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Published online by Cambridge University Press: 15 November 2011
The design and execution of the tomb of the Lady Margaret, with its recumbent figure, in the south aisle of the chapel of King Henry VII at Westminster, have long been attributed to Pietro Torrigiano, a Florentine artist. Until the documents here printed came to light in the Treasury, or Muniment Room, of St. John's College this seems to have been a matter of inference or tradition rather than a fact based on documentary evidence.
page 365 note 1 Anecdotes of Painting in England, ed. Warnum, R. W., 1849, vol. i, 102, 104Google Scholar.
page 365 note 2 xvi, pp. 84–88.
page 366 note 1 Vol. i, Account of King Henry VII Chapel, 69–70.
page 368 note 1 First written Cawalcant, and then the C erased.
page 369 note 1 Funeral Monuments, 434.
page 369 note 2 Sir Ellis, Henry, Original Letters illustrative of English History, 3rd series, vol. i, 185Google Scholar.
page 372 note 1 l. c., p. 54.
page 372 note 2 Archaeologia, xvi, 85Google Scholar.
