Select Bibliography
Contemporary English versions of works in other languages are given under the names of their translators by which they are better known.
Alberti, Leon Battista. De equi animante, ed. Grayson, Cecil, Boriaud, J-Y. and Furlan, F.. Albertiana 2 (1991), 191–235.
Alberti, Leon Battista. De Pictura. Basel: Thomas Venatorius, 1540.
Alciati, Andrea. Diverse imprese accommodate a diuerse moralità … Lyon: Guillaume Rouille, 1549.
Andreotti, Ilario. ‘Ovid’s “Meta-metamorphosis”: Book Illustration and the Circulation of Erotic Iconographical Patterns’, in Shakespeare’s Erotic Mythology and Ovidian Renaissance Culture, ed. Lafont, Agnès. Farnham and Burlington: Ashgate, 2013, 1–16.
Anglicus, Bartholomeus. Boeck van de proprieteyten der dinghen. Haarlem: Jacob Bellaert, 1485.
Artemieva, Irina and Pavanello, Guiseppe, eds. Tiziano: la fuga in Egitto e la pittura di paesaggio. Exhibition Catalogue. Florence: Marsilio, 2012.
Astington, John. ‘Three Shakespearean Prints’, Shakespeare Quarterly 47.2 (Summer 1996), 178–89.
Astington, John. Actors and Acting in Shakespeare’s Time: The Art of Stage Playing. Cambridge University Press, 2010.
Astington, John. ‘Venus on the Thames’, Shakespeare Studies 39 (2011), 117–32.
Babb, Lawrence. The Elizabethan Malady: A Study of Melancholia in English Literature from 1580 to 1642. East Lancing, MI: Michigan State University Press, 1965.
Barkan, Leonard. ‘“Living Sculptures”: Ovid, Michelangelo, and The Winter’s Tale’, English Literary History 48 (1981), 639–67.
Bayer, Andrea. ‘Dosso Dossi and the Role of Prints in North Italy’, in Dosso Dossi’s Fate: Painting and Court Culture in Renaissance Italy, ed. Ciammitti, Luisa, Ostrow, Steve F. and Settis, Salvataore. Los Angeles: Getty Research Institute, 1998.
Belsey, Catherine. ‘Love as Trompe-l’oeil: Taxonomies of Desire in Venus and Adonis’, Shakespeare Quarterly 46.3 (Autumn 1995), 257–76.
Belsey, Catherine. Shakespeare and the Loss of Eden: the Construction of Family Values in Early Modern Culture. Basingstoke: Macmillan, 1999.
Belsey, Catherine. ‘Invocation of the Visual Image: Ekphrasis in Lucrece and Beyond’, Shakespeare Quarterly 63.2 (Summer 2012), 175–98.
Berry, Philippa. ‘Woman, Language and History in The Rape of Lucrece’. Shakespeare Survey 44. Cambridge University Press, 1991, 33–9.
Bowers, A. Robin. ‘Emblem and Rape in Shakespeare’s Lucrece and Titus Andronicus’, Studies in Iconography 10 (1984–6), 79–96.
Bradford, Alan Taylor. ‘Jaques’ Distortion of the Seven-Ages Paradigm’, Shakespeare Quarterly 27.2 (Spring 1976), 171–6.
Bright, Thomas. A Treatise of Melancholie … London: Thomas Vautrollier, 1586.
Burton, Richard. The Anatomy of Melancholy, ed. Faulkner, Thomas C., Kiessling, Nicholas K., and Blair, Rhonda L., intro. Bamborough, J. B.. 1: Text. Oxford: Clarendon, 1989.
Callaghan, Dympna. ‘Comedy and Epyllion in post-Reformation England’. Shakespeare Survey 56. Cambridge University Press, 2003, 27–38.
Camille, Michael. Image on the Edge: The Margins of Medieval Art. London: Reaktion, 1992.
Camille, Michael. Mirror in Parchment: the Luttrell Psalter and the Making of Medieval England. London: Reaktion, 1998.
Campbell, Thomas P. ‘Cardinal Wolsey’s Tapestry Collection’, The Antiquaries Journal 76 (1996), 73–137.
Campbell, Thomas P. Henry VII and the Art of Majesty: Tapestries at the Tudor Court. New Haven and London: Paul Mellon Centre and Yale University Press, 2007.
Carver, Robert H. F. The Protean Ass: The ‘Metamorphoses’ of Apuleius from Antiquity to the Renaissance. Oxford University Press, 2007.
Cawte, E. C. Ritual Animal Disguise: A Historical and Geographical Study of Animal Disguise in the British Isles. Cambridge: D. S. Brewer and Totowa: Rowman and Littlefield, for the Folklore Society, 1978.
Chambers, E. K. William Shakespeare: A Study of Facts and Problems. 2 vols. Oxford: Clarendon, 1930.
Chaudhuri, Supriya, ‘Lucius, thou art translated: Adlington’s Apuleius’, Renaissance Studies 22. 5 (2008), 669–704.
Cloulas, Annie. ‘Documents concernant Titian conservés aux Archives de Simancas’, Mélanges de la Casa de Velázquez, III. Paris: Éditions E. de Bocard, 1967.
Cockerell, Sydney C., ed. The Gorleston Psalter. London: Chiswick Press, 1907.
Colonna, Francesco. Hypnerotomachia Polyphili. Venice: Aldus Manutius, 1499.
Colonna, Francesco. transl. De Lenoncourt, Cardinal. Hypnerotomachie, ov, Discours du songe de Poliphile. Paris: Iaques Keruer, 1561.
Colonna, Francesco. transl. ‘R. D.’ [Dallington, Robert]. Hypnerotomachia. The strife of Love in a Dreame. London: Printed for William Holme, 1592.
Colonna, Francesco. transl. Godwin, Joscelyn. Hypnerotomachia Poliphili: The Strife of Love in a Dream. London and New York: Thames and Hudson, 1999.
Colonna, Francesco. ed. Ariani, Marco and Gabriele, Mino. Hypnerotomachia Poliphili. 2 vols. Milan: Adelphi Edizioni, 2004, 2006.
Colvin, Sidney. ‘The Sack of Troy in Shakespeare’s Lucrece and in some Fifteenth-century Drawings and Tapestries’, A Book of Homage to Shakespeare, ed. Gollancz, Israel. Oxford: Clarendon, 1916, 88–99.
Cooper, Helen. Shakespeare and the Medieval World. Arden Critical Companions. London: Arden Shakespeare/ Bloomsbury Publishing, 2010.
Cooper, Helen. ‘Introduction’ to Medieval Shakespeare: Pasts and Presents, ed. Morse, Ruth, Cooper, Helen and Holland, Peter. Cambridge University Press, 2013, 1–16.
Cuffe, Henry. The Differences of the Ages of Mans Life: Together with the Originall. London: Arnold Hatfield for Martin Clearke, 1607.
Daly, Peter M., Literature in the Light of the Emblem: Structural Parallels between the Emblem and Literature in the Sixteenth and Seventeenth Centuries. 2nd edn. Toronto: University of Toronto Press, 1998, 155–7.
Daniel, Samuel, Samuel Daniel: Poems and A Defence of Rhyme, ed. Sprague, Arthur Colby. Chicago: University of Chicago Press, 1930, 1965.
Da Vinci, Leonardo. Transl. and ed. Richter, Irma A. Leonardo da Vinci’s “Paragone”: A Critical Interpretation, with a Critical Edition of the Text in the Codex Urbanitas. Oxford University Press, 1949.
Day, Richard. Christian Prayers and meditations in English, French, Italian, Spanish, Greeke, and Latine. London: John Daye, 1569.
De Grazia, Margreta. ‘King Lear in B. C. Albion’, in Medieval Shakespeare: Pasts and Presents, ed. Morse, Ruth, Cooper, Helen and Holland, Peter. Cambridge University Press, 2013, 138–56.
Doebler, John. Shakespeare’s Speaking Pictures: Studies in Iconic Imagery. Albuquerque NM: University of New Mexico Press, 1974.
Doebler, John. ‘The Reluctant Adonis: Titian and Shakespeare’, Shakespeare Quarterly 33.4 (Winter 1982), 480–90.
Dolce, Lodovico. Le Trasformationi. Venezia: Golito, 1561, repr. 1568.
Dolce, Lodovico. The Dialogue on Painting of M. Lodovico Dolce [Dialogo della pittura di M. Lodovico Dolce, 1557], transl. Roskill, Mark W. Dolce’s Aretino and Venetian Art Theory of the Cinquecento. New York: College Art Association, 1968.
Erasmus, Desiderius, transl. and intro. King, Donald B. and Rix, H. David. On Copia of Words and Ideas [De utraque verborem [sic] ac rerum copia, 1536], Milwaukee: Marquette University Press, 1963.
Erasmus, Desiderius, The Praise of Folie, transl. Chaloner, Thomas Sir, ed. Miller, Clarence H. Early English Text Society, Original Series No. 257. Oxford University Press, 1965.
Evett, David. Literature and the Visual Arts in Tudor England. Athens and London: University of Georgia Press, 1990.
Fairchild, Arthur H. R. Shakespeare and the Arts of Design. Columbia: Artcraft Press, 1937.
Foister, Susan, ed. Holbein in England. Exhibition Catalogue. London: Tate Publishing, 2006.
Generosa, Margaret Sr. ‘Apuleius and A Midsummer-Night’s Dream: Analogue or Source, Which?’, Studies in Philology 42. 2 (April 1945), 198–204.
Gent, Lucy. Picture and Poetry 1560–1620. Leamington Spa: James Hall, 1981.
Gertsman, Elina. The Dance of Death in the Middle Ages: Image, Text, Performance. Turnhout: Brepols, 2010.
Gilman, Ernest B. The Curious Perspective: Literary and Pictorial Wit in the Seventeenth Century. New Haven and London: Yale University Press, 1978.
Golding, Arthur. Ovid’s Metamorphoses, Translated by Arthur Golding, ed. Forey, Madeleine. Harmondsworth: Penguin, 2002.
Goldring, Elizabeth. ‘“So lively a portraiture of his miseries”: Melancholy Mourning and the Elizabethan Malady’, The British Art Journal 6.2 (Autumn 2005), 12–22.
Gombrich, Ernst. Art and Illusion: A Study in the Psychology of Pictorial Representation. The A. W. Mellon Lectures in the Fine Arts, 1956. Princeton NJ: Princeton University Press, 1960, rev. 1961.
Gombrich, Ernst. Norm and Form: Studies in the Art of the Renaissance. London and New York: Phaidon, 1966.
Gombrich, Ernst. Symbolic Images: Studies in the Art of the Renaissance. Oxford: Phaidon, 1972.
Gordon, D. J. ‘Academicians Build a Theatre and Give a Play: The Accademia Olimpica, 1579–1585’, in The Renaissance Imagination: Essays and Lectures by D. J. Gordon, ed. Orgel, Stephen. Berkeley, Los Angeles and London: University of California Press, 1975, 247–65.
Gordon, Dillian, ed. Making and Meaning: The Wilton Diptych. London: National Gallery, 1993.
Gorleston Psalter. British Library Add MS 49622.
Grafton, Anthony and Jardine, Lisa. From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth- and Sixteenth-Century Europe. London: Duckworth, 1986.
Graziani, Rene. ‘M. Marcadé and the Dance of Death: Love’s Labour’s Lost, v.ii.705–11’, Review of English Studies 37.147 (August 1986), 392–5.
Green, Henry. Shakespeare and the Emblem Writers: An Exploration of their Similarities of Thought and Expression. London: Trübner, 1879.
Gross, Kenneth. The Dream of the Moving Statue. Ithaca: Cornell University Press, 1992.
Guillén, Claudio. ‘On the Concept and Metaphor of Perspective’, in Comparatists at Work: Studies in Comparative Literature, ed. Nichols, Stephen G. Jr. and Bowles, Richard B.. Waltham MA: Blaisdell, 1968, 28–90.
Haaker, Ann. ‘Non sine causa: The Use of Emblematic Method and Iconology in the Thematic Structure of Titus Andronicus’, Research Opportunities in Renaissance Drama 13–14 (1970–71), 143–68.
Hagstrum, Jean. The Sister Arts: the Tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago IL: University of Chicago Press, 1958.
Harington, John. Orlando Fvrioso in English Heroical Verse. London: Richard Field, 1591.
Harrison, Douglas, ed. The First and Second Prayer Books of King Edward VI. London: Dent, 1968.
Hattaway, Michael. ‘Titus Andronicus: Strange Images of Death’, in Elizabethan Popular Theatre. London: Routledge and Kegan Paul, 1982, 186–207.
Haydocke, Richard. A Tracte containing the artes of curious paintinge, caruinge, buildinge … Englished by R[ichard] H[aydocke] student in physik. Oxford: I. Barnes, 1598.
Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530–1630. Exhibition Catalogue. London: Tate Publishing, 1995.
Heckscher, William S. ‘Shakespeare in His Relationship to the Visual Arts. A Study in Paradox’, Research Opportunities in Renaissance Drama 13–14 (1970–71), 5–71.
Hoby, Thomas. The Courtyer of Count Baldessar Castilio. London: Wyllyam Seres, 1561.
Holbein, Hans. Les simulachres & histoires faces de la mort. Paris: Treschel, 1538.
Holinshed, Raphael. The Third Volume of Chronicles, beginning at duke William the Norman, commonlie called the Conqueror … London: Iohn Harison, 1586.
Hulse, S. Clark. ‘“A Piece of Skilful Painting” in Shakespeare’s ‘Lucrece’’. Shakespeare Survey 31. Cambridge University Press, 1978, 13–22.
Hulse, S. Clark. Metamorphic Verse: The Elizabethan Minor Epic. Princeton: Princeton University Press, 1981.
Hulse, S. Clark. The Rule of Art: Literature and Painting in the Renaissance. Chicago and London: University of Chicago Press, 1990.
Jonson, Ben. The Cambridge Edition of the Works of Ben Jonson, ed. Bevington, David, Butler, Martin and Donaldson, Ian. 7 vols. Cambridge University Press, 2012.
Kahn, Coppélia. ‘The Rape in Shakespeare’s Lucrece’, Shakespeare Studies 9 (1976), 45–72.
Kermode, Frank. ‘The Mature Comedies’, in Early Shakespeare, ed. Brown, J. R. and Harris, B.. Stratford-upon-Avon Studies III. London: Edward Arnold, 1961, 211–227.
Kerrigan, John. ‘Keats and Lucrece’. Shakespeare Survey 41. Cambridge University Press, 1989, 103–18.
Kinney, Arthur F., ed. Renaissance Drama: An Anthology of Plays and Entertainments. 2nd edn. Oxford: Blackwell, 2005, 115–32.
Kiss, Attila. ‘The Semiography of Wounds in Titus Andronicus’, in Kiss, Attila and Szınyi, György Endre, eds. The Iconology of Gender I-II. I: Traditions and Historical Perspectives. Szeged: JATEPress, 2008, 251–56.
Lafont, Agnès. ‘Political Uses of Erotic Power in an Elizabethan Mythological Programme: Dangerous Interactions with Diana in Hardwick Hall’, in Shakespeare’s Erotic Mythology and Ovidian Renaissance Culture, ed. Lafont, Agnès. Farnham and Burlington: Ashgate, 2013.
Lane Poole, Reginald Mrs. ‘Notes on the History in the 17th Century of the Portraits of Richard II’, Antiquaries Journal XI (1931), 145–52.
Leeman, Fred. Hidden Images. New York: Harry Abrams, 1976.
Leisher, F. Geoffrey Whitney’s A Choice of Emblemes and its Relation to the Emblematic Vogue in Tudor England. London and New York: Garland, 1987.
Leisher, F. Liber regalis (Book of the Coronation Order), c.1390–99. Westminster Abbey, London, MS 38.
Luttrell Psalter. British Library Add MS 49622.
Lyly, John. The Complete Works of John Lyly, ed. Bond, R.Warwick. 3 vols. Oxford: Clarendon, 1902, 1967.
Lyly, John. The Woman in the Moone, ed. Scragg, Leah. Manchester University Press, 2006.
Marlowe, Christopher. Dr Faustus: The A-Text, ed. Ormrod, David and Wortham, Christopher. Nedlands: University of Western Australia Press, 1985, rev. 1989.
McMillin, Scott. ‘Shakespeare’s Richard II: Eyes of Sorrow, Eyes of Desire’, Shakespeare Quarterly 35.1 (Spring 1984), 40–52.
Meek, Richard. Narrating the Visual in Shakespeare. Farnham and Burlington VT: Ashgate, 2009.
Merchant, W. Moelwyn. ‘A Midsummer Night’s Dream: A Visual Re-creation’, in Early Shakespeare. Stratford-upon-Avon Studies III, ed. Brown, John Russell and Harris, B. (London: Edward Arnold, rev. 1967), 164–85.
Moffitt, John F. Painterly Perspective and Piety: Religious Uses of the Vanishing Point, from the 15th to the 18th Century. Jefferson NC: McFarland, 2008.
Moseley, Charles. ‘What’s in a Name? James Burbage and his Playhouse’, Early Modern Culture Online 5: Special Issue on Early Modern Visual/Verbal Rhetoric (Summer 2014), 1–10.
Moseley, Charles. ‘Judicious, Sharp Spectators? Form, Pattern and Audience in Early Modern Theatre: Some Problems’, Cahiers Elisabéthains 85 (Spring 2014), 7–20.
Moseley, Charles. ed. A Century of Emblems: An Introductory Anthology. Aldershot: Scolar, 1989.
Nadeau, Ray. ‘The Progymnasmata of Aphthonius in Translation’, Speech Monographs 19 (1952), 264–85.
Neill, Michael. Issues of Death: Mobility and Identity in English Renaissance Tragedy. Oxford: Clarendon, 1998.
North, Thomas. ‘The Life of Marcus Antonius’, Shakespeare’s Plutarch, ed. Skeat, Walter W. London: Macmillan, 1875, 153–229.
Orgel, Stephen. Imagining Shakespeare: A History of Texts and Visions. London: Palgrave Macmillan, 2003.
Orgel, Stephen. Spectacular Performances: Essays on Theatre, Imagery, Books and Selves in Early Modern England. Manchester University Press, 2011.
Ovid, . Le trasformationi di M. Lodovico Dolce. Venice: Gabriel Golito, 1558.
Ovid, . Metamorphoses Ovidii … Paris: de Marnef and Cauellat, 1583.
Palfrey, Simon and Stern, Tiffany. Shakespeare in Parts. Oxford University Press, 2007.
Panofsky, Erwin. Hercules am Scheidewege und andere antike Bildstoffe in der neueren Kunst. Leipzig and Berlin: Taubner, 1930.
Panofsky, Erwin. Problems in Titian, Mostly Iconographic. London: Phaidon, 1969.
Panofsky, Erwin. transl. Cohn, Danièle. Hercule à la croisée des chemins et autres matériaux figuratifs de l’Antiquité dans l’art plus récent. Paris: Flammarion, 1999.
Parker, Patricia. ‘(Peter) Quince: Love Potions, Carpenter’s Coigns and Athenian Weddings’. Shakespeare Survey 56. Cambridge University Press, 2003, 39–54.
Pater, Walter. Appreciations. London: Macmillan, 1889.
Pedrocco, Filippo. Titian. New York: Rizzoli, 2001.
Peele, George. The Works of George Peele, ed. Horne, David and Benbow, R. M.. New Haven and London: Yale University Press, 1952–70.
Peele, George. Philostratus: Imagines and Callistratus: Descriptions, ed. and transl. Fairbanks, Arthur. Loeb Classical Library. London: Heinemann, 1931.
Pliny, . The Elder Pliny’s Chapters on the History of Art, transl. Jex-Blake, K., ed. Sellers, E.. Chicago: Argonaut, 1968.
Puttenham, George, ed. Whigham, Frank and Rebhorn, Wayne A.. The Art of English Poesy: A Critical Edition. Ithaca and London: Cornell University Press, 2007.
Rainolde, Richard. A booke called the Foundacion of rhetorike … London: Kingston, [1563].
Randall, Lilian. Images in the Margins of Gothic Manuscripts. Berkeley CA: University of California Press, 1966.
Reid, Jane Davidson with Rohmann, Chris, comp. The Oxford Guide to Classical Mythology in the Arts, 1300–1990s. 2 vols. Oxford University Press, 1993.
Ripa, Cesare. Iconologia, ouero, Descrittione di diuerse imagini cauate dall’antichità. Rome: Lepido Faci, 1603.
Roberts, Jane, ed. Holbein and the Court of Henry VIII: Drawings and Miniatures from the Royal Library, Windsor Castle. Exhibition Catalogue. Edinburgh: National Galleries of Scotland, 1993.
Roesen, Bobbyann. ‘Love’s Labour’s Lost,’ Shakespeare Quarterly 4.4 (October 1953), 411–26.
Rosand, David and Murano, Michelangelo. Titian and the Venetian Woodcut. Exhibition Catalogue. Washington DC: International Exhibitions Foundation, 1976.
Sandler, Lucy Freeman ‘Reflections on the Construction of Hybrids in English Gothic Marginal Illustrations’, in Barasch, Mosche, Sandler, Lucy Freeman and Egan, Patricia, eds., Art the Ape of Nature: Studies in Honor of H.W.Janson. New York: H. N. Abrams and Englewood Cliffs NJ: Prentice Hall, 1981, 51–65.
Saxl, Fritz. ‘Titian and Pietro Aretino’, F. Saxl: Lectures, ed. Bing, Gertrud. 2 vols. London: Warburg Institute, 1957, 161–73.
Schuyt, Michael and Effers, Joost. Anamorphosis: Games of Perception and Illusion in Art. Exhibition Catalogue. New York: Abrams, 1976.
Shakespeare, William. ed. Wyndham, George. The Poems of Shakespeare. London: Methuen, 1898.
Shakespeare, William. Richard the Second 1597. Shakespeare Quarto Facsimiles No 13. Oxford: Clarendon, 1966.
Shakespeare, William. ed. Kerrigan, John. The Rape of Lucrece. The New Penguin Shakespeare. Harmondsworth: Penguin, 1971.
Shakespeare, William. ed. Kerrigan, John. The Sonnets and A Lover’s Complaint. The New Penguin Shakespeare. Harmondsworth: Penguin, 1986.
Shakespeare, William. ed. Duncan-Jones, Katherine. Shakespeare’s Sonnets. The Arden Shakespeare. London: Nelson, 1997.
Shakespeare, William. ed. Burrow, Colin. The Complete Sonnets and Poems. The Oxford Shakespeare. Oxford University Press, 2002.
Shapiro, Meyer. Words and Pictures: On the Literal and Symbolic in the illustration of a Text. Approaches to Semiotics: Paperback Series, III. Paris and The Hague: Mouton, 1973.
Sidney, Philip. An Apology for Poetry, or The Defence of Poesy, ed. Shepherd, Geoffrey. London: Nelson, 1965.
Sidney, Philip. The Old Arcadia, ed. Duncan-Jones, Katherine. The World’s Classics. Oxford University Press, rev. 1994.
Sillars, Stuart. Painting Shakespeare: The Artist as Critic, 1720–1820. Cambridge University Press, 2006.
Sillars, Stuart. ‘“Howsoever, strange and admirable”: A Midsummer Night’s Dream as via stultitiae’, Archiv für das Studium der neueren Sprachen und Literaturen 244.1 (2007), 27–39.
Sillars, Stuart. ‘Style, Rhetoric and Identity in Shakespearean Soliloquy’, in Style in Theory: between Literature and Philosophy, ed. Callus, Ivan, Corby, James and Lauri-Lucente, Gloria. London and New York: Bloomsbury, 2013, 49–70.
Smith, Peter J. ‘A “Consummation Devoutly to be Wished”: The Erotics of Narration in Venus and Adonis’. Shakespeare Survey 53. Cambridge University Press, 2000, 25–38.
Sokol, B. J. Art and Illusion in The Winter’s Tale. Manchester University Press, 1994.
Spenser, Edmund. The Faerie Queene, ed. Hamilton, A. C. London and New York: Longman, 1977.
Starmes, D. T. ‘Shakespeare and Apuleius’, Publications of the Modern Language Association of America 60.4 (December 1945), 1021–50.
Steadman, John. ‘Falstaff as Actaeon: A Dramatic Emblem’, Shakespeare Quarterly 14.3 (Autumn 1963), 231–44.
Sternfeld, F. W. ‘Twentieth-century Studies in Shakespeare’s Songs, Sonnets and Poems’, Shakespeare Survey 15. Cambridge University Press, 1962, 1–30.
Stow, John. The Survey of London, intro. Wheatley, H. B. London: Dent, 1912.
Strong, Roy. ‘The Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraiture’, Apollo 79 (1964), 264–9.
Strong, Roy. The Cult of Elizabeth. London: Thames and Hudson, and Berkeley and Los Angeles: University of California Press, 1977.
Strong, Roy. Gloriana: The Portraits of Queen Elizabeth. London: Thames and Hudson, 1987.
Syson, Luke and Thornton, Dora. Objects of Virtue: Art in Renaissance Italy. London: British Museum, 2001.
Tallvacchia, Bette. ‘The Rare Italian Master and the Posture of Hermione in The Winter’s Tale’, Literature, Interpretation, Theory 3 (1992), 163–74.
Tallvacchia, Bette. Taking Positions: on the Erotic in Renaissance Culture. Princeton: Princeton University Press, 1999.
Thorp, Margaret. ‘Shakespeare and the Fine Arts’, Publications of the Modern Language Association of America 46 (1931), 687–8.
Tobin, J. J. M. Shakespeare’s Favorite Novel: A Study of The Golden Asse as Prime Source. Lanham MD and London: University Press of America, 1984.
Uhlig, Claus. ‘“The Sobbing Deer”: As You Like It, II.i.21–66 and the Historical Context’, Renaissance Drama, New Series III (1970), 79–109.
Ure, Peter. ‘The Looking-glass of Richard II’, Philological Quarterly, 34.2 (April 1955), 219–24.
Vallance, Aylmer. Art in England during the Elizabethan and Stuart Periods. The Studio special number, Spring 1908. London: The Studio, 1908.
Verheyen, Egon. The Palazzo del Te in Mantua: Images of Love and Politics. Baltimore MD: Johns Hopkins University Press, 1977.
Vickers, Nancy. ‘The Blazon of Sweet Beauty’s Best: Shakespeare’s Lucrece’, in Shakespeare and the Question of Theory, ed. Parker, Patricia and Hartman, Geoffrey. London and New York: Methuen, 1985, 95–115.
Warkentin, Germaine and Parsons, John Carmi, eds. The Queen’s Majesty’s Passage and Related Documents. Toronto: Centre for Reformation and Renaissance Studies, 2004.
Wells, Stanley and Taylor, Gary, with Jowett, John and Montgomery, William. William Shakespeare: A Textual Companion. Oxford University Press, 1987.
Wells-Cole, Anthony. Art and Decoration in Elizabethan and Jacobean England: the Influence of Continental Prints, 1558–1625. New Haven and London: Paul Mellon Centre and Yale University Press, 1997.
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Whitney, Geoffrey. A Choice of Emblemes, and other devises. Leyden: Christopher Plantyn, 1586.
Williams, Gary Jay. Our Moonlight Revels: A Midsummer Night’s Dream in the Theatre. Iowa City: University of Iowa Press, 1997.
Wilson, Richard. Secret Shakespeare: Studies in Theatre, Religion and Resistance. Manchester University Press, 2004.
Wind, Edgar. Pagan Mysteries in the Renaissance. New Haven and London: Yale University Press, 1958.
Yates, Frances. A Study of Love’s Labour’s Lost. Cambridge University Press, 1936.
Yates, Frances. ‘The Allegorical Portraits of Sir John Luttrell’, in Essays presented to Rudolf Wittkower on his 65th Birthday, ed. Fraser, Douglas, Hibbard, Howard and Lewine, Milton J.. London: Phaidon, 1967, 149–60.
Yates, Frances. Astraea: The Imperial Theme in the Sixteenth Century. London: Routledge and Kegan Paul, 1975.
Young, Alan. Tudor and Jacobean Tournaments. London: George Philip, 1987.
Ziegler, Georgianna.‘Parents, Daughters and “That Rare Italian Master”: A New Source for The Winter’s Tale’, Shakespeare Quarterly 36.2 (Summer 1985), 204–12.
