Hostname: page-component-848d4c4894-8bljj Total loading time: 0 Render date: 2024-06-29T07:45:02.375Z Has data issue: false hasContentIssue false

The Early photographs of Edmond Fortier: documenting postcards from Senegal

Published online by Cambridge University Press:  25 April 2022

Get access

Extract

Francois Edmond Fortier (1862-1928) was undoubtedly the most prolific photographer working in French West Africa in the first decade of the 20th century. He produced well over 3300 photographs, almost all in postcard form. He was born in France and appears in Senegal around the year 1900. Unlike most of his predecessors who plied the photographic trade in the well established and well to do city of St. Louis, Fortier made his home in the new and expanding capital city of Dakar. He is best described as a “petit colon”, who succeeded in making a living as a professional postcard photographer/editor selling his work from a small Dakar shop and distributing postcards to the towns along the railway line. In later years local advertisements indicate that Fortier's shop catered to the military, bureaucratic, colonial population of the city, offering tobacco, stationary, Senegalese knick-knacks and postcards.

Type
Articles
Copyright
Copyright © International African Institute 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

1

My thanks are due to Philippe David who kindly read and commented on this article and to Christraud Geary for her encouragement and for many happy discussions about postcards and photography in Africa. Philippe David's recent article; “Hostalier - Noal: Un duel de photographes au journal Officiel du Sénégal, il y a cent ans”, Association Images & Mémoires-Lettre de Liaison, No.14. Nov, 2006, offers additional evidence and detail regarding the early career of Fortier and the photography studios of Senegal. All illustrations are from the private collection of the author. ©Patricia Hickling.

References

Select Bibliography

Gerald, Bosio and Michel, Renaudeau Souvenirs du Sénégal. Visiafric: Dakar, Vol. 1, 1980 Vol. 2,1983.Google Scholar
Geary, Christaud M and Virginia-Lee, Webb (eds). Delivering Views: Distant Cultures in Early Postcards. Smithsonian Institution: Washington, DC. 1998.Google Scholar
David, Philippe. Inventaire Général des cartes postales Fortier. lè partie. Chez l'auteur: Paris, 1986.Google Scholar
Philippe, David Inventaire General des cartes postales Fortier. partie. Chez l'auteur: Paris, 1987.Google Scholar
Philippe, David Inventaire General des cartes postales Fortier. partie. Chez l'auteur: Lome – Paris, 1988.Google Scholar
Institut Catholique de Paris. Photothèque: Dépouillement de “Le Monde Illustré'”. 2002Google Scholar
Lasnet, Dr., Cligny, A., Chevalier, Aug. and Rambaud, P. Une Mission au Sénégal. Ethnographie, Botanique, Zoologie, Géologie. Augustin Challamel: Paris, 1900.Google Scholar
Mévil, Andre Merwart and Noal. “Voyage du ministre des Colonies- M. Lebon,” Le Monde Illustré. Année 41. No.2121, (1897), pp393, 396-399.Google Scholar
Mévil, Andre Merwart and Noal. “Voyage du ministre des Colonies- M. Lebon,Le Monde Illustré. Année 41. No.2122, (1897), pp413, 416-418.Google Scholar
Noal, Emile. “Embarquement des Sénégalais à destination du Soudan,” Le Monde Illustré. Année 38: No 1927, (1894), pl32.Google Scholar
Noal, Emile. “Béhanzin et son escorte à son arrivée à Dakar,” Le Monde Illustre. Année 38: No 1930, (1894), pl80.Google Scholar
Noal, Emile. “Sénégal. Le rapatriement à Dakar, des tirailleurs Senegalais apres la campagne du Dahomey,” Le Monde Illustré. Année 38: No 1930, (1894), pp338, 340.Google Scholar
Noal, Emile. “Senegal. Le nouveau pont metallique reliant St. Louis au faubourg de Sor,” Le Monde Illustre. Annee 41: No 2098, (1897), p380.Google Scholar
Noal, Emile. “Thiès et ses environs,” Le Monde Illustré. Année 41: No 2105, (1897), pp88-90.Google Scholar
Prochaska, David. “Fantasia of the Phototheque: French Postcard Views of Colonial Senegal,” African Arts. 24: 4 (1991), pp40-47, 98.CrossRefGoogle Scholar