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  • Cited by 7
Publisher:
Cambridge University Press
Online publication date:
November 2015
Print publication year:
2015
Online ISBN:
9781316339237

Book description

Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.

Reviews

'… altogether this is a very fine piece of work, which anyone involved in performing either of Ravel’s operas should read and re-read.'

Roger Nichols Source: BBC Music Magazine

'Scholars, singers, conductors, stage directors, and general readers hoping to gain a deeper understanding of the milieu in which these exquisite small operas were created will find illuminating insights and much to ponder.'

Keith E. Clifton Source: Notes: The Quarterly Journal of the Music Library Association

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Contents

Bibliography

Manuscripts, libretti and printed scores

L’Heure espagnole

  • Autograph vocal score: coll. Robert Owen Lehman, on deposit at Pierpont Morgan Library, NY. Signed and dated ‘Maurice Ravel – terminé à la Grangette 10/1907’. 64pp.

  • Autograph orchestral score: Harry Ransom Center, University of Texas at Austin; Carlton Lake Collection, Box Folder 301. Signed, undated. 212pp.

  • Published scores: Paris: Durand, 1908 (vocal) / 1911 (orchestral and miniature); D.&F. 7073 and 7314.

  • Text: La Revue de Paris 11/6 (15 November 1904), 405–30; Paris: Charpentier, 1905 (play); Paris: Durand, 1909 (libretto).

L’Enfant et les sortilèges

  • Autograph vocal score: coll. Robert Owen Lehman, on deposit at Pierpont Morgan Library, NY. Signed and dated ‘divers lieux, 1920–25’. 75pp.

  • Autograph orchestral score: formerly in the archives of Éditions Durand, new reportedly in the Bibliothèque du Palais Princier, Monaco (with thanks to Manuel Cornejo).1

  • Published scores: Paris: Durand, 1925; D.&F. 10699 (vocal) and D.&F. 13019 (orchestral and miniature).

  • Text: Paris: Durand, 1925; Colette, Œuvres, vol. III, 151–69 (see below).

1 Although Zank (Maurice Ravel: A Guide to Research, 326) lists the orchestral autograph as being held at the Harry Ransom Center, University of Texas at Austin, in fact the score was not included in the collection of autograph mss. acquired by Carlton Lake in 1983 (from the Durand archives) for the HRC.

Archival sources

  • Archives de la Société des bains de mer de Monte-Carlo (SBM)

    • Correspondance Diaghilev–Léon–Gunsbourg, 1925.

    • Original set designs by Alphonse Visconti, 1925.

  • Bibliothèque historique de la ville de Paris (BHVP), Fonds de l’Association de la Régie théâtrale (ART)

    • Staging material for L’Heure espagnole:

      • 4-TMS-03773 Complete fair copy of mise-en-scène, recorded against 1909 edition of the libretto.

      • 4-TMS-03774 Watercolour sketches for two costume and set designs.

      • 4-TMS-03775 Complete fair copy of mise-en-scène, recorded against 1905 edition of the play.

      • 4-TMS-03776 Complete fair copy of mise-en-scène.

      • 4-TMS-03777 Gouache sketches for costume and set designs.

      • 8-TMS-02811 Set designs, directions for bibelots mécaniques and mise-en-scène for Scene I only, recorded against 1909 edition of the libretto.

      • 8-TMS-02812 Unmarked 1923 edition of the play.

  • Bibliothèque nationale de France

    • Bibliothèque-musée de l’Opéra (Bm-O)

      • Dossiers d’œuvres: L’Heure espagnole, L’Enfant et les sortilèges.

      • Dossiers d’artistes: Colette; Franc-Nohain; Ravel.

      • Fonds Rouché: pièce 406, LAS Colette de Jouvenel.

      • Lettres autographes signées (LAS): Colette; Dukas; Rouché; Ravel.

      • Ravel, Maurice. L’Heure espagnole. Piano-vocal score, A735d. Paris: Durand, 1908. Ex. coll. Pierre Ladrière, containing reviews and programme of the 1911 production; signed by the cast, conductor and régisseur.

        • L’Enfant et les sortilèges. Piano-vocal scores, A830c and F1775 (Fonds Opéra-Comique). Paris: Durand, 1925. Used in rehearsal for both the 1926 and 1950 Opéra-Comique productions, they show numerous non-autograph performing annotations. On the inside front cover of F1775 the date ‘30 novembre 1925’ appears in pencil (rehearsals for L’Enfant began on 25 November 1925).

      • Registres de l’Opéra-Comique, 1910–11 (micr. 3453); 1925–6 (micr. 3468).

    • Département des Arts de spectacle (BnF AdS)

      • Dossier Maurice Ravel, 8-RO-4167.

      • L’Enfant et les sortilèges: Recueil factice, 8-RF-55196.

      • Franc-Nohain: Recueil factice des articles biographiques, 8-RF-59492.

      • Franc-Nohain: Recueil factice des articles critiques, 8-RF-59496.

      • L’Heure espagnole: Recueil factice, 8-RF-59459.

    • Département de la Musique (BnF Mus.)

      • Bathori, Jane. ‘Quelques mots sur Maurice Ravel’. 4° Vm Pièce 896.

      • Fonds Montpensier: Maurice Ravel.

      • LAS Ravel (Maurice): VM-BOB 23243

      • Programmes de spectacles donnés au Théâtre du Vieux-Colombier de 1917 à 1928. Rés VM DOS-117 (05).

      • Roland-Manuel. ‘Les Six devant Ravel’. Unpublished typescript (c. 1925). 4 Vmo, Pièce 369.

  • Coll. Roy Howat

    • Original production (régie) score for L’Heure espagnole. Paris: Durand, 1908. Annotated mostly in the hand of régisseur Ernest Carbonne, and including detailed plans of the set and props, descriptions of and cues for bibelots mécaniques, and various additional documentation.

Contemporary criticism

L’Heure espagnole

[Anon.] ‘L’Heure espagnole’. L’Excelsior, 17 May 1911.
[Anon.] ‘Premières représentations: Gaité-Lyrique [sic] – L’Heure espagnole’. Le petit journal, 20 May 1911.
Bellaigue, Camille. ‘Revue musicale’. Revue des deux mondes 6/4 (1 July 1911), 217–28.
Bertelin, Albert. ‘Thérèse […] L’Heure espagnole’. Comœdia illustré 3/18 (15 June 1911), 581–4.
Bidou, Henry. ‘L’Heure espagnole’. Opinion, 7 January 1922.
Bizet, René. ‘L’Heure espagnole’. L’Intransigeant, 17 May 1911.
Boschot, Adolphe. ‘La Musique: À l’Opéra – L’Heure espagnole’. L’Écho de Paris, 7 December 1921.
Brillant, Maurice. ‘L’Heure espagnole’. Le Correspondant, 25 December 1921.
Bruneau, Alfred. ‘Théâtres de concerts’. Le Matin, 18 May 1911.
Chalupt, René, ‘Le Mois du musicien’. La Phalange 5/49 (20 July 1910).
Chantavoine, Jean. ‘Chronique musicale: L’Heure espagnole’. Revue hebdomadaire 20/6 (24 June 1911), 579–80.
Cornet, Charles. ‘Société musicale indépendante’. Le Guide musical 56/25–6 (19/26 June 1910), 492–3.
de Curzon, Henri. ‘L’Heure espagnole de Maurice Ravel’. Le Guide musical 55/4 (24 January 1909), 70–1.
Daubresse, . ‘La Semaine à Paris’. Le Guide musical 57/20–1 (14/21 May 1911), 392.
Duvernois, Henri. ‘Franc-Nohain’. Comœdia, 4 December 1921.
Faguet, Émile. ‘La Semaine dramatique’. Journal des débats, 20 March 1905.
Fauré, Gabriel. ‘L’Heure espagnole’. Le Figaro, 20 May 1911.
le Fèvre, George. ‘À l’Opéra: L’Heure espagnole’. Bonsoir, 8 December 1921.
G.’. ‘L’Heure espagnole: comédie musicale en un acte’. La Revue musicale (Revue d’histoire et de critique) 11/11 (1 June 1911), 238–9.
Hahn, Reynaldo. ‘L’Heure espagnole’. Le Journal, 21 May 1911.
Lalo, Pierre. ‘La Musique […] L’Heure espagnole’. Le Temps, 28 May 1911.
Lalo, Pierre. ‘La Musique […] L’Heure espagnole’. Le Temps, 3 February 1922.
Laloy, Louis. ‘La Musique […] L’Heure espagnole’. La grande revue 67 (10 June 1911), 627–8.
Laloy, Louis. ‘À l’Opéra: L’Heure espagnole’. Comœdia, 7 December 1921.
Lebel, Gaston. ‘L’Heure espagnole à l’Opéra’. Unidentified periodical [Bm-O, Dossier d’œuvre: L’Heure espagnole].
Marnold, Jean. ‘Musique’. Mercure de France 91 (16 June 1911), 866–70.
Prudhomme, Jean. ‘Mlle Geneviève Vix et L’Heure espagnole: de Carmen à Concepcion’. Comoedia, 17 May 1911.
S., L.’. ‘Opéra – L’Heure espagnole’. Le Gaulois, 7 December 1921.
Sérieyx, Auguste. ‘Chronique musicale – Opéra-Comique – L’Heure espagnole’. Unidentified periodical [BnF AdS, Recueil factice: L’Heure espagnole].
Souday, Paul. ‘Les Premières – Opéra-Comique – L’Heure espagnole’. Unidentified periodical, 20 May 1911 [BnF AdS, Recueil factice: L’Heure espagnole].
Tenroc, Charles. ‘Les Avant-premières: Thérèse et L’Heure espagnole à l’Opéra-Comique’. Comœdia, 11 May 1911.
Trial, . ‘La Salle – À la manière de Franc-Nohain’. Paris-Midi, 18 May 1911.
Vuillemin, Louis. ‘Théâtre National de l’Opéra-Comique: L’Heure espagnole’. Comœdia, 20 May 1911.
Vuillermoz, Émile. ‘Les Théâtres: L’Heure espagnole – Thérèse – Le Martyre de Saint Sébastian’. S.I.M. Revue musicale 7/6 (15 June 1911), 6570.
See also Zank, , Maurice Ravel: A Guide to Research, items R162–89, and Kilpatrick, The Operas of Maurice Ravel: A Compendium of Sources (www.cambridge.org/9781107118126).

L’Enfant et les sortilèges

[Anon.] ‘Mme Colette, librettiste d’un ballet de Maurice Ravel’. Unidentified periodical, 13 December 1919 [BnF AdS, Recueil factice: L’Enfant et les sortilèges].
Anon. ‘L’Enfant et les sortilèges’, Comœdia, 4 and 8 February 1926.
Arnoux, André. ‘Avant-première: L’Enfant et les sortilèges’. Unidentified periodical [BnF Mus., Fonds Montpensier (Ravel)].
Auric, Georges. ‘L’Enfant et les sortilèges’. Les Nouvelles littéraires, 11 April 1925.
Autran, Juliette. ‘À l’Opéra-Comique: L’Enfant et les sortilèges’. Le Soir, 3 February 1926.
Balliman, Raymond. ‘L’Enfant et les sortilèges’. Lyrica 5/48 (February 1926), 693.
Bechert, Paul. ‘Musical notes from abroad: Vienna’. The Musical Times 70/1036 (June 1929).
le Borne, Fernand. ‘Courrier des théâtres’. Le petit parisien, 2 February 1926.
Boucher, Maurice. ‘À propos de L’Enfant et les sortilèges’. L’Avenir, 2 February 1926.
Boutiller, Jean. ‘L’Enfant et les sortilèges: Fantaisie lyrique de Madame Colette et de M. Maurice Ravel’. L’Enfant (1926), 183–6.
Brillant, Maurice. ‘L’Enfant et les sortilèges’. Le Correspondant, 25 February 1926, 619–24.
Carol-Berard, . ‘L’Enfant et les sortilèges’. L’Époque, 19 May 1939.
Charpentier, Raymond. ‘L’Enfant et les sortilèges’. Comœdia, 2 February 1926.
Cœuroy, André. ‘Avant-première à Monte-Carlo: L’Enfant et les sortilèges de Colette et de Ravel’. Paris-Midi, 20 March 1925.
Corneau, André. ‘L’Enfant et les sortilèges’. Journal de Monaco, 24 March 1925.
D., M.’. ‘Théâtre de l’Opéra-Comique: L’Enfant et les sortilèges’. Le Théâtre, April 1926, 7.
Delaincourt, Jean. ‘L’Enfant et les sortilèges’. Nouveau siècle, 6 February 1926.
Honegger, Arthur. ‘Théâtres de musique: L’Enfant et les sortilèges’. Musique et théâtre 3 (15 April 1925), 5.
Léon, Xavier. ‘L’Enfant et les sortilèges’. Le Ménestrel 87/14 (3 April 1925), 166–7.
Lombard, Paul. ‘L’Enfant et les sortilèges’. La Renaissance, 27 February 1926.
Malherbe, Henry. ‘Chroniques musicale: L’Enfant et les sortilèges’. Le Temps, 3 February 1926.
Marnold, Jean. ‘Musique’. Le Mercure de France 186/666 (15 March 1926), 701–6.
Méry, Jules. ‘Avant-première: L’Enfant et les sortilèges’. Le petit monégasque, 21 March 1925.
Messager, André. ‘Chronique – Les Premières – L’Enfant et les sortilèges’. Le Figaro, 4 February 1926.
de Pawlowski, Gaston. ‘Répétition générale à l’Opéra-Comique: L’Enfant et les sortilèges’. Le Journal, 2 February 1926.
Prunières, Henry. ‘L’Enfant et les sortilèges au Théâtre de Monte-Carlo’. La Revue musicale 6/6 (‘Maurice Ravel’, April 1925), 105–9.
Prunières, Henry. ‘L’Enfant et les sortilèges de Maurice Ravel à l’Opéra-Comique’. La Revue musicale 7/5 (March 1926), 258–60.
Roland-Manuel, . ‘La Semaine musicale: Théâtre de l’Opéra-Comique – L’Enfant et les sortilèges’. Le Ménestrel 88/6 (5 February 1926), 60–1.
Roland-Manuel, . ‘La Critique: L’Enfant et les sortilèges’. La Revue Pleyel 29 (15 February 1926), 60–1.
Rouché, Jacques. ‘L’Enfant et les sortilèges’. Le Jour, 16 May 1939.
Roy, Jean. ‘Ravel et les sortilèges’. Unidentified journal (1939) [Bm-O, Dossier d’œuvre: L’Enfant et les sortilèges].
Steinhof, Eugène. ‘L’Enfant et les sortilèges à l’Opéra de Vienne’. L’Art vivant 105 (1 May 1929).
Tenroc, Ch[arles]. ‘Les Théâtres: Opéra-Comique: L’Enfant et les sortilèges’. Le Courrier musical 28/4 (15 February 1926), 101.
Vuillermoz, Émile. ‘L’Enfant et les sortilèges’. L’Excelsior, 19 May 1939.
See also Zank, , Maurice Ravel: A Guide to Research, items R278 & R281–98, and Kilpatrick, The Operas of Maurice Ravel: A Compendium of Sources (www.cambridge.org/9781107118126).

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See also under Ravel.

Cornejo, Manuel, and Diamantopoulou, Dimitra. ‘Maurice Ravel et Pierre Lalo: une lettre oubliée de Maurice Ravel au directeur du Temps (Avril–Mai 1907)’. CMR 12 (2009), 2243.
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Crubellier, Maurice. L’Enfance et la jeunesse dans la société française, 1800–1950. Paris: Colin, 1979.
Debussy, Claude. Correspondance (1872–1918), ed. Lesure, François and Herlin, Denis. Paris: Gallimard, 2005.
Debussy, Claude. Monsieur Croche et autres écrits, ed. Lesure, François. Paris: Gallimard, 1971. English edition: Debussy on Music, trans. and ed. Smith, Richard Langham. New York: Knopf, 1977.
Delahaye, Michel. ‘Documents Ravel dans les ventes et collections publiques et privées’. CMR 8 (2004), 93110; CMR 12 (2009), 44–55; CMR 13 (2010), 10–28.
Delahaye, Michel. ‘L’Enfant et les sortilèges: Colette-Ravel-Diaghilev’. CMR 13 (2010), 3173.
Delahaye, Michel. (ed.) ‘Lettres de Ravel à la famille Gaudin de Saint-Jean-de-Luz’. Part 1: ‘Du Prix de Rome à la guerre, 2/8/1901–20/9/1916’; Part 2: ‘1919–1927’. CMR 9–10 (2005–6 & 2007), 1358 & 1456.
Duchesneau, Michel. L’Avant-garde musicale et ses sociétés à Paris de 1871 à 1939. Spirmont: Mardaga, 1997.
Dumesnil, René. ‘Maurice Ravel poète’. La Revue musicale 19/187 (‘Hommage à Maurice Ravel’, December 1938), 124–7.
Dupont, Jacques. ‘Visages de l’enfance, sortilèges de Colette’. L’Avant-scène opéra 127 (January 1990), 23–6.
Durand, Jacques. Quelques souvenirs d’un éditeur de musique, vol. II. Paris: Durand, 1925.
Druilhe, Paul. ‘Les grandes créations de l’Opéra de Monte-Carlo: L’Enfant et les sortilèges de Maurice Ravel’. Annales monégasques 9 (1985), 726.
Eisinger, Erica Mendelson, and McCarty, Mari Ward (eds.). Colette: The Woman, the Writer. University Park: Pennsylvania State University Press, 1981.
des Essarts, F.-D. ‘Les Avant-premières: Les Transatlantiques à l’Apollo’. Comœdia, 17 May 1911.
de Falla, Manuel. On Music and Musicians, ed. Sopeña, Federico, trans. Urman, D. and Thomson, J. M.. London and Boston: Marion Boyars, 1979.
Faure, Michel. Musique et société du Second Empire aux années vingt. Paris: Flammarion, 1985.
Fauser, Annegret. Musical Encounters at the 1889 Paris World’s Fair. University of Rochester Press, 2005.
Fauser, Annegret, and Everist, Mark (eds.). Music, Theater, and Cultural Transfer: Paris, 1830–1914. Chicago and London: University of Chicago Press, 2009.
Favat, F. André. Child and Tale: The Origins of Interest. Urbana, Ill.: National Council of Teachers of English, 1977.
Fillerup, Jessie. ‘Purloined poetics: The grotesque in the music of Maurice Ravel’. Ph.D. diss., University of Kansas, 2009.
Fillerup, Jessie. ‘Ravel and Robert-Houdin, magicians’. 19th-Century Music 37/2 (Fall 2013), 130–58.
Fillerup, Jessie. ‘Ravel’s lost time’. Journal of the Royal Musical Association 139/1 (2014), 205–20.
Fordham, Frieda. An Introduction to Jung’s Psychology. London: Penguin, 1953.
Françaix, Jean. De la musique et des musiciens. Paris: Fondation Polignac, 1999.
Garafola, Lynn. Diaghilev’s Ballets russes. New York and Oxford: Oxford University Press, 1989.
Garban, Dominique. Jacques Rouché: l’homme qui sauva l’Opéra de Paris. Paris: Somogy Éditions d’Art, 2007.
Garden, Mary, and Biancolli, Louis. Mary Garden’s Story. London: Michael Joseph, 1952.
Giuliani, Elizabeth. ‘La Musique et l’enfance’. L’Avant-scène opéra 127 (January 1990), 5862.
Glover, Nicola. Psychoanalytic Æsthetics: The British School. Chapter 2: ‘Essentials of Kleinian theory’. Psychoanalysis and Psychotherapy, accessed 30 October 2013, www.psychoanalysis-and-therapy.com/human_nature/glover/chap2.html.
Godebska Blacque-Belair, Mimie. ‘Quelques souvenirs intimes de Ravel’. La Revue musicale 19/187 (‘Hommage à Maurice Ravel’, December 1938), 189–91.
Gopnik, Adam. Through the Children’s Gate: A Home in New York. London: Quercus, 2007.
Gottlieb, Robert. George Balanchine: The Ballet Maker. New York: HarperCollins, 2004.
Goudeket, Maurice. Close to Colette, trans. McLeod, Enid. London: Secker & Warburg, 1957.
de Gourmont, Rémy. Le Problème de style: questions d’art, de littérature et de grammaire. Paris: Mercure de France, 1902.
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See also under Howat.

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