Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction: An Architecture of Social Being
- 1 The Spatial Constitution of 1930s Documentary
- 2 René Clair's City Views: Realism and Studio Paris
- 3 Intertext and Political Margins in Jean Renoir's Boudu sauvé des eaux
- 4 Traversing Built History in Architectural Documentaries
- 5 Flâneuses and the Unmaking of Place
- 6 The Crowd as New Monumentality during the Popular Front
- Epilogue: Poetic Realism as Spatial Fable
- Notes
- Bibliography
- Filmography
- Index
Index
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction: An Architecture of Social Being
- 1 The Spatial Constitution of 1930s Documentary
- 2 René Clair's City Views: Realism and Studio Paris
- 3 Intertext and Political Margins in Jean Renoir's Boudu sauvé des eaux
- 4 Traversing Built History in Architectural Documentaries
- 5 Flâneuses and the Unmaking of Place
- 6 The Crowd as New Monumentality during the Popular Front
- Epilogue: Poetic Realism as Spatial Fable
- Notes
- Bibliography
- Filmography
- Index
Summary
- Type
- Chapter
- Information
- The Social Architecture of French Cinema1929–1939, pp. 231 - 244Publisher: Liverpool University PressPrint publication year: 2014