Books, Articles, and Other Materials
Alisky, Marvin. “Early Mexican Broadcasting.” The Hispanic American Historical Review, Vol. 34 No. 4, November 1954, 513–526.
Altieri, Virginia. “Entre lineas: La radio en la dictadura, 1973–1985.” Ph.D. diss. Universidad Católica del Uruguay Dámaso Antonio Larrañaga, Facultad de Ciencias Sociales y Comunicaciones, December 1998.
Andrews, Maggie. Domesticating the Airwaves: Broadcasting, Domesticity and Femininity. London: Continuum, 2012.
Arlt, Roberto. Notas sobre el cintematógrafo. Buenos Aires: Simurg, 1997.
Armus, Diego. The Ailing City: Health, Tuberculosis and Culture in Buenos Aires, 1870–1950. Durham, NC: Duke University Press, 2011.
Atkinson, Max. Our Masters’ Voices: The Language and Body Language of Politics. London: Methuen, 1984.
Badenoch, Alexander. “Time Consuming: Women's Radio and the Reconstruction of National Narratives in Western Germany, 1945–1948.” German History, Vol. 25 No. 1 2007: 46–71.
Balerio Sicco, Lorenzo. Notas para la historia de la Asociación Interamericana de Radiodifusión. Montevideo: Andebu, 1970.
Barbero, Raúl. De la galena al satélite: Crónica de 70 años de radio en el Uruguay, 1922–1992. Montevideo: Ediciones de la Pluma, 1995.
Barbero, Raúl. Por siempre CARVE. Montevideo: Impresora Central, 1999.
Barthes, Roland. “The Grain of the Voice.” In Image, Music, Text, trans. Heath, Steven. New York: Hill & Wang, 1977.
Batten, Jean. My Life. New Zealand: George G. Harslip and Co. Ltd, 1938.
Berho, Debora.“Argentina is Diety and Juan Domingo Perón its High Priest: The Politics is Religion Metaphor in Perón's Political Discourse, 1946–1952.” Journal of Christianity and Foreign Languages 6 (2005), 48–64.
Besse, Susan. Restructuring Patriarchy: The Modernization of Gender Inequality in Brazil, 1914–1940. Chapel Hill: University of North Carolina Press, 1996.
Biemans, Monique. Gender Variation in Voice Quality. Utrecht, The Netherlands: LOT, 2000.
Blumenthal, Michael D. “State Department Reaction to Nazi Infiltration in Argentina and Uruguay in the Early Years of World War II.” M.A. thesis, University of Wisconsin, 1961.
Borroni, Otelo and Vacca, Roberto. La vida de Eva Perón: Tomo I: Testimonios para su historia. Buenos Aires: Editorial Galerna, 1970.
Bronfman, Alejandra. “Batista is Dead: Media, Violence and Politics in 1950s Cuba.” Caribbean Studies, Vol. 40 No. 1 (January–June 2012): 37–58.
Bronfman, Alejandra and Wood, Andrew Grant, eds. Media, Sound and Culture in Latin America and the Caribbean. Pittsburgh, PA: University of Pittsburgh Press, 2012.
Caetano, Gerardo and Rilla, José, Historia contemporánea del Uruguay: de la colonia al Mercosur. Montevideo: Fin de Siglo, 1998.
Cameron, Deborah. Verbal Hygiene. London and New York: Routledge, 1995.
Campodónico, Miguel Ángel. Cristina Morán: Entre la soledad y los aplausos. Montevideo: Aguilar, 2014.
Cárcamo-Huechante, Luís E. “Indigenous Interference: Mapuche Use of Radio in Times of Acoustic Colonialism.” Latin American Research Review Vol. 48 Special Issue (2013): 50–68.
Carter, Erica. “Deviant Pleasures? Women, Melodrama, and Consumer Nationalism in West Germany.” In de Grazia, Victoria, ed. The Sex of Things: Gender and Consumption in Historical Perspective. Berkeley: University of California Press, 1996: 359–380.
Cascallar, Nené. A lo largo del camino, Buenos Aires: Bell, 1951.
Cascallar, Nené. Estas cosas…de mamá: Palabras para otras mujeres y otras mamás. Buenos Aires: Peluffo, 1945.
Castillo, Rubén, Silencio, estamos en el aire. Montevideo: C. Acali Editorial, 1979.
Caulfield, Sueann. “The History of Gender in the Historiography of Latin America.” Hispanic American Historical Review Vol. 81 No. 3–4 August–November 2001, 449–490.
Cavarero, Adriana. For More than One Voice: Toward a Philosophy of Vocal Expression. Kottman, Paul A trans. Stanford, CA: Stanford University Press, 2005.
Chion, Michel. The Voice in Cinema. Translated by Gorbman, Claudia. New York: Columbia University Press, 1999.
Claxton, Robert. From Parsifal to Perón: Early Radio in Argentina. Gainesville: University Press of Florida, 2007.
Contreras, Marily. Niní Marshall: el humor como refugio. Buenos Aires: Libros del Zorzal, 2003.
Corbin, Alain. Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside. New York: Columbia University Press, 1998.
Cosse, Isabella. “Mafalda: Middle Class, Everyday Life and Politics in Argentina, 1964–1973.” Hispanic American Historical Review, Vol. 94 No. 1 (February 2014): 35–73.
Cosse, Isabella.. “Relaciones de pareja a mediados de siglo en las representaciones de la radio porteña: entre sueños románticos y visos de realidad.” Estudios Sociológicos Vol. XXIV No. 73 (January–April, 2007): 131–153.
Cramer, Gisela and Prutsch, Ursula, eds. ¡Américas Unidas! Nelson A. Rockefeller's Office of Inter-American Affairs, 1940–46. Frankfurt/Madrid: Vervuert, 2012.
Cramer, Gisela and Prutsch, Ursula. “Nelson A. Rockefeller's Office of Inter-American Affairs (1940–1946) and Record Group 229.” Hispanic American Historical Review 86:4 (2006): 785–806.
Degoy, Susana. Niní Marshall: La máscara prodigiosa. Buenos Aires: Manrique Zago, 1997.
Deutsch, Sandra McGee. Crossing Borders, Claiming a Nation: A History of Argentine Jewish Women, 1880–1955. Durham, NC: Duke University Press, 2010.
Dolar, Mladen. A Voice and Nothing More. Boston, MA: The MIT Press, 2006.
Doane, Mary Ann. “The Voice in the Cinema: The Articulation of Body and Space.” In Film Sound: Theory and Practice, Belton, John and Weis, Elisabeth eds., New York: Columbia University Press, 1985: 162–176.
Douglas, Susan. Listening In: Radio and the American Imagination. Minneapolis: University of Minnesota Press, 2004.
Douglas, Susan. Where the Girls Are: Growing up Female with the Mass Media. Three Rivers Press, 1995.
Dujovne Ortíz, Alicia. Eva Perón: A Biography. New York: St Martin's, 1996.
Dunn, Leslie C. and Jones, Nancy A., eds. Embodied Voices: Representing Female Vocality in Western Culture. Cambridge: Cambridge University Press, 1994.
Dyson, Frances.“The Genealogy of the Radio Voice.” In Augaitis, Daina and Lander, Dan, eds. Radio Rethink: Art, Sound, Transmission. Banff, Canada: Walter Phillips Gallery, 1994: 167–186.
Elena, Eduardo. Dignifying Argentina: Peronism, Citizenship and Mass Consumption. Pittsburgh, PA: University of Pittsburgh Press, 2011.
Elena, Eduardo. “What the People Want: State Planning and Political Participation in Peronist Argentina, 1946–1955.” Journal of Latin American Studies, 37 (February 2005): 81–108.
Ellul, Jacques. Propaganda: The Formation of Men's Attitudes. New York: Vintage, 1973.
Etchelet, Raúl. Niní Marshall: La biografía. Buenos Aires: La Crujía, 2004.
Falicov, Tamara. “Hollywood's Rogue Neighbor: The Argentine Film Industry during the Good Neighbor Policy.” The Americas, Vol. 63 No. 2 (October 2006): 245–260.
Fernández Artucio, Hugo. Nazis en el Uruguay. Montevideo: Talleres gráficos sur, 1940.
Finchelstein, Federico. Transatlantic Fascism: Ideology, Violence and the Sacred in Argentina and Italy, 1919–1945. Durham, NC: Duke University Press, 2010.
Fleeger, Jennifer. Mismatched Women: The Siren's Song Through the Machine. New York and London: Oxford University Press, 2014.
Flores, María [Mary Foster Main]. The Woman With the Whip: Eva Perón. New York: Doubleday & Co., 1952.
Fones-Wolf, Elizabeth. Waves of Opposition: Labor and the Struggle for Democratic Radio. Urbana and Chicago: University of Illinois Press, 2006.
Fowler, Gene Jr. and Crawford, Bill. Border Radio: Quacks, Yodelers, Pitchmen, Psychics and other Amazing Broadcasters of the American Airwaves. Austin: University of Texas Press, 2002.
Franks, Suzanne. “Attitudes to Women in the BBC in the 1970s – Not So Much a Glass Ceiling as One of Reinforced Concrete.” Westminster Papers in Communication and Culture, Vol. 8 Issue 3 (December 2011), 123–142.
Fraser, Nancy. “Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy.” Social Text 25/26, 1990, 56–80.
Fraser, Nicholas and Navarro, Marysa, Evita: The Real Life of Eva Perón. New York: W.W. Norton, 1996.
Gallioti, Alicia. La risa en la radio. Buenos Aires: Ediciones de la Flor, 1975.
Gallo, Roberto. La radio: Ese mundo tan sonoro: Tomo I: Los años olvidados. Buenos Aires: Corregidor, 1991.
Gallo, Roberto. La radio: Ese mundo tan sonoro: Tomo II: Los años 30. Buenos Aires: Corregidor, 2001.
Gilligan, Carol. In a Different Voice: Psychological Theory and Women's Development. Cambridge, MA: Harvard University Press, 1982.
Ehrick, Christine. The Shield of the Weak: Feminism and the State in Uruguay, 1903–1933. Albuquerque, NM: University of New Mexico Press, 2005.
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambridge, MA: The MIT Press, 2006.
Glenn, Cheryl. Rhetoric Retold: Regendering the Tradition from Antiquity Through the Renaissance. Carbondale: Southern Illinois University Press, 1997.
Goldsmith, Mike. Discord: The Story of Noise. Oxford: Oxford University Press, 2012.
Goodale, Greg. Sonic Persuasion: Reading Sound in the Recorded Age. Urbana: University of Illinois Press, 2011.
Goodman, David. Radio's Civic Ambition: American Broadcasting and Democracy in the 1930s. New York: Oxford University Press, 2011.
Graddol, David and Swann, Joan. Gender Voices. Oxford: Basil Blackwell, 1989.
Guerrico, Silvia. Cocktail (Para el atardecer de un sábado inglés). Buenos Aires: Editorial Tor, 1932.
Guerrico, Silvia. Los príncipes azules. Montevideo: Alberto Rossi, 1927.
Guerrico, Silvia. Un hombre y yo. Buenos Aires: Editorial Tor, 1934.
Guerrico, Silvia. Veinte poemas para una madrugada. Buenos Aires: Editorial Tor, 1933.
Gurgitano Gil, Inés. “Lo que no se escuchó: la radio entre 1968–1973.” Memoria de grado, Licenciatura en Comunicación Social, Universidad Católica del Uruguay, 2012.
Halper, Donna L. Invisible Stars: A Social History of Women and American Broadcasting. New York: M.E. Sharpe, 2001.
Hancock, Adrienne B., et al. “Voice Perceptions and Quality of Life for Transgender People.” Journal of Voice Vol. 25 No. 5 (September 2011): 553–558.
Hansen, Miriam. “Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship.” Cinema Journal (Summer 1986): 6–32.
Hartley, John. “Radiocracy: Sound and Citizenship.” International Journal of Cultural Studies Vol. 3 No. 2 (August 2000): 153–159.
Hayes, Joy. Radio Nation: Communication, Popular Culture and Nationalism in Mexico, 1920–1950. Tucson: University of Arizona Press, 2000.
Healey, Mark A. The Ruins of the New Argentina: Peronism and the Remaking of San Juan after the 1944 Earthquake. Durham, NC: Duke University Press, 2011.
Heitz, Françoise. “De Ella a Él: caras y máscaras en la “Novela” de Mercedes Pinto (1926) y en la película de Luís Buñuel (1952).” ARBOR Ciencia, Pensamiento y Cultura Vol. 187 No. 748 (March–April 2011): 371–381.
Hendy, David. Noise: A Human History of Sound and Listening. New York: Harper Collins, 2013.
Hershfield, Joanne. Imagining la Chica Moderna: Women, Nation and Visual Culture in Mexico, 1917–1936. Durham, NC: Duke University Press, 2008.
Hilmes, Michele. Network Nations: A Transnational History of British and American Broadcasting. New York: Routledge, 2012.
Hilmes, Michele. Radio Voices: American Broadcasting, 1922–1952. Minneapolis: University of Minnesota Press, 1997.
Hilmes, Michele and Loviglio, Jason, eds. Radio Reader: Essays in the Cultural History of Radio. New York: Routledge, 2002.
Horowitz, Seth. The Universal Sense: How Hearing Shapes the Mind. New York: Bloomsbury, 2012.
Horten, Gerd. Radio Goes to War: The Cultural Politics of Propaganda during World War II. Berkeley: University of California Press, 2002.
James, Daniel. Doña María's Story: Life, History, Memory and Political Identity. Durham, NC: Duke University Press, 2001.
Jamieson, Kathleen Hall. Beyond the Double Bind: Women and Leadership. New York: Oxford University Press, 1995.
Jamieson, Kathleen Hall. Eloquence in an Electronic Age: The Transformation of Political Speechmaking. New York: Oxford University Press, 1988.
Järviluoma, Helmi, Moisala, Pirkko, and Vilkko, Anni. Gender and Qualitative Methods. London: Sage, 2003.
Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1994.
Jenkins, Henry. What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. New York: Columbia University Press, 1992.
Jowett, Garth S. and O'Donnell, Victoria. Propaganda and Persuasion, 5th ed. Los Angeles: Sage, 2012.
Juszko, Paulina. El humor de las argentinas. Buenos Aires: Biblos, 2000.
Kahane, Clare. Passions of the Voice: Hysteria, Narrative and the Figure of the Speaking Woman, 1850–1915. Baltimore, MD: Johns Hopkins University Press, 1995.
Karpf, Anne. The Human Voice: How This Extraordinary Instrument Reveals Essential Clues about Who We Are. New York: Bloomsbury, 2006.
Karush, Matthew B. The Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946. Durham, NC: Duke University Press, 2012.
Karush, Matthew B. and Chamosa, Oscar, eds. The New Cultural History of Peronism: Power and Identity in Mid-Twentieth Century Argentina. Durham, NC: Duke University Press, 2010.
Keeling, Kara and Kun, Josh. “Introduction: Listening to American Studies,” American Quarterly Vol. 63 No. 3 (September 2011): 445–459.
Koziski, Stephanie. “The Standup Comedian as Anthropologist: Intentional Culture Critic.” The Journal of Popular Culture, Vol. 18, Issue 2 (Fall 1984): 57–76.
Kramarae, Cheris. “Censorship of Women's Voices on Radio.” In Todd, Alexandra Dundas and Fisher, Sue, eds. Gender and Discourse: The Power of Talk. Norwood, NJ: Ablex Publishing Corporation, 1988: 243–254.
Lacey, Kate. Feminine Frequencies: Gender, German Radio, and the Public Sphere, 1923–1945. Ann Arbor: University of Michigan Press, 1996.
Lacey, Kate. Listening Publics: The Politics and Experience of Listening in the Media Age. Cambridge, UK: Polity, 2013.
Lane, Jill. Blackface Cuba, 1840–1895. Philadelphia: University of Pennsylvania Press, 2005.
LaSalle, Mick. Complicated Women: Sex and Power in Pre-Code Hollywood. New York: St. Martin's, 2000.
Lavrin, Asunción. Women, Feminism and Social Change in Argentina, Chile, and Uruguay, 1890–1940. Lincoln: University of Nebraska Press, 1995.
Lenthall, Bruce. Radio's America: The Great Depression and the Rise of Modern Mass Culture. Chicago, IL: University of Chicago Press, 2007.
Lerner, Gerda. The Majority Finds its Past: Placing Women in History. Chapel Hill: University of North Carolina Press, 2005.
Levon, Erez. 2007. “Sexuality in Context: Variation and the Sociolinguistic Perception of Identity.” Language in Society, Vol. 36 Issue 4 (October 2007): 533–554.
Lotz, Lizabeth M. “Leading the Life of a Modern Girl: Representations of Womanhood in Cuban Popular Culture, 1919–1929.” Ph.D. diss University of North Carolina at Chapel Hill, 2008.
Loviglio, Jason. Radio's Intimate Public: Network Broadcasting and Mass-Mediated Democracy. Minneapolis: University of Minnesota Press, 2005.
Loviglio, Jason. “Sound Effects: Gender, Voice and the Cultural Work of NPR.” The Radio Journal: International Studies in Broadcast and Audio Media, Vol. 5, Nos. 2–3, (July 2008): 67–81.
Loviglio, Jason and Hilmes, Michele, eds. Radio's New Wave: Global Sound in the Digital Era. New York: Routledge, 2013.
Lowe, Vicky. “The Best Speaking Voices in the World: Robert Donat, Stardom and the Voice in British Cinema.” Journal of British Cinema and Television, November 2004, Volume 1, No. 2: 181–196.
Lowe, Vicky. Las travesuras de Niní: Los mejores libretos de Catita, Cándida, Niña Jovita, y otras criaturas. Buenos Aires, Editorial Planeta, 1994.
Lowe, Vicky.. Niní, Catita y Cándida. Buenos Aires: Biblos-Argentores, 2013.
Marshall, Niní and d'Anna, Salvador. Mis memorias. Buenos Aires: Moreno, 1985.
Martínez, Rogelio, ed. Crónica del exilio de Mercedes Pinto en Uruguay. Tomo I: Un reportaje – artículos de prensa (1924–1925). Montevideo: Ediciones Bergamín, 2007.
Mastrini, Guillermo, ed. Mucho ruido, pocas leyes: Economía y políticas de comunicación en la Argentina (1920–2007). Buenos Aires: La Crujía Ediciones, 2009, 2nd ed.
Matallana, Andrea. “Locos por la radio”: Una historia social de la radiofonía en la Argentina, 1923–1947. Buenos Aires: Prometeo Libros, 2006.
Mayne Kienzle, Beverly and Walker, Pamela J., eds. Women Preachers and Prophets through Two Millennia of Christianity. Berkeley: University of California Press, 1998.
McCann, Bryan. Hello, Hello Brazil: Popular Music in the Making of Modern Brazil. Durham, NC: Duke University Press, 2004.
Mercado, Silvia D. El inventor del peronismo: Raúl Apold, el cerebro oculto que cambió la política argentina. Buenos Aires: Planeta, 2013.
Meyer, Doris, ed. Reinterpreting the Spanish American Essay: Women Writers of the 19th and 20th Centuries. Austin: University of Texas Press, 1995.
Milanesio, Natalia. Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture. Albuquerque: University of New Mexico Press, 2013.
Miller, Edward D. Emergency Broadcasting and 1930s American Radio. Philadelphia, PA: Temple University Press, 1999.
Miller, Francesca. Latin American Women and the Search for Social Justice. Hanover, NH: University of New England Press, 1990.
Mitchell, Caroline, ed. Women and Radio: Airing Differences. London: Routledge, 2000.
Montepare, Joann M., Kempler, Daniel, and McLaughlin-Volpe, Tracy. “The Voice of Wisdom: New Insights on Social Impressions of Aging Voices.” Journal of Language and Social Psychology, Vol. 33 No. 3 (June 2014): 241–259.
Moya, José C. Cousins and Strangers: Spanish Immigrants in Buenos Aires, 1850–1930. Berkeley: University of California Press, 1998.
Müller, Christian. Speaker Classification I: Fundamentals, Features and Methods. Berlin: Springer, 2007.
Mundy, John and White, Glyn. Laughing Matters: Understanding Film, Television and Radio Comedy. Manchester: Manchester University Press, 2012.
Murphy, Katherine. “On An Equal Footing with Men: Women and Work at the BBC, 1923–1939.” Ph.D. diss., University of London, 2011.
Narváez, Patricia. ¡Niní está viva!. Buenos Aires: Sudamericana, 2003.
Neulander, Joelle. Programming National Identity: Radio in 1930s France. Baton Rouge: Louisiana State University Press, 2010.
Newman, Kathy. Radio Active: Advertising and Consumer Activism, 1935–47. Berkeley: University of California Press, 2004.
Newton, Gerald. “Radio Luxembourg in Peace and War.” German Life and Letters Vol. 66 No. 1 (January 2013): 55–76.
Nigro, Horacio A., ed. Homenaje al radioteatro y teleteatro en el Uruguay. Montevideo: Primer Museo Viviente de la Radio y las Comunicaciones del Uruguay “Gral José Artigas,” 2010. Online at http://www.radiomuseo.org.
Nouzeilles, Gabriela and Montaldo, Graciela, eds. The Argentina Reader: History, Culture, Politics. Durham NC: Duke University Press, 2002.
Olcott, Jocelyn. Revolutionary Women in Post-Revolutionary Mexico. Durham, NC: Duke University Press, 2005.
Ong, Walter J. Interfaces of the Word: Studies in the Evolution of Consciousness and Culture. Ithaca, NY: Cornell University Press, 1977.
Ong, Walter J. Orality and Literacy: The Technologizing the Word. London and New York: Routledge, 2002.
Pellettieri, Osvaldo. De Toto a Sandrini: Del cómico italiano al “actor nacional” argentino. Buenos Aires: GETEA, 2001.
Perón, Eva. Discursos completos. 2 tomos. Buenos Aires: Editorial Megafón, 1985–1986.
Petro, Patrice, ed, Idols of Modernity: Movie Stars of the 1920s. New Brunswick, NJ: Rutgers University Press, 2010.
Pite, Rebekah E. Creating a Common Table: Doña Petrona, Women and Food in Twentieth-Century Argentina. Chapel Hill: University of North Carolina Press, 2013.
Plotkin, Mariano Ben. Mañana es San Perón: A Cultural History of Perón's Argentina. trans. Zahniser, Keith. Wilmington, DE: Scholarly Resources, 1992.
Posadas, Abel. Niní Marshall: Desde un ayer lejano. Buenos Aires: Ediciones Colihue, 1993.
Rico, Puerto, de Ensenanza, Consejo Superior. Caminos del aire. Baltimore, MD: Waverly Press, 1951.
Pujol, Sergio. Valentino en Buenos Aires: Los años veinte y el espectáculo. Buenos Aires: Emecé Editores, 1994.
Puwar, Nirmal. Space Invaders: Race, Gender and Bodies out of Place. London: Bloomsbury Academic, 2004.
Razlogova, Elena. The Listener's Voice: Early Radio and the American Public. Philadelphia: University of Pennsylvania Press, 2011.
Rea, Lauren. Argentine Serialised Radio Drama in the Infamous Decade, 1930–1943: Transmitting Nationhood. Surrey UK: Ashgate, 2013.
Rivero, Yeidy M. Tuning out Blackness: Race and Nation in the History of Puerto Rican Television. Durham, NC: Duke University Press, 2005.
Rovira, Alejandro and González, Luís Segui. Contralor de actividades subversivas en el Uruguay. Montevideo: Impresora Moderna, 1943.
Rowe, Kathleen. Gender and the Genres of Laughter. Austin: University of Texas Press, 1995.
Santos, Laura, et al., eds. Niní Marshall: artesana de la risa. Buenos Aires: Ediciones Letra Buena, 2003.
Sarlo, Beatriz. Una modernidad periférica: Buenos Aires 1920 y 1930. Buenos Aires, Ediciones Nueva Visión, 1988.
Sarlo, Beatriz. The Technical Imagination: Argentine Culture's Modern Dreams. Trans. Xavier Callahan. Stanford, CA: Stanford University Press, 2008.
Savage, Barbara Dianne. Broadcasting Freedom: Radio, War, and the Politics of Race, 1938–1948. Chapel Hill: University of North Carolina Press, 1999.
Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, VT: Destiny Books, 1977, 1994.
Sebreli, Juan José. Comediantes y mártires: Ensayo contra los mitos. Barcelona: Random House Mondadori, 2008.
Siegel, Micol. “Cocoliche's Romp: Fun with Nationalism at Argentina's Carnival.” The Drama Review, Vol. 44 no. 2 (Summer 2000): 56–83.
Silverman, Kaja. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press, 1988.
Sipley, Kenneth, The Adolescent Female Voice: A Review of Literature. Education Resources Information Center (ERIC). www.eric.ed.gov, 1995.
Sirvén, Pablo. Perón y los medios de comunicación (1943–1955). Buenos Aires: Centro Editor de América Latina, 1984.
Sjogren, Britta. Into the Vortex: Female Voice and Paradox in Film. Urbana: University of Illinois Press, 2006.
Smith, Jacob. Vocal Tracks: Performance and Sound Media. Berkeley: University of California Press, 2008.
Smith, Mark M. Listening to Nineteenth-Century America. Chapel Hill: University of North Carolina Press, 2001.
Smith, Stephanie. Gender and the Mexican Revolution: Yucatán Women and the Realities of Patriarchy. Chapel Hill: University of North Carolina Press, 2009.
Sommer, Doris. Foundational Fictions: The National Romances of Latin America. Berkeley: University of California Press, 1993.
Steiner, Patricia Owen. Victoria Ocampo: Writer, Feminist, Woman of the World. Albuquerque: University of New Mexico Press, 1999.
Stepan, Alfred C. The State and Society: Peru in Comparative Perspective. Princeton, NJ: Princeton University Press, 1978.
Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press, 2003.
Sterne, Jonathan, ed. The Sound Studies Reader. New York: Routledge, 2012.
Stoever-Ackerman, Jennifer. “Splicing the Color Line: Tony Schwartz Remixes Postwar Nueva York.” Social Text Vol. 28 no. 1 (Spring 2010): 59–85.
Stras, Laurie. “Sing a Song of Difference: Connie Boswell and a Discourse of Disability in Jazz.” Popular Music, Vol. 28 no. 3 (October 2009): 297–322.
Suisman, David. Selling Sounds: The Commercial Revolution in American Music. Cambridge, MA: Harvard University Press, 2009.
Suisman, David and Strasser, Susan, eds. Sound in the Age of Mechanical Reproduction. Philadelphia: University of Pennsylvania Press, 2010.
Susti González, Alejandro. “Seré millones”: Eva Perón, melodrama, cuerpo y simulacro. Rosario, Argentina: Beatriz Viterbo, 2007.
Taylor, Julie M. Eva Perón: The Myths of a Woman. Chicago, IL: University of Chicago Press, 1979.
Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge, MA: MIT Press, 2004.
Torres, María Inés de. La nación tiene cara de mujer? Mujeres y nación en el imaginario literario del siglo XIX. Montevideo: Arca, 1995.
Ulanovsky, Carlos. Estamos en el aire: Una historia de la televisión en la Argentina. Buenos Aires: Planeta, 1999.
Ulanovsky, Carlos. La Radio Nacional: Voces de la historia, 1937–2010. Print book, 2 audio CDs. Buenos Aires: Radio y Televisión Argentina, 2010.
Ulanovsky, Carlos, Merkin, Marta, Panno, Juan José, and Tijman, Gabriela. Días de radio: Historia de la radio Argentina. Buenos Aries: Espasa Calpe, 1996.
United States Department of Commerce. Broadcast Advertising in Latin America. Washington, DC: United States Government Printing Office, 1931.
Vardaro, Arcángel Pascual. La censura radial del lunfardo, 1943–1949. Buenos Aires: Editorial Dunken, 2007.
Varela, Mirta. La televisión criolla: desde sus inicios hasta la llegada del hombre a la luna, 1951–1969. Buenos Aires: Edhasa, 2005.
Verma, Neil. Theater of the Mind: Imagination, Aesthetics, and American Radio Drama. Chicago, IL: University of Chicago Press, 2012.
Ware, Susan. It's One O'Clock and Here Is Mary Margaret McBride. New York: New York University Press, 2005.
Warner, Michael. Publics and Counterpublics. New York: Zone Books, 2002.
Weinbaum, Alys Eve, et al., eds. The Modern Girl Around the World: Consumption, Modernity and Globalization. Durham, NC: Duke University Press, 2008.
White, Lucie E. “Subordination, Rhetorical Survival Skills and Sunday Shoes: Notes on the Hearing of Mrs. G.” Buffalo Law Review Vol. 30 no. 1 (Winter 1990): 1–58.
Wright-Ríos, Edward. “La Madre Matiana: Prophetess and Nation in Mexican Satire.” The Americas, Vol. 18 no. 2 (October 2001): 241–274.
Zolov, Eric. Refried Elvis: The Rise of the Mexican Counterculture. Berkeley: University of California Press, 1999.