Social memory, cultural memory, culture as memory, and memory as culture, landscape and memory, places of memory, regimes of memory—all these have been prominent topics in cultural studies, also in anthropology; in this work, attention is usually paid to remembering. Based on several prior inquiries into popular historiography and local regimes of memory, this paper is an attempt to include forgetting in a model of ‘memory work'. What this entails is shown with ethnographic evidence, the recording of a conversation made in Lubumbashi in 1986 with one of the African pioneers of the town. The text in French and Swahili, accompanied by an English translation, is accessible at www2.fmg.uva.nl/lpca.

Colonial Onitsha provided the stage for John Moray Stuart-Young (1881–1939), a Manchester trader and poet, to perform the role of an educated gentleman. In his autobiographical writing, Stuart-Young created a host of famous metropolitan friends and constructed for himself a past through which he invited African readers to remember him. The extent to which Onitsha citizens accepted his version of his life is explored in this article, for during the period of Stuart-Young's residence in town, from approximately 1909 until his death in 1939, different sectors of Igbo society observed him closely, read his publications, worked with him and witnessed his patronage of young men. Local people, including the children, studied his behaviour over time and produced a range of African names and watchwords by which they remembered his life.

This article examines the current commercialisation and expansion of Asante funeral celebrations in Ghana. Funerals have always been the main public social events in Asante, but the growing funeral business significantly alters the way death is celebrated. The article takes as a point of departure a view of death as a field of strategic interaction, providing the ritual context for the creation of remembrance and identities, the elaboration of differences, the competition for status and power, and the negotiation of culture and social bonds and values. Within the framing narrative of respect for the dead and guiding the spirit to the next world, funerals are much about life. The article describes how, in shaping death, people deal with money to negotiate values of life and relations between the living, and shows that, contrary to both popular belief and critique on global commercialisation, in Asante the money economy and the social significance of the funeral tradition do not contravene, but rather reinforce each other. The funeral celebration is not wiped away by monetisation, nor is it a kind of last defence against it. Indeed, it is exactly through money and commodification that funeral celebrations are expanding, social ties forged, and cultural performances stimulated, albeit in new ways. In Asante funerals, people appropriate practices of consumption and commercial enterprise as well as indigenous traditions and exchange patterns in a process of ‘cultural bricolage’, and develop new, local styles of celebrating death, in which money has come to play a central role as social glue and as an expression of lifestyles, cultural values and ideals. It is argued that we cannot understand ‘traditional ritual’ unless we move beyond the rather rigid opposition between tradition and modernity still prevalent in ritual studies to acknowledge the open, flexible nature of tradition that makes it so vibrant in modern African life.

This contribution considers the current position of the Ghanaian migrant community in Botswana's capital, Gaborone, at a time of rising xenophobic sentiments and increasing ethnic tensions among the general public. The article examines anthropological understandings of such sentiments by placing them in the context of the study of nationalisms in processes of state formation in Africa and the way in which these ideologies reflect the position and recognition of minorities. In Botswana, identity politics indulge in a liberalist democratic rhetoric in which an undifferentiated citizenship is promoted by the state, concealing on the one hand inequalities between the various groups in the country, but on the other hand defending the exclusive interests of all ‘Batswana’ against foreign influence through the enactment of what has become known as a ‘localisation policy'. Like many other nationalities, Ghanaian expatriate labour has increasingly become the object of localisation policies. However in their case xenophobic sentiments have taken on unexpected dimensions. By focusing on the general public's fascination with Ghanaian fashion and styles of beautification, the numerous hair salons and clothing boutiques Ghanaians operate, in addition to the newly emerging Ghanaian-led Pentecostal churches in the city, the ambiguous but ubiquitous play of repulsion and attraction can be demonstrated in the way in which localisation is perceived and experienced by the migrant as well as by the dominant groups in society. The article concludes by placing entrepreneurialism at the nexus of where this play of attraction and repulsion creates a common ground of understanding between Ghanaians and their host society, despite the government's hardening localisation policies.

The Celestial Church of Christ, the Christ Apostolic Church, and the Church of the Lord (Aladura) are indigenous churches, which share the selective blending of Christian and Yoruba religious traditions; however, their gender practices, specifically female access to decision-making roles, vary dramatically. The Celestial Church's prohibition against the ordination of women is associated with ritual impurity. Christ Apostolic excludes women from ordination, but without an explicit ideology of impurity. The Church of the Lord (Aladura) ordains women but prohibits them from the sanctuary when they are menstruating. Do these institutionalised constraints derive from colonial or pre-colonial gender practices? What other factors might contribute to these gender patterns? This paper argues that these gender practices derive from intersecting ambiguities in Western and African gender practices, which both empower and disempower women. The paper also assesses the interplay of doctrine and institutional history on gender dynamics. Finally, it explores the interaction of cultural legacy and socio-environmental pressures on the ritualisation of the female body in this African setting.

In this paper the sociological implications of loud argument are considered, by taking a case study from the Mambila in Cameroon. Meetings of rotating credit societies are non-traditional forums where power and status are in dispute. These meetings contrast with both domestic arguments and with disputes held in the Chief's court. Rotating credit society meetings usually include arguments but these are dismissed as being unimportant by local informants. They pose a challenge for anthropological analysis since they are such a regular but disregarded—and disparaged—occurrence. Raised voices increase the range of bystanders as witnesses, so to argue loudly is a very social act.