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Japanese woodblock prints: artists, publishers, and masterworks, 1680–1900. Andreas Marks, Tokyo: Tuttle Publishing, 2010. 336 p. ill. ISBN 9784805310557 $45.95 (hardcover)

Published online by Cambridge University Press:  06 June 2016

Reiko Yoshimura
Reiko Yoshimura*
Affiliation:
Freer Gallery of Art/Arthur M. Sackler Gallery Library, Smithsonian Institution Libraries, 1050 Independence Avenue, Washington, D.C. 20560, USA
*
Email: yoshire@si.edu
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Type
Reviews
Information
Art Libraries Journal , Volume 38 , Special Issue 2: Special Issue: Art Documentation in Japan , 2013 , pp. 49 - 50
Copyright
Copyright © The Art Libraries Society 2013

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References

1. Addis, Stephen, ‘The buoyant world of Japanese prints,’ in Marks, Andreas, Japanese woodblock prints: artists, publishers, and masterworks, 1680-1900 (Tokyo: Turtle Publishing, 2010), 1.Google Scholar
2. Uhlenbeck, Chris, ‘Production constraints in the world of ukiyo-e: an introduction to the commercial climate of Japanese printmaking,’ in Newland, Amy Reigle, ed., The commercial and cultural climate of Japanese printmaking (Amsterdam: Hotei Publishing, 2004), 15.Google Scholar
3. Hillier, Jack, The art of the Japanese book, vol.1 (New York: Sotheby’s Publications, 1987), 28.Google Scholar
4. Marks, Andreas, Publishers of Japanese woodblock prints: a compendium (Leiden: Boston: Hotei Publishing, 2011).Google Scholar