Hostname: page-component-7479d7b7d-rvbq7 Total loading time: 0 Render date: 2024-07-09T11:31:25.999Z Has data issue: false hasContentIssue false

Imagination and Understanding in the Music Curriculum Tom Gamble

Published online by Cambridge University Press:  18 December 2008

Extract

Music is unique in its power to involve the whole person, intellectually as well as emotionally and kinaesthetically. Our ultimate aim in music education, therefore, should be to develop musical imagination and understanding. We can achieve this by making composition and improvisation the central focus of the music curriculum, with listening activities carefully related to children's work. Musical experiences in the classroom should be adventurous, challenging, joyful yet serious, taking place in an atmosphere of warm, sympathetic, tolerant, and respectful relationships. In this environment, children are more likely to value music, and to develop sensitivity not only to music, but to other people. Schools too often underestimate children's potential. In music we can help all children to experience a sense of achievement, leading to greater self-respect.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1984

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Biasini, A. and Pogonowski, L. (1979) Manhattanville Music Curriculum Project: Interaction. Bellingham, Washington: Americole publications, U.S.A.Google Scholar
Blacking, J. (1976) How Musical is Man? London: Faber & FaberGoogle Scholar
Blacking, J. (1982) ‘Tradition and Change’. Unpublished address, ISME ConferenceGoogle Scholar
Eliot, T. S. (1935) ‘Burnt Norton’, from The Four Quartets. London: Faber & FaberGoogle Scholar
Epperson, G. (1967) The Musical Symbol. Ames: Iowa State University PressGoogle Scholar
Gamble, T. (1976/1977) Creative Music at Manland. Music Teacher (Dec. 1976, Jan., March, May, July, 1977, Vol. 55, No. 12 and Vol. 56, Nos. 1, 3, 5, 7Google Scholar
Hamlyn, D. W. (1978) Experience and the Growth of Understanding. London: Routledge & Kegan PaulGoogle Scholar
Harrison, A. (1978) Making and Thinking. Hassocks, Sussex: HarvesterGoogle Scholar
Hopkins, A. (1961) Talking about Symphonies. London: HeinemannGoogle Scholar
Keller, H. (1976) Music 1975. The New Review, Vol. 2. No. 24 (03)Google Scholar
Maslow, A. (1973) The Farthest Reaches of Human Nature. Harmondsworth: PenguinGoogle Scholar
Meyer-Denkmann, G. (1977) Experiments in Sound. London: Universal EditionGoogle Scholar
Mumford, L. (1952) Art and Technics. London: Secker and WarburgGoogle Scholar
Paynter, J. (1972) Hear and Now: an Introduction to Modern Music in Schools. London: Universal EditionGoogle Scholar
Paynter, J. (1982) Music in the Secondary School Curriculum. Cambridge: Cambridge University PressGoogle Scholar
Paynter, J. and Aston, P. (1970) Sound and Silence: Classroom Projects in Creative Music. Cambridge: Cambridge University PressGoogle Scholar
Regelski, T. (1981) Teaching General Music. New York: SchirmerGoogle Scholar
Schafer, M. (1969) The Composer in the Classroom. London: Universal EditionGoogle Scholar
Schafer, M. (1969) Ear Cleaning. London: Universal EditionGoogle Scholar
Schafer, M. (1969) The New Soundscape. London: Universal EditionGoogle Scholar
Schafer, M. (1970) When Words Sing. London: Universal EditionGoogle Scholar
Schafer, M. (1975) The Rhinoceros in the Classroom. London: Universal EditionGoogle Scholar
Self, G. (1967) New Sounds in Class. London: Universal EditionGoogle Scholar
Swanwick, K. (1979) A Basis for Music Education. Windsor: NFERGoogle Scholar
Thomas, R. (1979) Manhattanville Music Curriculum Project: Synthesis. Bellingham, Washington: Americole publicationsGoogle Scholar
Walker, R. (1977) Sound Projects. London: Oxford University PressGoogle Scholar
Witkin, R. (1974) The Intelligence of Feeling. London: HeinemannGoogle Scholar
Wollheim, R. (1970) Art and its Objects. Harmondsworth: PenguinGoogle Scholar