Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-wpx69 Total loading time: 0 Render date: 2024-09-25T04:35:09.139Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  22 September 2009

David Schalkwyk
Affiliation:
University of Cape Town
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adelman, Janet, The Common Liar (New Haven and London: Yale University Press, 1973).Google Scholar
Alpers, Paul, What Is Pastoral? (Chicago and London: University of Chicago Press, 1996).CrossRefGoogle Scholar
Althusser, Louis, “Ideological State Apparatuses”, in Reading Capital, edited by Brewster, Ben (London: New Left Books, 1970).Google Scholar
Amussen, Susan Dyer, An Ordered Society: Gender and Class in Early Modern Society (New York: Columbia University Press, 1988).Google Scholar
,Anonymous, The Taming of a Shrew, facsimile by C. Praetorius (London, 1886).Google Scholar
Ariès, Phillippe and Duby, Georges, A History of Private Life, Volume II, Revelations of the Medieval World, translated by Arthur Goldhammer (Cambridge: Belknap, 1988).Google Scholar
Austin, J. L., How to Do Things with Words (Oxford: Oxford University Press, 1975).CrossRefGoogle Scholar
Austin, William, Haec Homo. Wherein the Excellency of the Creation of Woman is Described. By Way of an Essay (London, 1637).Google Scholar
Bacon, Francis, “Of Love”, in Essays, Civil and Moral and The New Atlantis, edited by Charles, W. Eliot (New York: P. F. Collier and Son, 1937), pp. 26–7.Google Scholar
Barish, John, and Waingrow,, Marshal‘Service’ in King Lear”, Shakespeare Quarterly 9 (1958), 347–55.CrossRefGoogle Scholar
Barker, Francis, and Peter Hulme, “Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest”, in Alternative Shakespeares, edited by Drakakis, John (London: Methuen, 1985), pp. 191–205.Google Scholar
Barry, Jonathan and Brooks, Christopher, The Middling Sort of People: Culture, Society and Politics in England, 1550–1800 (London: Macmillan, 1994).CrossRefGoogle Scholar
Beier, A. L., Masterless Men: The Vagrancy Problem in England 1560–1640 (London: Methuen, 1985).Google Scholar
Belsey, Catherine, “Love in Venice”, in Shakespeare and Gender, edited by Barker, Deborah and Kamps, Ivo (London and New York: Verso, 1995), pp. 196–213.Google Scholar
Belsey, Catherine, Desire: Love Stories in Western Culture (Oxford: Blackwell, 1994).Google Scholar
Berger, Harry Jr., Making Trifles of Terrors: Redistributing Complicities in Shakespeare (Stanford: Stanford University Press, 1997).Google Scholar
Bernard, John, and McKenzie, D. F. (eds.), The Cambridge History of the Book in Britain, Volume IV: 1557–1695 (Cambridge: Cambridge University Press, 2002).CrossRefGoogle Scholar
Bishop, T. G., Shakespeare and the Theatre of Wonder (Cambridge: Cambridge University Press, 1996).CrossRefGoogle Scholar
Bloom, Alan, Shakespeare on Love and Friendship (Chicago: University of Chicago Press, 2000).Google Scholar
Brathwait, Richard, The English Gentleman (London, 1630).Google Scholar
Bristol, Michael, Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England (London and New York: Methuen, 1985).Google Scholar
Michael, D. Bristol, “In Search of the Bear: Spatiotemporal Form and the Heterogeneity of Economies in The Winter's Tale,” Shakespeare Quarterly 42 (1991), 145–67.Google Scholar
Brown, J. R., Shakespeare and His Comedies (London: Methuen, 1957).Google Scholar
Brown, Paul, “‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism”, in Political Shakespeare: Essays in Cultural Materialism, 2nd ed., edited by Dollimore, Jonathan and Sinfield, Alan (Ithaca and London: Cornell University Press, 1994), pp. 48–71.Google Scholar
Burnett, Mark Thornton, “‘The Trusty Servant’: A Sixteenth-Century English Emblem”, Emblematica 6 (1992), 237–54.Google Scholar
Burnett, Mark Thornton, Masters and Servants in English Renaissance Drama and Culture (Basingstoke and New York: Palgrave Macmillan, 1997).CrossRefGoogle Scholar
Burnett, Mark Thornton, Constructing ‘Monsters’ in Shakespearean Drama and Early Modern Culture (Basingstoke: Palgrave, 2002).CrossRefGoogle Scholar
Burnett, Mark Thornton, “King Lear, Service and the Deconstruction of Protestant Idealism”, in International Shakespeare Yearbook 5, edited by Bradshaw, Greham and Bishop, Tom (Aldershot: Ashgate, 2005), pp. 66–85.Google Scholar
Callaghan, Dympna, “The Ideology of Romantic Love: The Case of Romeo and Juliet”, in The Weyward Sisters: Shakespeare and Feminist Politics, edited by Callaghan, Dympna, Helms, Loraine and Singh, Jyotsna (Oxford: Blackwell, 1994), pp. 59–101.Google Scholar
Cavell, Stanley, Disowning Knowledge in Seven Plays by Shakespeare, updated ed. (Cambridge: Cambridge University Press, 2003).CrossRefGoogle Scholar
Charney, Maurice, Shakespeare on Love and Lust (New York: Columbia University Press, 2001).Google Scholar
Chartier, Roger (ed.), A History of Private Life, Volume III, Passions of the Renaissance, translated by Arthur Goldhammer (Cambridge: Belknap, 2003).Google Scholar
Coefetteau, Nicholas, A Table of the Passions. With Their Causes and Effects, translated by Edward Grimerton (London, 1621).Google Scholar
Cognatus, Gilbertus, Of the Office of Servavnts, translated by Thomas Chaloner (London, 1534).Google Scholar
Coleridge, S. T.Coleridge's Shakespearean Criticism, 2 Vols., edited by Raysor, T. M. (1930).
Cook, Carol, “‘The Sign and Semblance of Her Honour’: Reading Gender Difference in Much Ado”, PMLA 101 (1986), 186–202.CrossRefGoogle Scholar
Danby, John, Elizabethan and Jacobean Poets (London: Faber and Faber, 1952).Google Scholar
Darrell, Walter, A Short Discourse of the Life of Servingmen (London, 1578).Google Scholar
Davis, Lloyd, “Desire and Presence in Romeo and Juliet”, Shakespeare Survey 49 (1996), 57–67.Google Scholar
Deakin, Simon and Wilkinson, Frank, The Law of the Labour Market: Industrialization, Employment, and Legal Evolution (Oxford: Oxfoed University Press, 2005).CrossRefGoogle Scholar
Derrida, Jacques, Speech and Phenomena and Other Essays on Husserl's Theory of Signs, translated by David B. Allison (Evanston: Northwestern University Press, 1973).Google Scholar
Derrida, Jacques, Limited Inc. (Evanston: Northwestern University Press, 1988).Google Scholar
Derrida, Jacques, “Aphorism Countertime”, in Acts of Literature, edited by Attridge, Derek (London and New York: Routledge, 1992), pp. 414–34.Google Scholar
Derrida, Jacques, Given Time: I. Counterfeit Money, translated by Peggy Kamuf (Chicago and London: Chicago University Press, 1992).Google Scholar
Derrida, Jacques, “Passions: ‘An Oblique Offering’”, in On the Name, edited by Toit, Thomas du (Stanford: Stanford University Press, 1995), pp. 3–31.Google Scholar
Derrida, Jacques, Politics of Friendship, translated by George Collins (London and New York: Verso, 1997).Google Scholar
DiGangi, Mario, “Asses and Wits: The Homoerotics of Mastery in Satiric Comedy,” English Literary Renaissance 25 (1995), 179–208.CrossRefGoogle Scholar
Dod, John, and Cleaver, Robert, A Godly Forme of Household Gouernment (London: R. Field, 1630).Google Scholar
Dusinberre, Juliet, Shakespeare and the Nature of Women (London: Methuen, 1975).Google Scholar
Elam, Keir, “The Fertile Eunuch: Twelfth Night, Early Modern Discourse, and the Fruits of Castration,” Shakespeare Quarterly 47 (1996), 1–36.CrossRefGoogle Scholar
Ebreo, Leone, The Philosophy of Love, translated by F. Friedeberg-Seeley and Jean H. Barnes (London: The Soncino Press, 1937).Google Scholar
Eliot, T. S., Selected Essays (London: Faber and Faber, 1934).Google Scholar
Elton, G. R., England under the Tudors (London: Methuen, 1974).Google Scholar
Elton, William, ‘King Lear’ and the Gods (San Marino, CA: Huntington Library, 1966).Google Scholar
Engle, Lars, Shakespearean Pragmatism: Market of His Time (Chicago: University of Chicago Press, 1993).Google Scholar
Engle, Lars, “‘I Am That I Am’: Shakespeare's Sonnets and the Economy of Shame”, in Shakespeare's Sonnets: Critical Essays, edited by Schiffer, James (New York and London: Garland, 1999), pp. 185–98.Google Scholar
Everet, Barbara, “Romeo and Juliet: The Nurse's Story”, Critical Quarterly 14 (1972), 129–39.CrossRefGoogle Scholar
Evett, David, “‘Surprising Confrontations’: Ideologies of Service in Shakespeare's England”, Renaissance Papers 1990 (1990), 67–78.Google Scholar
Evett, David, Discourses of Service in Shakespeare's England (Basingstoke and New York: Palgrave Macmillan, 2005).CrossRefGoogle Scholar
Fernie, Ewan, “Shakespeare and the Prospect of Presentism”, Shakespeare Survey 58 (2005), 169–84.Google Scholar
Fernie, Ewan, Shame in Shakspeare (London and New York: Routledge, 2002).
Fernie, Ewan (ed.), Spiritual Shakespeares (London and New York: Routledge, 2005).Google Scholar
Ferrand, James, Erotomania, or A Treatise Discoursing of the Essence, Causes, and Syptoms, Prognosticks, and Cure of Love, or Erotique Melancholy, 2nd ed. (London, 1645).Google Scholar
Ficino, Marsilio, Marsilio Ficino's Commantary on Plato's Symposium, translated by Reynold Jayne Sears (Columbia: University of Missouri Press, 1944).Google Scholar
Fineman, Joel, Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets (Berkeley, Los Angeles and London: University of California Press, 1986).Google Scholar
Fitz, Linda T., “Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism”, Shakespeare Quarterly 28 (Summer 1977), 297–316.CrossRefGoogle Scholar
Fletcher, John, and Anthony, Stevenson, (eds.), Order and Disorder in Early Modern England (Cambridge: Cambridge University Press, 1985).CrossRefGoogle Scholar
Fosset, Thomas, The Seruants Dutie or the Calling and Condition of Seruants (London: G. Eld, 1613).Google Scholar
Fraser, Antonia, The Weaker Vessel: Women's Lot in Seventeenth-Century England (London: Phoenix Press, 2002).Google Scholar
French, Marilyn, Shakespeare's Division of Experience (London, 1982).Google Scholar
French, Marilyn, “Antony and Cleopatra”, in Antony and Cleopatra: Contemporary Critical Essays, edited by Drakakis, John (London: Macmillan, 1994), pp. 262–76.Google Scholar
Freud, Sigmund, “The Uncanny”, in Collected Papers, IV, translated by Joan Riviere (London: Hogarth Press, 1948).Google Scholar
Freud, Sigmund, Civilization and Its Discontents, edited by Strachey, James, translated by Joan Riviere (London: The Hogarth Press, 1973).Google Scholar
Friedman, Alice T., House and Household in Elizabethan England: Wollaton Hall and the Willoughby Family (Chicago: University of Chicago Press, 1989).Google Scholar
Fuchs, Barbara, “Conquering Islands: Contextualizing The Tempest”, Shakespeare Quarterly 48 (1997), 45–62.CrossRefGoogle Scholar
Garber, Marjorie, Shakespeare after All (New York: Pantheon, 2005).Google Scholar
Gibson, John, “Between Truth and Triviality”, British Journal of Aesthetics 43 (2003), 224–237.CrossRefGoogle Scholar
Girouard, Mark, Life in the English Country House: A Social and Architechtural History (New Haven: Yale University Press, 1978).Google Scholar
Goldberg, Jonathan, “Romeo and Juliet's Open Rs”, in Romeo and Juliet: Contemporary Essays, edited by White, R. S. (Basingstoke: Palgrave, 2001), pp. 194–211.CrossRefGoogle Scholar
Goldberg, P. J. P., Women, Work, and Life Cycle in a Medieval Economy: Women in York and Yorkshire c. 1300–1520 (Oxford: Clarendon Press, 1992).CrossRefGoogle Scholar
Gouge, William, Of Domesticall Dvties: Eight Treatises (London, 1622).Google Scholar
Gournay, Marie le Jars de, Preface to the “Essays” of Michel de Montaigne by his Adoptive Daughter, translated and edited by Hillman, Richard and Quesnel, Colette (Tempe, Arizona: Medieval and Renaissance Texts and Studies, 1998).
Grady, Hugh, Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to Hamlet (Oxford: Oxford University Press, 2002).CrossRefGoogle Scholar
Grady, Hugh, and Hawkes, Terence, Presentist Shakespeares (London and New York: Routledge, 2007).Google Scholar
Greenblatt, Stephen, “Friction and Fiction”, in Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Berkeley and Los Angeles: University of California Press, 1988), pp. 66–93.Google Scholar
Greenblatt, Stephen, “Resonance and Wonder”, in Learning to Curse (London: Routledge, 1990), pp. 161–83.Google Scholar
Greenblatt, Stephen, Will in the World: How Shakespeare Became Shakespeare (London: Jonathan Cape, 2005).Google Scholar
Greene, John, A Refutation of the Apology for Actors (London, 1615).Google Scholar
Greene, Thomas M., “Pitiful Thrivers: Failed Husbandry in the Sonnets”, in Shakespeare and the Question of Theory, edited by Parker, Patricia and Hartmann, Geoffrey (London and New York: Methuen, 1985), pp. 230–44.CrossRefGoogle Scholar
Gross, Kenneth, The Dream of the Moving Statue (Ithaca: Cornell University Press, 1992).Google Scholar
Gross, Kenneth, “Slander and Scepticism in Othello”, English Literary History 56 (Winter 1989), 819–52.CrossRefGoogle Scholar
Guazzo, Stefano, The Ciuile Conuersation of M. Stephen Guazzo, Translated Out of French by M. Pettie (London, 1586).Google Scholar
Gurr, Andrew, The Shakespearean Stage 1574–1642, 3rd ed. (Cambridge: Cambridge University Press, 1992).Google Scholar
Harman, T., A Caveat or Warening for Common Cvrsetors, Vulgarly Called Beggars (London, 1567).Google Scholar
Harrison, William, The Description of England, edited by Edelen, George (Ithaca: Cornell University Press for the Folger Shakespeare Library, 1968).Google Scholar
Hawkes, Terence, Shakespeare's Talking Animals: Language and Drama in Society (London: Edward Arnold, 1975).Google Scholar
Hawkes, Terence, Shakespeare in the Present (London: Routledge, 2002).Google Scholar
Hay, Douglas, “Master and Servant in England: Using the Law in the Eighteenth and Nineteenth Centuries”, in Private Law and Social Inequality in the Industrial Age: Comparing Legal Cultures in Britain, France, Germany, and the United States, edited by Steinmetz, Willibald (Oxford: Oxford University Press, 2000), pp. 227–64.Google Scholar
Hay, Douglas, and Craven, Paul, Masters, Servants, and Magistrates in Britain and the Empire, 1562–1955 (Chapel Hill and London: University of North Carolina Press, 2004).Google Scholar
Hegel, G. W. F., The Phenomenology of Mind, translated by J. B. Baillie (New York: Harper Torchbooks, 1967).Google Scholar
Hegel, Georg W. F., Phenomenology of Spirit, translated by A. V. Miller (Oxford: Oxford University Press, 1977).Google Scholar
Heinemann, Margot, “‘Let Rome in Tiber Melt’: Order and Disorder in Antony and Cleopatra”, in Antony and Cleopatra: Contemporary Critical Essays, edited by Drakakis, John (London: Macmillan, 1994), pp. 166–81.Google Scholar
Hobsbawm, Eric, Industry and Empire (Harmondsworth: Penguin, 1968).Google Scholar
Honan, Park, Shakespeare: A Life (Oxford: Oxford University Press, 1998).Google Scholar
Houlbrooke, Ralph, The English Family: 1450–1700 (London: Longman, 1984).Google Scholar
Horowitz, Maryanne Cline, “Marie de Gournay, Editor of the Essais of Michel de Montaigne: A Case-Study in Mentor-Protegee Friendship”, Sixteenth Century Journal, 17 (1986), 271–84.CrossRefGoogle Scholar
Howard, Jean, “Renaissance Antitheatricality and the Politics of Gender and Rank in Much Ado about Nothing”, in Shakespeare Reproduced, edited by Jean, E. Howard and Marion, F. O'Connor (New York: Routledge, 1987), pp. 163–87.Google Scholar
Hulme, Peter, Colonial Encounters: Europe and the Native Caribbean, 1492–1796 (London: Methuen, 1986).Google Scholar
Hunt, Maurice, “Slavery, English Servitude, and The Comedy of Errors”, ELR 27 (1997), 31–56.Google Scholar
Hunt, Maurice, “‘Bearing Hence’: Shakespeare's The Winter's Tale”, SEL 44 (2004), 333–346Google Scholar
Hunt, Maurice, Shakespeare's Religious Allusiveness: Its Play and Tolerance (Alderhsot: Ashgate, 2004).Google Scholar
Hutton, Ronald, The Rise and Fall of Merry England (Oxford: Oxford University Press, 1994).CrossRefGoogle Scholar
Ingram, William, The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London (Ithaca: Cornell University Press, 1992).Google Scholar
Ingram, William, “The Economics of Playing”, in A Companion to Shakespeare, edited by Kastan, David Scott (Oxford: Blackwell, 1999), pp. 313–27.CrossRefGoogle Scholar
International Shakespearean Yearbook, edited by Graham Bradshaw, , Bishop, Tom, and Neill, Michael (Aldershot: Ashgate, 2005).Google Scholar
I. M., , A Health to the Gentlemanly Profession of Seruingmen (London, 1598).Google Scholar
Jackson, Ken, “‘One Wish’ or the Possibility of the Impossible: Derrida, the Gift, and Timon of Athens”, Shakespeare Quarterly 52 (2001), 34–66.CrossRefGoogle Scholar
Jardine, Lisa, Still Harping on Daughters: Women and Drama in the Age of Shakespeare (Brighton: Harvester, 1983).Google Scholar
Jardine, Lisa, Reading Shakespeare Historically (London and New York: Routledge, 1996).Google Scholar
Dollimore, Jonathan, “King Lear (c. 1605–6) and Essential Humanism”, in Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries (Brighton: Harvester, 1984), pp. 189–203.Google Scholar
Joubert, Elsa, The Long Journey of Poppie Nongena (Johannesburg: Jonathan Ball, 1980).Google Scholar
Kantorowicz, Ernst, The King's Two Bodies: A Study in Medieval Political Theology (Princeton: Princeton University Press, 1957).Google Scholar
Kermode, Frank, “Introduction”, in The Tempest, edited by Kermode, Frank (London: Methuen, 1954), pp. xxiv–lix.Google Scholar
Kernan, Alvin, Shakespeare, the King's Playwright: Theater in the Stuart Court, 1603–1613 (New Haven: Yale University Press, 1995).Google Scholar
Korda, Natasha, Shakespeare's Domestic Economies: Gender and Property in Early Modern England (Philadelphia: University of Pennsylvania Press, 2002).Google Scholar
Korda, Natasha, “Labours Lost: Women's Work and Early Modern Theatrical Commerce”, in From Script to Stage in Early Modern England, edited by Holland, Peter and Orgel, Stephen (Basingstoke: Macmillan Palgrave, 2004), pp. 195–230.Google Scholar
Krieger, Eliot, A Marxist Study of Shakespeare's Comedies (Totown: Barnes and Noble, 1979)
Kristeva, Julia, “‘Romeo and Juliet: Love-Hatred in the Couple’”, in Shakespearean Tragedy, edited by Drakakis, John (Harlow, Essex: Longman, 1992), pp. 296–315.Google Scholar
Kussmaul, Ann, Servants and Husbandry in Early Modern England (Cambridge: Cambridge University Press, 1981).CrossRefGoogle Scholar
Lamb, Mary Ellen, “Tracing a Heterosexual Erotics of Service in Twelfth Night and the Autobiographical Writings of Thomas Whythorne and Anne Clifford”, Criticism 40 (1998), 1–25.Google Scholar
Lamming, George, The Pleasures of Exile (London: Allison & Busby, 1984).Google Scholar
Laslett, Peter, The World We Have Lost, 3rd ed. (New York: Charles Scribner's Sons, 1984).Google Scholar
Laslett, Peter, and Wall, Richard (eds.), Household and Family in Past Time, (Cambridge: Cambridge University Press, 1972).CrossRefGoogle Scholar
Legatt, Alexander, Shakespeare's Comedy of Love (London: Methuen, 1974).Google Scholar
Leavis, F. R., “Diabolic Intellect and the Noble Hero … or The Sentimentalist's Othello”, in The Common Pursuit (Harmondsworth: Penguin, 1976).Google Scholar
Leinwand, Theodore, Theatre, Finance and Society in Early Modern England (Cambridge: Cambridge University Press, 1999).CrossRefGoogle Scholar
Lindley, David, Shakespeare and Music (London: Arden, 2006).Google Scholar
Loomba, Ania, Gender, Race, Renaissance Drama (Manchester: Manchester University Press, 1989).Google Scholar
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge: Cambridge University Press, 2003).Google Scholar
Macfarlane, Alan, Marriage and Love in England: Modes of Reproduction 1300–1840 (Oxford: Blackwell, 1986).Google Scholar
Machiavelli, Niccolo, The Prince, translated by Peter Bondanell (New York: Oxford University Press, 2005).Google Scholar
Magnusson, Lynne, Shakespeare and Social Dialogue (Cambridge: Cambridge University Press, 1999).CrossRefGoogle Scholar
Malcomson, Christina, “‘What You Will’: Social Mobility and Gender in Twelfth Night”, in The Matter of Difference, edited by Wayne, Valerie (Ithaca: Cornell University Press, 1991).Google Scholar
Marlowe, Christopher, Doctor Faustus, in English Renaissance Drama, edited by Engle, Lars, Bevington, David, and Maus, Katherine Eisaman (New York and London: W.W. Norton, 2002).Google Scholar
Marotti, Arthur F., “‘Love is not Love’: Elizabethan Sonnet Sequences and the Social Order”, English Literary History 49 (1982), 396–428.CrossRefGoogle Scholar
Marx, Karl, and Engels, Friedrich, Manifesto of the Communist Party (Moscow: Foreign Languages Publishing House, 1951).Google Scholar
Maus, Katherine Eisamen, Inwardness and Theater in the English Renaissance (Chicago and London: University of Chicago Press, 1995).Google Scholar
Mauss, Marcel, The Gift: The Form and Reason for Exchange in Archaic Societies, translated by W. D. Halls (New York: W.W. Norton, 2000).Google Scholar
McMillin, Scott, “The Sharer and his Boy: Rehearsing Shakespeare's Women”, in From Script to Stage in Early Modern England, edited by Holland, Peter and Orgel, Stephen (Basingstoke: Palgrave Macmillan, 2004), pp. 231–45.Google Scholar
Mertes, Kate, The English Noble Household 1250–1600 (Oxford: Blackwell, 1988).Google Scholar
Montaigne, Michel de, The Essays of Montaigne, edited by Stewart, J. I. M., translated by John Florio (New York: The Modern Library, n.d.).Google Scholar
Milton, John, The Doctrine and Discipline of Divorce (London, 1644).Google Scholar
Moisan, Thomas, “‘Knock Me Here Soundly’: Comic Misprision and Class Consciousness in Shakespeare”, Shakespeare Quarterly 42 (1991), 276–90.CrossRefGoogle Scholar
Montrose, Louis Adrian, “‘The Place of a Brother’ in As You Like It: Social Process and Comic Form”, Shakespeare Quarterly 32 (1981), 28–54.CrossRefGoogle Scholar
Neill, Michael, Putting History to the Question: Power, Politics and Society in English Renaissance Drama (New York: Columbia University Press, 2000).Google Scholar
Michael Neill, “‘He that thou knowest thine’: Friendship and Service in Hamlet,” in A Companion to Shakespeare's Works: Volume 1, The Tragedies, edited by Dutton, Richard and Howard, Jean (Malden and Oxford: Blackwell, 2003), 319–38.CrossRefGoogle Scholar
Neill, Michael, “‘His Master's Ass’: Slavery, Service, and Subordination in Othello”, in Shakespeare in the Mediterranean, edited by Wells, Stanley and Clayton, Tom (Newark: University of Delaware Press, 2003).Google Scholar
Neill, Michael, “Servile Ministers”: Othello, King Lear and the Sacralization of Service (Vancouver: Lonsdale Press, 2004).Google Scholar
Neill, Michael, “‘A Woman's Service’: Gender, Subordination, and the Erotics of Rank in the Drama of Shakespeare and His Contemporaries”, The Shakespearean International Yearbook 5 (2005), 127–46.Google Scholar
Newman, Karin, Fashioning Femininity and English Renaissance Drama (Chicago and London: University of Chicago Press, 1991).Google Scholar
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge: Cambridge University Press, 1996).Google Scholar
Paster, Gail Kern, Humoring the Body (Chicago and London: University of Chicago Press, 2005).Google Scholar
Perkins, William, Christian Oeconomy (London, 1590).Google Scholar
Petrarch, Francis, Petrach's Secret or the Soul's Conflict with Passion: Three Dialogues between Himself and S. Augustine, translated by William H. Draper (London: Chaotto and Windus, 1911).Google Scholar
Pollard, Tanya, (ed.) Shakespeare's Theatre: A Sourcebook (Oxford: Blackwell, 2004).
Pugliatti, Paola, Beggary and Theatre in Early Modern England (Aldershot: Ashgate, 2003).Google Scholar
Rackin, Phyllis, “Shakespeare's Boy Cleopatra, the Decorum of Nature, and the Golden World of Poetry”, PMLA (March 1972), 201–12.CrossRefGoogle Scholar
Rackin, Phyllis, Staging History: Shakespeare's English Chronicles (Ithaca: Cornell University Press, 1990).Google Scholar
Reynolds, Edward, A Treatise of the Passions and Faculties of the Soul of Man (London, 1640).Google Scholar
Richardson, R. C., “Social Engineering in Early Modern England: Masters, Servants, and the Godly Discipline”, Clio 33 (Winter 2004), 163–87.Google Scholar
Robbins, Bruce, The Servant's Hand (New York: Columbia University Press, 1986).Google Scholar
Roberts, Sasha, “Reading Shakespeare's Tragedies of Love: Romeo and Juliet, Othello, and Antony and Cleopatra in Early Modern England”, in A Companion to Shakespeare's Works: Vol. 1 The Tragedies, edited by Dutton, Richard and Jean, E. Howard (Oxford: Blackwell, 2003), pp. 108–33.CrossRefGoogle Scholar
Rose, M. B., The Expense of Spirit: Love and Sexuality in English Renaissance Drama (Ithaca, N.J.: Cornell University Press, 1988).Google Scholar
Roe, John, Shakespeare and Machiavelli (Cambridge: D. S. Brewer, 2002).Google Scholar
Rowe, Katherine, Paster, Gail Kern, and Mary, Floyd-Watson (eds.), Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia: University of Pennsylvania Press, 2005).Google Scholar
Rubin, Miri, The Hollow Crown: A History of Britain in the Late Middle Ages (Harmondsworth: Penguin, 2005).Google Scholar
Rutter, Carol Chillington, Enter the Body: Women and Representation on Shakespeare's Stage (London and New York: Methuen, 2001).CrossRefGoogle Scholar
Ryan, Kiernan, “Romeo and Juliet: The Language of Tragedy”, in The Taming of the Text: Exploration in Language, Literature and Culture, edited by Peer, Willie (The Hague: Ministry of Housing and Physical Planning, Information Department, 1988), pp. 106–21.Google Scholar
Schalkwyk, David, “‘A Woman's “Verily” Is as Potent as a Lord's’: Woman, Word, and Witchcraft in The Winter's Tale”, English Literary Renaissance 22 (Spring 1992), 242–72.CrossRefGoogle Scholar
Schalkwyk, David, Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge: Cambridge University Press, 2002).CrossRefGoogle Scholar
Schalkwyk, David, Literature and the Touch of the Real (Newark: University of Delaware Press, 2004).Google Scholar
Schalkwyk, David, “Love and Service in The Taming of the Shrew and All's Well That Ends Well”, in International Shakespearean Yearbook, edited by Bradshaw, Graham, Bishop, Tom, and Neill, Michael (Aldershot, Hants: Ashgate, 2005).Google Scholar
Schoenbaum, Samuel, William Shakespeare: A Compact Documentary Life (Oxford: Clarendon Press, 1977).Google Scholar
Searle, John R., Speech Acts: An Essay in the Philosophy of Language (Cambridge: Cambridge University Press, 1969).CrossRefGoogle Scholar
Sedgewick, Eve Kosofsy, Between Men: English Literature and Male Homosexual Desire (New York: Columbia University Press, 1985).Google Scholar
Shakespeare, William, “Introduction”, in The Two Gentlemen of Verona, edited by Leech, Clifford (London: Methuen, 1972), pp. xiii–lxxv.Google Scholar
Shakespeare, William, Shakespeare's Sonnets, edited by Booth, Stephen (New Haven and London: Yale University Press, 1978).Google Scholar
Shakespeare, William, “Introduction”, in The Taming of the Shrew, edited by Thompson, Ann (Cambridge: Cambridge University Press, 1984).Google Scholar
Shannon, Laurie, Sovereign Amity: Figures of Friendship in Shakespearean Contexts (Chicago: University of Chicago Press, 2002).Google Scholar
Shaw, George Bernard, Three Plays for Puritans (London: Faber and Faber, 1930).Google Scholar
Shklovsky, V., “‘Art as Technique’”, in Russian Formalist Criticism: Four Essays, edited by Lemon, Lee T. (Lincoln: University of Nebraska Press, 1965), pp. 3–98.Google Scholar
Shuger, Deborah Kuller, Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture (Toronto: University of Toronto Press, 1997).Google Scholar
Sinfield, Alan, “How to Read The Merchant of Venice without Being Heterosexist”, in Alternative Shakespeares 2, edited by Hawkes, Terence (London and New York: Routledge, 1996), pp. 122–39.Google Scholar
Singer, Irving, The Nature of Love 1: Plato to Luther, 2nd ed. (Chicago and London: Chicago University Press, 1984).Google Scholar
Singer, Irving, The Nature of Love 2: Courtly and Romantic, 2nd ed. (Chicago: Chicago University Press, 1984).Google Scholar
Singh, Jyotsna, “Renaissance Anti-Theatricality, Anti-Feminsim, and Shakespeare's Antony and Cleopatra”, Renaissance Drama 20 (1989), 99–119.CrossRefGoogle Scholar
Skura, Meredith Anne, “Discourse and the Individual: The Case of Colonialism in The Tempest”, Shakespeare Quarterly 40 (1989), 42–69.CrossRefGoogle Scholar
Skura, Meredith Anne, Shakespeare the Actor and the Purpose of Playing (Chicago and London: University of Chicago Press, 1993).Google Scholar
Smith, Bruce R., Homosexual Desire in Shakespeare's England: A Cultural Poetics (Chicago and London: University of Chicago Press, 1991).Google Scholar
Southern, R. W., The Making of the Middle Ages (London: Hutchinson, 1953).Google Scholar
Spivack, Bernard, Shakespeare and the Allegory of Evil (New York: Columbia University Press, 1958).Google Scholar
Starkey, David, The English Court: From the Wars of the Roses to the Civil War (London: Longman, 1987).Google Scholar
Stone, Lawrence, The Crisis of the Aristocracy 1558–1641 (Oxford: Clarendon Press, 1965).Google Scholar
Stone, Lawrence, The Family, Sex and Marriage in England, 1500–1800 (London: Weidenfeld and Nicolson, 1977).Google Scholar
Strachey, William, “A True Repertory of the Wreck and Redemption of Sir Thomas Gates, Knight, Upon and from the Islands of the Bermudas”, in Haklytus Posthumus or Purchas His Pilgrimes (1625) (Glasgow: James MacLehose and Sons, 1906), XIX pp. 5–72.Google Scholar
Strier, Richard, “Faithful Servants: Shakespeare's Praise of Disobedience”, in The Historical Renaissance: New Essays in Tudor Literature and Culture, edited by Dubrow, Heather and Strier, Richard (Chicago and London: University of Chicago Press, 1988), pp. 104–33.Google Scholar
Tacitus, , The Annals of Imperial Rome, translated by M. Grant (Harmondsworth: Penguin, 1964).Google Scholar
Tasso, Torquato, The Householders Philosophie (London: Thomas Hacket, 1588).Google Scholar
Thompson, E. P., The Poverty of Theory and Other Essays (London: Merlin, 1978).Google Scholar
Tillyard, E. M. W., The Elizabethan World Picture (London: Chatto and Windus, 1943).Google Scholar
Todorov, Tzvetan, The Imperfect Garden: The Legacy of Humanism, translated by Carol Cosman (Princeton and Oxford: Princeton University Press, 2002).Google Scholar
Traub, Valerie, “The Homoerotics of Shakespearean Comedy”, in Shakespeare: An Anthology of Criticism and Theory 1945–2000, edited by McDonald, Russ (Oxford: Blackwell, 2004), pp. 704–26.Google Scholar
Turner, Henry S., “The Problem of the More-Than-One: Friendship, Calculation, and Political Association in The Merchant of Venice”, Shakespeare Quarterly 57 (2006), 412–42.CrossRefGoogle Scholar
Vendler, Helen, The Art of Shakespeare's Sonnets (Cambridge and London: Harvard University Press, 1997).Google Scholar
Vickers, Brian, Shakespeare, Co-Author (Oxford: Oxford University Press, 2002).Google Scholar
Vickers, Nancy, “Diana Described: Scattered Woman and Scattered Rhyme”, Critical Inquiry VIII (1981), 265–79.CrossRefGoogle Scholar
Vitkus, Daniel, “‘Meaner Minsiters’: Mastery, Bondage, and Theatrical Labour in The Tempest”, in A Companion to Shakespeare's Works, Vol. 4: The Poems, Problem Comedies, Late Plays, edited by Dutten, Richard and Jean, E. Howard (Oxford: Blackwell, 2003), pp. 408–26.CrossRefGoogle Scholar
Wall, Wendy, Staging Domesticity: Household Work and English Identity in Early Modern Drama (Cambridge: Cambridge University Press, 2002).Google Scholar
Webster, John, The Duchess of Malfi, in English Renaissance Drama: A Norton Anthology, edited by Engle, Lars, Bevington, David, and Maus, Katherine Eisamen (London and New York: W.W. Norton, 2002).Google Scholar
Weil, Judith, Service and Dependency in Shakespeare's Plays (Cambridge: Cambridge University Press, 2005).CrossRefGoogle Scholar
Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function, edited by Schwartz, Robert (Baltimore: Johns Hopkins University Press, 1987).Google Scholar
Weimann, Robert, “Bifold Authority in Shakespeare's Theater”, Shakespeare Quarterly 39 (1988), 401–17.CrossRefGoogle Scholar
Weimann, Robert, “Shakespeare (De)Canonized: Conflicting Uses of ‘Authority’ and ‘Representation,’New Literary History, 20 (1988), 65–81.CrossRefGoogle Scholar
Weimann, Robert, “Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater”, New Literary History 25 (1994), 789–808.CrossRefGoogle Scholar
Weimann, Robert, “Performance-Game and Representation in Richard III”, in Textual and Theatrical Shakespeare: Questions of Evidence, edited by Pechter, Edward (Iowa City: University of Iowa Press, 1996).Google Scholar
Weimann, Robert, Author's Pen and Actor's Voice (Cambridge: Cambridge University Press, 2000).CrossRefGoogle Scholar
Whittier, Gayle, “The Sonnet's Body and the Body Sonnetized in Romeo and Juliet”, Shakespeare Quarterly 40 (Spring 1989), 27–41.CrossRefGoogle Scholar
Whythorne, Thomas, The Autobiography of Thomas Whythorne, edited by James, M. Osborne (Oxford: Oxford University Press, 1962).Google Scholar
Carroll, William, Fat King and Lean Beggar. The Representation of Poverty in Early Modern England (Ithaca: Cornell University Press, 1994).Google Scholar
Williams, Raymond, Marxism and Literature (Oxford: Oxford University Press, 1977).Google Scholar
Williams, Raymond, The Country and the City (London: Hogarth Press, 1985).Google Scholar
Wilson, Richard, “Like the Old Robin Hood; As You Like It and the Enclosure Riots”, in Will Power (Hemel Hempstead: Harverster Wheatsheaf, 1993), pp. 63–82.Google Scholar
Wilson, Richard, Will Power: Essays on Shakespearean Authority (Detroit: Wayne State University Press, 1993).Google Scholar
Wittgenstein, Ludwig, Philosophical Investigations, edited and translated by Anscombe, G. E. M. (Oxford: Blackwell, 1953).Google Scholar
Wittgenstein, Ludwig, Lectures and Conversation on Aesthetics, Psychology, and Religious Belief, edited by Barrett, C. (Oxford: Blackwell, 1966).Google Scholar
Wittgenstein, Ludwig, The Blue and Brown Books (Oxford: Blackwell, 1969).Google Scholar
Wittgenstein, Ludwig, On Certainty, edited by Anscombe, G. E. M. and Wright, G. H., translated by Denis Paul and G. E. M. Anscombe (Oxford: Blackwell, 1979).Google Scholar
Wittgenstein, Ludwig, Remarks on the Philosophy of Psychology Vol. 2, edited by Wright, G. H. and Nyman, H., translated by C. J. Luckhardt and M. A. E. Aue (Oxford: Blackwell, 1980).Google Scholar
Wofford, Susanne, “‘To You I Give Myself for I Am Yours’: Erotic Performance and Theatrical Performatives in As You Like It”, in Shakespeare Reread: The Texts in New Contexts, edited by McDonald, Russ (Ithaca: Cornell University Press, 1994), pp. 147–69.Google Scholar
Wright, Thomas, The Passions of the Minde in General (London, 1640).Google Scholar
Wrightson, Keith, “‘Sorts of People’ in Tudor and Stuart England”, in The Middling Sort of People: Culture, Society and Politics in England, 1550–1800, edited by Barry, Jonathan and Brooks, Christopher (London: Macmillan, 1994), pp. 28–51.CrossRefGoogle Scholar
Wrightson, Keith, “The Politics of the Parish in Early Modern England,” in The Experience of Authority in Early Modern England, edited by Griffiths, Paul, Fox, Adam and Hindle, Steve (London: Macmillan, 1996), pp. 10–46.CrossRefGoogle Scholar
Wrightson, Keith, Earthly Necessities: Economic Lives in Early Modern Britain, 1470–1750 (Harmondsworth: Penguin, 2002).Google Scholar
Wrightson, Keith, English Society 1580–1680 (London and New York: Routledge, 2003).Google Scholar
Adelman, Janet, The Common Liar (New Haven and London: Yale University Press, 1973).Google Scholar
Alpers, Paul, What Is Pastoral? (Chicago and London: University of Chicago Press, 1996).CrossRefGoogle Scholar
Althusser, Louis, “Ideological State Apparatuses”, in Reading Capital, edited by Brewster, Ben (London: New Left Books, 1970).Google Scholar
Amussen, Susan Dyer, An Ordered Society: Gender and Class in Early Modern Society (New York: Columbia University Press, 1988).Google Scholar
,Anonymous, The Taming of a Shrew, facsimile by C. Praetorius (London, 1886).Google Scholar
Ariès, Phillippe and Duby, Georges, A History of Private Life, Volume II, Revelations of the Medieval World, translated by Arthur Goldhammer (Cambridge: Belknap, 1988).Google Scholar
Austin, J. L., How to Do Things with Words (Oxford: Oxford University Press, 1975).CrossRefGoogle Scholar
Austin, William, Haec Homo. Wherein the Excellency of the Creation of Woman is Described. By Way of an Essay (London, 1637).Google Scholar
Bacon, Francis, “Of Love”, in Essays, Civil and Moral and The New Atlantis, edited by Charles, W. Eliot (New York: P. F. Collier and Son, 1937), pp. 26–7.Google Scholar
Barish, John, and Waingrow,, Marshal‘Service’ in King Lear”, Shakespeare Quarterly 9 (1958), 347–55.CrossRefGoogle Scholar
Barker, Francis, and Peter Hulme, “Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest”, in Alternative Shakespeares, edited by Drakakis, John (London: Methuen, 1985), pp. 191–205.Google Scholar
Barry, Jonathan and Brooks, Christopher, The Middling Sort of People: Culture, Society and Politics in England, 1550–1800 (London: Macmillan, 1994).CrossRefGoogle Scholar
Beier, A. L., Masterless Men: The Vagrancy Problem in England 1560–1640 (London: Methuen, 1985).Google Scholar
Belsey, Catherine, “Love in Venice”, in Shakespeare and Gender, edited by Barker, Deborah and Kamps, Ivo (London and New York: Verso, 1995), pp. 196–213.Google Scholar
Belsey, Catherine, Desire: Love Stories in Western Culture (Oxford: Blackwell, 1994).Google Scholar
Berger, Harry Jr., Making Trifles of Terrors: Redistributing Complicities in Shakespeare (Stanford: Stanford University Press, 1997).Google Scholar
Bernard, John, and McKenzie, D. F. (eds.), The Cambridge History of the Book in Britain, Volume IV: 1557–1695 (Cambridge: Cambridge University Press, 2002).CrossRefGoogle Scholar
Bishop, T. G., Shakespeare and the Theatre of Wonder (Cambridge: Cambridge University Press, 1996).CrossRefGoogle Scholar
Bloom, Alan, Shakespeare on Love and Friendship (Chicago: University of Chicago Press, 2000).Google Scholar
Brathwait, Richard, The English Gentleman (London, 1630).Google Scholar
Bristol, Michael, Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England (London and New York: Methuen, 1985).Google Scholar
Michael, D. Bristol, “In Search of the Bear: Spatiotemporal Form and the Heterogeneity of Economies in The Winter's Tale,” Shakespeare Quarterly 42 (1991), 145–67.Google Scholar
Brown, J. R., Shakespeare and His Comedies (London: Methuen, 1957).Google Scholar
Brown, Paul, “‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism”, in Political Shakespeare: Essays in Cultural Materialism, 2nd ed., edited by Dollimore, Jonathan and Sinfield, Alan (Ithaca and London: Cornell University Press, 1994), pp. 48–71.Google Scholar
Burnett, Mark Thornton, “‘The Trusty Servant’: A Sixteenth-Century English Emblem”, Emblematica 6 (1992), 237–54.Google Scholar
Burnett, Mark Thornton, Masters and Servants in English Renaissance Drama and Culture (Basingstoke and New York: Palgrave Macmillan, 1997).CrossRefGoogle Scholar
Burnett, Mark Thornton, Constructing ‘Monsters’ in Shakespearean Drama and Early Modern Culture (Basingstoke: Palgrave, 2002).CrossRefGoogle Scholar
Burnett, Mark Thornton, “King Lear, Service and the Deconstruction of Protestant Idealism”, in International Shakespeare Yearbook 5, edited by Bradshaw, Greham and Bishop, Tom (Aldershot: Ashgate, 2005), pp. 66–85.Google Scholar
Callaghan, Dympna, “The Ideology of Romantic Love: The Case of Romeo and Juliet”, in The Weyward Sisters: Shakespeare and Feminist Politics, edited by Callaghan, Dympna, Helms, Loraine and Singh, Jyotsna (Oxford: Blackwell, 1994), pp. 59–101.Google Scholar
Cavell, Stanley, Disowning Knowledge in Seven Plays by Shakespeare, updated ed. (Cambridge: Cambridge University Press, 2003).CrossRefGoogle Scholar
Charney, Maurice, Shakespeare on Love and Lust (New York: Columbia University Press, 2001).Google Scholar
Chartier, Roger (ed.), A History of Private Life, Volume III, Passions of the Renaissance, translated by Arthur Goldhammer (Cambridge: Belknap, 2003).Google Scholar
Coefetteau, Nicholas, A Table of the Passions. With Their Causes and Effects, translated by Edward Grimerton (London, 1621).Google Scholar
Cognatus, Gilbertus, Of the Office of Servavnts, translated by Thomas Chaloner (London, 1534).Google Scholar
Coleridge, S. T.Coleridge's Shakespearean Criticism, 2 Vols., edited by Raysor, T. M. (1930).
Cook, Carol, “‘The Sign and Semblance of Her Honour’: Reading Gender Difference in Much Ado”, PMLA 101 (1986), 186–202.CrossRefGoogle Scholar
Danby, John, Elizabethan and Jacobean Poets (London: Faber and Faber, 1952).Google Scholar
Darrell, Walter, A Short Discourse of the Life of Servingmen (London, 1578).Google Scholar
Davis, Lloyd, “Desire and Presence in Romeo and Juliet”, Shakespeare Survey 49 (1996), 57–67.Google Scholar
Deakin, Simon and Wilkinson, Frank, The Law of the Labour Market: Industrialization, Employment, and Legal Evolution (Oxford: Oxfoed University Press, 2005).CrossRefGoogle Scholar
Derrida, Jacques, Speech and Phenomena and Other Essays on Husserl's Theory of Signs, translated by David B. Allison (Evanston: Northwestern University Press, 1973).Google Scholar
Derrida, Jacques, Limited Inc. (Evanston: Northwestern University Press, 1988).Google Scholar
Derrida, Jacques, “Aphorism Countertime”, in Acts of Literature, edited by Attridge, Derek (London and New York: Routledge, 1992), pp. 414–34.Google Scholar
Derrida, Jacques, Given Time: I. Counterfeit Money, translated by Peggy Kamuf (Chicago and London: Chicago University Press, 1992).Google Scholar
Derrida, Jacques, “Passions: ‘An Oblique Offering’”, in On the Name, edited by Toit, Thomas du (Stanford: Stanford University Press, 1995), pp. 3–31.Google Scholar
Derrida, Jacques, Politics of Friendship, translated by George Collins (London and New York: Verso, 1997).Google Scholar
DiGangi, Mario, “Asses and Wits: The Homoerotics of Mastery in Satiric Comedy,” English Literary Renaissance 25 (1995), 179–208.CrossRefGoogle Scholar
Dod, John, and Cleaver, Robert, A Godly Forme of Household Gouernment (London: R. Field, 1630).Google Scholar
Dusinberre, Juliet, Shakespeare and the Nature of Women (London: Methuen, 1975).Google Scholar
Elam, Keir, “The Fertile Eunuch: Twelfth Night, Early Modern Discourse, and the Fruits of Castration,” Shakespeare Quarterly 47 (1996), 1–36.CrossRefGoogle Scholar
Ebreo, Leone, The Philosophy of Love, translated by F. Friedeberg-Seeley and Jean H. Barnes (London: The Soncino Press, 1937).Google Scholar
Eliot, T. S., Selected Essays (London: Faber and Faber, 1934).Google Scholar
Elton, G. R., England under the Tudors (London: Methuen, 1974).Google Scholar
Elton, William, ‘King Lear’ and the Gods (San Marino, CA: Huntington Library, 1966).Google Scholar
Engle, Lars, Shakespearean Pragmatism: Market of His Time (Chicago: University of Chicago Press, 1993).Google Scholar
Engle, Lars, “‘I Am That I Am’: Shakespeare's Sonnets and the Economy of Shame”, in Shakespeare's Sonnets: Critical Essays, edited by Schiffer, James (New York and London: Garland, 1999), pp. 185–98.Google Scholar
Everet, Barbara, “Romeo and Juliet: The Nurse's Story”, Critical Quarterly 14 (1972), 129–39.CrossRefGoogle Scholar
Evett, David, “‘Surprising Confrontations’: Ideologies of Service in Shakespeare's England”, Renaissance Papers 1990 (1990), 67–78.Google Scholar
Evett, David, Discourses of Service in Shakespeare's England (Basingstoke and New York: Palgrave Macmillan, 2005).CrossRefGoogle Scholar
Fernie, Ewan, “Shakespeare and the Prospect of Presentism”, Shakespeare Survey 58 (2005), 169–84.Google Scholar
Fernie, Ewan, Shame in Shakspeare (London and New York: Routledge, 2002).
Fernie, Ewan (ed.), Spiritual Shakespeares (London and New York: Routledge, 2005).Google Scholar
Ferrand, James, Erotomania, or A Treatise Discoursing of the Essence, Causes, and Syptoms, Prognosticks, and Cure of Love, or Erotique Melancholy, 2nd ed. (London, 1645).Google Scholar
Ficino, Marsilio, Marsilio Ficino's Commantary on Plato's Symposium, translated by Reynold Jayne Sears (Columbia: University of Missouri Press, 1944).Google Scholar
Fineman, Joel, Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets (Berkeley, Los Angeles and London: University of California Press, 1986).Google Scholar
Fitz, Linda T., “Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism”, Shakespeare Quarterly 28 (Summer 1977), 297–316.CrossRefGoogle Scholar
Fletcher, John, and Anthony, Stevenson, (eds.), Order and Disorder in Early Modern England (Cambridge: Cambridge University Press, 1985).CrossRefGoogle Scholar
Fosset, Thomas, The Seruants Dutie or the Calling and Condition of Seruants (London: G. Eld, 1613).Google Scholar
Fraser, Antonia, The Weaker Vessel: Women's Lot in Seventeenth-Century England (London: Phoenix Press, 2002).Google Scholar
French, Marilyn, Shakespeare's Division of Experience (London, 1982).Google Scholar
French, Marilyn, “Antony and Cleopatra”, in Antony and Cleopatra: Contemporary Critical Essays, edited by Drakakis, John (London: Macmillan, 1994), pp. 262–76.Google Scholar
Freud, Sigmund, “The Uncanny”, in Collected Papers, IV, translated by Joan Riviere (London: Hogarth Press, 1948).Google Scholar
Freud, Sigmund, Civilization and Its Discontents, edited by Strachey, James, translated by Joan Riviere (London: The Hogarth Press, 1973).Google Scholar
Friedman, Alice T., House and Household in Elizabethan England: Wollaton Hall and the Willoughby Family (Chicago: University of Chicago Press, 1989).Google Scholar
Fuchs, Barbara, “Conquering Islands: Contextualizing The Tempest”, Shakespeare Quarterly 48 (1997), 45–62.CrossRefGoogle Scholar
Garber, Marjorie, Shakespeare after All (New York: Pantheon, 2005).Google Scholar
Gibson, John, “Between Truth and Triviality”, British Journal of Aesthetics 43 (2003), 224–237.CrossRefGoogle Scholar
Girouard, Mark, Life in the English Country House: A Social and Architechtural History (New Haven: Yale University Press, 1978).Google Scholar
Goldberg, Jonathan, “Romeo and Juliet's Open Rs”, in Romeo and Juliet: Contemporary Essays, edited by White, R. S. (Basingstoke: Palgrave, 2001), pp. 194–211.CrossRefGoogle Scholar
Goldberg, P. J. P., Women, Work, and Life Cycle in a Medieval Economy: Women in York and Yorkshire c. 1300–1520 (Oxford: Clarendon Press, 1992).CrossRefGoogle Scholar
Gouge, William, Of Domesticall Dvties: Eight Treatises (London, 1622).Google Scholar
Gournay, Marie le Jars de, Preface to the “Essays” of Michel de Montaigne by his Adoptive Daughter, translated and edited by Hillman, Richard and Quesnel, Colette (Tempe, Arizona: Medieval and Renaissance Texts and Studies, 1998).
Grady, Hugh, Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to Hamlet (Oxford: Oxford University Press, 2002).CrossRefGoogle Scholar
Grady, Hugh, and Hawkes, Terence, Presentist Shakespeares (London and New York: Routledge, 2007).Google Scholar
Greenblatt, Stephen, “Friction and Fiction”, in Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Berkeley and Los Angeles: University of California Press, 1988), pp. 66–93.Google Scholar
Greenblatt, Stephen, “Resonance and Wonder”, in Learning to Curse (London: Routledge, 1990), pp. 161–83.Google Scholar
Greenblatt, Stephen, Will in the World: How Shakespeare Became Shakespeare (London: Jonathan Cape, 2005).Google Scholar
Greene, John, A Refutation of the Apology for Actors (London, 1615).Google Scholar
Greene, Thomas M., “Pitiful Thrivers: Failed Husbandry in the Sonnets”, in Shakespeare and the Question of Theory, edited by Parker, Patricia and Hartmann, Geoffrey (London and New York: Methuen, 1985), pp. 230–44.CrossRefGoogle Scholar
Gross, Kenneth, The Dream of the Moving Statue (Ithaca: Cornell University Press, 1992).Google Scholar
Gross, Kenneth, “Slander and Scepticism in Othello”, English Literary History 56 (Winter 1989), 819–52.CrossRefGoogle Scholar
Guazzo, Stefano, The Ciuile Conuersation of M. Stephen Guazzo, Translated Out of French by M. Pettie (London, 1586).Google Scholar
Gurr, Andrew, The Shakespearean Stage 1574–1642, 3rd ed. (Cambridge: Cambridge University Press, 1992).Google Scholar
Harman, T., A Caveat or Warening for Common Cvrsetors, Vulgarly Called Beggars (London, 1567).Google Scholar
Harrison, William, The Description of England, edited by Edelen, George (Ithaca: Cornell University Press for the Folger Shakespeare Library, 1968).Google Scholar
Hawkes, Terence, Shakespeare's Talking Animals: Language and Drama in Society (London: Edward Arnold, 1975).Google Scholar
Hawkes, Terence, Shakespeare in the Present (London: Routledge, 2002).Google Scholar
Hay, Douglas, “Master and Servant in England: Using the Law in the Eighteenth and Nineteenth Centuries”, in Private Law and Social Inequality in the Industrial Age: Comparing Legal Cultures in Britain, France, Germany, and the United States, edited by Steinmetz, Willibald (Oxford: Oxford University Press, 2000), pp. 227–64.Google Scholar
Hay, Douglas, and Craven, Paul, Masters, Servants, and Magistrates in Britain and the Empire, 1562–1955 (Chapel Hill and London: University of North Carolina Press, 2004).Google Scholar
Hegel, G. W. F., The Phenomenology of Mind, translated by J. B. Baillie (New York: Harper Torchbooks, 1967).Google Scholar
Hegel, Georg W. F., Phenomenology of Spirit, translated by A. V. Miller (Oxford: Oxford University Press, 1977).Google Scholar
Heinemann, Margot, “‘Let Rome in Tiber Melt’: Order and Disorder in Antony and Cleopatra”, in Antony and Cleopatra: Contemporary Critical Essays, edited by Drakakis, John (London: Macmillan, 1994), pp. 166–81.Google Scholar
Hobsbawm, Eric, Industry and Empire (Harmondsworth: Penguin, 1968).Google Scholar
Honan, Park, Shakespeare: A Life (Oxford: Oxford University Press, 1998).Google Scholar
Houlbrooke, Ralph, The English Family: 1450–1700 (London: Longman, 1984).Google Scholar
Horowitz, Maryanne Cline, “Marie de Gournay, Editor of the Essais of Michel de Montaigne: A Case-Study in Mentor-Protegee Friendship”, Sixteenth Century Journal, 17 (1986), 271–84.CrossRefGoogle Scholar
Howard, Jean, “Renaissance Antitheatricality and the Politics of Gender and Rank in Much Ado about Nothing”, in Shakespeare Reproduced, edited by Jean, E. Howard and Marion, F. O'Connor (New York: Routledge, 1987), pp. 163–87.Google Scholar
Hulme, Peter, Colonial Encounters: Europe and the Native Caribbean, 1492–1796 (London: Methuen, 1986).Google Scholar
Hunt, Maurice, “Slavery, English Servitude, and The Comedy of Errors”, ELR 27 (1997), 31–56.Google Scholar
Hunt, Maurice, “‘Bearing Hence’: Shakespeare's The Winter's Tale”, SEL 44 (2004), 333–346Google Scholar
Hunt, Maurice, Shakespeare's Religious Allusiveness: Its Play and Tolerance (Alderhsot: Ashgate, 2004).Google Scholar
Hutton, Ronald, The Rise and Fall of Merry England (Oxford: Oxford University Press, 1994).CrossRefGoogle Scholar
Ingram, William, The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London (Ithaca: Cornell University Press, 1992).Google Scholar
Ingram, William, “The Economics of Playing”, in A Companion to Shakespeare, edited by Kastan, David Scott (Oxford: Blackwell, 1999), pp. 313–27.CrossRefGoogle Scholar
International Shakespearean Yearbook, edited by Graham Bradshaw, , Bishop, Tom, and Neill, Michael (Aldershot: Ashgate, 2005).Google Scholar
I. M., , A Health to the Gentlemanly Profession of Seruingmen (London, 1598).Google Scholar
Jackson, Ken, “‘One Wish’ or the Possibility of the Impossible: Derrida, the Gift, and Timon of Athens”, Shakespeare Quarterly 52 (2001), 34–66.CrossRefGoogle Scholar
Jardine, Lisa, Still Harping on Daughters: Women and Drama in the Age of Shakespeare (Brighton: Harvester, 1983).Google Scholar
Jardine, Lisa, Reading Shakespeare Historically (London and New York: Routledge, 1996).Google Scholar
Dollimore, Jonathan, “King Lear (c. 1605–6) and Essential Humanism”, in Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries (Brighton: Harvester, 1984), pp. 189–203.Google Scholar
Joubert, Elsa, The Long Journey of Poppie Nongena (Johannesburg: Jonathan Ball, 1980).Google Scholar
Kantorowicz, Ernst, The King's Two Bodies: A Study in Medieval Political Theology (Princeton: Princeton University Press, 1957).Google Scholar
Kermode, Frank, “Introduction”, in The Tempest, edited by Kermode, Frank (London: Methuen, 1954), pp. xxiv–lix.Google Scholar
Kernan, Alvin, Shakespeare, the King's Playwright: Theater in the Stuart Court, 1603–1613 (New Haven: Yale University Press, 1995).Google Scholar
Korda, Natasha, Shakespeare's Domestic Economies: Gender and Property in Early Modern England (Philadelphia: University of Pennsylvania Press, 2002).Google Scholar
Korda, Natasha, “Labours Lost: Women's Work and Early Modern Theatrical Commerce”, in From Script to Stage in Early Modern England, edited by Holland, Peter and Orgel, Stephen (Basingstoke: Macmillan Palgrave, 2004), pp. 195–230.Google Scholar
Krieger, Eliot, A Marxist Study of Shakespeare's Comedies (Totown: Barnes and Noble, 1979)
Kristeva, Julia, “‘Romeo and Juliet: Love-Hatred in the Couple’”, in Shakespearean Tragedy, edited by Drakakis, John (Harlow, Essex: Longman, 1992), pp. 296–315.Google Scholar
Kussmaul, Ann, Servants and Husbandry in Early Modern England (Cambridge: Cambridge University Press, 1981).CrossRefGoogle Scholar
Lamb, Mary Ellen, “Tracing a Heterosexual Erotics of Service in Twelfth Night and the Autobiographical Writings of Thomas Whythorne and Anne Clifford”, Criticism 40 (1998), 1–25.Google Scholar
Lamming, George, The Pleasures of Exile (London: Allison & Busby, 1984).Google Scholar
Laslett, Peter, The World We Have Lost, 3rd ed. (New York: Charles Scribner's Sons, 1984).Google Scholar
Laslett, Peter, and Wall, Richard (eds.), Household and Family in Past Time, (Cambridge: Cambridge University Press, 1972).CrossRefGoogle Scholar
Legatt, Alexander, Shakespeare's Comedy of Love (London: Methuen, 1974).Google Scholar
Leavis, F. R., “Diabolic Intellect and the Noble Hero … or The Sentimentalist's Othello”, in The Common Pursuit (Harmondsworth: Penguin, 1976).Google Scholar
Leinwand, Theodore, Theatre, Finance and Society in Early Modern England (Cambridge: Cambridge University Press, 1999).CrossRefGoogle Scholar
Lindley, David, Shakespeare and Music (London: Arden, 2006).Google Scholar
Loomba, Ania, Gender, Race, Renaissance Drama (Manchester: Manchester University Press, 1989).Google Scholar
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge: Cambridge University Press, 2003).Google Scholar
Macfarlane, Alan, Marriage and Love in England: Modes of Reproduction 1300–1840 (Oxford: Blackwell, 1986).Google Scholar
Machiavelli, Niccolo, The Prince, translated by Peter Bondanell (New York: Oxford University Press, 2005).Google Scholar
Magnusson, Lynne, Shakespeare and Social Dialogue (Cambridge: Cambridge University Press, 1999).CrossRefGoogle Scholar
Malcomson, Christina, “‘What You Will’: Social Mobility and Gender in Twelfth Night”, in The Matter of Difference, edited by Wayne, Valerie (Ithaca: Cornell University Press, 1991).Google Scholar
Marlowe, Christopher, Doctor Faustus, in English Renaissance Drama, edited by Engle, Lars, Bevington, David, and Maus, Katherine Eisaman (New York and London: W.W. Norton, 2002).Google Scholar
Marotti, Arthur F., “‘Love is not Love’: Elizabethan Sonnet Sequences and the Social Order”, English Literary History 49 (1982), 396–428.CrossRefGoogle Scholar
Marx, Karl, and Engels, Friedrich, Manifesto of the Communist Party (Moscow: Foreign Languages Publishing House, 1951).Google Scholar
Maus, Katherine Eisamen, Inwardness and Theater in the English Renaissance (Chicago and London: University of Chicago Press, 1995).Google Scholar
Mauss, Marcel, The Gift: The Form and Reason for Exchange in Archaic Societies, translated by W. D. Halls (New York: W.W. Norton, 2000).Google Scholar
McMillin, Scott, “The Sharer and his Boy: Rehearsing Shakespeare's Women”, in From Script to Stage in Early Modern England, edited by Holland, Peter and Orgel, Stephen (Basingstoke: Palgrave Macmillan, 2004), pp. 231–45.Google Scholar
Mertes, Kate, The English Noble Household 1250–1600 (Oxford: Blackwell, 1988).Google Scholar
Montaigne, Michel de, The Essays of Montaigne, edited by Stewart, J. I. M., translated by John Florio (New York: The Modern Library, n.d.).Google Scholar
Milton, John, The Doctrine and Discipline of Divorce (London, 1644).Google Scholar
Moisan, Thomas, “‘Knock Me Here Soundly’: Comic Misprision and Class Consciousness in Shakespeare”, Shakespeare Quarterly 42 (1991), 276–90.CrossRefGoogle Scholar
Montrose, Louis Adrian, “‘The Place of a Brother’ in As You Like It: Social Process and Comic Form”, Shakespeare Quarterly 32 (1981), 28–54.CrossRefGoogle Scholar
Neill, Michael, Putting History to the Question: Power, Politics and Society in English Renaissance Drama (New York: Columbia University Press, 2000).Google Scholar
Michael Neill, “‘He that thou knowest thine’: Friendship and Service in Hamlet,” in A Companion to Shakespeare's Works: Volume 1, The Tragedies, edited by Dutton, Richard and Howard, Jean (Malden and Oxford: Blackwell, 2003), 319–38.CrossRefGoogle Scholar
Neill, Michael, “‘His Master's Ass’: Slavery, Service, and Subordination in Othello”, in Shakespeare in the Mediterranean, edited by Wells, Stanley and Clayton, Tom (Newark: University of Delaware Press, 2003).Google Scholar
Neill, Michael, “Servile Ministers”: Othello, King Lear and the Sacralization of Service (Vancouver: Lonsdale Press, 2004).Google Scholar
Neill, Michael, “‘A Woman's Service’: Gender, Subordination, and the Erotics of Rank in the Drama of Shakespeare and His Contemporaries”, The Shakespearean International Yearbook 5 (2005), 127–46.Google Scholar
Newman, Karin, Fashioning Femininity and English Renaissance Drama (Chicago and London: University of Chicago Press, 1991).Google Scholar
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge: Cambridge University Press, 1996).Google Scholar
Paster, Gail Kern, Humoring the Body (Chicago and London: University of Chicago Press, 2005).Google Scholar
Perkins, William, Christian Oeconomy (London, 1590).Google Scholar
Petrarch, Francis, Petrach's Secret or the Soul's Conflict with Passion: Three Dialogues between Himself and S. Augustine, translated by William H. Draper (London: Chaotto and Windus, 1911).Google Scholar
Pollard, Tanya, (ed.) Shakespeare's Theatre: A Sourcebook (Oxford: Blackwell, 2004).
Pugliatti, Paola, Beggary and Theatre in Early Modern England (Aldershot: Ashgate, 2003).Google Scholar
Rackin, Phyllis, “Shakespeare's Boy Cleopatra, the Decorum of Nature, and the Golden World of Poetry”, PMLA (March 1972), 201–12.CrossRefGoogle Scholar
Rackin, Phyllis, Staging History: Shakespeare's English Chronicles (Ithaca: Cornell University Press, 1990).Google Scholar
Reynolds, Edward, A Treatise of the Passions and Faculties of the Soul of Man (London, 1640).Google Scholar
Richardson, R. C., “Social Engineering in Early Modern England: Masters, Servants, and the Godly Discipline”, Clio 33 (Winter 2004), 163–87.Google Scholar
Robbins, Bruce, The Servant's Hand (New York: Columbia University Press, 1986).Google Scholar
Roberts, Sasha, “Reading Shakespeare's Tragedies of Love: Romeo and Juliet, Othello, and Antony and Cleopatra in Early Modern England”, in A Companion to Shakespeare's Works: Vol. 1 The Tragedies, edited by Dutton, Richard and Jean, E. Howard (Oxford: Blackwell, 2003), pp. 108–33.CrossRefGoogle Scholar
Rose, M. B., The Expense of Spirit: Love and Sexuality in English Renaissance Drama (Ithaca, N.J.: Cornell University Press, 1988).Google Scholar
Roe, John, Shakespeare and Machiavelli (Cambridge: D. S. Brewer, 2002).Google Scholar
Rowe, Katherine, Paster, Gail Kern, and Mary, Floyd-Watson (eds.), Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia: University of Pennsylvania Press, 2005).Google Scholar
Rubin, Miri, The Hollow Crown: A History of Britain in the Late Middle Ages (Harmondsworth: Penguin, 2005).Google Scholar
Rutter, Carol Chillington, Enter the Body: Women and Representation on Shakespeare's Stage (London and New York: Methuen, 2001).CrossRefGoogle Scholar
Ryan, Kiernan, “Romeo and Juliet: The Language of Tragedy”, in The Taming of the Text: Exploration in Language, Literature and Culture, edited by Peer, Willie (The Hague: Ministry of Housing and Physical Planning, Information Department, 1988), pp. 106–21.Google Scholar
Schalkwyk, David, “‘A Woman's “Verily” Is as Potent as a Lord's’: Woman, Word, and Witchcraft in The Winter's Tale”, English Literary Renaissance 22 (Spring 1992), 242–72.CrossRefGoogle Scholar
Schalkwyk, David, Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge: Cambridge University Press, 2002).CrossRefGoogle Scholar
Schalkwyk, David, Literature and the Touch of the Real (Newark: University of Delaware Press, 2004).Google Scholar
Schalkwyk, David, “Love and Service in The Taming of the Shrew and All's Well That Ends Well”, in International Shakespearean Yearbook, edited by Bradshaw, Graham, Bishop, Tom, and Neill, Michael (Aldershot, Hants: Ashgate, 2005).Google Scholar
Schoenbaum, Samuel, William Shakespeare: A Compact Documentary Life (Oxford: Clarendon Press, 1977).Google Scholar
Searle, John R., Speech Acts: An Essay in the Philosophy of Language (Cambridge: Cambridge University Press, 1969).CrossRefGoogle Scholar
Sedgewick, Eve Kosofsy, Between Men: English Literature and Male Homosexual Desire (New York: Columbia University Press, 1985).Google Scholar
Shakespeare, William, “Introduction”, in The Two Gentlemen of Verona, edited by Leech, Clifford (London: Methuen, 1972), pp. xiii–lxxv.Google Scholar
Shakespeare, William, Shakespeare's Sonnets, edited by Booth, Stephen (New Haven and London: Yale University Press, 1978).Google Scholar
Shakespeare, William, “Introduction”, in The Taming of the Shrew, edited by Thompson, Ann (Cambridge: Cambridge University Press, 1984).Google Scholar
Shannon, Laurie, Sovereign Amity: Figures of Friendship in Shakespearean Contexts (Chicago: University of Chicago Press, 2002).Google Scholar
Shaw, George Bernard, Three Plays for Puritans (London: Faber and Faber, 1930).Google Scholar
Shklovsky, V., “‘Art as Technique’”, in Russian Formalist Criticism: Four Essays, edited by Lemon, Lee T. (Lincoln: University of Nebraska Press, 1965), pp. 3–98.Google Scholar
Shuger, Deborah Kuller, Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture (Toronto: University of Toronto Press, 1997).Google Scholar
Sinfield, Alan, “How to Read The Merchant of Venice without Being Heterosexist”, in Alternative Shakespeares 2, edited by Hawkes, Terence (London and New York: Routledge, 1996), pp. 122–39.Google Scholar
Singer, Irving, The Nature of Love 1: Plato to Luther, 2nd ed. (Chicago and London: Chicago University Press, 1984).Google Scholar
Singer, Irving, The Nature of Love 2: Courtly and Romantic, 2nd ed. (Chicago: Chicago University Press, 1984).Google Scholar
Singh, Jyotsna, “Renaissance Anti-Theatricality, Anti-Feminsim, and Shakespeare's Antony and Cleopatra”, Renaissance Drama 20 (1989), 99–119.CrossRefGoogle Scholar
Skura, Meredith Anne, “Discourse and the Individual: The Case of Colonialism in The Tempest”, Shakespeare Quarterly 40 (1989), 42–69.CrossRefGoogle Scholar
Skura, Meredith Anne, Shakespeare the Actor and the Purpose of Playing (Chicago and London: University of Chicago Press, 1993).Google Scholar
Smith, Bruce R., Homosexual Desire in Shakespeare's England: A Cultural Poetics (Chicago and London: University of Chicago Press, 1991).Google Scholar
Southern, R. W., The Making of the Middle Ages (London: Hutchinson, 1953).Google Scholar
Spivack, Bernard, Shakespeare and the Allegory of Evil (New York: Columbia University Press, 1958).Google Scholar
Starkey, David, The English Court: From the Wars of the Roses to the Civil War (London: Longman, 1987).Google Scholar
Stone, Lawrence, The Crisis of the Aristocracy 1558–1641 (Oxford: Clarendon Press, 1965).Google Scholar
Stone, Lawrence, The Family, Sex and Marriage in England, 1500–1800 (London: Weidenfeld and Nicolson, 1977).Google Scholar
Strachey, William, “A True Repertory of the Wreck and Redemption of Sir Thomas Gates, Knight, Upon and from the Islands of the Bermudas”, in Haklytus Posthumus or Purchas His Pilgrimes (1625) (Glasgow: James MacLehose and Sons, 1906), XIX pp. 5–72.Google Scholar
Strier, Richard, “Faithful Servants: Shakespeare's Praise of Disobedience”, in The Historical Renaissance: New Essays in Tudor Literature and Culture, edited by Dubrow, Heather and Strier, Richard (Chicago and London: University of Chicago Press, 1988), pp. 104–33.Google Scholar
Tacitus, , The Annals of Imperial Rome, translated by M. Grant (Harmondsworth: Penguin, 1964).Google Scholar
Tasso, Torquato, The Householders Philosophie (London: Thomas Hacket, 1588).Google Scholar
Thompson, E. P., The Poverty of Theory and Other Essays (London: Merlin, 1978).Google Scholar
Tillyard, E. M. W., The Elizabethan World Picture (London: Chatto and Windus, 1943).Google Scholar
Todorov, Tzvetan, The Imperfect Garden: The Legacy of Humanism, translated by Carol Cosman (Princeton and Oxford: Princeton University Press, 2002).Google Scholar
Traub, Valerie, “The Homoerotics of Shakespearean Comedy”, in Shakespeare: An Anthology of Criticism and Theory 1945–2000, edited by McDonald, Russ (Oxford: Blackwell, 2004), pp. 704–26.Google Scholar
Turner, Henry S., “The Problem of the More-Than-One: Friendship, Calculation, and Political Association in The Merchant of Venice”, Shakespeare Quarterly 57 (2006), 412–42.CrossRefGoogle Scholar
Vendler, Helen, The Art of Shakespeare's Sonnets (Cambridge and London: Harvard University Press, 1997).Google Scholar
Vickers, Brian, Shakespeare, Co-Author (Oxford: Oxford University Press, 2002).Google Scholar
Vickers, Nancy, “Diana Described: Scattered Woman and Scattered Rhyme”, Critical Inquiry VIII (1981), 265–79.CrossRefGoogle Scholar
Vitkus, Daniel, “‘Meaner Minsiters’: Mastery, Bondage, and Theatrical Labour in The Tempest”, in A Companion to Shakespeare's Works, Vol. 4: The Poems, Problem Comedies, Late Plays, edited by Dutten, Richard and Jean, E. Howard (Oxford: Blackwell, 2003), pp. 408–26.CrossRefGoogle Scholar
Wall, Wendy, Staging Domesticity: Household Work and English Identity in Early Modern Drama (Cambridge: Cambridge University Press, 2002).Google Scholar
Webster, John, The Duchess of Malfi, in English Renaissance Drama: A Norton Anthology, edited by Engle, Lars, Bevington, David, and Maus, Katherine Eisamen (London and New York: W.W. Norton, 2002).Google Scholar
Weil, Judith, Service and Dependency in Shakespeare's Plays (Cambridge: Cambridge University Press, 2005).CrossRefGoogle Scholar
Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function, edited by Schwartz, Robert (Baltimore: Johns Hopkins University Press, 1987).Google Scholar
Weimann, Robert, “Bifold Authority in Shakespeare's Theater”, Shakespeare Quarterly 39 (1988), 401–17.CrossRefGoogle Scholar
Weimann, Robert, “Shakespeare (De)Canonized: Conflicting Uses of ‘Authority’ and ‘Representation,’New Literary History, 20 (1988), 65–81.CrossRefGoogle Scholar
Weimann, Robert, “Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater”, New Literary History 25 (1994), 789–808.CrossRefGoogle Scholar
Weimann, Robert, “Performance-Game and Representation in Richard III”, in Textual and Theatrical Shakespeare: Questions of Evidence, edited by Pechter, Edward (Iowa City: University of Iowa Press, 1996).Google Scholar
Weimann, Robert, Author's Pen and Actor's Voice (Cambridge: Cambridge University Press, 2000).CrossRefGoogle Scholar
Whittier, Gayle, “The Sonnet's Body and the Body Sonnetized in Romeo and Juliet”, Shakespeare Quarterly 40 (Spring 1989), 27–41.CrossRefGoogle Scholar
Whythorne, Thomas, The Autobiography of Thomas Whythorne, edited by James, M. Osborne (Oxford: Oxford University Press, 1962).Google Scholar
Carroll, William, Fat King and Lean Beggar. The Representation of Poverty in Early Modern England (Ithaca: Cornell University Press, 1994).Google Scholar
Williams, Raymond, Marxism and Literature (Oxford: Oxford University Press, 1977).Google Scholar
Williams, Raymond, The Country and the City (London: Hogarth Press, 1985).Google Scholar
Wilson, Richard, “Like the Old Robin Hood; As You Like It and the Enclosure Riots”, in Will Power (Hemel Hempstead: Harverster Wheatsheaf, 1993), pp. 63–82.Google Scholar
Wilson, Richard, Will Power: Essays on Shakespearean Authority (Detroit: Wayne State University Press, 1993).Google Scholar
Wittgenstein, Ludwig, Philosophical Investigations, edited and translated by Anscombe, G. E. M. (Oxford: Blackwell, 1953).Google Scholar
Wittgenstein, Ludwig, Lectures and Conversation on Aesthetics, Psychology, and Religious Belief, edited by Barrett, C. (Oxford: Blackwell, 1966).Google Scholar
Wittgenstein, Ludwig, The Blue and Brown Books (Oxford: Blackwell, 1969).Google Scholar
Wittgenstein, Ludwig, On Certainty, edited by Anscombe, G. E. M. and Wright, G. H., translated by Denis Paul and G. E. M. Anscombe (Oxford: Blackwell, 1979).Google Scholar
Wittgenstein, Ludwig, Remarks on the Philosophy of Psychology Vol. 2, edited by Wright, G. H. and Nyman, H., translated by C. J. Luckhardt and M. A. E. Aue (Oxford: Blackwell, 1980).Google Scholar
Wofford, Susanne, “‘To You I Give Myself for I Am Yours’: Erotic Performance and Theatrical Performatives in As You Like It”, in Shakespeare Reread: The Texts in New Contexts, edited by McDonald, Russ (Ithaca: Cornell University Press, 1994), pp. 147–69.Google Scholar
Wright, Thomas, The Passions of the Minde in General (London, 1640).Google Scholar
Wrightson, Keith, “‘Sorts of People’ in Tudor and Stuart England”, in The Middling Sort of People: Culture, Society and Politics in England, 1550–1800, edited by Barry, Jonathan and Brooks, Christopher (London: Macmillan, 1994), pp. 28–51.CrossRefGoogle Scholar
Wrightson, Keith, “The Politics of the Parish in Early Modern England,” in The Experience of Authority in Early Modern England, edited by Griffiths, Paul, Fox, Adam and Hindle, Steve (London: Macmillan, 1996), pp. 10–46.CrossRefGoogle Scholar
Wrightson, Keith, Earthly Necessities: Economic Lives in Early Modern Britain, 1470–1750 (Harmondsworth: Penguin, 2002).Google Scholar
Wrightson, Keith, English Society 1580–1680 (London and New York: Routledge, 2003).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • David Schalkwyk, University of Cape Town
  • Book: Shakespeare, Love and Service
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483936.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • David Schalkwyk, University of Cape Town
  • Book: Shakespeare, Love and Service
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483936.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • David Schalkwyk, University of Cape Town
  • Book: Shakespeare, Love and Service
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483936.009
Available formats
×