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Jorge Oteiza’s ‘de-occupation’: towards an ascetic space in Spanish modern architecture (1948–60)

Published online by Cambridge University Press:  20 May 2021

Lucía C. Pérez-Moreno
Affiliation:
lcperez@unizar.es
Emma López-Bahut
Affiliation:
emma.lopez.bahut@udc.es
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The work and thought of the Basque sculptor Jorge Oteiza (b. Orio, 1908 – d. San Sebastian, 2003) is an omnipresent reference point in the historiography of modern Spanish architecture. Since the Jorge Oteiza Museum Foundation was opened shortly after his death, a great number of studies have been published about him, mainly in Spanish and Basque. Oteiza’s artistic career was closely connected to the postwar Spanish architectural scene. During the 1950s, he participated in numerous projects and architecture competitions and published his work in specialised journals and magazines in the field. Spain was at that time under the regime of General Franco and, as a consequence of the Civil War (1936–9), the country was suffering an economic crisis that affected culture, art, and architecture.

Type
History
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
© The Author(s), 2021. Published by Cambridge University Press