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Creative Process in the Dancer–Researcher–Performer Method: The Relationship Between the Director and Performer

Published online by Cambridge University Press:  02 August 2016

Elisa Costa  and
Graziela Rodrigues
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Abstract

This work presents a previous analysis of the specificities of the relationship between director and performer that exists when using the dancer–researcher–performer method (BPI in Portuguese). BPI is a Brazilian dance creation method in which the performer lives an otherness experience through fieldwork in Brazilian cultural manifestations. In this method, the director acts as a midwife, facilitating the “birth” of a dance that already exists in the performer's body, generated from its encounter with the field.

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 2016 , Fall 2016 , pp. 81 - 85
Copyright
Copyright © Elisa Costa and Graziela Rodrigues 2016 

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References

Works Cited

Rodrigues, Graziela Estela Fonseca. 2003. “O Método BPI (Bailarino-Pesquisador-Intérprete) E O Desenvolvimento Da Imagem Corporal: Reflexões Que Consideram O Discurso de Bailarinas Que Vivenciaram Um Processo Criativo Baseado Neste Método.” Ph.D diss., Universidade Estadual de Campinas (UNICAMP), Brazil.Google Scholar
Rodrigues, Graziela Estela Fonseca. 2013. “O Corpo Identificado Pelo Fluxo Dos Sentidos.” Paper presented to VII Reunião Científica Da ABRACE, Belo Horizonte, Minas Gerais, Brazil, October 28. http://www.portalabrace.org/viireuniao/pesquisadanca/RODRIGUES_Graziela.pdf Google Scholar