Drama, Theatre, Performance Studies | Cambridge Core

Skip to main content Accessibility help

Featured book chapters

Chapter
Chapter 1 - Did the Concept of Race Exist for Shakespeare and His Contemporaries?
- By Ayanna Thompson
Edited by Ayanna Thompson, Arizona State University
Book: The Cambridge Companion to Shakespeare and Race

Chapter
Introduction
- By Ric Knowles
Edited by Ric Knowles, University of Guelph, Ontario
Book: The Cambridge Companion to International Theatre Festivals

Chapter
Introduction
- By Kirsten E. Shepherd-Barr
Edited by Kirsten E. Shepherd-Barr, University of Oxford
Book: The Cambridge Companion to Theatre and Science

Chapter
Introduction - Show Business
Michael McKinnie, Queen Mary University of London
Book: Theatre in Market Economies

Chapter
Chapter 1 - Context I
Maria Shevtsova, Goldsmiths, University of London
Book: Rediscovering Stanislavsky

Chapter
2 - The Spread of Greek Theatre to the West – and to the North-East?
from Part I - Approaches
- By Oliver Taplin
Edited by David Braund, University of Exeter, Edith Hall, King's College London, Rosie Wyles, University of Kent, Canterbury
Book: Ancient Theatre and Performance Culture Around the Black Sea

Chapter
1 - Introduction
Kathryn G. Bosher, Northwestern University, Illinois
Edited by Edith Hall, King's College London, Clemente Marconi, New York University
Prepared for publication by LaDale Winling, Virginia Polytechnic Institute and State University
Book: Greek Theater in Ancient Sicily

Chapter
1 - Introduction
S. J. Wiseman, University of Warwick
Book: Aphra Behn

Chapter
Chapter 4 - Adaptation as a Love Affair
from Part I - Adapting Greek Tragedy
- By Avra Sidiropoulou
Edited by Vayos Liapis, Open University of Cyprus, Avra Sidiropoulou, Open University of Cyprus
Book: Adapting Greek Tragedy

Chapter
Chapter 2 - Ovid’s Film Sense and Beyond
from Part I - Theory and Practice
Martin M. Winkler, George Mason University, Virginia
Book: Ovid on Screen

Chapter
Chapter 5 - Looking like a Slave-Woman
from Part II - What Was Desired
Amy Richlin, University of California, Los Angeles
Book: Slave Theater in the Roman Republic

Featured journal articles