Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Davenport, Stephen
1995.
Queer Shoulders to the Wheel: Beat Movement as Men's Movement.
The Journal of Men’s Studies,
Vol. 3,
Issue. 4,
p.
297.
Evans, Thomas
1995.
American Poetry: The Modernist Ideal.
p.
93.
Bercovitch, Sacvan
1996.
The Cambridge History of American Literature.
van Elteren, Mel
1999.
The Subculture of the Beats: A Sociological Revisit.
Journal of American Culture,
Vol. 22,
Issue. 3,
p.
71.
Schöpp, Joseph C.
Reinhart, Werner
Tonn, Horst
Mayer, Kurt A.
Müller, Wolfgang G.
Opfermann, Susanne
Porsche, Michael
Hollweg, Brenda
Pianos, Tamara
Reichardt, Ulfried
Nünning, Ansgar
Ensslen, Klaus
Nestvold, Ruth
Berkemeier, Christian
Binder, Wolfgang
Zapf, Harald
Halfmann, Ulrich
Herget, Winfried
Hurm, Gerd
Moss, Maria
Person, Jutta
Zimmermann, Jutta
Bach, Gerhard
von Finck, Diana
Claviez, Thomas
Kalb, Kristina
Heide, Markus
Leypoldt, Günter
Scheiding, Oliver
Hebel, Udo
Klepper, Martin
Grandel, Hartmut
Mayer, Sylvia
Leitner-Rudolph, Miryam
Koenen, Anne
Kelleter, Frank
Requardt, Nadine
Hölbling, Walter
Fischer, Katrin
Schäfer-Wünsche, Elisabeth
Keitel, Evelyne
Fluck, Winfried
Breinig, Helmbrecht
Werner, Florian
Salheiser, Britta
Grewe-Volpp, Christa
Brenner, Wolfgang
Reinicke, Gesine
Bischoff, Volker
Ernst, Jutta
Georgi-Findlay, Brigitte
Wegener, Cornelia
Sielke, Sabine
Müller, Kurt
Schmidt, Klaus H.
Lührmann, Silke
Schulz, Dieter
Lutz, Hartmut
Smolinski, Reiner
Roth, Yvonne
Ickstadt, Heinz
Lemke, Sieglinde
Sichert, Margit
Mitchell, Tanja
Hinz, Kristina
Engler, Bernd
Taumann, Beatrix
Steinert, Ilka
Schwank, Klaus
Groß, Konrad
Colavincenzo, Marc
Braun, Hartmut
Scholz, Anne-Marie
Paul, Heike
Guillemin, Georg
Gersdorf, Cathrin
Freese, Peter
Zacharasiewicz, Waldemar
Fleischmann, Brigitte
Ghosh-Schellhorn, Martina
Hüppe, Barbara
Hof, Renate
Kanzler, Katja
Pehnt, Annette
Tranker, Brigitte
Heuser, Sabine
Wieselhuber, Franz
Lönnecke, Annette
Draxlbauer, Michael
Surkamp, Carola
and
Thurner, Bettina
2000.
Metzler Lexikon Amerikanischer Autoren.
p.
1.
Rifkin, Libbie
2000.
Making It New: Institutionalizing Postwar Avant-Gardes.
Poetics Today,
Vol. 21,
Issue. 1,
p.
129.
AJI, Hélène
2004.
The Subject in the Structure: Issues of Procedure in Contemporary American Poetry.
E-rea,
2004.
Twentieth‐Century American Poetry.
p.
219.
Kilgore, Jennifer
2004.
Music Making History: Langston Hughes’s Ask Your Mama (1961).
Revue LISA / LISA e-journal,
p.
107.
2004.
Twentieth‐Century American Poetry.
p.
108.
LERNER, BEN
2009.
My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer edited by Peter Gizzi and Kevin Killian.
Critical Quarterly,
Vol. 51,
Issue. 2,
p.
89.
Brown, James
2009.
The Zen of Anarchy: Japanese Exceptionalism and the Anarchist Roots of the San Francisco Poetry Renaissance.
Religion and American Culture: A Journal of Interpretation,
Vol. 19,
Issue. 2,
p.
207.
2011.
A History of American Literature.
p.
829.
Yeh, Michelle
2011.
Modern Chinese Poetry: Translation and Translatability.
Frontiers of Literary Studies in China,
Vol. 5,
Issue. 4,
p.
600.
Aji, Hélène
2011.
A Companion to Poetic Genre.
p.
348.
Büyükokutan, Barış
2011.
Toward a Theory of Cultural Appropriation.
American Sociological Review,
Vol. 76,
Issue. 4,
p.
620.
COLE, ROSS
2012.
“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65.
Journal of the Society for American Music,
Vol. 6,
Issue. 3,
p.
315.
DuPlessis, Rachel Blau
2012.
The Oxford Handbook of Modern and Contemporary American Poetry.
p.
52.
Ling, Chung
2012.
American Modernist Poetry and the Chinese Encounter.
p.
153.
Ziolkowski, Richard W.
2013.
Non‐Diffracting Waves.
p.
69.