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Sylvie Lindeperg, Nuremberg, la bataille des images. Des coulisses à la scène d’un procès-spectacle, Paris, Payot, 2021, 528 p.

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Sylvie Lindeperg, Nuremberg, la bataille des images. Des coulisses à la scène d’un procès-spectacle, Paris, Payot, 2021, 528 p.

Published online by Cambridge University Press:  22 December 2022

Guillaume Mouralis
Guillaume Mouralis*
Affiliation:
mouralis@cmb.hu-berlin.de
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Abstract

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Type
Guerre et violences politiques (époque contemporaine) (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 77 , Issue 2 , June 2022 , pp. 396 - 399
Copyright
© Éditions de l’EHESS

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References

1 Kim C. Priemel, The Betrayal: The Nuremberg Trials and German Divergence, Oxford, Oxford University Press, 2016 ; Valéry Pratt, Nuremberg, les droits de l’homme, le cosmopolitisme. Pour une philosophie du droit international, Lormont, Le bord de l’eau, 2018 ; Matthias Gemählich, Frankreich und der Nürnberger Prozess gegen die Hauptkriegsverbrecher 1945/46, Berlin, Peter Lang, 2018 ; David M. Crowe (dir.), Stalin’s Soviet Justice: “Show” Trials, War Crimes Trials, and Nuremberg, Londres, Bloomsbury, 2019 ; Francine Hirsch, Soviet Judgment at Nure mberg: A New History of the International Military Tribunal after World War II, Oxford, Oxford University Press, 2020 ; Guillaume Mouralis, Le moment Nuremberg. Le procès international, les lawyers et la question raciale, Paris, Presses de Sciences Po, 2019 ; id., « Retrouver les victimes. Naufragés et rescapés au procès de Nuremberg », Droit et société, 2019, 102, p. 24-260.