J. P. E.Britten's Opera About Rape’. Cambridge Opera Journal 21, no. 1 (2009): 65–88. doi:10.1017/S0954586709990085.
Harper-Scott, J. P. E.Edward Elgar, Modernist. Music Since 1900. Cambridge and New York: Cambridge University Press, 2006.
Harper-Scott, J. P. E. ‘Elgar's Deconstruction of the Belle Époque: Interlace Structures and the Second Symphony’. In Harper-Scott, and Rushton, , Elgar Studies, 172–219.
Harper-Scott, J. P. E. ‘Made You Look!: Children in Salome and Death in Venice’. In Benjamin Britten: New Perspectives on his Life and Music, edited by Lucy, Walker, 116–37. Woodbridge: Boydell & Brewer, 2009.
Harper-Scott, J. P. E. ‘Miles Must Die!’ In Benjamin Britten: Echoes of Time and Place, edited by David, Crilly and Rachel, Cowgill. Woodbridge: Boydell, forthcoming.
Harper-Scott, J. P. E. ‘Vaughan Williams's Antic Symphony’. In Riley, , British Music and Modernism, 175–96.
Harper-Scott, J. P. E. ‘Women in Postwar Britten’. In Britten Perspectives, edited by Philip, Rupprecht. New York: Oxford University Press, forthcoming.
Harper-Scott, J. P. E., and Julian, Rushton, eds. Elgar Studies. Cambridge Composer Studies. Cambridge and New York: Cambridge University Press, 2007.
Harvey, David. A Brief History of Neoliberalism. Oxford and New York: Oxford University Press, 2005.
Heidegger, Martin. ‘’Aγχιβασίη: A Triadic Conversation on a Country Path between a Scientist, a Scholar, and a Guide’. In Country Path Conversations, 1–104.
Heidegger, Martin. An Introduction to Metaphysics. Translated by Ralph, Manheim. 1935. New Haven and London: Yale University Press / Oxford University Press, 1959.
Originally published as Einführung in die Metaphysik, vol. XL, Gesamtausgabe (Frankfurt am Main: Klostermann, 1983).
Heidegger, Martin. Being and Time. Translated by John, Macquarrie and Edward, Robinson. Oxford: Basil Blackwell, 1962.
Originally published as Sein und Zeit, vol. II of Gesamtaus- Bibliography 259 gabe, ed. Friedrich-Wilhelm, von Herrmann (1927; Frankfurt am Main: Kloster-mann, 1977).
Heidegger, Martin. ‘Building Dwelling Thinking’. In Poetry, Language, Thought, 145–61.
Heidegger, Martin. Country Path Conversations. Bloomington: Indiana University Press, 2010.
Originally published as Feldweg-Gespräche (1944/45), vol. LXXVII, Gesamtausgabe (Frankfurt am Main: V. Klostermann, 1995).
Heidegger, Martin. Elucidations of Hölderlin's Poetry. Translated by Keith, Hoeller. Amherst, NY: Humanity Books, 2000.
Originally published as Erläuterungen zu Hölderlins Dichtung, vol. IV, Gesamtausgabe (Frankfurt am Main: Klostermann, 1981), 208.
Heidegger, Martin. Existence and Being. Chicago: Henry Regnery, 1949.
Heidegger, Martin. ‘Hölderlin and the Essence of Poetry’. In Existence and Being, 297–316.
Heidegger, Martin. Hölderlin's Hymn ‘The Ister’. Translated by William, McNeill and Julia, Davis. Bloomington and Indianapolis: Indiana University Press, 1996.
Originally published as Hölderlins Hymne ‘Der Ister’, vol. LIII, Gesamtausgabe (Frankfurt am Main: Klostermann, 1984).
Heidegger, Martin. Hölderlins Hymne ‘Andenken’. Vol. LII. Gesamtausgabe. Frankfurt am Main: Klostermann, 1982.
Heidegger, Martin. Hölderlins Hymnen ‘Germanien’ und ‘Der Rhein’. Vol. XXXIX. Gesamtausgabe. 1934. Frankfurt am Main: Klostermann, 1980.
Heidegger, Martin. ‘Introduction to “What is Metaphysics?”’ In Pathmarks, 277–90.
Heidegger, Martin. ‘Letter on “Humanism”’. In Pathmarks, 239–76.
Heidegger, Martin. Off the Beaten Track. Edited by Julian, Young and Kenneth, Haynes. Translated by Julian, Young and Kenneth, Haynes. Cambridge University Press, 2002.
Heidegger, Martin. ‘On the Question of Being’. In Pathmarks, 291–322.
Heidegger, Martin. On the Way to Language. 1971. San Francisco: Harper & Row, 1982.
Originally published as Unterwegs zur Sprache (Pfullingen: Neske, 1959).
Heidegger, Martin. On Time and Being. Translated by Joan, Stambaugh. 1972. New York: Harper and Row, 2002.
Originally published as Zur Sache des Denkens, vol. XIV of Gesamtausgabe, ed. Friedrich-Wilhelm, von Herrmann (1969; Frankfurt am Main: Klostermann, 2006).
Heidegger, Martin. ‘“Only a God Can Save Us”: Der Spiegel's Interview with Martin Heidegger’. In Wolin, , The Heidegger Controversy: A Critical Reader, 91–116.
Heidegger, Martin. Pathmarks. Edited and translated by William, McNeill. Cambridge and New York: Cambridge University Press, 1998.
Heidegger, Martin. ‘Plato's Doctrine of Truth’. In Pathmarks, 155–82.
Heidegger, Martin. Poetry, Language, Thought. Translated by Albert, Hofstadter. New York: Harper & Row, 1971.
Heidegger, Martin. ‘The Origin of the Work of Art’. Translated by Julian, Young. In Off the Beaten Track, 1–56.
Heidegger, Martin. ‘The Question Concerning Technology’. In Martin Heidegger: Basic Writings, edited by David Farrell, Krell, translated by William, Lovitt, 307–41. 1949. London: Routledge, 1993.
Originally published as ‘Die Frage nach der Technik’, in Vorträge und Aufsätze (1954; Frankfurt am Main: Klostermann, 2000).
Heidegger, Martin. ‘Why Poets?’ In Off the Beaten Track, 200–41.
Heile, Björn. ‘Darmstadt as Other: British and American Responses to Musical Modernism’. Twentieth-Century Music 1, no. 2 (2004): 161–78.
Henryson, Robert. Poems and Fables. Edited by H. Harvey, Wood. Edinburgh and New York: Oliver and Boyd / Barnes & Noble, 1958.
Hepokoski, James A.Back and Forth From Egmont: Beethoven, Mozart, and the Non-resolving Recapitulation’. 19th-Century Music 25, nos. 2/3 (2002): 127–64. doi:10. 1525/ncm.2001.25.2-3.127.
Hepokoski, James A. ‘Beethoven Reception: The Symphonic Tradition’. In Samson, , The Cambridge History of Nineteenth-Century Music, 424–59.
Hepokoski, James A. ‘Elgar’. In Holoman, , The Nineteenth-Century Symphony, 327–44.
Hepokoski, James A. ‘Fiery-pulsed Libertine or Domestic Hero? Strauss's Don Juan Reinvestigated’. In Richard Strauss: New Perspectives on the Composer and His Work, edited by Bryan, Gilliam, 135–75. Durham, NC: Duke University Press, 1992.
Hepokoski, James A. ‘Finlandia Awakens’. In The Cambridge Companion to Sibelius, edited by Daniel M., Grimley, 61–94. Cambridge University Press, 2004.
Hepokoski, James A.Framing Till Eulenspiegel’. 19th-Century Music 30, no. 1 (2006): 4–43. doi:10.1525/ncm.2006.30.1.004.
Hepokoski, James A. ‘Gaudery, Romance, and the “Welsh” Tune: Introduction and Allegro, Op. 47’. In Harper-Scott, and Rushton, , Elgar Studies, 135–71.
Hepokoski, James A. ‘Rotations, Sketches, and the Sixth Symphony’. In Sibelius Studies, edited by Timothy L., Jackson and Veïjo, Murtomäki, 322–51. Cambridge University Press, 2001.
Hepokoski, James A. ‘Sibelius’. In Holoman, , The Nineteenth-Century Symphony, 417–49.
Hepokoski, James A. ‘Sibelius, Jean’. Grove Music Online. 2001. www.grovemusic.com.
Hepokoski, James A.Sibelius, Symphony No. 5. Cambridge Music Handbooks. Cambridge University Press, 1993.
Hepokoski, James A. ‘The Essence of Sibelius: Creation Myths and Rotational Cycles in Luonnotar’. In The Sibelius Companion, edited by Glenda Dawn, Goss, 121–46. Westport, CT and London: Greenwood Press, 1996.
Hepokoski, James A., and Warren, Darcy. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. New York and Oxford: Oxford University Press, 2006.
Hobsbawm, Eric. Age of Extremes: The Short Twentieth Century, 1914–1991. 1994. Reprint, London: Michael Joseph, 1995.
Hölderlin, Friedrich. Poems and Fragments. Translated by Michael, Hamburger. 1966. Reprint, London: Anvil, 2004.
Holoman, D. Kern, ed. The Nineteenth-Century Symphony. Studies in Musical Genres and Repertories. New York and London: Schirmer, 1997.
Howes, Frank. The Music of William Walton. 1965. London: Oxford University Press, 1974.
Hunter, Richard. Plato's Symposium. New York and Oxford: Oxford University Press, 2004.
Huot, Sylvia. Allegorical Play in the Old French Motet: The Sacred and the Profane in Thirteenth-Century Polyphony. Stanford University Press, 1997.
Hussey, Dyneley. ‘Walton's “Troilus and Cressida”’. Music & Letters 36, no. 2 (1955): 139–45. doi:10.1093/ml/XXXVI.2.139.
Jameson, Fredric. A Singular Modernity: Essay on the Ontology of the Present. London and New York: Verso, 2002.
Jameson, Fredric. ‘Future City’. New Left Review, n.s., 21 (2003): 65–79.
Jameson, Fredric. ‘The Vanishing Mediator: Narrative Structure in Max Weber’. New German Critique 1 (1973): 52–89. doi:10.2307/487630.
Judt, Tony. Postwar: A History of Europe Since 1945. 2005. Reprint, London: Pimlico, 2007.
Kant, Immanuel. Critique of Pure Reason. Translated by Marcus, Weigelt. Penguin Classics. London: Penguin, 2007.
Kennedy, Michael. Portrait of Walton. Oxford University Press, 1989.
Kennedy, Michael. The Works of Ralph Vaughan Williams. 1964. London: Oxford University Press, 1980.
Klein, Naomi. ‘Reclaiming the Commons’. New Left Review, n.s., 9 (2001): 81–9.
Klumpenhouwer, Henry. ‘Late Capitalism, Late Marxism and the Study of Music’. Music Analysis 20, no. 3 (2001): 367–405. doi:10.1111/1468-2249.00144.
Lacan, Jacques. Écrits: The First Complete Edition in English. Translated by Bruce, Fink with the assistance of Héloïse Fink and Russell Grigg. New York: Norton, 2006.
Originally published as Écrits, Le Champ freudien (Paris: Éditions du Seuil, 1966).
Kennedy, Michael. On Feminine Sexuality: The Limits of Love and Knowledge. Edited by Jacques-Alain, Miller. Translated by Bruce, Fink. The Seminar of Jacques Lacan. New York: Norton, 1998.
Originally published as Encore, ed. Jacques-Alain, Miller, Le Séminaire de Jacques Lacan (Paris: Éditions du Seuil, 1975).
Kennedy, Michael. The Ethics of Psychoanalysis 1959–60. Translated by Dennis, Porter. The Seminar of Jacques Lacan. 1986. New York: Norton, 1992.
Originally published as L' Éthique de la psychanalyse, ed. Jacques-Alain, Miller, Le Séminaire de Jacques, Lacan (Paris: Éditions du Seuil, 1986).
Kennedy, Michael. The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques-Alain, Miller. Translated by Alan, Sheridan. The Seminar of Jacques Lacan. New York: Norton, 1998.
Kennedy, Michael. The Psychoses. Edited by Jacques-Alain, Miller. Translated by Russell, Grigg. The Seminar of Jacques Lacan. New York: W.W. Norton, 1993.
Originally published as Les psychoses, ed. Jacques-Alain, Miller, Le Séminaire de Jacques, Lacan (Éditions du Seuil, 1981).
Kennedy, Michael. ‘The Seminar XXII of 21 January 1975’. In Feminine Sexuality: Jacques Lacan and the École freudienne. New York: W. W. Norton and Pantheon Books, 1982.
Lambert, Constant. Music Ho!: A Study of Music in Decline. 1934. Harmondsworth: Penguin, 1948.
Lamis, Alexander P.The Two-Party South. 1984. New York: Oxford University Press, 1990.
Leach, Elizabeth Eva. Guillaume de Machaut: Secretary, Poet, Musician. Ithaca, NY: Cornell University Press, 2011.
Leach, Elizabeth Eva. ‘Nature's Forge and Mechanical Production: Writing, Reading, and Performing Song’. In Rhetoric Beyond Words: Delight and Persuasion in the Arts of the Middle Ages, edited by Mary, Carruthers, 72–95. Cambridge University Press, 2010.
Leach, Elizabeth Eva. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY: Cornell University Press, 2007.
Leach, Elizabeth Eva. ‘Vicars of “Wannabe”: Authenticity and the Spice Girls’. Popular Music 20, no. 2 (2001): 134–67. doi:10.1017/S0261143001001386.
Lewis, C. S.The Allegory of Love; a Study in Medieval Tradition. 1936. Oxford University Press, 1985.
Lloyd, Stephen. William Walton: Muse of Fire. Woodbridge: Boydell, 2001.
Macquarrie, John.Principles of Christian Theology. London: SCM, 1977.
Maniates, Maria Rika, Peter, Branscombe, and Richard, Freedman. ‘Quodlibet’. Grove Music Online. 2001. www.grovemusic.com.
Mann, Jill. Feminizing Chaucer. Chaucer Studies. Woodbridge and Rochester, NY: D. S. Brewer, 2002.
Originally published as Geoffrey Chaucer, Feminist Readings (Atlantic Highlands, NJ: Humanities Press International, 1991).
Marx, Karl. Capital: A Critique of Political Economy. Translated by Ben, Fowkes. Vol. I. Penguin Classics. 1976. London: Penguin, 1990.
Originally published as Das Kapital: Kritik Der Politischen Oekonomie, Erster Band (Hamburg: Otto Meissner, 1867).
McAlpine, Monica. ‘Criseyde's Prudence’. Studies in the Age of Chaucer 25 (2003): 199–224.
McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minneapolis and London: University of Minnesota Press, 1991.
McClary, Susan. ‘Getting Down off the Beanstalk: The Presence of a Woman's Voice in Janika Vandervelde's Genesis II’. Minnesota Composer's Forum Newsletter, February 1987, unpaged.
McClary, Susan. ‘Terminal Prestige: The Case of Avant-Garde Music Composition’. Special issue, ‘Discursive Strategies and the Economy of Prestige’, Cultural Critique 12 (1989): 57–81. doi:10.2307/1354322.
McClary, Susan. ‘Women and Music on the Verge of the New Millennium’. Signs 25, no. 4 (2000): 1283–6. doi:10.1086/495561.
Mitchell, J. Allan. Ethics and Eventfulness in Middle English Literature. New York: Pal-grave Macmillan, 2009.
Muscatine, Charles. Chaucer and the French Tradition; a Study in Style and Meaning. Berkeley: University of California Press, 1957.
Newman, Ernest. Review of Troilus and Cressida. Sunday Times (12 December 1954). Review of Troilus and Cressida. Sunday Times (5 December 1954).
Newmarch, Rosa. Jean Sibelius: A Short Story of a Long Friendship. Boston: C. C. Birch-ard, 1939.
Northcott, Bayan.In Search of Walton’. Musical Times 123, no. 1669 (1982): 179–84. doi:10.2307/961854.
Pijl, Kees van der. ‘Arab Revolts and Nation-State Crisis’. New Left Review, n.s., 70 (2011): 27–49.
Plato, . Symposium. Translated by Robin, Waterfield. Oxford World's Classics. Oxford and New York: Oxford University Press, 1998.
Polt, Richard. ‘Ereignis’. In A Companion to Heidegger, edited by Hubert L., Dreyfus and Mark A., Wrathall, 375–91. Blackwell Companions to Philosophy. Oxford: Blackwell, 2005.
Power, Nina, and Alberto, Toscano. ‘The Philosophy of Restoration: Alain Badiou and the Enemies of May’. Boundary 2 36, no. 1 (2009): 27–46. doi:10.1215/01903659-2008-022.
Price, Scott. ‘“A Lost Child”: A Study of the Genesis of Troilus and Cressida’. In William Walton: Music and Literature, edited by Stewart R., Craggs, 182–208. Aldershot: Ashgate, 1999.
Rattigan, Terence. Collected Plays. Vol. I. London: Hamish Hamilton, 1953.
Riley, Matthew, ed. British Music and Modernism, 1895–1960. Farnham, Surrey and Burlington, VT: Ashgate, 2010.
Ross, Alex. The Rest is Noise: Listening to the Twentieth Century. New York: Farrar, Straus and Giroux, 2007.
Rupprecht, Philip. Britten's Musical Language. Music Since 1900. Cambridge University Press, 2001.
Said, Edward W.On Late Style: Music and Literature Against the Grain. New York: Pantheon Books, 2006.
Saler, Michael. ‘Making it New: Visual Modernism and the “Myth of the North” in Interwar England’. Journal of British Studies 37, no. 4 (1998): 419–40. doi:10.1086/386174.
Samson, Jim. Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. 1977. Reprint, London: Dent, 1994.
Samson, Jim. ed. The Cambridge History of Nineteenth-Century Music. The Cambridge History of Music. Cambridge University Press, 2001.
Schmeltzl, Wolfgang. Guter, seltzsamer und kunstreicher teutscher Gesang, sonderlich etliche künstliche Quodlibet. Nuremberg, 1544.
Schoenberg, Arnold. Style and Idea: Selected Writings of Arnold Schoenberg. Edited by Leonard, Stein. London: Faber and Faber, 1975.
Schoenberg, Arnold. Theory of Harmony. Translated by Roy E., Carter. London: Faber and Faber, 1978.
Originally published as Harmonielehre (Leipzig and Vienna: Verlagseigentum der Universal-Edition, 1911).
Sheehan, Thomas. ‘Facticity and Ereignis’. In Interpreting Heidegger: Critical Essays, edited by Daniel O., Dahlstrohm, 42–78. Cambridge and New York: Cambridge University Press, 2011.
Shreffler, Anne C.Berlin Walls: Dahlhaus, Knepler, and Ideologies of Music History’. Journal of Musicology 20, no. 4 (2003): 498–525. doi:10.1525/jm.2003.20.4.498.
Silverberg, Laura. ‘Between Dissonance and Dissidence: Socialist Modernism in the German Democratic Republic’. Special issue, ‘Music in the Cold War’, Journal of Musicology 26, no. 1 (2009): 44–84. doi:10.1525/jm.2009.26.1.44.
Sinnerbrink, Robert. ‘The Hegelian “Night of the World”: Žižek on Subjectivity, Negativity, and Universality’. International Journal of Žižek Studies 2, no. 2 (2008): 1–21.
‘Sir William Walton: His First Symphony’. British Library Sound Archive Recording (Original archive reference: MY2 LP34332. Lending copy reference: CDA34332), 1965.
Stobart, Henry. ‘Flourishing Horns and Enchanted Tubers: Music and Potatoes in Highland Bolivia’. British Journal of Ethnomusicology 3 (1994): 35–48. doi:10. 1080/09681229408567224.
Stokes, Martin. ‘Islam, the Turkish State and Arabesk’. Popular Music 11, no. 2 (1992): 213–27. doi:10.1017/S026114300000502X.
Stokes, Martin. The Arabesk Debate: Music and Musicians in Modern Turkey. Oxford Studies in Social and Cultural Anthropology. Oxford and New York: Clarendon Press, 1992.
Szidon, Pascal. ‘Discours D'Aristophane. Platon: Le Banquet 189d–191d’. bit.ly/CIsIl.
Taruskin, Richard. ‘Afterword: Nicht Blutbefleckt?Journal of Musicology 26, no. 2 (2009): 274–84. doi:10.1525/jm.2009.26.2.274.
Taruskin, Richard. ‘Catching Up With Rimsky-Korsakov’. Music Theory Spectrum 33, no. 2 (2011): 169–85. doi:10.1525/mts.2011.33.2.169.
Taruskin, Richard. Defining Russia Musically: Historical and Hermeneutical Essays. 1997. Reprint, Princeton University Press, 2000.
Taruskin, Richard. ‘Does Nature Call the Tune?’ In The Danger of Music, 46–50.
Taruskin, Richard. ‘Is There a Baby in the Bathwater? (Part II)’. Archiv Für Musikwissenschaft 63, no. 4 (2006): 309–27.
Taruskin, Richard. Music From the Earliest Notations to the Sixteenth Century. Vol. I of The Oxford History of Western Music. 2005. Reprint, Oxford and New York: Oxford University Press, 2010.
Taruskin, Richard. Music in the Early Twentieth Century. Vol. IV of The Oxford History of Western Music. 2005. Reprint, Oxford and New York: Oxford University Press, 2010.
Taruskin, Richard. Music in the Late Twentieth Century. Vol. V of The Oxford History of Western Music. 2005. Reprint, Oxford and New York: Oxford University Press, 2010.
Taruskin, Richard. Music in the Nineteenth Century. Vol. III of The Oxford History of Western Music. 2005. Reprint, Oxford and New York: Oxford University Press, 2010.
Non-Nationalists and Other Nationalists’. 19th-Century Music 35, no. 2 (2011): 132–43. doi:10.1525/ncm.2011.35.2.132.
Taruskin, Richard. On Russian Music. Berkeley: University of California Press, 2009.
Taruskin, Richard. ‘Oxford History of Western Music’. www.oxfordwesternmusic.com.
Taruskin, Richard. ‘Pathetic Symphonist: Chaikovsky, Russia, Sexuality, and the Study of Music’. In On Russian Music, 75–104.
Taruskin, Richard. ‘Speed Bumps’. 19th-Century Music 29, no. 2 (2005): 185–207. doi:10.1525/ncm. 2005.29.2.185.
Taruskin, Richard. Stravinsky and the Russian Traditions: A Biography of the Works Through ‘Mavra’. Berkeley: University of California Press, 1996.
Taruskin, Richard. The Danger of Music and Other Anti-Utopian Essays. Berkeley: University of California Press, 2009.
Taruskin, Richard. ‘The Danger of Music and the Case for Control’. In The Danger of Music, 168–80.
Taruskin, Richard. ‘The Musical Mystique. Defending Classical Music Against its Devotees’. In The Danger of Music, 330–53.
Taruskin, Richard. The Oxford History of Western Music. 2005. 5 vols. Reprint, New York: Oxford University Press, 2010.
Taruskin, Richard. ‘The Poietic Fallacy’. Musical Times 145, no. 1886 (2004): 7–34. doi:10.2307/4149092.
Törne, Bengt de. Sibelius: A Close-up. London: Faber and Faber, 1937.
Tovey, Donald Francis. Essays in Musical Analysis. Vol. II: Symphonies (II), Variations and Orchestral Polyphony. London: Oxford University Press, 1935.
Tovey, Donald Francis. Essays in Musical Analysis. Vol. III: Concertos. London: Oxford University Press, 1936.
Tovey, Donald Francis. Essays in Musical Analysis. Vol. IV: Miscellaneous Notes, Glossary, and Index. London: Oxford University Press, 1939.
Tymoczko, Dmitri. A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. New York: Oxford University Press, 2011.
Wagner, Richard. Opera and Drama. Translated by William Ashton, Ellis. 1851. Lincoln, NE and London: University of Nebraska Press, 1995.
Originally published as Gesammelte Schriften und Dichtungen, vol. II–III (Leipzig: E. W. Fritzsch, 1872).
Walton, William. The Selected Letters of William Walton. Edited by Malcolm, Hayes. London: Faber and Faber, 2002.
Warrack, John. ‘Walton's “Troilus and Cressida”’. Musical Times 95, no. 1342 (1954): 646–9. doi:10.2307/934112.
Wetherbee, Winthrop. Chaucer and the Poets: An Essay on Troilus and Criseyde. Ithaca, NY: Cornell University Press, 1984.
Wiebe, Heather. Review of Daniel M., Grimley and Julian, Rushton, eds., The Cambridge Companion to Elgar; Byron Adams, ed., Edward Elgar and His World; Matthew Riley, Edward Elgar and the Nostalgic Imagination; and J. P. E. Harper-Scott, Edward Elgar, Modernist. Journal of the American Musicological Association 62, no. 1 (2009): 231–43.
Wilkinson, Richard G., and Kate, Pickett. The Spirit Level: Why Greater Equality Makes Societies Stronger. New York: Bloomsbury Press, 2010.
Williams, Peter F.Bach, the Goldberg Variations. Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press, 2001.
Wittgenstein, Ludwig. Tractatus Logico-Philosophicus. Translated by C. K., Ogden. International Library of Psychology, Philosophy, and Scientific Method. London and New York: Kegan Paul, Trench, Trubner and Co. / Harcourt, Brace, and Co., 1922.
Wolin, Richard, ed. The Heidegger Controversy: A Critical Reader. 1991. Cambridge, MA: MIT Press, 1993.
Yearsley, David Gaynor. Bach and the Meanings of Counterpoint. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press, 2002.
Young, Julian. Heidegger, Philosophy, Nazism. Cambridge University Press, 1997.
Young, Julian. Heidegger's Later Philosophy. Cambridge University Press, 2002.
Young, Julian. Heidegger's Philosophy of Art. Cambridge University Press, 2001.
Zeeman, Nicolette. ‘The Gender of Song in Chaucer’. Studies in the Age of Chaucer 29 (2007): 141–82.
Žižek, Slavoj. Did Somebody Say Totalitarianism?London and New York: Verso, 2001.
Žižek, Slavoj. Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out. New York: Routledge, 1992.
Žižek, Slavoj. First as Tragedy, Then as Farce. London: Verso, 2009.
Žižek, Slavoj. In Defense of Lost Causes. New York and London: Verso, 2008.
Žižek, Slavoj. Living in the End Times. London and New York: Verso, 2010.
Žižek, Slavoj. ‘On Alain Badiou and Logiques Des Mondes’. 2007. http://www.lacan.com/zizbadman.htm.
Žižek, Slavoj. The Fragile Absolute, Or, Why is the Christian Legacy Worth Fighting For? 2000. Reprint, London and New York: Verso, 2008.
Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London and New York: Verso, 1996.
Žižek, Slavoj. The Metastases of Enjoyment: Six Essays on Woman and Causality. London and New York: Verso, 1994.
Žižek, Slavoj. The Parallax View. Cambridge, MA: MIT Press, 2006.
Žižek, Slavoj. The Plague of Fantasies. 1997. Reprint, London and New York: Verso, 2008.
Žižek, Slavoj. The Puppet and the Dwarf: The Perverse Core of Christianity. Cambridge, MA: MIT Press, 2003.
Žižek, Slavoj. The Sublime Object of Ideology. 1989. Reprint, London and New York: Verso, 2008.
Žižek, Slavoj. The Ticklish Subject: The Absent Centre of Political Ontology. 1999. Reprint, London and New York: Verso, 2008.
Žižek, Slavoj. ‘“There is No Sexual Relationship”: Wagner as Lacanian’. Special issue, ‘Richard Wagner’, New German Critique 69 (1996): 7–35. doi:10.2307/488606.
Žižek, Slavoj. Violence: Six Sideways Reflections. New York: Picador, 2008.
Žižek, Slavoj. ‘Why is Wagner Worth Saving?’ In In Search of Wagner, by Theodor, Adorno, viii–xxvii. London and New York: Verso, 2004.
Žižek, Slavoj, and Glyn, Daly. Conversations with Žižek. Cambridge: Polity, 2004.
Zupančič, Alenka. ‘The Fifth Condition’. In Think Again: Alain Badiou and the Future of Philosophy, edited by Peter, Hallward, 191–201. London and New York: Continuum, 2004.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.