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Published online by Cambridge University Press: 17 December 2010
1. For an analysis of the early textual sources on the Parisian Host Libel, see Lavin, Marilyn Aronberg, “The Altar of Corpus Domini in Urbino: Paolo Uccello, Joos Van Ghent, Piero della Francesca,” Art Bulletin 49, no. 1(1967): 1–6CrossRefGoogle Scholar; for the Sijena fresco see Mann, Vivian B. and Glick, Thomas F, Uneasy Communion: Jews, Christians, and the Altarpieces of Medieval Spain (New York: Museum of Biblical Art, 2010)Google Scholar, fig. 33.
2. Katz, The Jew in the Art of the Renaissance, 123 and 171 n. 14.
3. For example, Meyerson, Mark D., A Jewish Renaissance in Fifteenth-Century Spain (Princeton, NJ: Princeton University Press, 2004)Google Scholar.
4. Cf., e.g., p. 28 with chap. 5.
5. Bonfil, Robert, Jewish Life in Renaissance Italy (Berkeley: University of California Press, 1994), 252Google Scholar.
