The study of popular memory is necessarily relational. It involves the exploration of two sets of relations: (1) that between dominant memory and oppositional forms across the public field, including academic productions; and (2) the relation between public discourse and a more privatized sense of the past generated within lived culture.2 This paper is concerned with the second of these two constitutive relations in the study of popular memory—the often vexed but close linkages between public constructions and private reminiscences.