Hostname: page-component-84b7d79bbc-g7rbq Total loading time: 0 Render date: 2024-08-01T12:24:07.421Z Has data issue: false hasContentIssue false
  • English
  • Français

Knights 230–3 And Cleon's Eyebrows

Published online by Cambridge University Press:  11 February 2009

D. Welsh
D. Welsh
Affiliation:
Ottawa
Get access Rights & Permissions [Opens in a new window]

Extract

With these words the ‘first slave’’ of the Knights (usually identified as Demosthenes), encourages the Sausage-seller to take up the cudgels against the Paphlagonian, confident that the actor playing this role will not be masked. The exception proves the rule and it is generally concluded from these lines that portrait masks were customary in Aristophanic comedy.

Type
Shorter Notes
Information
The Classical Quarterly , Volume 29 , Issue 1 , May 1979 , pp. 214 - 215
Copyright
Copyright © The Classical Association 1979

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

page 215 note 1 KOMOIDOTRAGEMATA, Studia Aristopbanea, Kostr, W. J. W., in honorem, 1967, pp.16 ffGoogle Scholar. Dover repeated his arguments in Aristophanic Comedy, Berkeley and Los Angeles, 1972, pp.28–9.Google Scholar

page 215 note 2 Fr. 217A, Edmonds.

page 215 note 3 For in this sense, cf. Aesch, . 1. 61.Google Scholar