Hostname: page-component-7479d7b7d-qlrfm Total loading time: 0 Render date: 2024-07-13T05:39:18.684Z Has data issue: false hasContentIssue false

XXIX.—On Mural Paintings in Chalgrove Church, Oxfordshire. Communicated through J. H. Parker, Esq. F.S.A.

Published online by Cambridge University Press:  25 January 2012

Get access

Abstract

Were we to believe the general run of antiquaries, the interior of every old building invariably glowed with the richest gold and colour, and every village church was a Sainte Ohapelle, or a St. Stephen's, Westminster. Few, however, appear to have thought of supporting their theory by carefully taking off the whitewash of some of our smaller churches, on the chance of finding a rich polychromy underneath. Of late years the mania for church-restoration has been performing this office, and the old painters are found to have been no less consistent in their profession than were the old architects.

Type
Research Article
Copyright
Copyright © The Society of Antiquaries of London 1861

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

page 432 note a A fair series of paintings of the Perpendicular period, from the chapel of the Holy Trinity in the church at Stratford-on-Avon, has been published by Thomas Fisher.

page 432 note b In some cases the churchwardens insist either on the restoration or the demolition of the paintings; here I think we can hardly quarrel with the restoration, however much we may disapprove of it as Archæaeologists.

page 433 note a The internal dressings and the surface of rubble walling were on the same face, or nearly so.

page 434 note a See Ecclesiologist, No. cxix. p. 91.

page 438 note a A communication on these paintings by Mr. Buckler was read before the Oxford Architectural Society, and has been printed in the Gentleman's Magazine, June 1860, p. 547.