Hostname: page-component-7479d7b7d-q6k6v Total loading time: 0 Render date: 2024-07-11T11:25:14.712Z Has data issue: false hasContentIssue false

The indivisibility of art librarianship revisited

Published online by Cambridge University Press:  06 June 2016

Wolfgang Freitag*
Affiliation:
Formerly Harvard Fine Arts Library, 43 Fair Oaks Drive, Lexington, MA 02421-6931, USA
Martha Mahard*
Affiliation:
Historical Photographs and Special Visual Collections, Fine Arts Library, Harvard University, 32 Quincy Street, Cambridge, MA 02138, USA
Get access

Abstract

Wolfgang Freitag’s seminal article, ‘The indivisibility of art librarianship’, published in the Art libraries journal in 1982, occasioned a revisiting of the premises of that article for the historic joint conference of ARLIS/NA and the Visual Resources Association in St. Louis in 2001 to see how his thesis stood the test of time. The two articles that follow, one each by Wolfgang Freitag and Martha Mahard, are reflections on the original article and the course of events in the intervening twenty years. They are published jointly, here and in Art documentation.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 2004

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Art documentation vol. 22 no. 2 2003, p.47.Google Scholar
2. Jarrell, Randall’s translation of Wolfgang, Johann von Goethe. Faust, Part I. New York, NY: Farrar, Straus and Giroux, 1976, p. 100101. The italics are the author’s.Google Scholar
3. Fawcett, Trevor. ‘The compleat art librarian’. ARLIS newsletter (UK) vol. 22 1975, p.7.Google Scholar
4. Both papers were subsequently published in Art libraries journal: DeLaurier, Nancy. ‘Visual resources: the state of the art’. Art libraries journal vol. 7 no. 3 Autumn 1982, p. 1122;Google Scholar
Freitag, Wolfgang. ‘The indivisibility of art librarianship’. Art libraries journal vol. 7 no. 3 Autumn 1982, p. 2339.Google Scholar
Freitag, ’s article was reprinted in Л reader in art librarianship, edited by Pacey, Philip. (IFLA Publication 34) Munich, New York, London: K.G. Saur, 1985, p. 142154. Citations given here are to the Art libraries journal publication.Google Scholar
5. Freitag, op.cit., p.33.Google Scholar
6. Ibid., p.37.Google Scholar
7. VRA bulletin vol. 11 no. 4 Winter 1984, p.8.Google Scholar
8. Master of Library Science.Google Scholar
9. Reported in International bulletin of photographic documentation of the visual arts vol. 7 no. 3 September 1980, p. 3.Google Scholar
10. DeLaurier, op.cit., p.15.Google Scholar
11. Deveney, Marie. ‘Review of B. J. Irvine. Slide libraries. 2nd ed. International bulletin of photographic documentation of the visual arts vol. 7 no. 2 August 1980, p.4.Google Scholar
12. Report in International bulletin of photographic documentation of the visual arts vol. 9 no. 1 March 1982, p.9.Google Scholar
13. Ibid.,-p.W. Google Scholar
14. Ibid.,-p.U. Google Scholar
15. Freitag, op. cit., p.37.Google Scholar
16. Art documentation vol. 1 no. 2 December 1982, p.187.CrossRefGoogle Scholar
17. International bulletin of photographie documentation of the visual arts vol. 9 no. 3 Fall 1982, p.[l].Google Scholar
18. DeLaurier, op. cit., p.21.Google Scholar
19. Pacey, Philip. ‘Celebrating 25 years of service to the arts information community: an international perspective’. Art libraries journal vol. 22 no. 3 1997, p.46. Text of an address to the ARLIS/NA 25 th Annual Conference Convocation at San Antonio, Texas, 5 April 1997.Google Scholar
20. See Trant, Jennifer; Richmond, Kelly and Bearman, David. ‘Open concepts: museum digital documentation for education through The AMICO Library™’. Art libraries journal vol. 27 no. 3 2002, p.3042.Google Scholar
21. See Marmor, Max. ‘ArtSTOR: a digital library for the history of art’. Art libraries journal vol. 27 no. 3 2002, p.2629.Google Scholar
22. Freitag, op. cit., p.33.Google Scholar