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Introduction

Published online by Cambridge University Press:  20 April 2020

Adélékè Adéẹ̀kọ́ Open the ORCID record for Adélékè Adéẹ̀kọ́ [Opens in a new window]
Adélékè Adéẹ̀kọ́*
Affiliation:
The Ohio State University, Department of English, Department of English, Columbus, Ohio, (Email: adeeko.1@osu.edu)
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Abstract

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Type
Introduction
Information
Cambridge Journal of Postcolonial Literary Inquiry , Volume 7 , Issue 2: Black Panther Special Issue , April 2020 , pp. 103 - 106
Copyright
© The Author(s) 2020. Published by Cambridge University Press

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References

1 Turner, Diane and Kamdibe, Muata, “Haile Gerima: In Search of an Africana Cinema,” Journal of Black Studies 38.6 (2008): 968–91CrossRefGoogle Scholar.

2 Massaquoi, Hans J., “Mystery of Malcolm X,” Ebony (February 1993 [September 1964]): 38–40Google Scholar, 42, 44–46.

3 Hartman, Saidiya V.’s Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (New York and Oxford: Oxford University Press, 1997)Google Scholar is often cited as the founding text. See the interview, Hartman, Saidiya V. and Wilderson, Frank N. III, “The Position of the Unthought.” Qui Parle 13.2 (2003): 183–201CrossRefGoogle Scholar. Analyses of decisive questions in Afro-pessimism could be found in Mbembe, Achille, “Necropolitics,” Public Culture 15.1 (2002): 11–40, trans. Meitjes, LibbyCrossRefGoogle Scholar; Moten, Fred, “Knowledge of Freedom,” CR: The New Centennial Review 4.2 (2004): 269–310CrossRefGoogle Scholar; Chandler, Nahum, “Of Exorbitance: the Problem of the Negro as a Problem of Thought,” Criticism 50.3 (2008): 345–410CrossRefGoogle Scholar; Sexton, Jared, “The Life of Social Death: on Afro-Pessimism and Black Optimism,” InTensions Journal 5 (Fall/Winter 2011): 1–47Google Scholar.