From the first mention in courtly poetry of the thirteenth century to enormous global popularity in the twentieth, the guitar and its development comprises multiple histories, each characterised by distinct styles, playing techniques, repertories and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions and western and non-western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring thirteen essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and differences between guitar traditions, and all styles, from baroque, classical, country, blues, and rock to flamenco, African, Celtic, and instrument making will share the same platform. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.

'A certain novelty of perspective makes for an enlightening read, leaving the reader at the centre of historical and sociological threads that run across the essays as opposed to hopping from island to island of isolated stylistic pieces … This wide-angled view permeates the whole book, making for an engaging acknowledgement that social context and direct application of, and experimentation with, technique can transcend genre … strikes a neat balance between comprehensiveness and depth …'.

Source: Journal of Popular Music