Hostname: page-component-7bb8b95d7b-nptnm Total loading time: 0 Render date: 2024-09-15T17:34:15.543Z Has data issue: false hasContentIssue false

An Evaluation of the Effects of London Sinfonietta Education Projects on their Participants

Published online by Cambridge University Press:  18 December 2008

Abstract

The effects of London Sinfonietta education projects on their participants are identified and analysed, through questionnaire and interview, and then measured against London Sinfonietta policy itself. To a great extent the aims of the policy are being met: the work is found to be an enjoyable and valuable experience leading towards an understanding of contemporary art music. Some problems identified concern the integration of the teachers, appropriate training for the players and composers, and the elitism of the concert hall. The fieldwork was undertaken with the kind co-operation of the London Sinfonietta education team and the schools involved.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

‘Audiences, Attitudes and Sponsorship’ [1993] Survey conducted by the Association for Business Sponsorship of the Arts.Google Scholar
Brinson, P. (1982) The Arts in Schools: Gulbenkian Foundation. London: Calouste Gulbenkian Foundation.Google Scholar
Kushner, S. (1991) The Children's Music Book. Performing Musicians in Schools. London: Calouste Gulbenkian Foundation.Google Scholar
Moore, G. (1991) Official Newsletter of Association of Canadian Orchestras. Ontario Federation of Symphony Orchestras.Google Scholar
Moore, G. (17/10.92) ‘Rediscovering the whole musician’. The Independent.Google Scholar
Moore, G. (1992) ‘Class acts’ Music Teacher. 10 1992.Google Scholar
Renshaw, P. (1992 a) ‘Orchestras and the Training Revolution’. British Journal of Music Education 9, 6170.CrossRefGoogle Scholar
Renshaw, P. (1992 b) ‘Partnership and Cultural Renewal in the East End of London’ article in Regenerating Cities. Issues 1 Ed. Bob Catterall.Google Scholar
Ross, M. (1984) The Aesthetic Impulse. Oxford: Pergamon Press.Google Scholar
Small, C. (1987) Music of the Common Tongue: survival and celebration in Afro-American music. London: John Calder.Google Scholar
Solbu, E. (1987) ‘Empty Spaces on Stage: Research and Training of Performers in a Musical Environment, mimeo, Norwegian State Academy of Music, Oslo.Google Scholar
Swanwick, K. (1988). Music, Mind and Education. London: Routledge.Google Scholar